948 Reviews Gower's Genius may lack authority), in general White skirts the important fact that many of the poems he discusses are poetic visions or psychological allegories: the positions taken by allegorical figures like Nature or Genius therefore reflectthe moral condition of a controlling central character. White, however, takes almost everything that is said, regardless of its point of view or tone, as a transparent reflection of the author's true opinions. This carelessness about form makes it difficultto achieve the praiseworthy task set early in the book?that is, to look at how the poets make the 'instability and ambivalence' of Nature a source of 'enormous poetic power as the focus of contesting energies within individual poems' (p. 47). Because the effect of form on meaning goes largely unacknowledged, we end up seeing Gower in the Confessio Amantis as an author who has tried but failed to reconcile the claims of Nature and Reason, rather than as one who self-consciously probes an allegorical fault-line to convey equivocations issuing from Amans. Parts of the chapter on Gower, however, show what this book could have been. White's understanding of Nature's ambiva? lence allows him to introduce to criticism of this poem a refreshing and clear-sighted recognition of Gower's pessimism; his reading of Amans's renunciation of love is closely observed and shows the potential of his method. Unfortunately, much of the rest of the book does not live up to this potential. The final chapter on Chaucer is especially disappointing. Here White skips from poem to poem without significantly engaging any of them or their relationship with the full tradition. In a book that at the beginning proclaims Gower and Chaucer as its ultimate objects (p. 7), one expects both less and more: a less meandering opening, a more sustained and thoughtful close. Wellesley College Kathryn L. Lynch Magic in Medieval Romance from Chretien de Troyes to GeoffreyChaucer. By Michelle Sweeney. Dublin: Four Courts Press. 2000. 199 pp. ?35. ISBN 185182 -536-3. It is the virtue of this book to draw attention to an area which, one suspects, many earlier medievalists have regarded as just too silly to merit serious attention, but as the author?quite rightly?says of magic in the romances, 'to fail to acknowledge its influence is to diminish [. . .] a phenomenon which medieval authors saw as a means of interrogating their own community's sense of self and purpose' (p. 53). Sweeney's conclusion, expressed already in the introductory chapter, is that 'magic is used to achieve a similar purpose across the range of texts under discussion, that is, evaluation of the characters' values, identities or moral beliefs' (p. 19). The 'texts under discussion' include Geoffreyof Monmouth's Historia Regum Britanniae as progenitor of the Arthurian romances elaborated by Chretien de Troyes, the subject of the firstchapter, 'The Origins of Romance'. Chretien's derivative ro? mances and the 'Breton laisyof Marie de France are the texts drawn on in Chapter 2, 'Breaking the Celtic Spell'?though one suspects that this particular spell was never whole for the present author, who, despite writing from within a 'Celtic' university, is content to repeat the complacent Romanicist's position of downplaying the Celtic origins of the MF and ME romances. Indeed, she is far from up to date with the current state of scholarship on matters Celtic. Her familiarity with the 'Matter of Britain' underlying the Arthurian Romances, i.e the medieval Welsh tradition, is?to put it kindly?inadequate. Like many scholars of Romance romances, one suspects her familiarity with Welsh is minimal, if not non-existent, as exemplified by the frankly illiterate Prouder, which appears here for the name of the Welsh romance Peredur (p. 57). Even worse garbled is the statement on page 61 that one of the sources identified as influential on Geoffrey of Monmouth's Historia Regum Britanniae is 'potentially one ofthe Welsh Triads, namely the Tysilio\ As St Tysilio makes MLR, 98.4, 2003 949 no appearance whatsoever in the Trioedd Ynys Prydein, the reference is perhaps to the late medieval Welsh version of GeofTrey's Historia known (misleadingly, as it has nothing to do with the...