238 Reviews Bueno; the 'nivolesque' qualities manifested in Amor y pedagogia and Niebla reappear in many of the aspects of Como se hace una novela; and the novels of passion present a balanced contrast between two aspects of what Unamuno sought to achieve when he said that in them 'intente escarbar en ciertos sotanos y escondrijos del corazon'. (p. 222) The other theme is concerned with exploring the way in which the novels exemplify and dramatize the dichotomies of word and flesh, mind and body, 'often reaching the level of tragic conflict' (p. 225). Inevitably we are led to identify this kind of conflict with Unamuno's own inner struggle, which Olson perceptively reassesses on the basis primarily of the evidence contained in the novels, both in their structure and in their content. We are shown that, with the possible exception of Abel Sdnchez, the novels resist closure, and that this resistance is inseparable from Unamuno's own insatiable desire for more life, for something beyond the closure of our individual existence. Repeatedly, he uses the trope ofthe Chinese box, but never with the final assertion that the innermost box is empty. Instead, Olson reiterates, he clung in the end to hope, which at times was for him indistinguishable from faith. Part of this hope, Olson emphasizes, depended on his discovery of 'the Hegelian idea of the identity ofpure being and pure nothingness' (p. 4), which seems to have given support to his longing to overcome the dualities in his thought through the affirmationof the identity of opposites. This is an aspiration that reappears in later Hispanic writers,notably Cortazar and Paz, both of whom seem to share Unamuno's perpetual desire to escape from an 'either . . . or' to a 'both . . . and'. But, while we can sympathize with the spiritual dilemmas ofall three writers,we cannot overlook the factthat to postulate the identity of opposites leads directly to advocating mystiques?Unamuno's 'inmortalidad de bulto', Cortazar's 'Yonder', Paz's 'otra orilla'?which raise more problems than the faith they are intended to replace. Olson's suggestion of a chiasmus-like pattern in the development of Unamuno's fic? tion is original and thought-provoking, but in my view his discussion of Unamuno's persistent habit of cultivating contradiction could have been more critical. University of Virginia Donald L. Shaw Womenof the Prologue: Imitation, Myth, and Magic in 'Don Quixote I'. By Carolyn A. Nadeau. Lewisburg: Bucknell University Press; London: Associated Uni? versity Presses. 2002. 188 pp. ?30. ISBN 0-83875-510-0. The portrayal of women in Cervantes has been the object of study of a number of books, but Carolyn N. Nadeau offersa new insight into this subject by focusing on the women mentioned in the prologue to Don Quixote I. Nadeau argues that, in the same way that the prologue raises many literary questions, Cervantes's treatment of women suggests new approaches and attitudes: 'Cervantes's masterpiece heralds a new vision for both writing practices and women's role in society' (p. 138). The aims of the book are clearly set out in the introduction, and clarity of argument is mantained throughout the text. Nadeau's style is rigorous, and, at the same time, transparent and easy to read, qualities that, in these times of postmodernist literary criticism, are most appreciated. The argument is very tightly structured, presenting carefully ordered ideas. This is one of the strengths in the book that, however, on some occasions becomes a weakness, as it seems that the argument is forced into a predetermined structure, so that the concepts are sometimes oversimplified. In Chapters 1 and 2, Nadeau sets out the basis of her discussion, explaining the choice of topic and the interesting combination of theory of imitation and its appli? cation to the portrayal of women, beginning with the female figures in the prologue MLRy ioo.i, 2005 239 of Don Quixote I. Nadeau provides references from a wide range of critics, but she is sometimes too ambitious, and the references are often too brief to permit an in-depth discussion. In some instances the references are not made completely relevant, as they are left unexplored: this is the case with...
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