Traditional Wedding Ceremony Research Articles

RITUAL MANDI PENGANTIN DALAM UPACARA PERKAWINAN ADAT BANJAR DI MARTAPURA KALIMANTAN SELATAN

Marriage according to Banjarese custom in Martapura, Banjar Regency is the business of all parties, both the bride and groom, but is the obligation of both parents, tengganai, formal leaders, and traditional leaders. In Banjar traditional marriage procedures, there is a bridal shower ritual ceremony. The purpose of this study is to describe the implementation of the bridal shower ritual and the meaning contained in the ritual in the Banjar traditional wedding ceremony. The research method used in this study is a qualitative approach. The results of the study found that the bridal shower ceremony aims to purify physically and spiritually because on the next day the bride and groom will carry out one of the sacred tasks in life in the world, namely undergoing marriage mahligai. The bridal shower only purifies the body, but the implied meaning is that the bride and groom are ready to purify themselves physically and mentally. As well as to fortify the bride and groom from various unwanted disturbances. The meaning contained in the bridal shower ritual is that a blessed life has the hope that in carrying out a relationship in the household, happiness is always given. Behaving well in pisit is symbolized by nyiur (coconut). Nyiur has the meaning of the tree of life which is very useful for others. The meaning of living together is symbolized by baras lakatan (glutinous rice) which means a form of hope for the safety of the bride and groom. Habang sugar has a sweet meaning and is red in color, the hope is that everything that is done always bears sweet fruit or has a meaning that the sugar can symbolize a beautiful life that is lived with his life partner. hintalu (egg) has the meaning of a symbol of life as a generational strength which is expected to have a strong future generation and always be useful for others.

Makna Tari Inai Dalam Prosesi Malam Berinai Pada Adat Perkawinan Masyarakat Desa Teluk Majelis Kecamatan Kuala Jambi

This research is viewed from the meaning of dance about Tari Inai in the Malam berinai procession at the marriage custom of the Teluk Majelis village community, Kuala Jambi district. This type of research is qualitative and uses descriptive methods. The research instrument is the researcher himself and is assisted by supporting tools such as stationery and camera. By using literature study, observation, interviews and documentation is expected to collect the required information. Technique Source triangulation technique is a technique used to ensure the validity of this data. To analyze the data requires steps such as data collection, data presentation and drawing conclusions. The results showed that the Tari Inai is one of the traditional wedding ceremony processions of the East Malay ethnic group in Tanjung Jabung Timur. The meaning of the Tari Inai is as a night of giving blessings to the bride and groom who will lead a new life, as a night for a large family gathering, as a night to introduce the groom to the entire big family of the bride, and as a night of expressing welcome to the groom. who has entered the ranks of the bride's extended family. Tari Inai is also interpreted as a symbol of the willingness of both parents and family members to let go of the bachelors of their sons and daughters.

ANALISIS KEBAHASAAN TRADISI MAKKOBAR SEBAGAI NILAI-NILAI PENDIDIKAN KARAKTER PADA UPACARA ADAT PERKAWINAN MASYARAKAT BATAK ANGKOLA

Indonesia is country rich traditional customs, one of them makkobar tradition Batak Angkola community in Tabagsel. Makkobar tradition is often carried out at traditional wedding ceremonies. The purpose research is analyze language Makkobar as character education values traditional marriage ceremony Batak Angkola community. This research uses qualitative methods and descriptively. The analysis is three: 1).Linguistic analysis of makkobar tradition inthe martahi godang session as value character education, namely 29 opening words of makkobar by 7 source emphasize the value of character education respecting and Out of the 32 words mangalusi by 7sources, they emphasized the value of democratic character education.2).Linguistic analysis of makkobar tradition inthe mangalehen mangan session as values ​​of character education, namely: 23poda words by 6sources emphasized the value of friendly character education.3). Linguistic analysis of makkobar tradition inthe pasahat boru sessionas the values character education, namely introduction to adaboru line, thereare 25words of poda by 6 sources emphasize value of socialcare character education. And inthe introduction to alaklahi line, thereare 32 poda words by 6 sources who emphasize value of friendly character education. and mangalusi represented by bou contained 5 poda words, namely religious, honesty, tolerance, love for homeland and respect.

TRADISI KEMBAR MAYANG DALAM PROSES PERNIKAHAN ADAT JAWA DI KAPANEWON TEMPEL, KABUPATEN SLEMAN

The Javanese traditional wedding ceremony is still the community's preference because it includes a series of sacred processions, even though it is complicated since there are so many of them. One of these series, namely the Kembar Mayang, is considered a sign to the ancestors that a wedding ceremony is taking place. Therefore, this study focuses on Kembar Mayang research as a still-preserved culture or custom. This is a field study based on true events that was analyzed using an anthropological perspective; data was collected through observation, interviews, and literature review. This study reveals that residents in Kapanewon Tempel, Sleman, continue to consider the Kembar Mayang tradition, including its complementary series of offerings, janur, and tarub. According to the customs of the people, this tradition has become a necessity for traditional Javanese weddings, as it is believed to facilitate the process and prevent supernatural interference. Despite what might be expected, the Kembar Mayang tradition is not contrary with religion. Likewise, this practice or tradition provides numerous benefits. The people of Kapanewon Tempel, Sleman Regency agree that this ritual is not troublesome, as it has become a habit for every citizen that chooses for Javanese wedding traditions.
 
 Keywords : Customs, Kembar Mayang Traditions, Weddings, Culture

Budaya Melayu dan Pengaruh Islam dalam Upacara Pernikahan di Tanjung Balai

This study aims to find out how the series of traditional wedding ceremonies of the Tanjung Balai Malay tribe and what are the Islamic values contained in it and to understand how the relationship between Islam in each wedding procession and what are the meanings contained in it. This research uses qualitative research methods, and this research can be categorized as field research. The resulting data sources are in the form of primary and secondary data, the writing method used in this study is descriptive qualitative, namely research to provide geographical conditions for certain communities. The results of the study explained that from the various processions of the traditional ceremonies of the Tanjung Balai Malay wedding reception, not all of them were based on Islamic law, but followed the hereditary customs of the Malay people that have existed since ancient times. The traditional ceremonies based on Islamic law include merisik, proposal, delivery/offering, ijab qabul, khatam kaji and parade.

Analysis of Various Marketing Strategies for Wedding Organizer PT. Pratoza Kreasi Nusantara To Increase Consumer Purchase Interest

Pratoza Kreasi Nusantara is engaged in services, one of which is the Wedding Organizer "Promise Marriage", which serves every consumer who wants to hold a traditional or non-traditional wedding ceremony. This study aims to analyze various strategies in increasing consumer buying interest. Data were collected through filling out questionnaires using a purposive sampling technique with a population of 222 people as respondents. Analysis of the data used in this study is SEM-PLS (Partial Least Square). The results of this study indicate that several of the hypotheses tested gave positive and negative results, positive hypotheses were found in the Word of Mouth, Facilities and Services variables. While the results of the negative hypothesis are found in the price variable, partially there are hypotheses that have an effect and some have no effect on Buying Interest The conclusion of this study is that the various strategies carried out have a positive effect and some have a negative effect on buying interest. Suggestions from this research that Wedding Organizer PT. Pratoza Kreasi Nusantara " Janji Nikah" pays more attention to the price of the wedding package so that it can be more balanced. So that customers get a price that suits their budget. This can be done by stabilizing the quality of wedding packages, such as making packages ranging from middle to high and middle to lower packages. Key Word : Word of Mouth, Facility, price, service, buying interest.

The Effect of Brand Awareness, Customer Engagement and Marketing Channel on Purchase Interest in Wedding Organizer Promises

Janji Nikah Wedding Organizer is a wedding organizer, which serves consumers who want to hold traditional and non-traditional wedding ceremonies. This study aims to determine the effect on the variables of brand awareness, customer engagement and marketing channels for buying interest. This research is an analytical survey with a quantitative approach, cross-sectional design. The data were collected through filling out a questionnaire using a total sampling technique, a population of 120 people as respondents. Analysis of the data used in this study is SEM-PLS (Partial Least Square). The results of this study indicate that several of the tested hypotheses gave positive and negative results, positive hypotheses were found in the customer engagement variable and marketing channels. While the results of the negative hypothesis are found in the brand awareness variable, partially this hypothesis has an effect and some does not affect Purchase Interest. The conclusion of this study is that each variable has its own influence, there is a negative and positive influence. Suggestions from this research on the Promise of Marriage Wedding Organizer, Brand awareness is not the only thing that can increase buying interest, but awareness of a brand also remains important to build trust in a brand, the company is expected to pay more attention to input and suggestions from consumers so that they are better known by the general public and increase buying interest. Keywords: Purchase intention, brand awareness, customer engagement, marketing channels.

A Visual Narrative of the Wedding Ceremony in Damar Kurung Paintings

Traditional ceremonies in Javanese culture occur according to the phases of human life, starting from mitoni or tingkeban (the seven-months pregnancy ceremony), to baby birth ceremonies, circumcision, marriage and lastly the funeral ceremony. In traditional thinking, marriage is one of the most important phases of life apart from birth and death, because in marriage, two people are united to commit to building a family/household and producing a new generation. In Gresik, East Java, there is a traditional wedding ceremony called Kemanten Joli. This traditional ceremony is rarely held and official documentation about it is difficult to find. An art maestro named Sriati Masmundari has documented this traditional ceremony several times through Damar Kurung paintings. Damar Kurung is a traditional Gresik lantern. Each side of the lantern is decorated with paintings depicting socio-cultural events in Gresik. This was qualitative research with an interpretative descriptive approach, where the visual data of Damar Kurung paintings were analyzed using a visual narrative. Expectation, attention, and memory analysis methods revealed the narrative of the Kemanten Joli wedding ceremony diachronically. The results confirmed that the visual elements in Damar Kurung painting are symbolic and interrelated to produce a complete narrative series. The visual narrative analysis showed that the static paintings can contain dynamic space and time narratives, which can depict the stages of the otherwise undocumented Kemanten Joli wedding ceremony.
 Keywords: visual narrative, wedding ceremony, Damar Kurung, art history

ANALISIS MAKNA DAN NILAI SIMBOLIK ADAT PERNIKAHAN PADA ETNIS DAYAK UUD DANUM BUNTUT PIMPIN

This thesis is entitled, "Analysis of the Symbolic Meaning and Value of Marriage Customs in the Uud Danum Dayak Ethnic Village of Buntut Pimpin, Ambalau District, Sintang Regency". The general problem in this study, "what is the meaning and symbolic value of marriage customs in the Dayak Uud Danum ethnic group, Buntut Village, the Head of the Ambalau District, Sintang Regency?". The general objective of this research is to "know and describe the meaning and symbolic value of marriage customs in the Uud Danum Dayak ethnic group, Buntut Pimpin Village, Ambalau District, Sintang Regency". The approach used in this research is a qualitative approach with a descriptive method. Data collection techniques used are observation techniques, interview guides and documentation. Informants in this study were the Elders and Traditional Management of Buntut Pimpin Village. The results of this study indicate that there are three stages of traditional ceremonies/rituals in the marriage customs of the Uud Danum Dayak ethnicity, namely the customary application / engagement (Nyepohtin and Kisok), the customary marriage (Hosahki'), and the closing custom (Posarak Adat). In every series of implementation of the traditional wedding ceremony activities, symbols are used in the form of traditional activities/rituals and symbols in the form of objects. Each symbol has a meaning and value that is believed by the Uud Danum Dayak community.

The Cultural Practice of Traditional Wedding Ceremony in Bima, West Nusa Tenggara

This study is a scientific work which aims to explain about the definitions all the process of traditional wedding ceremony in Bima, West Nusa Tenggara and also enlarge perception of the reader about meaning and a cultural value which is were found in society custom. This study applies qualitative method. It is meant to give describe about the traditional wedding custom in Bima regency. The population of this research is processes of traditional wedding ceremony and the meaning of traditional wedding ceremony and sample is only one village namely Bontokape village in Bolo district, in Bima regency. Data were obtained directly from some resources, observation and research. This research is meant to maintain and respect one of the traditional literally work which is still alive in the society of West Nusa Tenggara, Especially Bima regency. Findings showed that in Bima recency specially in its wedding custom there were 13 process namely : Nari ro mpida (secret visit), katada ngahi (promise), Pita ngahi (repeat the word), dou sodi (engagement), panati (proposed), nge’e nuru (dedication), mbolo weki (community celebration), teka ra ne’e (baquet), wa’a co’i (bring dowry), kapanca (henna and dhikr), lafa (ijab kabul), pamaco (congratulate the bride), Boho oi ndeu (shower a sign goodbye adolescence).

POLITENESS IN BUGINESE WEDDING CEREMONY

<p>One of the cultural elements of communication that must be considered is politeness. Politeness is indispensable in communication, especially in Southeast Asian cultures, which have degrees of politeness. As cultural aspects affect the communicative language, politeness would be expected in society. One of the politeness implementations is the polite language used in the Buginese traditional wedding ceremony. In order to reveal politeness and its strategies in the traditional Buginese wedding ceremony, the study employed a qualitative method with observation and analytical descriptive approach by examining the politeness strategies and conversational language used in the Buginese wedding ceremony processions. The data were obtained from the video recordings of the wedding ceremony and the interviews with four newlyweds. The result showed that positive politeness strategies were predominantly used in the Buginese wedding ceremony. The study also revealed that the positive politeness strategies were closely connected to the cultural values of South Sulawesi, which showed a strict sequence of the traditional wedding ceremony that must be followed. The sequence symbolizes the tie that binds two human beings in goodness and beneficence, which must be conducted religiously. The study concludes that the language used during the traditional Buginese wedding ceremony adhered to the positive politeness principle, although the nature of the language was conversational.</p><p><strong> </strong></p><p><strong>Keywords</strong>: politeness, politeness strategy, polite conversational language, Buginese wedding ceremony.</p>

Degradasi Tradisi : Pernikahan Jawa Pada Masa Pandemi Covid-19

This study aims to explain the form of modification and the factors behind the degradation of traditional values in Javanese wedding ceremonies as a result of the implementation of PPKM during the Covid 19 pandemic. The data source in this study is the event of Javanese wedding traditions in Jatipuro Karanganyar. The data are in the form of behavior, actions, words, and symbols in the Javanese wedding event in Jatipuro Karanganyar. Collecting data using the listen method using the recording technique, and the advanced note-taking technique. The research uses qualitative methods with a phenomenological approach. The method of presenting the results of data analysis using informal methods. The results explain that restrictions on community activities during the pandemic have an impact on the modification of traditional wedding ceremonies. Javanese wedding traditions are sacred and noble and become a medium for the community in synergizing in the same 'feel', being friendly and helping each other to change. The change was caused by a modification to summarize the order of the wedding ceremony and a reduction in the number of participants or cultural actors involved, during the covid 19 pandemic. This has an impact on the degradation of the value of a Javanese wedding tradition. In the past, it was created by the ancestors to have hope as a symbol of the concept of prayer of hope, andum rasa (sharing happiness), guyub (crystallization of the value of harmony), tepa selira (understanding and respecting each other), tulung tinulung (helping each other), now everything is difficult to feel. People cannot be free to be part of the running of a tradition because of the prohibition on gathering and restrictions on community social activities. The results of this study are a scientific contribution and source of learning about socio-cultural changes in society and as a reference for stakeholder policies in taking strategic steps for implementing community activities during the COVID-19 pandemic .

Semiotic Exploration of Roti Buaya as a Cultural Ornament

Roti Buaya is one of the snacks in Betawi weddings. Roti Buaya has become an icon of Betawi traditional marriage, which contains a certain sacredness and is believed to exist by what has been passed down from generation to generation by the ancestors of the Betawi Tribe. The use of Roti Buaya was intended to remove the negative stigma attached to crocodiles. This research uses a semiological or semiotic research approach, which can also be termed qualitative research, which does not use calculations. This type of research is field research which is direct life research, which studies intensively about individuals or society. The author, in this case, focuses on the study of semiotics contained in Roti Buaya. This study examines the relationship, process, and meaning of Roti Buaya in marriage customs in Jagakarsa. The attitude of the Betawi people in the Jagakarsa region, which in modern times still preserves their customs, is very exemplary. The Betawi people in the Jagakarsa region are still loyal to using Roti Buaya. The Betawi people in the Jagakarsa area make the crocodile a symbol that must be present when the Betawi traditional wedding ceremony is held, as a symbolic form of the meanings of prayer, hope, and noble cultural values.

JAVA TRADITIONAL COMMUNITY WEDDING CEREMONY TRADITION IN BANDAR JAWA III HUTA, BANDAR SUB-DISTRICT, SIMALUNGUN REGENCY

This research aimed at describe the tradition of the Javanese traditional community wedding ceremony at Huta III Bandar Jawa, Bandar Subdistrict, Simalungun Regency. This research used descriptive qualitative approach. The results of the research were carried out by observation, interviews, and documentation. This research found that the Javanese traditional wedding tradition in Huta III generally consists of eleven processions, namely 1) peningsetan, 2) saserahan, 3) pasangtarub or tratag, 4) malamlamaran, 5) kerik-an, 6) ijabkabul, 7) temumanten, 8) lemparsirih, 9) injaktelur (wijidadi), 10) sungkeman, 11) tepungtawar and marhaban. The tradition of Javanese traditional ceremonies in Huta III is not the same as the wedding traditions in Central Java, there are several traditions or processions that have been abandoned. Not only that, the Javanese traditional wedding tradition in Huta III has now experienced a combination or acculturation of the surrounding culture, one of the acculturations of the Malay culture which has now been adopted or carried out by the Javanese people of Huta III in the Javanese traditional wedding procession.

Perubahan Tradisi Upacara Adat Pernikahan Etnis Melayu Deli di Desa Paluh Sibaji Kecamatan Pantai Labu Kabupaten Deli Serdang

This study aims to determine the changes in the tradition of the Deli Malay ethnic wedding ceremony in Paluh Sibaji Village. Changes that occur in the tradition of traditional wedding ceremonies are not only influenced by the times, but are also caused by the tradition of recording or recording knowledge about traditional marriage ceremonies which are rarely encountered. The traditional Deli Malay wedding ceremony at the present time in Paluh Sibaji Village has undergone many changes and is very different from the previous Deli Malay wedding ceremony. This research is a qualitative research with ethnographic method. Qualitative research design consists of three stages of data collection, analysis and interpretation, manufacture. The research data are in the form of library research, interviews, results of field observations and documentation. Based on the results of observations, interviews, and documentation by researchers, the traditional Malay deli wedding ceremony tradition in Paluh Sibaji village has undergone changes. The researcher also found the complete implementation of the Malay Deli traditional wedding ceremony at the Maimun Palace. Some of the changes that occurred in the tradition of the Malay Deli wedding ceremony because it was adjusted to the teachings of the Islamic religion. There are slight differences in each series of traditional Malay deli wedding ceremonies in each region, although there are differences, the red line remains the same.

IMPLIKASI EKONOMI ULOS HOLONG BAGI PENGANTIN BATAK TOBA: PENDEKATAN UTILITAS DAN BIAYA OPORTUNIS

The aim of this study is to describe the tradition of ulos holong, that the offering of ulos for bride/groom in every Toba Batak wedding ceremony in Medan, creates an economic impact on the bridegroom. The research was carried out in three sub-districts in two stages of time, that is September 2019 – February 2020 (before the Covid-19 pandemic) and September 2020 to February 2021 (during the Covid-19 pandemic). The sampling method was carried out by accidental sampling by selecting 30 families at each stage of the study. The results showed that all respondents sold most of the received ulos because the utility or use value of the ulos for bride and grooms was very limited. This is a practical and rational choice because the proceeds from the sale (cash) are more useful than ulos, especially in the short term. Meanwhile, implementing ulos tinonun sadari can also be a more practical and economical option as a substitute for ulos holong. However, because ulos holong is still maintained, so that from opportunity cost approach, this tradition has still an economic impact on the bride and groom. The value is the difference between the value of the ulos tinonun sadari which should be received by the bride/grooms from the proceeds of the sale of ulos holong. So, by maintaining the ulos holong tradition, the bride and grooms “lose income” several million rupiah for each traditional wedding ceremony. The value is greater before the pandemic period than during the pandemic.

White Crocodile as Social Criticism of Polygamy Phenomenon in Curug Dahu Village

The purpose of this study was to analyze the structure of the traditional wedding ceremony and the White Crocodile performance in Curug Dahu Village. Signifying the concept of denotation and connotation of the White Crocodile in the traditional wedding ceremony in Curug Dahu Village, and analyzing the relationship between the White Crocodile communication elements to the phenomenon of polygamy in the Curug Dahu village. The research method used is a qualitative research method. The data collection technique was carried out starting with literature study, observation and interviews accompanied by documentation. The object of this research is the White Crocodile in a Sundanese traditional ceremony in Curug Dahu Village. This research uses Roland Barthes' Semiotics theory. Decoding the codes and identifying the denotations that have been formed are obtained at the primary level (denotation), White Crocodile is an image of fertility and fidelity in marriage, while at the secondary level of meaning (connotation) White Crocodile is an effort to carry out religious orders, in this case Islam is the majority of the people of Kampung Curug Dahu. Keywords: Polygamy, Roland Barthes, Social Criticism. White Crocodile.

STUDI TENTANG UPACARA ADAT PERKAWINAN DI KECEMATAN KINALI PASAMAN BARAT

The researcher's background in making this thesis is due to changes in the series of traditional wedding ceremonies and bridal make-up in West Kinali Pasaman District, as well as the existence of several series of traditional ceremonies and make-up processes that were left behind as in a series of ceremonies before marriage, namely mancari chickens (proposing). usually done by a mamak to find a mate for his nephew but in Kinali sub-district this process is rarely done. Meanwhile, a series of marriage ceremonies, namely the marriage contract, was previously carried out at night, namely at the night of cooking rice, but over time the marriage contract was carried out during the day. In the form of bridal make-up in Kinali Subdistrict, before the bride was make-up she first performed the bahieh ritual, but nowadays bahieh ritual is very rarely done because makeup artists are more following the trend of makeup. Many wedding ceremonies in Kinali Pasaman Barat Subdistrict have been changed over the years but still follow the prevailing customs. Previously, bridal make-up in Kinali Pasaman Barat Subdistrict, before the bride and groom were dressed, they first performed the bahieh ritual, but over time, makeup artists followed the current trend of makeup. The form of bridal clothing and accessories in West Kinali Pasaman Subdistrict, the bridal clothing consists of batabue, tokah, kodek / skirt, suntiang gadang bridal accessories, kaluang and galang, groom's clothing consists of skirt, vest, sarawa, sasampiang, bridal accessories saluak, kaluang, galang and keris. Wedding clothing, along with the times, has been modified a lot as well as various clothing colors, which used to be identical to the red color of the wedding dress. The meaning of wedding dress in Kinali Pasaman Barat Subdistrict, suntiang, implies that a heavy burden will be borne by a wife when living a married life. Saluak is a male head covering which has a meaning as a symbol of the leader in the gadang house after having a family. As well as leading the children and their nephews according to the customary saying of minang anak dipangku kamanakan in urang kampuang dipatenggangkan. The skirt symbolizes the wearer's greatness and big spirit.

Perubahan Sosial dalam Upacara Adat Perkawinan Pada Etnis Batak Toba di Tapanuli Bagian Utara (Analisis Sosiologis)

The traditional wedding ceremony of the Toba Batak ethnicity is a sacred activity and is a hereditary heritage carried out to this day. Currently, there are several changes in the implementation of traditional wedding ceremonies after the Batak Toba people in their hometown have interacted with people from other areas. The existing customary rites have begun to change, this change has given birth to a new habit. The purpose of this study was to determine the social changes in the traditional wedding ceremony of the Toba Batak ethnic group in Tapanuli Bahagian Utara. This research uses qualitative methods with data collection techniques, observations, interviews, document studies and focus group discussions. The results of this study found that the implementation of a series of stages in the traditional wedding ceremony that is currently taking place has progressed where the existing customs have become more diverse. The occurrence of this new habit is caused by various things, namely the influence of the teachings which the majority of the Batak Toba people adhere to, the changing space and time, and the actualization of status and power to achieve life goals. Various strategies are carried out by agents to achieve life goals by changing existing structures. This change in structure can be seen in changes in the way the traditional rituals are carried out which are organized repeatedly, in which various practices of traditional wedding ceremony rites are produced and reproduced, so that they continue to exist. Along with various developments, the implementation of traditional wedding ceremonies will experience challenges, namely consumerism, materialism and declining solidarity. However, this challenge is not a barrier to maintaining the traditional wedding ceremony.

Tradisi Upacara Perkawinan Adat Pandhebeh Perspektif Hukum Islam (Studi Kasus Desa Wringin Kecamatan Wringin Kabupaten Bondowoso)

The Pandhebeh tradition is a legacy that must be preserved and approved, although this tradition originated from Madura. But according to some religious leaders say the tradition of this pandhebeh is for the community's efforts towards God to oppose the coming of all bad things that will happen. The focus of the problem examined in this paper is 1. How is the tradition of the traditional Pandhebeh marriage ceremony in the community of Wringin Village, Wringin District, Bondowoso Regency? 2. How about a review of Islamic law about the traditional ceremonial tradition of Pandhebeh marriage in Wringin Village, Wringin District, Bondowoso Regency? The research approach used in this study is qualitative research with the type of field research. From this study, we concluded: first, The tradition of Pandhebeh rocket in Wringin Village is a hereditary tradition with the aim of eliminating the bad luck inherent in Pandhebeh children. Second, According to the scholars of ushul fiqh that adat or ‘urf which is a habit that lives in the legal community may be as long as there is no text that prohibits it. So the pandhebeh traditional wedding ceremony tradition in the village of Wringin we review through ‘urf, the researchers categorize this tradition including‘ urf al-shohih, where this tradition can be accepted by the community