Values Of Human Existence Research Articles

ТВОРЧЕСКАЯ РЕЦЕПЦИЯ БИБЛЕЙСКИХ МИФОВ В РУСКОЯЗЫЧНОЙ ПРОЗЕ Б. ЧИПЧИКОВА

The purpose of this article is to look at the theosophical issues that are significant in modern reali-ties considering examples of adaptation and qualitative reconstruction of religious plots, biblical mythologies, fragments from the scriptures in the works of the Russian-speaking author B. Chip-chikov. This project seeks to identify antecedent religious inserts, quotations, and reminiscences in the works of the Balkarian prose writer. The research focuses on the semantics of biblical allu-sions, intertextual discourse, forms of figurative reflection on the world through mythotheo-logems. In the course of the analysis, the hidden meanings of the literary text, the ideological con-tent of stories and short stories in the aspect of the sacred meanings inherent in them are revealed, the philosophical and symbolic images are deciphered from the point of view of their semiotic status, the subtext rolled up in them is read. The primary goal of the research is to determine the specifics of the writer’s individual perspective, as well as to define the ideological and creative foundations of his works. We attempted to describe the author’s anthropology’s humanistic es-sence, which consists in the proclamation of notions such as personal self-improvement, the value of human existence, the necessity of spiritual vision, intuitive feeling, rethinking the divine de-sign, and many other related themes. The author’s intentionality and receptive aesthetics enable us to model a conditional picture of the world, artistically embodied in all of its contextual expres-sions.

<오징어 게임> 욕망의 추이

This paper analyzes the tendency of desire in Squid Game.
 The dystopian world of Squid Game is a world of regression that arises from the boredom of the game's designer, Oh Il-nam, and the VIPs. From a psychoanalytic perspective, Squid Game can be seen as the emergence of the real as a metaphorical signifier of sainthome, caused by the depletion of jouissance. They are trying to recover the problem of loss of being as a stimulus by constructing a distorted world, socializing objects, and indulging in enjoyment from them. A series of attempts follow the logical structure of the Discourse of the Master. In particular, the way the game participants come to desire the game world is by destroying their humanity to cultivate ruthless competitive abilities and resocializing them by engaging in predatory gambling. Gambling is like a symptom that is forced on the weak in a polarized world. The tendency of desire itself is a criticism of this game world, which reflects the world, and at the same time a criticism of the polarized reality.
 O Il-nam, who makes people desire this world, is actually a person who is skeptical of the world's powerlessness. In contrast, Gi-hun eventually denies the position and achievement of the world created by O Il-nam. O Il-nam, who was a strong man in a polarized world and a transcendent other in a created world, but was struggling with the desire for stimulation, ended his life by asking Gi-hun, who did not give up his own existence, the value of human existence. This drama tried to avoid the hackneyed social participation stories through a symbolic and allegorical reflection of the polarized world, and attempted an ethical question about the problem of human desire that has reached an existential limit. This deserves to be evaluated as one of the merits of the Squid Game narrative.

PHILOSOPHICAL AND RELIGIOUS TEACHINGS OF CHINA AS THE BASIS OF ART AND ARCHITECTURE

The social life of China, its culture and art were determined by the local religion of Taoism, and the main postulates were laid out in the treatise "Daodejing" ("The Book of Tao and De", 6th century AD). Accordingly, a person with the whole way of life became a participant in the cycle of phenomena in nature, and therefore felt that he was not the main creation of God, as it was in Christianity, but only one of the components of the universe.
 Unlike Christianity, the phenomenon of Buddhism consists in the absence of a "logos" – the deity at the heart of the religion, since initially the image of the Buddha was interpreted as the image of a person who has achieved enlightenment. In Buddhism, there was no thesis about the value of human existence, which was interpreted as one-moment and changeable.
 Now let's trace how the specific philosophical and religious teachings of China influenced art and architecture.
 This is clearly visible both in secular buildings and in the temples of the three religions. The phenomenon of the transformation of the borrowed religion of Buddhism on local soil can be illustrated by the example of the unique cave temple complex of Dunhuang, the creation of which lasted over a thousand years, from the 4th to the 14th century. On the example of the wall paintings of sanctuaries, it is possible to trace how the borrowed subjects and techniques were gradually diversified and improved under the influence of local painting techniques. Moreover, scenes of secular life, portraits of benefactors, as well as a pantheon of Taoist deities were gradually added to the purely Buddhist subjects (fetian – the Chinese version of the heavenly apsaras, lords of Fuxi and NЯwa, etc.).
 The principles of feng shui and established hierarchy were also maintained in secular architecture and landscape design. So, all the main facades were oriented to the south, and the screens acted as barriers for evil spirits (in the gardens, such a function was performed by "natural screens" – "green screens", when one natural picture covered the other and it was impossible to view the entire garden at the same time. Chinese garden became the personification of the harmony of the world, therefore each landscape picture was carefully thought out. It was believed that gazebos – small pavilions in the garden became a place where a person encountered the laws of perfect harmony of nature. 
 An analysis of the relationship between traditional Chinese architecture and art and traditional philosophical and religious teachings proves that architecture and art were subject to the principles of feng shui and local "religious syncretism".

VALERII SHEVCHUK’S STORY “CONFESSION” THROUGH THE PRISM OF THE PHILOSOPHY OF EXISTENTIALISM

The paper analyzes V. Shevchuk’s story “Confession”, in particular tracing the peculiarities of literary representation of ideas and motives of existentialism on the substantive and figurative levels. The focus is on the relationship between the philosophical, mythological, Christian, and neo-baroque plot/content and idea/image contexts of the work. The image of a werewolf in the creative interpretation of V. Shevchuk combined demonological and philosophical content, embodied the idea of the mystery and ambivalence of human nature, the tragedy of existence in the world, and also became an original illustration of the path from absurd existence to a true one. The existential context of the story is highlighted by the analysis of the feelings and states experienced by the heroes: despair, longing, metaphysical horror, alienation, etc. The way taken by both heroes runs through suffering, self-discovery, remorse, and redemption. It is their way to themselves and a way out of the one-dimensional plane of absurd existence, a process of creating the meaning of their own existence. An important stage on this path is the choice, which acquires the significance of a special borderline situation, in which the theme of the tragedy of human existence is actualized and the essence of man, the strength and weakness of his spirit, the desire for freedom are being most fully revealed. The original plot, compositional, narrative, and figurative structure of the story contributes to the unfolding of different time layers, furthers in-depth reflection of the inner world of the heroes and their moods, which create the context for the themes of human knowledge of oneself, the others, the world, and the truth. The historical, mythological, and philosophical story “Confession” testifies to V. Shevchuk’s desire not only to know a person and the complex dialectics of a personal inner world but also to affirm the uniqueness and value of human existence; like in his other works, the writer tries to understand and therefore to justify a person.

An overview about the development of theory of the novel in Vietnam

The novel is a constantly changing and evolving genre when it shows the width and depth in the reflection of reality, opening up endless dialogues about the value of human existence in its flexible structural framework. The article exploits, points out and evaluates theoretical achievements of the twentieth century novels. From this evaluation, the text identify the theoretical development trend of this genre in the twenty-first century, placed in the movement correlation, movement of contemporary Vietnamese literature seen from creative writing and receptive innovation.

Study of Existentialism Philosophy, ?Merahnya Merah? Novel by Iwan Simatupang

This research is aimed in general to gain a thorough understanding of the structure of the novel image and the values of human existence in the novel work of Iwan Simatupang redness of red. The specific objectives of this study, to obtain a picture of human existence from the intrinsic structure of the novel Red redness of the work of Iwan Simatupang, to obtain a picture of human existence Iwan Simatupang of social background, and to obtain a picture of human existence from the world view Iwan Simatupang. The focus of this study, matching is guided by a qualitative descriptive method. The research process begins with a literature review, data analysis, and discussion. (1) The conclusions of this study is the picture can be revealed the existence of intrinsic elements of the novel his Red Red is the theme, characterizations, plot, setting, and style. (2) confirms the main themes of human existence will have a meaning or meaningful if it is in relationship with others, the environment and God. (3) characterizations in the novel is without a leader, carrying a container, without the personal character, a character that is free. (4) The flow of the novel was not planned, the story runs without a program, sometime it will happen just about anything, relative, relative, not unexpectedly, the story is only concerned with the idea. (5) Background material is a vagrant neighborhoods, social background is the activity of the homeless, and the rest is the background of ideas. (6) Style Iwan Simatupang more to his style in expressing ideas in the character of our hero's brilliant. (7) Social Background Iwan Simatupang appears in his biography and some of the existence of life appear in the character of our leaders. (8) The world view Iwan Simatupang grow and be influenced by the philosophy of existentialism. (9) includes the description of human existence: human presence, choice, the meaning of life, responsibility, resignation, death, freedom, religious kesadarn, and guilt. Based on the results of the study authors to recommend (1) Novel Red redness of the work of Iwan Simatupang has a character different from other novels. The theme is simple but requires knowledge and intellect to understand the meaning. (2) Teaching language and literature of Indonesia (teachers and lecturers) in order to use a novel source of literary appreciation of his Red Red Iwan Simatupang works as teaching materials in order to learn more about the work that has weight and aesthetic level of difficulty. (3) the general reader should make his Red Red novel as a work of Iwan Simatupang materials useful to sharpen the critical spirit and philosophical contemplation that leads to wise attitudes. (4) This study cannot be said to be less comprehensive in-depth. Further research needs to be revealed all the secrets that are wrapped by Iwan Simatupang novel Red redness. How to Cite this Article Pubmed Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. SRP. 2021; 12(2): 711-716. doi:10.31838/srp.2021.2.96 Web Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. http://www.sysrevpharm.org/?mno=68464 [Access: March 29, 2021]. doi:10.31838/srp.2021.2.96 AMA (American Medical Association) Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. SRP. 2021; 12(2): 711-716. doi:10.31838/srp.2021.2.96 Vancouver/ICMJE Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. SRP. (2021), [cited March 29, 2021]; 12(2): 711-716. doi:10.31838/srp.2021.2.96 Harvard Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo (2021) of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. SRP, 12 (2), 711-716. doi:10.31838/srp.2021.2.96 Turabian Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. 2021. of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Reviews in Pharmacy, 12 (2), 711-716. doi:10.31838/srp.2021.2.96 Chicago Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. Study of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. Systematic Reviews in Pharmacy 12 (2021), 711-716. doi:10.31838/srp.2021.2.96 MLA (The Modern Language Association) Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo. Study of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Simatupang. Systematic Reviews in Pharmacy 12.2 (2021), 711-716. Print. doi:10.31838/srp.2021.2.96 APA (American Psychological Association) Style Viktory Nicodemus Joufree Rotty, Stanny Sicilia Rawung, Christi Diana Mambo (2021) of Existentialism Philosophy, “Merahnya Merah” Novel by Iwan Reviews in Pharmacy, 12 (2), 711-716. doi:10.31838/srp.2021.2.96

RUSSIAN NATIONAL TYPE IN ALEXANDER TVARDOVSKY’S WORKS

Ethnicity-specific features of mentality, axiological hierarchy, and language cultures are all the focal objects of the humanities. The notions of a national type, a character, and a hero are integral components of the ethnic aspect found in the culture. The studies of Russian literature give access to a source of «Russianness». Russian writers traditionally consider persistent traits of national consciousness and behavior as well as changes caused by historical and social factors. The article analyzes Alexander Tvardovsky’s oeuvre in relation to creating the national types, the images of Russian people who display traditional behavior patterns, as well as reflection of the consciousness archetypes and the notions of the ethnic ideal. Tvardovsky was distinguished by his analytical mentality and the willingness to give a profound socio-cultural characterization of his contemporaries and events, which he witnessed. The pivotal events like the October Revolution of 1917 and the Second World War changed the country and wielded influence on human identity, primarily on his inner qualities and self-esteem. Tvardovsky’s works centered on Russians and their adaptation to new social conditions amid the hardships of wartime. The article highlights special traits of the image of Vasily Tyorkin, a Russian man from the grassroots fighting on the frontline. It was this image that showed typical national features embodied in their ideal representation. In addition, the article examines images of Russian people, whom Tvardovsky described in the short story «The Stove-Setters». In the linguistic view, the author’s notion of ethnic ideal is expressed in the organization of the conceptual sphere that revolves around the axiologically charged concept lexemes defining the values of human existence. While the military themes in «Vasily Tyorkin» envision the concepts like duty, patience, energy, merriness, the conditions of peaceful life bring up the concepts of mastership, talent, culture. Tvardovksy’s works take on special significance in the epoch of globalization and global cultural uniformity which put the Russians in a situation where they face the importance of adapting to the contemporary social conditions and simultaneously preserving their ethnic identity.

Аксиологические аспекты реализации языковой политики России в профессионально-методической подготовке учителя иностранного языка

The article considers the language as the value of human existence and ethno-cultural society, which determines the importance and significance of language policy of states. The article reflects the main directions of the language policy in Russia with reference to the fundamental normative documents in this area, describes the conditions for the successful language policy in the field of foreign language education. The article presents the survey results among the students of Moscow Pedagogical State University, studying in the direction of training 44.03.01 “Pedagogical education”, which allowed to identify the degree of readiness of the students to implement the Russian language policy in their future professional activities. In conclusion, the authors propose to highlight the basic linguistic and cultural concepts in professional and methodological training of foreign language teachers and the main axiological guidelines at each level of higher education, ensuring the full implementation of language policy in foreign language education in Russia.

New paradigm of social development in the context of digital economy

The relevance of the research is connected to the fact that in the context of the coming era of the industrial revolution 4.0, the globalization of the economy is the irreversible process that it involves more and more countries, regions and peoples. The authors guess that the digital economy is one of the consequences of the globalization of the world economy. The key idea consists in the suggestion that the digital economy constructs a basis for shaping new type of global human civilization. The goal of the study is the interdisciplinary analysis of the impacts of the digital economy on changing the paradigm of social development. One of the important results of the research is the thesis that the increasing the influence of the digital technologies on the social and economic life of people are changing model of thinking and behavior of contemporary peoples. The authors come to the conclusion that in the space of the digital economy the information and communication technologies contribute to break the traditional value system of society. The authors note that such values as information, mobility, speed, sociability, comfort, time saving, quality of services-begin to dominate the consciousness and behavior of a person in the context of digitalization of socio-economic life. It is revealed that these values are included in the field of the philosophical concept of pragmatism. These values are focused on obtaining mainly material benefits. The authors substantiate the need to develop the academic discussion about the risk of leveling traditional spiritual values, which for centuries were formed the meaning and value of human existence in society and nature.

«“Мороженно!” Солнце…» О. Э. Мандельштама: опыт анализа акмеистического текста

The goal of the study, determined by the pragmatic and didactic purposes, is to demonstrate by the example of the poem «“Ice-cream!” The Sun...”» by O.E. Mandelshtam how the theory and practice of acmeism, the aesthetic principles and poetics correspond to each other. The following structural levels are examined: the rhythmic organization, phonics, poetic lexis, syntax, composition, chronotope, and lyrical plot. The poem is viewed as a universally harmonious structure, which is an example of a form in which all the internal conflicts and contradictions are in equilibrium, and the structural shifts contribute to the internal dynamism of the text. The regular rhythmic arrangement creates an external frame; however, it is balanced by the energy of the shift at the level of variable syntax and by the deviation from the rule of alternance. The principle of consolidation, which characterizes the aesthetics of acmeism, is observed at all the levels of the text. The text is aesthetically completed by the idyllic merging of the boundaries of the lyrical ego of the poem and of the entire universe, accepting the Beauty of the World as the pivotal value of human existence.

TRANSFORMATION OF PERSONAL VALUES AMONG THE YOUNGER GENERATION AT DIFFERENT STAGES OF SOCIAL DEVELOPMENT

The presentation of the main research material is represented by the characteristics of historical periods according to the understanding transformation by the society and its prominent representatives, as well as the values of human existence by the scientists; the aspects of the interpretation of the category "values" and "value orientations" are conducted in the scientific work; an analysis of the contents of value orientations (basic or key) in different ages; the beginning of the axiological stage of scientific knowledge is determined; separate social and psychological aspects of value problems are considered.

ANThROPOLOGICAL DIMENSION OF ThE PhENOMENON OF SPIRITUALITY: TO ThE PROBLEM OF CONCEPTUALIZATION

The article shows that the history of culture is saturated with problems related to the development of intentions and values unique origin. There are such problems, consideration of which requires «experience» and «stay» Absolutes worthy of the name of ideals and values. The solution to these problems requires an individual life experience that represents the integrity that is your unique, individual relationship to these ideals and values. Immersed in this culture, learning the «external» man creates himself and his personality.It is proved that the spiritual situation of the XXІ century has put the person in specific conditions. More than ever, it needs to resist the loss of the meaning of his existence. But this process is impossible without «design» themselves, create their forms of life. So the question arises about the fate of the human spirit, for the spirit is freedom, creativity, intelligence, value, independence from the external world, natural and social. The spirit is not evident, it is not manifestating, elusive and therefore cannot be reduced to what can be manifestating logic, beliefs, religion.Any social shocks, especially shocks to the global, through the human soul, and leave its mark on her, forming some kind of new beginning in an objective and data the origins of the spiritual organization of man. Therefore, it is justified in the interest of social philosophy to a specific pole of human reality to the forms of human spiritual existence. And, apparently, only in one interval it is impossible to reveal how the very nature and ontological status of the phenomenon of the spiritual. A spiritual person particular person does not fit into any polarity. Spiritual reality as a special reality of human existence presupposes the inclusion in the history of the human spirit.It is shown that the rejection of the ancient rationalist tradition began in the mid- nineteenth century, although some time the favor of scientists and public opinion was on the side of those who believed in reason and its possibilities, guarantees a universal world order based on the truths they preach. There are diverse perspectives and values of human existence, other ways of revealing his spiritual potencies. New thinkers argued against the classical values of reason and tried to justify increasing society’s realization of the meaninglessness and safety of human existence. According to them, the world is becoming more and more hostile to man. In these circumstances the Central task of perception is the search for one’s own strength, relying on yourself and your own spiritual self-determination. Not accidentally, the deep ideological shifts found its origins in the real Genesis of the modern world, and not coincidentally, they are concentrated in different quality conditions, around the spiritual principle in man.In philosophical studies dedicated to issues of spirituality, spirituality is analyzed in the contexts of epistemology and ontology. Epistemological perspective the ability to see the spiritual world reflects the reality as it looks in the light of objective truth. Ontological causes are the following: how spirituality defines the space of human existence in the world independent of him, and how spirituality itself is determined by the opportunities allowed by the world.The philosophical aspect of spirituality is based on the fact that the person understands and accepts his uniqueness, self-sufficiency, but also accepts the existence of another reality, recognizing her for granted, because he lives in a sinful, commodity world, which cannot be called universal and cannot claim that. Going beyond oneself, of others, similar to themselves, their worlds, the essence of this aspect.It is concluded that for reflection and understanding of the problem of spirituality requires not only rational thinking, but also existential philosophizing as a complement to rational design. This approach is quite appropriate, for example, in the identification of spirituality.

The Effects of War and the Strategies for Salvation in Postwar Korean Society in Jang Yonghak's The Poetry of John

This article discusses the effects of war and the strategies for salvation in postwar Korean circumstances as reflected in Jang Yonghak 張龍鶴 (1921-1999)’s story entitled The Poetry of John (요한 詩集 1955). First of all, I attempt to argue that the effects of war are double-faceted: on one hand, there are the psychologically traumatic effects of war, and on the other hand there are the existential effects which accompany them. Therefore, war and postwar circumstances do not only imply victims’ psychological trauma, but also a state of existential angst in which victims question the value of human existence and doubt the chance for salvation. However, in those circumstances, the possibility for salvation might come with the finding of a “proper space.” The “proper space” shall be here bestowed with a metaphorical connotation of a location within which one can finally make full sense of oneself and of the world. Death is also been conferred a symbolic meaning of a possible space of salvation.

The Leadership of Philosophy

The positions that I would support in regard to the question whether philosophy has any relation to practice are as follows. In the first place, there are certain problems of modern civilization, and those amongst the most crucial, with which philosophy alone can deal. In the second place, in spite of appearances to the contrary, the present age will not be deaf to the voice of philosophy, if it can speak with sufficient clearness and power to secure a hearing. The problems to which I refer do not belong to the sphere of science, in the strict modern sense. Science is triumphant in its own sphere, but it is not concerned primarily with the values of human existence, or the activity of the mind by which they are discovered, pursued, enjoyed.