Traditional Art Research Articles

THE INFLUENCE OF THE DEVELOPMENT OF COMPUTER TECHNOLOGIES ON THE PROCESS OF ARCHITECTURAL DESIGN

Problem statement. The history of the development of Petrykiv painting, including the study of the work of folk masters and their followers, their works, as well as consideration of problems and their solutions. The purpose of the article. To study the history of the origin and development of the art of Petrykivka painting. Determination of the stages of development and features in its different periods. Conclusion. The art of Petrikovsky painting is a unique relic of the national artistic tradition, which delegates to the modern world the original culture of the historical cradle of the Zaporizhia Cossacks. His powerful spirit, originality of poetic worldview and profound ethnic folk artistic thinking. Petrykiv decorative painting has in its potential immeasurable possibilities of ancient and eternally young folk art, for entering the sphere of modern life, enrichment of national and world culture. The war situation exacerbates and activates artistic creativity as much as possible. Thanks to the enthusiasm of Petrykiv masters-artists, their desire to support and develop our art, to pass on their skills to descendants, to show the beauty of Petrykiv painting to the whole world, this art form continues to live, improve and surprise with its unique ornament. Due to the significant economic difficulties accumulated during the last decades, an important branch of national culture has reached the critical limit of survival. Ensuring the preservation of historical centers of folk art and folk art crafts of Ukraine is a necessary component of the formation of national consciousness. The following most important strategic directions: state support and protection of the central figure of the industry − its producer, bearer of folk artistic traditions, folk craftsmen and enterprises of historical centers of folk artistic industries; preparation of the future change of folk masters in the creative environment of historical centers of folk art, by reaching different age categories of students, including the creation of specialized secondary educational institutions (schools), which will be gradually expanded as the industry develops; creation of museums in historical centers of folk arts and crafts for the purpose of their popularization, scientific research, assistance in education of future change, development of centers and tourism industry in Ukraine; Petrykiv painting will survive if it finds a new organic “usability”, either by artists of decorative art or by masters of folk art.

EXPLORATION OF HOW THE AKAN CULTURE PROMOTE CONCEPTUAL UNDERSTANDING OF GEOMETRY IN THE SENIOR HIGH SCHOOLS

The purpose of the study was to investigate how the Akan culture promotes conceptual understanding of geometry in senior high schools. The study area was the Ashanti region, which houses a chunk of the Akan people. The targeted population for the study included experienced mathematics teachers and people well-versed in Akan traditional art. Using purposive and snowball sampling methods, ten participants were recruited, including seven experienced mathematics teachers and three craftsmen. Data was collected through interviews to elicit in-depth information from participants using a semi-structured interview guide. The data was analysed using thematic analysis. One major theme and four sub-themes were identified, indicating that to achieve conceptual understanding, teachers make use of learners’ experiences as they build new knowledge, which enables learners to transfer the knowledge to new situations as they apply the knowledge. We therefore conclude that the Akan culture has connections with geometry, and teachers are encouraged to adapt the school geometry to the Akan culture. We also encourage more research in the area of ethnomathematics to widen the scope.

Characteristics of Qinghai Traditional Painting Art-Literature Analysis

Qinghai’s traditional painting art, influenced by its diverse ethnic cultures and religious practices, is a unique fusion of Tibetan, Han, and Mongolian elements. Originating from ancient rock art, Qinghai painting has evolved into a complex system characterized by realism, symbolic representation, and vibrant colors. Tibetan Buddhism plays a significant role in shaping the themes and styles of Qinghai’s art, particularly in Thangka and mural paintings. These art forms, rich in religious symbolism, are not only visual representations of spiritual teachings but also educational tools that pass down cultural and moral values. Among Qinghai’s artistic traditions, Datong farmers' paintings stand out for their simplicity, vibrant colors, and strong connection to rural life, using expressive brushwork to depict local customs and daily activities. Meanwhile, Qinghai Thangka is notable for its symmetrical compositions, vivid colors, and intricate details, often portraying Buddhist deities in a harmonious and layered structure. Despite modernization challenges, Qinghai’s painting art continues to innovate while preserving its cultural heritage, with modern artists blending traditional techniques with contemporary elements to keep the tradition alive. This study explores the characteristics, cultural significance, and future of Qinghai traditional painting art, emphasizing its role in cultural identity and artistic development.

Role Transformation of Teachers in Higher Vocational Colleges under Artificial Intelligence Assisted Art Creation: A Qualitative Study of Art Design Teachers

Artificial Intelligence (AI) technology has made remarkable progress in image processing, speech synthesis, intelligent creation, etc., and has shown great potential for application in artistic creation. In the teaching scenario of higher vocational colleges, teachers not only bear the responsibility of cultivating students' hands-on ability and creative thinking but also need to constantly adapt to the teaching changes brought about by technological advances. With their strong digital intuition, creative thinking and flexible adaptability, young art design teachers can make better use of AI technology to assist artistic creation, improve teaching quality, and enrich students' creative learning experience. Traditional art education usually relies on teachers to impart knowledge, guide practice, and evaluate works in the classroom; however, the widespread application of AI technologies has brought about a revolutionary transformation in art education, and new educational resources such as generative design tools and online assisted design platforms are gradually changing the traditional teaching mode and the role of teachers. Using self-efficacy theory and social cognitive career and motivation theory as a framework, this study investigated twelve in-service young art design teachers through 1) semi-structured interviews; 2) focus group discussions, and 3) member-checking interviews. The researcher analysed the data using a general inductive approach to capture the following core themes: 1) new role orientation; 2) continuing professional development and 3) support from society and educational institutions. Institutional support. The results of the study help to deeply understand the relationship between AI and art education in higher vocational colleges, clarify the self-worth positioning of young art design teachers in the new era, and provide theoretical support and practical guidance for the transformation of teachers' roles and the professional development of art education.

The Industrial Design Model in Italy at the Stage of Formation. The Aemilia Ars Group

The article considers the formation of the industrial design model in Italy in the peculiarity of socio-political conditions at the turn of the 20th century. Orientated towards the prospects of the design industrial culture, the progress of new art tended towards two vectors of development: a strong influence of traditional heritage of the great classical past and passion for modern examples of European design schools. The design, formed within the boundaries of the Italian regional version of the Art Nouveau style, stile Liberty, became a product of a specifically Italian design and artistic culture with a strong designer’s original creative beginning. It allowed freedom of experimentation in the search for its own unique means of expression. The industrial model of design was determined by the experience of the great craft heritage in addition to the influence of the artistic traditions of the new style. The new “revival” of the artistic industry of Italy took place in symbiosis of the activities of an artist-designer and artistic craft and industrial production. The Aemilia Ars group, as a regional design and production association, became an exemplary model of industrial design in Italy. The multidisciplinary structure of the association, which included a collaboration of architects, designers, and artisans specialising in various areas of the art industry, allowed the implementation of interdisciplinary tasks: from architectural restoration to interior design solutions. The group was an example of a unique design culture focused on a scientifically based approach, regional craft artistic traditions and an original style of a creative experiment. The great design-artistic and technological heritage as well as design potential of the Aemilia Ars craft traditions can still be found in the practice of a number of local associations of embroiderers of modern Bologna.

Traditional landscape painting and art image restoration methods based on structural information guidance

Abstract In the field of traditional landscape painting and art image restoration, traditional restoration methods have gradually revealed limitations with the development of society and technological progress. In order to enhance the restoration effects of Chinese landscape paintings, an innovative image restoration algorithm is designed in this research, combining edge restoration with generative adversarial networks (GANs). Simultaneously, a novel image restoration model with embedded multi-scale attention dilated convolution is proposed to enhance the modeling capability for details and textures in landscape paintings. To better preserve the structural features of artistic images, a structural information-guided art image restoration model is introduced. The introduction of adversarial networks into the repair model can improve the repair effect. The art image repair model adds a multi-scale attention mechanism to handle more complex works of art. The research results show that the image detection model improves by 0.20, 0.07, and 0.06 in the Spearman rank correlation coefficient, Pearson correlation coefficient, and peak signal-to-noise ratio (PSNR), respectively, compared to other models. The proposed method outperforms mean filtering, wavelet denoising, and median filtering algorithms by 6.3, 9.1, and 15.8 dB in PSNR and by 0.06, 0.12, and 0.11 in structural similarity index. In the image restoration task, the structural similarity and information entropy indicators of the research model increase by approximately 9.3 and 3%, respectively. The image restoration method proposed in this study is beneficial for preserving and restoring precious cultural heritage, especially traditional Chinese landscape paintings, providing new technological means for cultural relic restoration.

Research on animation design of woodblock print characters based on audience aesthetic differences

Traditional woodblock prints are a kind of Chinese folk traditional painting art, with a long history and unique artistic style. It has a long history and unique artistic style. The richness of its themes and wide range of applications cover many aspects such as New Year festivals, wedding banquets and birthday celebrations, religious rituals and lanterns and toys. The wide range of themes and wide range of applications of woodblock prints creates a rich and colourful connotation, especially traditional stories and character images, which constitute an important part of the woodblock prints, there are very rich story resources and character resources in the woodblock prints for animation creators to refer to, different creators of woodblock prints have different understandings and re-designs, and the audience has mixed feelings about the effect of character design. With the development of modern animation production technology and the increasing attention to traditional culture, more and more practitioners have begun to explore the animation of story characters in the non-heritage culture, and this paper aims to explore the feasible path of animation of the elements in woodblock prints under the aesthetic differences.

VTUBER PERSONAS IN DIGITAL WAYANG: A REVIEW OF INNOVATIVE CULTURAL PROMOTION FOR INDONESIAN HERITAGE

This study investigates the integration of VTuber into Wayang Digital as a strategic initiative to promote Indonesian cultural heritage. By leveraging advanced technologies such as real-time motion capture and artificial intelligence (AI), the project aims to enhance the animation quality and interaction of VTuber, creating a more immersive and engaging experience for audiences. The research focuses on three key aspects: VTuber integration's effectiveness in attracting international audiences, optimizing real-time motion capture for high-quality animation, and applying AI algorithms to create adaptive, responsive interactions between VTubers and their viewers. Through these innovations, the study aims to enrich the narrative and visual appeal of Wayang Digital, making it more accessible and appealing to a diverse global audience. The findings show that integrating advanced technologies enhances Wayang Digital's storytelling, aesthetics, and effectiveness as a powerful tool for cultural promotion. AI-enabled adaptive interactions create a personalized viewer experience, deepening audience connections with the traditional art form. High-quality animation preserves and effectively communicates Wayang's cultural nuances to audiences, enhancing its impact and cultural promotion. This study underscores the importance of continuous technological innovation and strategic implementation in the preservation and globalization of Indonesian heritage through digital media, suggesting that the future of cultural preservation lies in the seamless integration of tradition with cutting-edge technology.

Exploration of Sustainable Development Strategies for Budai Opera in the Eastern Fujian Region

This study explores sustainable development strategies for Budai Opera in the Eastern Fujian region, aiming to preserve and promote this traditional art form amidst modern challenges. Through a mixed-method approach, including qualitative interviews, quantitative surveys, and observational data, diverse dimensions of Budai Opera sustainability are examined. Results reveal a diverse demographic profile of stakeholders, varying levels of awareness and interest in Budai Opera, and preferences for cultural events. Economic viability, environmental impact, community engagement, policy support, audience preferences, and technological innovations are also explored. Key findings emphasize the importance of holistic approaches that balance economic, cultural, environmental, and social considerations in promoting Budai Opera sustainability. Addressing challenges such as declining audiences, economic pressures, environmental impacts, and policy constraints, while capitalizing on opportunities for diversification, innovation, community engagement, and advocacy, are essential for sustaining Budai Opera as a cherished cultural heritage in the Eastern Fujian region.

A spirit of service in liberal arts education: the legacy from China’s former Christian universities and the influence of contrasting social contexts

AbstractLiberal arts education in Chinese higher education can be traced back to the liberal arts tradition that existed in China’s former Christian universities prior to the 1950s. The mission and goal of liberal arts education in Chinese contexts focuses on cultivating whole persons to serve their societies. Using data from documents and interviews, the study examines the liberal arts tradition for developing whole persons with a spirit of service in China’s former Christian universities. It also explores to what extent the legacy has been carried on to the development of liberal arts education in contemporary universities in Chinese societies (Mainland China, Hong Kong, and Taiwan). The study provides insight into how some elements of whole person development from faith-based education could contribute to today’s higher education reform in terms of the goals of global citizen cultivation.

Design and Implementation of Digital Protection and Communication Platform for Wangjiang Cross - Stitch from the Perspective of Rural Revitalization

Based on the rural revitalization strategy, an in - depth study on the digital protection and communication of Wangjiang cross - stitch is carried out. The traditional folk handicraft art of Wangjiang cross - stitch is preserved and recorded by means of the new form of digital technology communication. The constructed digital communication platform will present the characteristics such as the centralization of literature materials, the visualization of information presentation, and the diversification of cultural activities. On the one hand, this study conforms to the characteristics of the current era, satisfies people's spiritual needs to a certain extent, and enhances cultural confidence; on the other hand, it also promotes the development of the local economy.

Research on the digital inheritance and development of Weixian paper-cutting from the perspective of intangible cultural heritage

As a traditional folk art in northern China, Weixian paper-cutting has been listed in the national intangible cultural heritage list and has rich cultural connotations and artistic value. However, with the acceleration of modernization and changes in lifestyle, the inheritance of Weixian paper-cutting faces severe challenges, including a decrease in the number of inheritors, shrinking market demand, and a decline in the younger generation's attention to traditional culture. The rapid development of digital technology has provided a new opportunity for the inheritance and development of Weixian paper-cutting. This study aims to explore the application and practice of digital technology in the inheritance of Weixian paper-cutting from the perspective of intangible cultural heritage protection. The study found that digital technology can not only enhance the cultural communication power of Weixian paper-cutting, but also bring it the possibility of innovative design and broaden its marketization path. Through the analysis of the digital practice of Weixian paper-cutting, this paper puts forward countermeasures and suggestions in the future in terms of digital platform construction, policy support and inheritor training, providing a theoretical basis and practical reference for the sustainable inheritance of Weixian paper-cutting.

Crypto-aesthetics: towards a New Materialist theory of NFT art

ABSTRACT The advent of non-fungible tokens (NFTs) in the art world has led to the emergence of a unique aesthetic sensibility, ‘crypto-aesthetics.’ This nascent phenomenon is marked by the amalgamation of digital and traditional art forms, the exploration of decentralisation and blockchain themes, and an emphasis on scarcity and digital ownership. This article proposes to examine the crypto-aesthetic phenomenon of NFT art through the lens of New Materialism, in particular the key concepts of two major New Materialist thinkers, namely Karen Barad and Jane Benett. Our application of New Materialism elucidates crypto-aesthetics as a distinct occurrence stemming from the interplay of object-reality, agency and networks, sociomateriality, and cultural and historical contexts. Utilising the New Materialism perspective to investigate crypto-aesthetics sheds light on the intricate relationships, processes, and consequences shaping the art market vis-à-vis NFTs and digital art. By acknowledging the agency of matter and the entwined nature of human and non-human entities, a more holistic comprehension of crypto-aesthetics’ transformative potential for artistic expression, value generation, and cultural dynamics can be attained. Our theoretical framework offers a novel lens through which to explore and understand the burgeoning world of NFT art and its crypto-aesthetic tendencies.

DECLARATIVE AND IMPERATIVE MOOD IN LIR-ILIR SONG

Javanese songs as a traditional literary art that are currently very close to the lives of Javanese people are becoming less and less popular. Since that time, the popularity of traditional songs began to be replaced by modern songs. Preserving these traditional songs is crucial because they hold significant cultural and emotional value. The Lir-Ilir song is a traditional song created by Sunan Kalijaga as part of the effort to spread Islam in Java in the early 16th century. This research aimed to understand the interpersonal meaning and identify mood types of the Lir-Ilir song. The research was conducted using a qualitative method, which explains the research results with description and not with statistics. Therefore, The results showed that there were two types of mood, namely declarative and imperative, and 50% declarative mood and 50% imperative mood were found. This showed that the songwriter gave a combination of statements and commands, which meant that this song gave a message and invited listeners to take action according to the message of the song.

Research on Khorchin Zasagt Wedding Songs

The nomadic Mongolians have a rich tradition of songs and music, which has retained its distinct characteristics and forms over a long historical period. The traditional culture and art of the Inner Mongolia Autonomous Region of the People's Republic of China are undoubtedly a core component of nomadic culture. Therefore, in this study, we have focused on the traditional songs of the nomadic descendants of the Khorchin Right Wing Front Banner in the present-day Hinggan League. Specifically, we have examined the inheritance and transmission of these songs, their classification, and the social impact and trends associated with them.

Pasto varnish: 3D virtualization of an intangible cultural heritage

The artisanal technique of "barniz de Pasto" (Pasto varnish) in Colombia is an example of an Intangible Cultural Heritage (ICH) that requires urgent safeguarding processes due to a number of factors, including weakened practices, disrupted transmission, and environmental deterioration. The term "Pasto varnish" refers to an ancient artistic tradition from southern Colombia, which was designated as an Intangible Cultural Heritage (ICH) by UNESCO in 2020. This technique entails the decoration of diverse surfaces, including metal and wood, through the application of a thin, malleable film of natural resin derived from the mopa-mopa shrub (Elaeagia pastoensis L.E. Mora), which exhibits the capacity to adhere to a range of surfaces. This article presents the results of the 3D virtualization process of 22 heritage pieces from this technique, which are exhibited on the Virtual Pasto Varnish (VPV) website. The construction of this website entailed the implementation of three domains of virtualization: (i) 3D Documentation, wherein data pertinent to the heritage were collated; (ii) 3D Representation, wherein 3D material corresponding to the heritage artifact was created; and (iii) 3D Dissemination, which facilitated the dissemination and conservation of the 3D data. The results of this project demonstrate that virtual heritage can serve as a collaborative instrument for the integration, safeguarding, and promotion of research on ICH through the data, paradata, and metadata obtained during the 3D virtualization process. This article puts forth the proposition that virtual heritage makes significant contributions to ICH, particularly in regard to the continual recreation of living heritage through self-recognition, the dynamic conservation of its artifacts, and the contextualized research of its data. It can be concluded that for ICH materialized in artifacts—such as the case of Pasto varnish—virtual heritage becomes an important preservation tool when tradition bearers can be actively engaged in the process of "reviving the aura" of the heritage data.

Mechanical Properties Inside Origami-Inspired Structures: An Overview

Abstract In recent decades, origami has transitioned from a traditional art form into a systematic field of scientific inquiry, characterized by attributes such as high foldability, lightweight frameworks, diverse deformation modes, and limited degrees of freedom. Despite the abundant literature on smart materials, actuation methods, design principles, and manufacturing techniques, comprehensive reviews focusing on the mechanical properties of origami-inspired structures remain rare. This review aims to fill this void by analyzing and summarizing the significant studies conducted on the mechanical properties of origami-inspired structures from 2013 to 2023. We begin with an overview that includes essential definitions of origami, classical origami patterns, and their associated tessellated or stacked structures. Following this, we delve into the principal dynamic modeling method for origami and conduct an in-depth analysis of the key mechanical properties of origami-inspired structures. These properties include tunable stiffness, bistability and multistability, meta-mechanical properties demonstrated by origami-based metamaterials, and bio-inspired mechanical characteristics. Finally, we conclude with a comprehensive summary that discusses the current challenges and future directions in the field of origami-inspired structures. Our review provides a thorough synthesis of both the mechanical properties and practical applications of origami-inspired structures, aiming to serve as a reference and stimulate further research.

Taking Advantage of the Aesthetic Values of Asiri Art Decorations to Enrich and Sustain the Printing of Modern Women’s Clothing Supplements to Preserve Saudi Heritage Using Artificial Intelligence Techniques

Sustainability is the result of modern-day design philosophy as a result of major industrial developments and many conflicts and wars. This concept is what prompted this research to focus on the possibility of achieving the principles of sustainability practically - in field reality - through the use of artificial intelligence techniques to create contemporary designs derived from the Saudi Asiri heritage and employ them in printing sustainable clothing supplements. Heritage-inspired design has cultural meaning and importance, and its purpose is to transmit our heritage to our emerging generations, and therefore it is considered a type of sustainable thought. The Asir region in the Kingdom of Saudi Arabia has a rich heritage that is greatly influenced by the charming nature of the place. The Asir region is distinguished by the art of the “Asiri Cat,” which consists of engravings, lines, and aesthetic formations engraved by women specialized in this field. They inherited this art from the women who preceded them. Asiri art is distinguished from other arts. The use of bright natural colors such as blue, green, orange, black and white, as the Asir region is considered one of the important heritage and tourist areas within the Kingdom of Saudi Arabia, has played a pivotal role in enriching the cultural and creative stock not only of the Saudi citizen, but also of the Arabian Gulf region. This is what prompted us in the current research to delve into the analysis of the creative and artistic aspects of Asiri art inscriptions and to benefit from the aesthetic values of Asiri art decorations in contemporary artistic designs that achieve sustainability for the purpose of exploiting them in the manufacture of plastic fittings for clothing supplements to serve small industries. Many diverse designs have been implemented using different printing techniques. From (direct drawing method - stencil printing - pictorial screen printing) the use of different types and colors to implement different products to produce clothing accessories that are closely related to the structure of form and content of Al-Qat Al-Asiri art, and depends on its aesthetic philosophy about the heritage and cultural references associated with the place and the artist’s own vision. To revive Saudi heritage. The research aims to take advantage of the geometric and floral decorative elements in Al-Qat Al-Asiri’s artistic engravings as a source for enriching and sustaining printed designs for women’s clothing supplements that are characterized by authenticity and contemporaryness, and preserving popular motifs by reformulating them. In keeping with the times, and preserving its most prominent features, in a way that enhances belonging and preserves the community’s heritage and values. From extinction, endless horizons of creativity and innovation have been achieved in the field of printing clothing supplements, and sustainable plastic repetition, which the designer or art practitioner resorts to in general, and the field of printing in particular, as a creative pluralistic plastic method.The research followed the descriptive and analytical approach in identifying the origins and characteristics of the Asir artistic inscriptions (the cat), analyzing their vocabulary, reformulating them, and drawing inspiration from them to enrich the printed designs of women’s clothing supplements, in addition to the experimental approach in the applied study through the use of different techniques and materials. The results of the study concluded that there are various aesthetic values in the Asiri cat engraving that can be used to create contemporary designs on clothing accessories using different printing techniques, in order to preserve the Asiri heritage in the southern region of the country. The study recommended the need to pay attention to studying heritage and the arts it contains because of its great importance, as it stimulates appreciation of traditional art and preserves it.

Exploration of Teaching Reform in Emergency Management Courses under the "New Liberal Arts" Context

The "New Liberal Arts" initiative advocates breaking free from traditional liberal arts thinking, fostering cross-disciplinary integration and fusion across multiple fields, while shifting the focus from discipline-centric to socially-driven needs. In this context, emergency management courses must adapt to the evolving demands of talent cultivation and educational reform. This paper outlined four key requirements, examined the current state of course instruction, and proposed reform measures such as enhancing practical training, strengthening industry-education integration, incorporating interdisciplinary knowledge, and embedding ideological and political elements. These efforts aimed to comprehensively improve teaching quality, cultivating emergency management professionals equipped to meet the challenges of the new era.

Cross-disciplinary perspectives on Nuo opera: bridging the gap between art, culture, and society in Guizhou

One of the most popular folk operas in China is the Nuo opera. Nuo opera, which is distinguished by its distinct elements such as vicious masks, peculiar clothing and jewelry, peculiar language spoken during performances, and enigmatic scenarios, has been named one of China's intangible cultural legacies. The opera is a religious act that is fundamental to the Chinese folk religion known as Nuoism. Nuo opera is performed to ward off evil spirits, illnesses, and other influences. It also serves as a prayer request to the gods for favors. Nuo opera features singing and dancing, as well as masks and costumes for the performers. This research explores Nuo opera, a traditional performance art form that is deeply established in the cultural and social structure of Guizhou using a cross-disciplinary technique that unites art and culture. Sociocultural influence, the study examines how, in a setting that is changing quickly, Nuo Opera acts as an interface for social unity and cultural continuity. The distinct features that this culture exhibits, together with the numerous benefits that the society's sustained growth has brought subsequent such as cultural, social, and economic values, among other significant elements. This study emphasizes interdisciplinary analysis, and its goals are to improve our understanding of the cultural value of Nuo Opera and provide useful insights for ensuring its persistent presence and significance in Guizhou society.