BOOK REVIEWS 111 One fascinating item is the author's extensive account of the most violent and extended controversy in the history of aesthetics---the veneration of images and the disputes between the Iconoclasts and the Iconophiles. This sometimes physical battle raged for over 100 years! The Byzantine society, obviously, took art seriously. Tatarkiewicz' great labor is an object lesson in historiography and bibliographic technique. At one and the same time it demonstrates how much of value remains to be discovered by careful adherence to the detail of scholarship, while it also displays how much fruitful scholarship depends upon a brilliant and profoundly informed mind. Such a work, in short, could only have descended from a fully mature scholar. Publication of these volumes underscores the continuing need for publication of significant translations waiting to be made. When can we return to those conditions which make possible this kind of international scholarly achievement? The Humanities Press is now offering these two volumes for $10.00. ALLAN SHIELDS Cali/ornia State University, San Diego Tempo, Coscienza e Essere nella filosofia di Aristotele. By Luigi Ruggiu. (Brescia: Paideia Editrice, 1970. Pp. xxviii+662. L. 6,000.) Ruggiu gives us here a careful and extended account of Aristotle's view of time with special attention to the necessary connections that obtain between time and consciousness, and time and beilag. Ruggiu is also interested in saying something about the origins of later Western conceptions of time and what he calls the nihilistic tendency which runs through them. The reader who (wishing to follow Ruggiu in this 690 page enterprise) begins by trying to get a sense of the architectonic of the essay, is immediately advised to skip E. Severino's somewhat misleading preface. In his own very useful Introduction, Ruggiu rightly notes that Aristotle's review of the aporia in the notion of time found that his predecessors had tended to assimilate (or reduce) time to non-being. But Ruggiu neglects to emphasize something that would have been very helpful at this stage, and which is altogether required, for the understanding of Aristotle's view of time. This is, that Aristotle himself assimilates time, not to non-being but to change and motion. It is also fundamental to Aristotle's philosophy of time, just as it is to his philosophy as a whole, that it acknowledges the primacy of change in the realm of the conditional. Let it be emphasized, then, that generation or change in Aristotle are not from nothing into something, or from something into nothing but from one thing into another. Ruggiu is trying to recover the sense of being in Aristotle which transcends the oppositions between idealism and naturalism, subjectivism and objectivism, and which is the matrix of Aristotle's sense of, and doctrine about, time. He finds that from Plotinos to the present, the prevailing interpretation of Aristotle's conception of time has been a spatial one in which, for instance, temporal succession has been reduced to spatial co-existence. Plotinos, of course, accepted the distinction found in Aristotle between the eternal sort of being which is outside of time and the being which is in time. But in trying to deduce temporal being from eternal being Plotinos is found guilty, by Ruggiu, both of equivocating between radically opposed senses of being and of developing his notion of time on the basis of the denial of time (quite like some modern mathematical philosophers of physics). Others have been equally mistaken in approaching Aristotle with the belief that consciousness is the basis of time. But the substrate of time, in Aristotle, is change, not conscious being. According to Ruggiu time in Aristotle is more than just a mode of being whose essence consists in succes- I 12 HISTORY OF PHILOSOPHY sion, for the reason that time conditions the very way in which we conceptualize being. The relations between being, time, and consciousness are, so to say, intrafoundational. Existing things or processes can, of course, be thought of as not existing; so, there is a sense or mode (namely, possibility) in Aristotle in which things disappear. Ruggiu (p. 411) understands Aristotle to mean by "the possible" that which does not now exist...
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