This article continues from our previous article on François Cointereaux, published in this journal last year. The aim of this second article is to cast light on the dissemination of the technique of pisé, as perfected by this French agriculturalist and architect, in Europe and its colonies. Although Cointereaux is considered today a minor eighteenth-century architect, the fascicles (cahiers) of his École d’Architecture Rurale were translated shortly after their publication in Paris in 1790–91 into six languages (German, Russian, Danish, English, Finnish, and Italian); these in turn attracted the interest of major architects such as Henry Holland (1745-1806) in England, David Gilly (1748-1808) in Germany, and Nicolai L’vov (1751-1803) in Russia, who founded a school of earth construction in Tiukhili near Moscow based on those of Cointereaux in Paris. Through his publications, Cointereaux generated, at the end of the eighteenth century, an almost universal interest in this vernacular material that was both cheap and abundant. His influence outside France was indeed significant, especially in Europe, where many leading architects used pisé for rural and residential buildings. The sudden interest in this vernacular technique, coinciding with the neo-classical age in revolutionary France and in Europe, might seem surprising. Doubtless this success can largely be explained by a desire to revive rural architecture, as well as by the cheap price of the material and its incombustibility. Although we have no means of assessing the number of pupils who attended Cointereaux’s schools, we do know that there were many visitors, notably foreign ones. In the period 1790–95, they were attracted by the novelty of the material and by his demonstrations of its application; this facilitated the wider dissemination of pisé architecture in Europe, North America and Australasia in 1795–1840.