Traditional Ceremonies Research Articles

The Identity of Keris Banyumas In the Film Keris Kyai Sela And Its Contextualization with The Strengthening of Penginyongan Culture

This study aims to describe the existence of women in the perlon unggahan ritual procession of the Bonokeling indigenous community. The research employs a qualitative method with an empirical or field research approach. Data collection methods include in-depth interviews, observation, document analysis, and literature review. The findings reveal that women hold significant roles and statuses within the Bonokeling community. This is due to an awareness of gender equality in the Bonokeling community, reflecting its egalitarian character. In the traditional ceremonies of the Bonokeling community, women have productive, reproductive, and socio-cultural roles. Women are actively involved in and perform religious duties during the perlon ritual. For the Bonokeling community or lineage, perlon unggahan holds highly sacred value and serves as a spiritual path (religious practice). Women serve in key roles such as nyai wadon kunci and further down the organizational structure (nyai wadon kunci, nyai wadon bedogol, etc.). Their roles include: (a) Nyai wadon kunci assists the duties of kyai kunci; (b) Nyai wadon bedogol assists the duties of kyai bedogol; and (c) women perform specific tasks in the perlon unggahan as predetermined.

KELOMPOK MUSIK CV. BINTANG GRUP: MEDIA MERAWAT IDENTITAS ADAT BATAK MELALUI MUSIK DI SOLO RAYA

Migration is an activity that has become a tradition for the Batak people. The migration destinations extend beyond the island, one of which is in the Solo Raya area. The identity of the Batak community remains preserved during migration because their original customs and culture continue to be an integral part of their daily lives. The purpose of this journal is to explore the cultural life of the Batak community and the steps they have taken to preserve their traditional identity through music, specifically through CV. Bintang Group. The research method used in this journal is qualitative, collecting data through observation, interviews, literature studies, and several other methods. The findings indicate that the Batak community, represented by CV. Bintang Group, has successfully preserved their traditional identity through various means. These include teaching Batak music to their children, participat ing in cultural events outside of traditional Batak ceremonies, possessing a complete set of traditional Batak instruments, and being active on social media. The conclusion of this research is that the Batakcommunity has successfully maintained their traditional identity even while living in distant lands.

Study of Salvation based on 1 Peter 3:18-22 among Batak Toba Christians, North Sumatra

Salvation is a very broad subject and very important to understand properly in the Bible. Salvation in Jesus Christ can be responded to by believing in Christ and His work. The understanding of salvation is now understood in universalism, and not a few people or groups have also turned to syncretism. The emergence of many teachers, pastors, and theologians had a great impact on providing different understandings among Christians. Each tribe has a belief in their ancestors, which later becomes a culture or custom. Initially, every Batak culture or custom was inseparable from magical elements. Any rituals or traditional ceremonies performed by certain groups or people are believed to keep them away from danger so that they are fine. But in reality, not a few of them experience the opposite. The initial motivation for getting blessings and safety turns out to be the tribulation or wretchedness that befalls their lives. The purpose of this research is to find out the magnitude of the confirmation of salvation in Jesus Christ. The most dominant dimension determines the confirmation of salvation, and the most dominant background category determines the confirmation of salvation based on 1 Peter 3:18-22 among Batak Toba Christians in Sumatra North. The method used is a quantitative approach using explanatory and confirmatory surveys. Research Results: Confirmation level about salvation based on 1 Peter 3:18-22 is in the high category. The most dominant dimension determining Confirmation about salvation is Preaching the Gospel by Jesus Christ (D3). The dominant background category determining confirmation of safety is age.

Symbolic Representation in the Traditional Ceremony at the Benuaq Dayak of East Kalimantan in Korrie Layun Rampan’s Ceremony Novel

Benuaq Dayak is an ethnic group originating from Kutai Kertanegara, East Kalimantan. The uniqueness of the Benuaq Dayak community traditions is represented in a novel entitled Ceremony written by Korrie Layun Rampan. This novel displays the cultural background of the Dayak people in the interior of Kalimantan. It describes a series of ceremonies performed by the Dayak people in their social life. Various traditional ceremonies in this tribe still exist today. This study uses a qualitative descriptive method and uses symbolic theory to examine the meaning of several features of Benuaq Dayak traditional ceremonies. The results of the study show several kinds of symbolic features in ceremonies such as: Balian dance presents symbolic meanings as a form of hope, Kewangkey ceremony represents social esteem. Nalin Taun embodies the purification of the soul and forgiveness of sins, the last one is Pelulung or marriage ceremony which is followed by a gantar which symbolizes happiness and a symbol of friendship between the two villages.

Exploring the Role of Folklore in Sustaining Cultural Tourism in Meghalaya

Meghalaya, known for its colourful customs, extensive oral history, and breathtaking scenery, has emerged as a major destination for cultural tourism in Northeastern India. The region's identity is fundamentally shaped by the rich history of customs, rituals, and folklore upheld by its indigenous groups, which are predominantly the Khasi, Garo, and Jaintia tribes. In Meghalaya, cultural tourism has grown to be a substantial industry, drawing tourists from both home and abroad who are interested in learning more about the distinctive traditions, celebrations, artwork, folklore storytellers, and way of life of the local tribes. This study explores the function of cultural tourism in Meghalaya, emphasizing how it advances sustainable tourism, cultural heritage preservation, and socioeconomic development. The state’s cultural tourism revolves around festivals, traditions, and folklore, these celebrations provide guests with the excitement of Meghalaya's dynamic culture as ancient myths, stories, songs, enchanting festivals, and traditional ceremonies, which play a vital role in supporting and advancing cultural tourism and provides an unforgettable adventure into the core of indigenous heritage. Furthermore, the study looks at how folklore tourism gives local people the chance to become more economically empowered through guided storytelling and ensuring the preservation of tourism centred around the folklore stories of Meghalaya which is crucial for sustaining the strong cultural legacy of its native communities, providing tourists with a more profound link to the ancient traditions and intriguing legends of the region.

Study of Malay Marriage Customs: Acculturation and Islamic Communication Values in Riau Malay Society

<p><em>The qualitative research employed by the author examines the acculturation of Islamic communication values in Riau Malay marriage customs, observing events at various stages of the marriage process. Data is gathered through the Riau Malay Customary Institute (LAM Riau), using interviews and documentation and observing traditional marriage ceremonies. Additional data is collected from Riau community leaders involved in the marriage process. The research spans approximately 16 months. Findings indicate that Riau Malay traditional weddings are meticulously organized to affirm Malay identity and fulfill societal roles, with customs regulating life aspects at the national and state levels. Islamic communication strengthens individual religious identity. Secondly, values in Islamic communication, guided by the Quran and Hadith, are integral to traditional Malay wedding ceremonies, encompassing pre-wedding, marriage process, and post-wedding stages. Thirdly, the acculturation of Islam in Malay marriage customs dates back to the 15th century, marked by trade, intermarriages between Arab traders and locals, and the Islamization of Malay rulers, based on the Quran and As-Sunnah, the primary sources of Islamic teachings.</em></p>

Perubahan Sosial Sistem Kekerabatan dalam Upacara Adat Perkawinan Masyarakat Nias (Studi Kasus Tahapan Fanika Era-Era Mbowo) di Desa Tuhembuasi Kecamatan Sogae’adu Kabupaten Nias

The title of this research emphasizes social changes in the kinship system in the traditional marriage ceremony of the Nias community (case study of the fanika stages of the mbowo era) in Tuhembuasi Village, Sogae'adu District, Nias Regency. The aim of this research is: To find out/describe social changes in the kinship system in the traditional marriage ceremony of the Nias community (case study of the fanika stages of the mbowo era) in Tuhembuasi Village, Sogae'adu District, Nias Regency. In this research, the method used is a descriptive qualitative approach. The results of the research show that the causes of changes in the Fanika stages of the Mbowo era in the Nias tribe community in Tuhembuasi Village, Sogae'adu District, Nias Regency are: (1) parents nowadays are very busy so they don't have time to talk about or teach about customs. and the culture of the Nias people to their children; (2) because the implementation of the Fanika stages in the Mbowo era took a lot of time, up to 3 to 4 hours, so people also felt bored because the time was too long, so the implementation of this stage was often postponed; (3) many people currently have very little experience of Nias culture so that the implementation of its customs as they are is important to remember but is not implemented; (4) migrate, marry with other tribes, so that the celebration does not reflect Nias culture.

Tradisi Seren Taun berbasis Kearifan Lokal Masyarakat AdatKasepuhan (Suatu Kajian Holistik Antropologi Hukum)

Seren Taun is a series of agricultural activities carried out every year by a traditional community in atraditional area which is usually called a traditional traditional ritual, as a form of respect for the ancestors andthe Goddess Sri with all forms of rituals and cultural arts performances of the Kasepuhan indigenouscommunity from very from long ago to modern art displayed by indigenous peoples. The rice was brought,paraded, accompanied by everyone present to be stored in the Leuit Si Jimat communal barn. The local wisdomof the Kasepuhan traditional community of Banten Kidul is a community that still upholds and carries outtraditions with the supervision of the Abah as the Traditional Leader. Kasepuhan residents are devoutfollowers of the Islamic religion, but in their daily lives they are characterized by mythical and animist beliefsor they still maintain ancestral beliefs such as burning incense, giving offerings, traditional ceremonies, placingfences on doors, and other ancestral beliefs. The Holistic Study of Legal Anthropology illustrates that traditionalrituals based on local wisdom are a manifestation of the behavior or actions of indigenous people in an effort toget closer to God. Because rituals are ceremonies carried out by indigenous people throughout their lifetime,they are carried out by every indigenous community in their traditional territory, because they are ceremoniesfor the life cycle of an individual's life as a member of society (the universal circle of life).Keywords: Seren Taun Tradition, Local Wisdom of the Kasepuhan Indigenous Community, Holistic Study ofLegal Anthropology

Digital Protection and Inheritance Path of Intangible Cultural Heritage based on Image Processing Algorithm

This research paper introduces a novel approach in the realm of digital preservation and inheritance of Intangible Cultural Heritage (ICH) through a Customized 3D Convolutional Neural Network (CNN). The core of this study lies in the development of an advanced image processing algorithm tailored to accurately recognize, categorize, and archive diverse forms of ICH, which include traditional performances, ceremonies, oral traditions, and crafts. Utilizing a volumetric 3D CNN, this paper demonstrates how complex ICH elements can be effectively captured and analyzed, overcoming the limitations of traditional 2D image processing methods. The network is trained on a comprehensive dataset of ICH imagery, ensuring sensitivity to the subtle nuances and dynamic nature of these cultural expressions. This paper highlights the algorithm’s capability in not only safeguarding the visual aspects of ICH but also in providing an interactive, digital medium for education and cultural dissemination. The proposed method shows significant promise in aiding the efforts of cultural preservationists and educators, offering a technologically advanced pathway for the protection and inheritance of the world’s rich, yet vulnerable, cultural heritage. This study sets a precedent in the interdisciplinary field of cultural heritage conservation, digital technology, and artificial intelligence, providing a scalable and effective solution for global ICH preservation initiatives.

Analisis Nilai-Nilai Spiritual dalam Tradisi Posuo Masyarakat Buton

This research examines spiritual values in the posuo tradition of the Butonese people. The posuo tradition is a traditional ceremony for girls that marks the transition from adolescence to adulthood, carried out once in a lifetime. The approach and type of research used is a qualitative approach with library research. Data was obtained through relevant literature, including books, journals, articles, and research reports. The findings show that the posuo tradition contains four main spiritual values based on Notonegoro's theory, namely the values of beauty, truth, goodness, and religiosity. The value of beauty can be seen in traditional clothing and ceremonies, The truth value of implementing customs is by the teachings passed down from generation to generation and still refers to a combination of Islamic teachings and established customary rules., the value of goodness from ethical and moral education, and the value of religiosity from spiritual practices during ceremonies. This tradition not only functions as a means of self-cleaning but also as a medium for education and character formation which is important for Butonese women in living their adult lives.

Commodification of the Nyangku Traditional Ceremony in Panjalu of West Java

This research discusses the Nyangku traditional ceremony which has changed when viewed from a sociological perspective, namely the change in use value in the Nyangku traditional ceremony to exchange value which is called religious commodification, and this research will also explore the causes of this change using a sociology of religion approach. Types of research in this research is field research by collecting data based on the results of observations and interviews as well as documentation studies. This research concludes that the Nyangku traditional ceremony experienced religious commodification with the change from the use value of the Nyangku traditional ceremony to the exchange value as before Nyangku was the form of rituals of the Panjalu community, the cement of solidarity, social identity and efforts to care for the Panjalu ancestral heritage, become exchange values that have profit value in the form of promotions, sales of Nyangku symbols, as well as facilities that use tariffs provided for Nyangku. Then, the cause of the change from use value to exchange value at the Nyangku traditional ceremony occurred due to the existence of a charismatic figure who influenced the Panjalu community, the influence of religion, which provided a new perspective, and the Panjalu community's changing view of values.

Transliteration in Selected Nigerian Novels and The Discourse in Traditional Ceremonies in Urhobo And Ukwani

The study investigates the use and importance of transliteration in selected Nigerian novels as well as the discourse in traditional ceremonies such as marriage and funeral in Urhobo and Ukwuani in Delta State. Unlike in literary works where some works have been done in transliteration, none has been carried out on the English used in traditional ceremonies. Even in literary works, studies on transliteration are mostly aimed at how English is "domesticated" to reflect African culture. None of the studies has actually specified what aspects of African culture each transliterated expression reflects. Owing to this gap in literature, this work aims at providing a socio-linguistic explanations for the special linguistic choices made in Achebe's Arrow of God, Anthills of the Savannah, Chimamanda Ngozi, Adichie's Purple Hibiscus and in traditional ceremonies. The theoritical framework adopted for the study is the Sapir-Whorf Hypothesis of communication accomodation, which attempts to explain the relationship between language and the interpretation of social reality. Data were sourced from the novels and the speeches of spokesmen in marriage and funeral ceremonies of heterogeneous nature and were analysed through descriptive method. The following research questions guided the analysis: i. Are there defining characteristics that determine the English used in the novels and the traditional ceremonies? ii. Are there similarities between the language used in the novels and the ones used in the traditional ceremonies? iii. Is the variety of English used relevant to African culture? iv. What specific aspects of African culture do the linguistic choices made reflect? The findings from the study show that the expressions identified reflect and promote African culture. The findings also show that there are similarities between the language of the novels and that of traditional ceremonies.

PEMBERDAYAAN MASYARAKAT DALAM PERENCANAAN KAWASAN SOSIAL DAN KOMERSIAL BERBASIS EKOWISATA DI PANTAI MATAHARI TERBIT, DESA ADAT SANUR KAJA, DENPASAR, BALI

Matahari Terbit Beach in Sanur plays a vital role in the lives of the local community, both as a popular tourist destination and as a location for traditional ceremonies such as ngaben. However, zoning changes due to the relocation of the Sanur port have presented significant challenges, including a decline in revenue for vendors along the beach and a lack of nighttime tourist attractions. This community service project aims to develop a master plan that integrates the cultural, social, and economic needs of the local community with sustainable tourism potential. The methods used include field surveys, data analysis, and Focus Group Discussions (FGD) with the local community to produce environmentally friendly and sustainable area designs. The planning outcomes include the reorganization of the commercial area, the utilization of reclaimed land for social facilities, and the development of a multifunctional pavilion (wantilan). This concept is expected to improve the quality of life for the community, strengthen the local economy, and maintain the balance of the local ecosystem and culture. The more integrated area planning is intended to serve as a reference for sustainable development at Matahari Terbit Beach, ensuring that the area continues to function as a center for traditional activities and an attractive tourist destination.

Analisis Hadis dalam Khanduri Laot pada Masyarakat pesisir Aceh Tamiang

The Khaduri Laot tradition is a traditional ceremony that must be carried out by the coastal communities of Aceh Tamiang, especially at the end of the west season or before the east season. This tradition has been carried out routinely by every village under the Panglima Laot area. For the local fishing community, Khaduri Laot reflects the relationship between humans, their creator, and the surrounding environment. This ceremony is believed to have a major influence on the safety of fishermen and the blessings of marine products. Khaduri Laot is considered a cultural tradition that must be maintained and preserved. Local people's beliefs state that not carrying out this ceremony can bring disaster or danger. On the contrary, the Khaduri Laot celebration is believed to bring blessings and abundant sustenance to fishermen and coastal communities. In addition, this ritual is also believed to provide protection and security for fishermen who sail at sea. This tradition not only has a spiritual dimension, but also a cultural one in maintaining harmony between humans and nature.

Food Communication to Strengthen Cultural Identity: A Case Study on Saparan Bekakak Traditions in Indonesia

Food has a crucial role in human culture and social interaction. Food is vital in various traditional ceremonies and rituals, especially in Javanese culture. Saparan Bekakak is a Javanese tradition that uses food or offerings as a ritual symbol. Food communication is a field of study that studies how food functions as a medium of communication in social and cultural contexts. This study explores the food communication model in strengthening the cultural identity of Saparan Bekakak as a noble tradition of the Indonesian nation. This research uses a constructivist paradigm with a qualitative research design for the type of case study. The subjects in this study consisted of nine participants, including community leaders (kamituwo, dukuh, bekakak bride makers, cooks, and offerings), local communities, and visitors to the Saparan Bekakak traditional ceremony. The data collection techniques in this study consist of interviews, observations, and documentation. Data analysis in the study consists of several steps (i.e., data reduction, data presentation, and conclusion drawn) as well as source triangulation and triangulation techniques to ensure the validity of the research data. This study finds a food communication model that strengthens the cultural identity of Saparan Bekakak as a noble tradition of the Indonesian nation. Food in the tradition of saparan bekakak is interpreted as a form of gratitude blessings, a medium of communication with ancestors for safety, cultural enlightenment, and strengthening solidarity/togetherness. There are variations and shifts in the meaning of food in the Saparan Bekakak tradition, encouraging the negotiation of meaning, which catalyses the renewal and strengthening of identity. Culture. This research's implications or theoretical impact are in the form of theoretical contributions about food communication that can construct and strengthen cultural identity and practically in the form of food communication models that can be applied to enhance cultural identity, especially in the Saparan Bekakak tradition.

RUANG PERMUKIMAN DI DESA TENGANAN DAUH TUKAD SEBAGAI WADAH PELESTARIAN BUDAYA DAN PENGGERAK EKONOMI LOKAL

Tenganan Dauh Tukad Village is one of the Bali Aga villages that still maintains the heritage of ancestral traditions and culture in everyday life. The uniqueness of residential architecture in this village is not only reflected in the layout of buildings, but also in the functional role of these spaces in supporting community cultural activities. This village maintains its traditions by organizing the spatial layout based on the hulu-teben concept, which distinguishes between sacred and profane zones. This research aims to identify and analyze the role of space in Tenganan Dauh Tukad Village as a place for preserving culture and driving the local economy. This research uses a descriptive qualitative method with a case study approach. The results showed that spaces in Tenganan Dauh Tukad Village settlements have a significant role in supporting cultural activities. Spaces such as Bale Agung and other structures not only function as physical places, but also become symbols of togetherness and collective strength in the Tenganan Dauh Tukad community. One of the cultural activities carried out at Bale Agung is the traditional ceremony of Perang Pandan (Screwpine War), which is also a tourist attraction that contributes to the local economy. This research concludes that residential architecture in Tenganan Dauh Tukad Village is not just a place to live, but also serves as an important platform to preserve community culture and support local economic sustainability.

Strategi Pengembangan Rumah Bolon Sebagai Destinasi Wisata di Kecmatan Purba, Kabupaten Simalungun

The development of Rumah Bolon is faced with the lack of human resources who understand the importance of tourism awareness, lack of support to improve infrastructure and the development budget is still a major problem for the village community to develop tourism objects and make the village advanced to become a tourist village. The objectives of this research are 1) to know the management strategy for the development of Rumah Bolon as a tourist destination; 2) to know the development strategy of Rumah Bolon. The research methods used were questionnaires and FGDs which were then analysed using IFAS and EFAS and SWOT analysis. From the research findings, it is known that 1) the authenticity of Rumah Bolon; 2) the traditional social life of the community; 3) customs and traditions that are still maintained; 4) traditional ceremonies are still often held; and 5) the sacredness of the Bolon House area is a potential that can make Rumah Bolon a tourist destination. The IFAS and EFAS analysis shows a score of 2.07 for strengths, 1.78 for weaknesses and 1.40 for opportunities and 1.53 for threats. In the SWOT diagram, Rumah Bolon is positioned in Quadrant II. Diversification (x-axis 0.14 and y-axis -0.06) which means that Bolon House is in a position that has threats but still has strengths, to minimise these threats the strategy that can be used is the ST strategy.

Analisis Kebudayaan Batak Pakpak di Sumatera

Batak Pakpak regional culture is an integral part of the richness of Indonesian culture spread across the Sumatra region. Geographically, the Pakpak Batak tribe inhabits the high hilly areas around the North Tapanuli area. Their culture encompasses various aspects, including language, customs, traditional arts, music, dance, and unique beliefs and value systems. The customs of the Pakpak Batak tribe are very strong in everyday life, with norms that regulate various aspects of social, economic and religious life. Traditional arts such as carving, weaving and stone carving are deep cultural expressions and have high value for the Pakpak people. Apart from that, traditional Batak Pakpak music and dances, such as gondang sabangunan and tortor, are important media in traditional ceremonies and cultural festivals. They are also known for their beliefs and value systems that value living in harmony with nature and the continuity of generations. This research aims to dig deeper into the cultural diversity of the Batak Pakpak in Sumatra and understand the role and cultural values in strengthening their identity. Through this analysis, it is hoped that it can provide a more comprehensive picture of this cultural richness and its implications in the context of Indonesia's cultural diversity.

Nilai - Nilai dalam Upacara Penti di Manggarai Ditinjau dari Perspektif Filsafat Moral Kant

Each culture has various traditional ceremonies. Traditional ceremonies become one of the entities that perpetuate a culture. Each traditional ceremony has values that want to be preserved and taught to the followers of that culture. The Penti Ceremony in the Manggarai Community, Flores, NTT is one of the pedagogical cultural activities. There are many values to be taught in the ceremony. Therefore, this paper aims to examine the important values contained in the Penti ceremony from the perspective of Immanuel Kant's moral philosophy. This research uses a qualitative approach with ethnographic methods. The results of this study show that the Penti ceremony contains philosophical values that can be interpreted from the perspective of Kant's moral philosophy, such as harmony with God and others. These positive things are important to be raised in order to become material that can be taught to the younger generation through formal and informal schools, such as local content programs.

Kesenian Gamat Di dalam Masyarakat Bengkulu

This research is motivated by the habit of Bengkulu people who use Gamat art on several important events such as marriage and other traditional ritual events. The purpose of this research is to describe Gamat art in Bengkulu society. The methods used in collecting data for this research are literature study and questionnaires. There are 3 important questions that become the instrument of this research, namely: What is Gamat art? How is Gamat art present and recognized in the lives of Bengkulu people? What is the function and meaning of Gamat art for the people in Bengkulu? The results of the study show that Gamat art is a performing art that combines a combination of vocal and instrumental music typical of Melayu, which is known, present and united in traditional ceremonies and annual rituals of the Bengkulu community. In addition, it was found that Gamat art has functions and meanings for the people of Bengkulu, including: means of entertainment, communication and integration or unification.