Group work is an important aspect of our profession as art therapists. There are many formats for teaching art therapy students about group dynamics; however, in this paper, we will call our group time an art therapy training group (T-group) because it was a specific time for observing and learning group dynamics first hand. The T-group is one of students’ first formal introductions to group art therapy, and is often their only exposure to groups before internship and employment. T-groups offer art therapy students an opportunity to experience group dynamics firsthand, and allow them to find more authentic relationships with fellow students while enhancing selfawareness. In the ever changing clinical climate that challenges art therapists to wear several hats and to be flexible with their professional identities, group training offers an important format for expanding self-awareness and skill (Malchiodi, 1999). Although therapists in the creative arts remember their T-groups as pivotal markers in their education, the student perspective of T-group experiences is rarely discussed (Carter et al., 1978; McClure, 1998; Wadeson, 1987; Waller, 1993). Literature on group work and art therapy group work is broad and extensive, but there is a pronounced absence of literature documenting an art therapy T-group from the student perspective (Carter et al., 1978; Swan–Foster, Lawlor & Scott, 1999). This paper seeks to partially remedy that situation by documenting a 15-week art therapy T-group of 13 women and 1 female leader. Weekly progress notes made by all the group members as well as a follow-up questionnaire yielded substantial comments on specific group dynamics and themes from which the authors focused on relevant subsections that were later woven together into this paper. Although the whole T-group participated in making this possible, the paper predominately reflects the experiences of these authors. The T-group was regularly held at the end of a class, after the discussion of academic and ethical readings. The T-group was scheduled in the first semester of the second year when the members had established subgroups from their first year of classes. The leader entered the group as a newcomer. The leader’s goals for students within the T-group portion of the class were to experiment with personal expression through talking and art, to experiment with roles and boundaries, and to expand the capacity to tolerate the uncovering of group conflict and tension. Two themes dominated this art therapy T-group: 1) how to interpose words with art within an art therapy group, and 2) how to clarify and understand group conflict and resistance within a multirelationship environment. * Corresponding author. E-mail address: NswanFos@aol.com (N. Swan–Foster). The Arts in Psychotherapy 28 (2001) 161–174
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