Traditional Marriage Research Articles

Ceremonial language and social cohesion: An analysis of Seumapa in Acehnese wedding traditions

The Seumapa ceremony, a rhyming exchange ritual performed by a Syekh (reciter) representing both the bride’s (darabarô) and the bridegroom’s (lintôbarô) parties during Acehnese wedding ceremonies before the groom is allowed into the house of Acehnese society in Indonesia, stands as a testament to the role of cultural rituals in capturing and spreading societal values and norms. This study attempts to analyze this ceremony to reveal the social community, practice, and symbolic language within the Acehnese wedding context. It is to further understand how they shape the social cohesion and identity of the Acehnese community. By employing observations on three wedding ceremonies, and interviews with three elders of the community, the analysis of Seumapa’s cultural values reveals the ceremony’s emphasis on etiquette, respect, social and religious identity, customary knowledge, and educational significance. Ritualistic greetings and gift exchanges portray communal harmony, while symbolic acts symbolic acts like lifting the curtain and presenting ‘hantaran’ (ceremonial gifts) from the groom to the bride and vice versa represent social identity and mutual responsibility. The integration of religious knowledge depicts the community’s prioritization of spiritual preparedness, and the use of symbolic and metaphorical language reflects societal values and aspirations, signifying the importance of wisdom, respect, and communal bonds in preserving Acehnese cultural identity.

Marriage Kinship in the Customary Marriage Institution in Seith Negeri, Ambon Island

<p><em>Traditions in indigenous communities on Ambon Island are found in various aspects of life. Relatively, traditions become rules or guidelines for the community to carry out their life activities in the economic, political, legal, socio-cultural, and other fields. Of course, the ancestors placed this effort to avoid irregular living behavior so that the community would feel peace and comfort. Therefore, the basis laid for generations will become a reference for acting and building a life together, such as marriage kinship in the traditional marriage process in Negeri Seith, Ambon Island. Seith, as a Muslim negeri, provides space for the mechanism of customary practices of its community, especially in the tradition of marriage. Therefore, marriage kinship receives recognition and is integrated into marriage religiously. This reality illustrates that traditional and religious institutions do not compete but together contribute to strengthening society and its people who want to build a new household. This research aims to reveal, discover, and analyze the value and meaning of marriage kinship in the traditional marriage process in Negeri Seith. The research method used is qualitative, using interview and observation data collection techniques. Indeed, this is important to show the objective reality of the community carrying out customary rules regulated by ancestors and the provisions of God Almighty through religious institutions. The marriage kinship is the marriage guardian, and the bride-to-be's father's relatives determine that religious marriage will be carried out if it is by these provisions</em>.</p>

Семейные ценности как объект сохранения нематериального культурного наследия народов России и Казахстана

In this article, the authors consider family values through the prism of preserving intangible cultural heritage as the most important conditions for the harmonious development of modern Russian and Kazakh society. The authors analyzed the legal framework with an emphasis on examples of traditional wedding ceremonies among the peoples of Russia and Kazakhstan. In conclusion, it is concluded that the preservation of the intangible cultural heritage of the peoples of Russia and Kazakhstan is an important component of saving family values.

Photo-Documentation of Okpe Traditional Marriage Performance Aesthetics

Photo-Documentation of Okpe Traditional Marriage Performance Aesthetics

THE ROLE OF WOMEN IN THE GAZE CEREMONIES OF THE TURKIC INTERNATIONAL

Over the centuries, it has developed in various historical regions Uzbekistan, becoming a single and rich system of Customs. In addition to being a formal marriage ceremony, a wedding is also a system of interrelated solemn traditions (girl consent, courtship, marriage period, pre-wedding customs, wedding, etc. National marriage customs reflect all the positive characteristics of the people of Uzbekistan. The marriage traditions of Uzbekistaninfluenced the traditions of other peoples and received certain elements from the culture of other peoples. The effect of time on wedding habits is felt. Recently, as a rule, weddings are held in special wedding palaces, the bride and groom dance , little girls in angelic dresses dance around the bride and groom, time isallocated for modern dancing at the wedding, the bride is thrown, a bouquet is thrown at the end of the wedding, the honeymoon is also of this type.

The institution of the family and the category of chastity in the culture of Zoroastrianism

This article examines the institution of the family in the culture of Zoroastrianism. In modern society, there is a devaluation of the institution of marriage, which emphasizes the relevance of the study of family values in traditional cultures. There is a widespread opinion that Zoroastrians welcomed consanguineous marriage, however, the presented work emphasizes that this opinion is erroneous, such a marriage was not recognized as a norm, it is mentioned only in individual cases that were discussed in judicial instances, which in itself indicates the atypical nature of this phenomenon. In Zoroastrianism, the norms of chastity and fidelity are fundamental, which ethically makes this religion related to Christianity and Islam. The purity of family relations in Zoroastrianism has a spiritual and theological meaning, draws society to the protection of nature and the essence of man. It is appropriate to perceive a kinship marriage in a spiritual dimension, that is, the creation of a family between people who adhere to the same religious teaching and share common ideological principles. Also, a related marriage can be considered as a union between a believer and the God Ahura Mazda. As a conclusion, the article notes that in Zoroastrianism, traditional marriage was welcomed and defended, similar to the one whose value is postulated in Christianity and Islam.

니브흐인의 전통 신앙과 전통 의례 연구

The traditional culture of tribes contains their unique way of life and provides clues to distinguish their cultural similarities and unique characteristics. In this paper, we examined the Nivkh people's worldview, cult of water, the idea of the soul and afterlife and bear worship in terms of their traditional beliefs, and examined traditional funerals and traditional weddings in terms of traditional rituals. The Nivkh people, who have lived at the mouth of the Amur River for a long time, reflect the surrounding natural environment in their traditional beliefs. The Nivkh people, whose main livelihood was related to water, not only divided the world into the upper world, the middle world, and the lower world, but also divided the middle world into the three worlds of rivers, seas, and lakes. The importance of water to the Nivkh people is demonstrated by periodic offerings to the water god Tol yz. In the Nivkh people's view of the soul, the repetitive transition of the soul to the afterlife continues and each time the soul gets smaller in size and eventually turns into dust. And the idea of reincarnation in this world coexists. The Nivkh people's view of the underworld is characterized by the belief that the underworld is nearby and that it is not difficult to get there. The Nivkh people's bear festival clearly shows the clan characteristics, the kinship relationship between bear and the Nivkh people, and the exchange relationship between bear and the Nivkh people. The traditional funeral of the Nivkh people was cremation, which changed to burial after the 1940s, but some elements of past cremation continued. The most characteristic feature of the Nivkh traditional wedding is the pot-stomping ritual.

Philosophical Meaning of Traditional Wedding Rituals of the Singkil Tribe

Philosophical Meaning of Traditional Wedding Rituals of the Singkil Tribe

The Values of Islamic Education in the Traditional Wedding Ceremony of the Karo Tribe

This study aims to analyze what processions are relevant to Islamic education's values and the values of Islamic education in traditional ceremonies of the Karo tribe in Aji Baho Village, Biru-Biru District, Deli Serdang Regency. This research is qualitative with a phenomenological approach. The source of the data used is primary data collected directly by researchers, namely data obtained from informants, namely the Head of Aibaho Village, Community Leaders of Ajibaho Village, Several People of Ajibaho Village, Biru-Biru District, Deli Serdang Regency. The secondary data are village archives, records of observations, and several other documents related to research in Ajibaho village, Biru-Biru District, Deli Serdang Regency. The results of the study were. First, the procession was divided into 2, namely pre-marriage (the stage of nungkuni kata, ngembah belo selembar, nganting manuk) and the wedding procession (process rose, reconnaissance pedah-pedah / luah, prayer congratulations, traditional work perjabun singuda, belo selembar, man bersama and man sepiring) and second, the value of education in ceremonies that contain the value of tawhid, worship, morals, ukhuwah. According to the researchers' analysis, the procession and the value of education at the ceremony contain prayers, hopes for happiness, health, cheap sustenance, active effort, and obedience to worship. The value of Islamic education in the Karo tribal wedding ceremony can be seen in two processes: the premarital and when the wedding occurs.

Maisi Sasuduik: Restrengthening the Implementation of the Concept of al-Ba`ah in some Minangkabaunese Traditional Marriages

Maisi Sasuduik: Restrengthening the Implementation of the Concept of al-Ba`ah in some Minangkabaunese Traditional Marriages

The Meaning of Mangolusi in The Batak Toba Wedding Ritual

This study explores how the meaning of Mangulosi in the traditional wedding rituals of the Batak Toba people is deeply explored and uses ethnographic communication theory to present the wedding customs of the Toba Batak people. (Hymes in Kuswarno 2008: 22) and the constructivist paradigm. Data collection techniques were conducted through in-depth interviews, non-participant observation, documentation, literature review, combination/triangulation and sources. The researcher used the traditional Toba Batak marriage subject, namely Mangulosi, as a data source to analyze the series of questions asked in the study with reference to the theory used. Research findings show that the traditional marriage landscape is in disarray. Toba Batak is a sacred custom that all members of the Toba Batak community perform or must perform, both at the time of marriage and after death. As for , the event begins with a marriage proposal from the groom's family (first her ) to the bride's family. Traditional Wedding the Mangulosi event at Batak Toba begins with a marriage proposal from the groom's family to a woman from the bride's family. Thereafter, the wedding continued as a regular wedding until the end of Event. Regarding weddings, there is a gift piece Uros Cross given by the groom to the bride. This matter is a symbol of love for a life partner, and also has other meanings, namely, getting acquainted with or uniting with a formal family that takes care of the marriage. The event will then conclude with 4,444 pieces of food distributed to other people and the surrounding community. This is part of the traditional Toba Batak wedding ceremony. Traditional Batak Wedding the act of mangulosi in Toba is performed and symbolized by the gift of uros cloth from the male family to the female family. This is part of the traditional Batak wedding ceremony of Toba Mangulosi and has the significance of ritual sanctity, obligatory wedding ceremony, and symbol of love between the groom and bride women.

Interaction in the Tradition of Tolak Balak by Juru Ladi at a Javanese Traditional Wedding: An Ethnolinguistic Study

Interaction in the Tradition of Tolak Balak by Juru Ladi at a Javanese Traditional Wedding: An Ethnolinguistic Study

The History Of Palang Pintu As A Local Cultural Value Became An Icon Of Betawi Traditional Weddings

This research aims to examine the history and symbolic meaning of the doorstop as a local cultural value which has become an icon in traditional Betawi weddings. The doorstop is an important element in traditional Betawi wedding ceremonies, which have existed since the 19th century and function as a symbol of unity and agreement between two families. Through a historical and qualitative approach, this research found that doorstops not only act as physical barriers, but also have a deep meaning that reflects the values ​​of family, togetherness, and respect for ancestral traditions. This research also shows that although the basic shape of doorstops remains consistent, there are variations in design and decoration that reflect the changing aesthetics and tastes of modern Betawi society. The research results emphasize the importance of preserving local cultural values ​​such as doorstops in facing the flow of globalization and modernization. A deep understanding of the history and meaning of doorstops can increase public appreciation for Betawi cultural values ​​and encourage conservation measures by the government and cultural organizations. Thus, the doorstop is not only a ritual element in a traditional Betawi wedding, but also a cultural symbol that is rich in meaning and important for maintaining the identity and cultural heritage of the Betawi people. This research highlights the need for concerted efforts in preserving and promoting this tradition so that it remains alive and appreciated by future generations.

Southwest University of Political Science and Law

Chinese wedding culture has a long history and rich tradition. In its development, it went through two stages and from traditional to modern. This process is a sign of social evolution and progress. The author analyzes the evolution of traditional Chinese wedding rites and customs in six representative periods: the Qing (221–207 BC) and Han (206 BC — 220 AD) dynasties; the Tang (618–907) and Song (960–1279) dynasties; the Ming (1368–1644) and Qing (1616–1911) dynasties; Republic of China (1912–1949); the time after establishing the People’s Republic of China until the Cultural Revolution (1949–1976), as well as after the start of the reform and opening-up policy (since 1978) to the present days.

Motives and Communication Style from Begalan Performers at Banyumas Area

The presence of Begalan in wedding traditions is heavily reliant on the communication style of Begalan performers in introducing and preserving Banyumasan culture and language. The purpose of this research was to analyse and comprehend the motivations and communication styles of Begalan performers in the wedding tradition in the Panginyongan area of Banyumas. The qualitative descriptive research method is used in this study. Data collection entails observing, interviewing Begalan performers, and researching relevant literature. According to the findings of this study, 1) the motives of the Begalan performers in carrying out the wedding tradition in the Panginyongan area are ritual, entertainment, and professional motives; and 2) the communication style of the Begalan performers in the wedding tradition in the Panginyongan area of Banyumas tends to use a low context communication style. Another finding in this study is that there are obstacles experienced by Begalan performers, including diverse audiences with different cultures, lack of attention and appreciation from the audience, and lack of availability of the tools used in carrying out the Begalan procession. To overcome these obstacles, Begalan performers innovate using Indonesian and Banyumasan languages, adding to the audience's appeal by making jokes and preparing to get Begalan tools.

Cultural Revival Among Kikuyu Christians: Impact and Implications in the 21st Century

The Kikuyu people were exposed to Christianity in the year 1900 following the arrival of Reverend McGregor. Subsequently, an overwhelming majority of individuals have adopted Christianity, with more than 90% identifying themselves as Christians. Nevertheless, the amalgamation of Western and Christian cultures throughout history has posed difficulties for the revival of Kikuyu traditional rituals. However, Anglican Christians have observed a revival of Kikuyu cultural traditions in Murang'a County, Kenya, during the twenty-first century. This return signifies a deliberate embrace of traditions that were previously forsaken. The objective of this study is to discover and examine the revived cultural traditions within the Anglican community, such as the reverence of ancestors, the categorization of individuals by age, the act of sacrificing animals, traditional marriage ceremonies, and the use of traditional brew. The study investigates the impact of cultural revival on Kikuyu Christianity through qualitative methodologies, including observation and interviews. The primary findings indicate that cultural revitalization entails both benefits and drawbacks. On one side, it assists in resolving identity challenges and enhances relationships with the community and family. Nevertheless, it also cultivates duplicity, undermines the Christian belief system, and engenders discord within the Christian community. These findings emphasize the necessity for dialogue among Kikuyu Christians to reconcile traditional behaviors with Christian principles. This will promote an authentic African Christianity that embraces Christian values while recognizing and integrating indigenous heritage. This study adds to the current discussion on the relationship between culture and religion in modern African settings by examining the intricacies and impacts of cultural resurgence in Christian communities.

Social And Cultural Implications of Live-In Relationships In India

Live-in relationships, is considered taboo in traditional Indian society, have gradually emerged as a significant phenomenon with far-reaching social and cultural implications. Live-in relationships, in modern Indian society, challenge traditional norms regarding partnership and familial arrangements. This form of cohabitation, wherein unmarried couples choose to live together in a relationship akin to marriage. Several factors contribute to the increasing acceptance of live-in relationships in India. Urbanization, globalization, and exposure to Western cultures through media have influenced Indian societal norms. Younger generations are more open to exploring alternative lifestyles and relationships. With more women entering the workforce and achieving financial independence, there a shift in attitudes towards traditional gender roles and marriage. Couples often prefer to test their compatibility before committing to marriage. This paper will cover social legal aspects of live-in relationships in India. Through amendments, the law has had enough of a chance to characterize these societal changes. It can't be static; while looking at the historical backdrop of how Hindu regulation developed, it is apparent that it was never static yet sporadically different to address the troubles introduced by moving cultural examples at different moments.

Threads of Tradition Social Expectations and Marriage in Emma by Jane Austen and Tess of the D’Urbervilles by Thomas Hardy

This study explores the theme of marriage and social expectations in two beloved novels: In case of two British novelists Jane Austen's Emma and Thomas Hardy's Tess of the D’Urbervilles. The paper is focused on revealing a multi-faceted character of the figure of gender roles, social values and traditions linking the lives of Emma Woodhouse and Tess Durbeyfield by means of a comparative analysis. These tensions between female characters' individual goals and social constraints are exposed by the study and the opinions of Elizabeth V. Spelman, Ann Bo-Hubert, Hazel Carby, Elaine Showalter, Susan Gubar and Sandra M. Gilbert are referred to. Austen dismantled the precedent social norms of the Regency period through the vital tool of satire and wit after this novel is through and through analysed out. The made decision to make the word association “Brain” instead of “love” is a pretty good way to show the society who sees marriage as only a calculated action, not the passionate connection. The multilayered substructures of a theme are formed due to the "crazy woman in the attic" metaphor constructed by Gilbert and Gubar which implies the true self of a woman in society is suppressed due to restricted roles. Unlike Stone's 'Greek Myths,' Hardy in Tess of the D’Urbervilles focusing on a gloomy story that work to demonstrate the harmful consequences of ignoring Victorian society rules. The article analyses the marriage and gender role issues that Hardy has shown in a vivid manner as Eagleton says. The main conflict of the play is about what man want and what society demands, that is: what is true happiness and what is right in social term. Social class differences get intensively scrutinized, as the plot shows how the social systems influence the lives of the characters and build their destinies which deepens the theme analysis further. The study shows that these classic novels have been excellent guides and examples that have helped readers figure out what they would like to do with their lives. Moreover, the readers have been able to see people confront the challenges they encounter from institutions or interpersonal dynamics as well as expectations to balance their culture and social obligations.

The Kembar Manten in Java Majapahit Wedding Traditions in Mojokerto: Perspectives on Natural Law and Anthropology of Islamic Law

The Kembar Manten in Java Majapahit Wedding Traditions in Mojokerto: Perspectives on Natural Law and Anthropology of Islamic Law

Minang Kabau Wedding Traditions: An Anthropolinguistic Study

The traditions of the Minang Kabau traditional wedding ceremony have cultural meanings and sociological functions that are followed from generation to generation by the Minang Kabau community. However, these traditions are not fully held by the community due to the shift of non-matrilineal culture. This study aims to explain the wedding ceremony traditions of the Minang Kabau tribe in matrilineal cultural practices. This research uses anthropological theory, where data is taken through the method of interviews (open-ended interviews), observation (observation) both participatory observation and observation-periodic to the field, and literature review (written document) This research uses qualitative methods. The data obtained were 10 people who helped implement the wedding ceremony traditions of the Minang Kabau tribe. From this research, descriptive data and explanations can be presented from the traditional wedding traditions of the Minang Kabau.The local wisdom contained in the traditional wedding traditions of the Minang Kabau is consensus in achieving goals, mutual cooperation, mutual honor between the two families and the bride and groom.