Visual Art Forms Research Articles

Cubism in Sweden – from experimental to moderate

In this article, examples of various forms of cubism practiced by Swedish artists are described and analyzed regarding form, content and reception in the field. A certain emphasis is placed on female artists, since there is a need for differencing the narrative of modernism regarding women’s contributions, often disregarded in their own contexts as well as in the writing of art history. Attention has also been paid to changing notions of cubism in the field of art. In the early years of cubism, from the 1910s, a considerable number of Swedish artists experimented enthusiastically with prismatic and other cubist effects in their paintings. Many of them went to Paris, Berlin and Copenhagen to see the new art, and brought new ideas to Sweden. For most of the artists who experimented with different kinds of cubism, it was a temporary activity, although many of them felt they had acquired new insights concerning artistic form. Some of them further developed their findings into new directions of modernist art, such as post-cubism, purism and concrete art. Women artists were active in all of these movements. The art market in Stockholm thrived in the 1910s and 1920s. Several of the art critics and large parts of the art audience had difficulties understanding cubism, and rejected the non-figurative art exhibited at the Stockholm exhibition in 1930. However, most Swedish cubism proved to be of a moderate sort, such as the works by Georg Pauli. On the other hand, Agnes Cleve, Siri Derkert, Gösta Adrian-Nilsson (GAN), and Otto G. Carlsund never ceased to generate bold forms and compositions. Regardless, it took a long time for Swedish art audiences to accept this form of visual art.

Seni Kaligrafi: Peran dan Kontribusinya Terhadap Pengembangan Peradaban Islam

The art of calligraphy has played an essential role in the history and development of Islamic civilization. The aim of this research is to review the contribution of calligraphy art to the development of culture, religion and science in Islamic civilization. Calligraphy is a form of visual art that is highly valued in the Islamic tradition. Calligraphy not only functions in the field of decoration, but it is also an intermediary in conveying religious messages and moral values. In this research method using historical and textual analysis, researchers found that the art of calligraphy enlarges the intellectual and spiritual life of Muslims, and also becomes an important tool in spreading Islamic teachings. Calligraphy participated in the development of Islamic art and architecture, publishing monumental works that combined aesthetic beauty and depth of religious meaning. This research shows that the art of calligraphy is not only a cultural heritage that must be preserved, but calligraphy also has a sustainable connection in the modern context.

Sejarah Perkembangan Kaligrafi Arab di Indonesia dan Penggunaannya

As one of the beautiful works of art in Islamic culture, calligraphy also flourished in Indonesia. In addition to being a visual art form, calligraphy also embodies Islamic aesthetic and spiritual principles. The use of calligraphy in mosque decorations, Qur'an mushaf, and other religious objects adds to the majesty and beauty of the sacred writings. Furthermore, calligraphy is a significant component in Indonesian education. Lots of art schools and cultural centres offer calligraphy courses, giving the younger generation the opportunity to understand and inherit this art. The learning of calligraphy covers not just the functional elements, but also the cultural and spiritual values in each stroke of the letter. This research aims to explore the development, use, and impact of Arabic calligraphy in Indonesia, particularly in education. Qualitative research using a library research strategy is the methodology employed, through searching journal articles on the history of Arabic calligraphy in Indonesia.

THE IMPACT OF ARTIFICIAL INTELLIGENCE ON DESIGN: THE EXAMPLE OF DALL-E

Applications of artificial intelligence, initially utilized during the Digital Revolution and continuously developing with advancing technology, are starting to appear more frequently in the field of design. Today, we encounter artificial intelligence in a wide range of fields, and, wittingly or unwittingly, one can benefit from it. The study is concerned primarily with the uses of artificial intelligence in graphic design, which is a visual art form communicating ideas and demanding creativity, and the potential future outcomes of machine learning-based design. In this context, the artificial network developed by OpenAI called Dall-E, which converts texts in written language into images, was examined as an example. The qualitative research method was used in the study. Printed publications and visuals related to artificial intelligence, technology, and design were scanned, and data collected by observation and document scanning was compiled. Samples were produced using artificial intelligence applications, after which they were interpreted and analyzed using descriptive analysis method. In conclusion, we consider that machine learning programs cannot go beyond the data they process and that they cannot have human emotions, intelligence, and creativity even if they can generate infinite variations by being ‘inspired’ by a work of art. By this assumption, in terms of discussing the effects of artificial intelligence on the field of design, it is significant to understand that, while the value of what is produced by artificial intelligence will decrease, the value of the original work will continue to increase in that the original will always be more valuable.

Approach to Psychic Wholeness: Psychoanalytic Theory in Daoist Supreme Deity Talismans of XuHuo

The Supreme Deity Talismans of XuHuo, as the mysterious visual artforms in Daoism, are significant ritual images created by Daoists during the Song and Yuan dynasties. This article explores the creation process of the SDTXH by applying psychoanalytic theory to analyze the literature related to their drawings in Daozang. The ritualistic concentration involved in writing the SDTXH resembles Jung’s systematic exercises aimed at eliminating critical attention, thus creating a vacuum in conscious. This vacuum serves as the key premise for active imagination, through which the unconscious is integrated into the conscious. Fuqiao, in fact, is a symbol dynamically depicting the process of the unconscious being inseminated by the conscious through immersion within it. This integration, or unity, represents the embodiment of concepts such as “mandala”, Guizhong, and Taiji. The SDTXH originate from Guizhong and essentially serve as archetypal images, similar to the sandplay images constructed by the clients. As the language of the unconscious, the SDTXH effectively bridge the conscious and unconscious, enabling the unconscious content, namely the archetype, to be symbolically expressed and bringing order to the creator through active imagination. The emergence of the SDTXH signifies the practitioner’s progress towards achieving psychic wholeness.

Exploring the Evolution of GenAI in Music Composition

Crafting musical compositions presents a unique set of challenges, divergent from those encountered in visual art forms. The temporal nature of music necessitates models proficient in handling time dynamics. Moreover, compositions often encompass multiple tracks, each characterized by its own temporal intricacies, demanding an intricate approach to their interdependent evolution. Unlike static visual imagery, musical notes are sequenced, commonly organized into chords or melodies, imposing a requirement for specialized chronological structures. This paper extensively delves into the evolutionary journey of GenAI within the domain of sequential generative adversarial networks (GANs) tailored specifically for music composition. We introduce a suite of novel models meticulously crafted to address the nuances of musical generation, exploring their efficacy in producing complex multi-track compositions. Our investigation centers on a comprehensive analysis of the evolutionary trajectory of these models, scrutinizing their capacity to autonomously generate cohesive musical sequences across diverse tracks. Through rigorous empirical evaluations, we substantiate the capabilities of our models to produce compelling musical segments sans human intervention. Furthermore, we delve into intricate technical discussions, elucidating the underlying mechanisms driving the generation process, including the intricate interplay of neural architectures and training methodologies. In addition to empirical validation, we conduct detailed user studies, garnering insights into the subjective perception of the generated compositions. Moreover, we delve into the realm of human-AI collaboration in music generation, unveiling the potential of GenAI to complement human compositions by seamlessly providing harmonious accompaniment, thereby bridging the gap between artistic creativity and computational progress.

Why Do We Fear The Robopocalypse? Human Insecurity in The Age of Technophobia

The paper aims to determine where exactly fear of intelligent machines is located in the narrative layers embedded in science fiction film stories based on the intelligence explosion hypothesis. The analysis departs from the assumption that the Robopocaliptic narrative, a science fiction narrative depicting the dystopian future of human–robot relationship, is constitutive of the irrational technophobic stance widespread in the public opinion of today’s postindustrial societies. As narration plays an essential part in our daily reflective and social practices, we are naturally inclined to look for narrative structure in popular culture, particularly in film, the most popular form of visual art, and the easiest one to consume. Nine science fiction films have been selected as relevant empirical evidence: The Invisible Boy (1957), 2001: A Space Odyssey (1968), Westworld(1973), Futureworld (1976), Demon Seed (1977), Blade Runner (1982), The Terminator (1984), The Matrix (1999), Ex Machina (2015). The Robopocaliptic narrative interwoven with the themes of the analysed films uncovers four recurrent ideas or messages that create robotophobia: redundancy of the human race, moral indifference of robots, robots as emotional abusers, and the loss of control over one’s own mind and body. The author proposes that these four ideas or messages mirror four layers of fear, all pointing to a meta-fear: the fear of rejection to be recognised and treated as a morally worth human being. In conclusion, the author suggests that Axel Honneth’s concept of recognition opens a plausible avenue to clarify the roots of the fear of the Robopocalypse.

Pengaruh Perkembangan Seni Kaligrafi Arab Terhadap Budaya di Indonesia

This research discusses the influence of the development of Arabic calligraphy art on culture in Indonesia. The art of Arabic calligraphy, with its beauty and philosophical meaning, has become an integral part of Islamic culture. In Indonesia, Arabic calligraphy is not only considered a form of visual art, but also as an expression of spiritual values ​​and Islamic aesthetic beauty. This research identifies and analyzes the impact of the development of Arabic calligraphy on various aspects of culture in Indonesia. First, Arabic calligraphy art has made a significant contribution to the development of Indonesian fine arts. His influence is visible in the decorative arts, architecture, and other works of art. Arabic calligraphy is not only an aesthetic element, but also a means of conveying religious and spiritual messages. Second, the art of Arabic calligraphy plays an important role in enriching language culture in Indonesia. Many Arabic words used in calligraphy became part of the local vocabulary, creating linguistic synergy between Arab and Indonesian cultures. Third, the art of Arabic calligraphy also has an impact on religious culture in Indonesia. The use of calligraphy in religious contexts, such as in mosques and other places of worship, creates a deeply spiritual environment and adds value to religious practices. Thus, this research details how Arabic calligraphy not only functions as a visual art medium, but also as an agent of cultural and spiritual change in Indonesia. It is hoped that this in-depth understanding of the impact of Arabic calligraphy art can enrich perspectives on cultural dynamics and diversity in Indonesia.

EKSPLORASI KREATIF MELALUI PENGINTEGRASIAN KEBHINEKAAN SENI VISUAL DALAM PEMBENTUKAN KARAKTER SISWA SMAN 1 TERARA

This research aims to investigate how visual arts can influence students' creativity and develop more positive characters. A qualitative study combined with a case study research style was the methodology used. PPKn professors and class Data collection methods include documentation, interviews, and cross-referencing observations with information from related magazines. The inductive analysis model is used as a data analysis method in this research. Research findings show that learning media has a significant impact on the way students develop their personalities and creative thinking, teacher's creativity in choosing the right media also very important, as is the case with teachers at SMA Negeri 1 Terara who have succeeded in using learning media in the form of visual arts to create student creativity in visual art form and develop a more positive student character.

CycleGAN with auxiliary classifier for chinese calligraphy style transfer and font classification

As a minor field that remains traditional, few have tried to integrate machine learning with Chinese calligraphy. This ancient form of visual art, on the contrary, is a considerable stage for computer vision. The numerous preservations of Chinese calligraphy make the rich context for machine learning studies that potentially make the field more valuable both aesthetically and pedagogically. This study transfers between stone inscriptions and ink marks, two unique forms of Chinese calligraphy, and classifies the fonts of the pieces. The model of this study is based on the outline of CycleGAN, a powerful generative algorithm for image style transfer. An auxiliary classifier, whose loss is trained together with the GAN loss and the cycle consistency loss, is deployed on the discriminator of CycleGAN, enabling the network to function as a classifier simultaneously. The model succeeds to convert the forms of stone inscriptions and ink marks, with the properties of each style vividly presented. It also successfully optimizes both the discriminator loss and the classification loss, showing the practicability of an auxiliary classifier on CycleGAN. This study points to a decent potential for further combinations of machine learning techniques with Chinese calligraphy studies, to make the job more versatile and detailed.

Snippets of Art : A Closer Look

Virtuosity or painting is a unique form of visual art, which is characterized by a rich and diverse range of colors, shapes and forms. It is influenced by the factors such as aesthetic value of art, the use of appropriate color combinations, etc. achieved through the elements of art. This article is aimed at introducing the definitions of art according to different artists, the importance of the elements, and types. Furthermore, the application, uses and examples of elements will also be discussed while drawing attention towards the role of artists by the end. In the final analysis of the article the conclusion from the study of art elements and role of the artists will be considered.

AN EXPLORATORY STUDY: CONCH SHELL CARVING IN BISHNUPUR, INDIA

The term "conch" has been often used throughout history to designate a variety of medium to large sea snails, particularly their shells. Bishnupur, a city and municipality in the Bankura district of West Bengal, India, has a rich heritage that includes the skill of carving these conches. Conch shell carving is renowned for its incredibly lovely and elaborate patterns contributing to some elegant visual art forms. In the Hindu faith, they play a crucial role and are seen as lucky in the mythology of the Hindus. Common products created from conches include ornaments, trumpets, beautiful home goods, sculptures, and more. This craft of carving conch shells is practised by traditional artists, many of them are members of the caste known as "Sankha Banik." Nowadays, the centre of these activities by these artists is a location named "Sankhari Bazaar" in the city of Bishnupur. Their expertise and art are passed down from years to generations, ensuring that this indigenous craft form never goes extinct. This paper makes an effort to comprehend the history of this craft form, the effects of geography and other state sovereignty conditions on it, the multiple techniques used to create objects from conch shells, its distinctiveness as a centuries-old art form, and finally, to investigate the current issues affecting this industry. The present scenario and user perspective has been tallied through a stakeholder survey conducted in Bishnupur, West Bengal, India. As a conclusion, this paper also seeks to identify potential paths and future directions for Bishnupur's conch shell sector to emerge as a prospective visual communicator.

Analysis of the Influence of Land Art on Fiber Art

Land art uses nature as a creative medium, combining art and nature to form a visual art form rich in artistic integrity. Land art is integrated with the aesthetic concepts of different periods, broadening people's horizons for exploring art, and allowing people to clearly express the relationship between human beings and nature in their thinking. By analyzing the background of the production of land art, the characteristics and cases of land art, this paper explores the influence of land art on fiber art.

The emotional burden of living with ischaemic heart disease: an artistic approach

Background/Aims A diagnosis of ischaemic heart disease may cause the individual to enter a state of emotional uncertainty. The authors aimed to provide an arts-based account of the emotional burden experienced by people with ischaemic heart disease. Methods A secondary qualitative analysis of 35 interview with individuals with ischaemic heart disease was conducted. The results from the interview transcripts were analysed and depicted using an arts-based approach, in the form of poetry, musical lyrics and visual art. Results Participants described an overwhelming sense of loss following a diagnosis of ischaemic heart disease, including feeling a loss of control in their lives, loss of self, loss of agency in managing the illness and a loss of hope for the future. The emotional burden that patients carried was likened to going through a grieving process. Three poems, one song and two visual art pieces were created by the authors to depict the emotional burden experienced by the participants. Conclusions Supportive interventions that apply arts-based approaches to practice could be beneficial to target the psychological needs and emotional burden of patients following diagnosis of ischaemic heart disease.

The Stylization of Art and Mysticism in the Context of Bangladesh

The purpose of this paper is to create a new field in the philosophy of art in context of Mysticism which expanded in Bangladesh especially in contemporary modern art. Here the relation between Art and philosophy will be also discussed. How different philosophical ideas and theme impacted on art and artist in various periods and isms will also be focused. Moreover the thought process of an artist is usually derived from the social surroundings, cultures, norms and by the view point of their religion will be also focused here. In this paper the bridge between art forms and artists and the impact of mysticism will be described elaborately. The main issue of this paper is to clarifying that mysticism can be a new form or new style of visual art and can be transformed in painting. A new style or ism can be mode of formation from the mystic verses of Sufism widely expanded in Bangladesh.

Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album

Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album

Application of human–computer interaction system based on machine learning algorithm in artistic visual communication

After entering the twenty-first century, with the development of science and technology represented by artificial intelligence, the content of art design and creation is increasingly rich. Its intelligence, interactivity and digital content expression make the relationship between science and technology, art and people more close and also bring new opportunities for the development of interactive art. Among them, human–computer interaction is more and more widely used. With the promotion of this kind of technology, interactive art is no longer based on auditory sensory experience, but on the in-depth study of human nature and comprehensive senses. On this basis, human–computer interaction technology is introduced, thus forming a comprehensive visual art form, which communicates and expresses through strong interaction, initiative and emotion. Based on machine learning technology and human–computer visual interaction technology, this paper explores the art visual communication module based on human–computer interaction system. By analyzing the audience's line of sight and visual differences, we can get the audience satisfaction, so as to improve the expression of the work. Firstly, this paper proposes the design of human–computer interaction visual structure and introduces the basic structure of art visual communication system, the simulation of art visual scene, the process and evaluation index of human–computer interaction recognition, visual recognition effect, etc., based on the needs of visual interaction. Finally, it analyzes the common forms of human–computer interaction in art visual communication, the reconstruction of thinking mode of art visual communication and the development direction of art visual communication. This paper believes that human–computer interaction technology plays a leading role in the development of the art field. It has a variety of functions, displays methods and values. By studying machine learning algorithm and human–computer interaction system, this paper applies it to the field of artistic vision, thus promoting the development of artistic visual communication.

The Influence of the Moving Image on Music-Induced Emotions

The combination of music and the moving image is prevalent in our society, occurring in visual art forms and media such as movies, music videos, and commercials. The relationship between the two has received much interest in existing research, but the focus has mainly been on the influence that music may have on the experience of the moving image. The present study adopts the reverse approach, and examines the potential impact the moving image may have on emotions felt and perceived while listening to music. Sixty-six participants were presented with three music excerpts that were introduced either alone or paired with one of two videos aimed to elicit strong emotions (either awe or being moved). The music excerpts were played a second time (without visual accompaniment) to investigate whether a possible influence of previously presented visual information was persistent. The results revealed that the moving image did have an intensifying effect on emotions induced (both awe and being moved) while listening to music. A significant negative effect on perceived valence and enjoyment was found for the least congruent music & video pairing. Interestingly, this incongruent pairing had the most persistent influence, being the only significant carry-over effect during the second presentation of music alone.

The Greek Root of Byzantine Emperor: Constantine the Great, His Images and the Imperial Cult

In the time of Constantine the Great, the emperor consciously controlled his image to strengthen his presence within the empire to consolidate the imperial power and his rule. In the process, various visual art forms were utilised, with the emperor represented in the form of sculptures, mosaics/paintings, and coin emblems. The use of emperor portraits throughout the secular and sacred spaces reflects Constantine's important role in politics and religion. Constantine showed the element of "worship" in his images. He completed a "self-deification" with subjective initiative, which had important significance in Constantine's time and the political life after his age. In this process, images and ruler cult are two elements that cannot be ignored. In the Byzantine-centered discussion, both features can be traced back to ancient Greece. This paper will show that Constantine used his own image, with images as a tool, along with other means to promote his worship and successfully spread the perception of the concentration of imperial power to the whole society. The use of images and the ruler cult, in turn, is a profound reflection of the Greek roots of the early Byzantine Empire.

Graphic Novels and Traditional Art Forms: The Indian Context

The visual language of graphic novels is increasingly becoming a powerful tool of expression. Originally known as the comic books, the contemporary graphic novels are being acknowledged as a potential medium for handling serious issues. Recently, a great changeover in the thematic concerns and the art style of Indian Graphic Novels has been witnessed. This hybrid medium of text and image is addressing to the sensitive issues and questions of the contemporary modern society and also establishing a cultural identity through its artistic (visual) expression. The conventional style of comic sketching and caricaturing on paper is being replaced by the traditional art forms from different cultures and regions of India. This shift has brought about a change in the perspectives or the ways of ‘seeing’ both the Indian Graphic Novels and the Indian visual art forms. The paper purports to establish a connection between these two with a proposition that the graphic novels are a potential mode of preserving the traditional art forms of India and helping them gain recognition globally so that the Indian Graphic Novel can also create a distinguished identity in verbal-visual literature like that of Japanese Manga. The paper is an endeavour to examine how the traditional art forms are being contextualized in the contemporary times and how they are effectively registering the resistance against the stereotype and the negligence especially of women and Dalits in the Indian society itself.