It has been observed that participants involved in creative workshops, expressing their feelings in nonverbal media, have often been spontaneously stimulated to produce “therapeutic poems” as well, “as if the non-verbal creative energy released in the art experience had overflowed into the verbal form of poetic expression” (Leedy & Rapp, 1973). Conversely, it can happen that poetry will move its readers to the production of highly original “therapeutic” works of art. I define therapeutic art as that which gives its creator a sense of satisfaction, preferably through an expression, understanding and even resolution of his previously unconfronted emotional conflicts. Such conflicts tend to nest deep in the unconscious mind, the pathways to which are few: psychoanalysis is a long and costly road and requires an expert guide; dreams, if properly interpreted, provide “the royal road to a knowledge of the unconscious activities of the mind,” as Freud (1965) said, but it remains for poetry to give us an everyman’s highway to be traveled by day, the loveliest, quickest road of all. I therefore embarked on a quest for the Jabberwock, employing Lewis Carroll’s magnificent nonsense poem “Jabberwocky” from 7hrough the Looking Glass and What Alice Found There to stimulate a group of subjects into capturing the fabulous monster on paper. Many people fail to take nonsense literature seriously. The problem, as in the case of Dr. Pepper, “the misunderstood soft drink,” lies in the name. Nonsense literature is not without sense, but rather is that which deals in a humorous or whimsical way with odd or grotesque themes, characters or actions, often employing coined words that are evocative, but have no accepted meaning. If poems are considered to be like dreams for.poetry, like dreams, uses symbols (metaphors), free association of words and images, condensation and merging of concepts, and deliberate distortion of reality in the service of heightening or softening emotional response then it is fitting for poems to be humorous, for Freud (1965) realized early in his exploration of the dream phenomena that dreams and jokes are closely related. “In waking reality,” he wrote, “I have little claim to be regarded as a wit. If my dreams seem amusing, that is not on my account, but on account of the peculiar psychological conditions under