Theme Of Love Research Articles

«Маньчжурская принцесса» А. Хейдока и «Весна в маленьком городе» Сяо Хун: сопоставительный анализ

<p>The article compares two works — «Manchurian Princess» by Russian emigrant writer A. Heidok and «Spring in a Small Town» by Chinese writer Xiao Hong, which were created in approximately the same epoch and reproduce the same place of action — the north-east of China. Heidok’s work appealed to the mystical ideas of Chinese culture (the idea of reincarnation); Xiao Hong’s work was deeply influenced by Russian classical literature. Both stories present a story of tragic love, which breaks the traditions of a conservative society and radically changes the lives of the characters. The meaning of the characters’ lives lies in returning to the true nature of man — love, because only in it does existence find meaning; at the same time, the theme of love is closely intertwined with the theme of death. In both works there is an intersection of different epochs — the past and the present; at the same time, it is the past that determines the course of events of the present. Specific situations of the characters’ lives are revealed in a broad historical and cultural space, which allows the author to put before the readers the most important ethical and philosophical problems. A. Heidok’s story shows how life in the previous birth influences the actions of a person in subsequent births; in Xiao Hong’s story «the past» is the power of tradition, which does not allow a girl to get an education and determine her own destiny.</p>

COMMODIFICATION OF HUMAN EMOTION AND MARRIAGE IN CAPITALISM (A READING OF PROBST’S THE MARRIAGE BARGAIN FROM A MARXIST PERSPECTIVE)

This research aims to analyze Jennifer Probst’s The Marriage Bargain from a Marxist perspective to examine how social institutions like marriage and human emotions are commodified in the era of late capitalism. The novel deals with the theme of love, romance and marriage, but also highlights the commodification of marriage in a capitalist society. The two main characters, Alexandria and Nicholas, use marriage as a means to solve their economic problems, challenging the traditional notion of marriage as a bonding of two souls. This research aims to explore this phenomenon. This qualitative study employs a Marxist literary analysis of the novel, focusing on the commodification of marriage and human emotions in the late capitalist society. It examines how the novel’s characters challenge the traditional concept of marriage and use it as a commodity to satisfy their material needs. The core finding of this research is that under the harsh economic pressures of late capitalism, human emotions and social institutions like marriage are commodified, and people compromise their ideals for economic gain. The novel shows how marriage is used as a commodity to solve economic problems, and how the traditional concept of marriage is being challenged by the utilitarian values of modern societies. The research concludes that The Marriage Bargain is an illustrative example of the commodification of marriage and human emotions in late capitalism. The exploration of this discourse clarifies how the institution of marriage is being used as a commodity to satisfy material needs. The novel raises an uncommon issue regarding the marital relationship, and the utilitarian attitude of its characters towards their own marriage represents the emerging social problem of the reification of human relationships.

Xiaolu Guo’s A Lover’s Discourse: Analysis of the Influence of Roland Barthes

This paper aims to analyse A Lover’s Discourse (2020), a novel by Chinese writer Xiaolu Guo, comparing it to A Lover’s Discourse: Fragments (1978) by Roland Barthe and examining to what degree the French linguist and semiotician has influenced the author’s work. The discourse between lovers developed by Guo resembles that of Barthes on a structural, linguistic, and thematic level, but is set in an intercultural and multilingual context. By reframing the discourse as such, Xiaolu Guo contemplates themes of love, wordlessness, and home, connected to the migrant’s experience.

THE PHILOSOPHY OF LOVE IN THE LYRICS OF M. BOGDANOVICH AND V. BRYUSOV

THE PHILOSOPHY OF LOVE IN THE LYRICS OF M. BOGDANOVICH AND V. BRYUSOV

A captivating journey of memory and healing: A review of a novel book “Sebuah usaha melupakan” by Boy Chandra (2016)

This study tries to review an Indonesian novel "Sebuah Usaha Untuk Melupakan" (2016). This novel is a thought-provoking novel by Boy Chardra that delves into the intricate web of human emotions, memories, and the powerful journey of healing. Set against the backdrop of a bustling city, the story follows the protagonist as he embarks on a quest to forget a haunting past and find solace in the present. As the novel unfolds, the protagonist encounters a diverse cast of characters who contribute to his transformative journey. Each interaction serves as a catalyst for self-reflection, challenging his perceptions and forcing him to confront the painful memories that haunt him. The narrative weaves seamlessly between past and present, gradually unraveling the layers of the protagonist's history and offering glimpses of hope and redemption. The writer's evocative prose paints a vivid picture of the urban landscape, mirroring the protagonist's internal struggles. The city becomes a metaphorical canvas upon which the protagonist attempts to forge a new identity and escape the clutches of his past. Through atmospheric descriptions and poetic imagery, the author creates a palpable sense of time and place, immersing readers in the protagonist's world. The novel explores universal themes of love, loss, and the intricate nature of memory. The writer skillfully crafts a narrative that not only captivates readers but also prompts them to reflect on their own experiences. The novel serves as a poignant reminder that healing and growth often require confronting one's past, embracing vulnerability, and on a transformative journey towards self-discovery. This novel is a compelling novel that navigates the complex terrain of memory and healing with grace and sensitivity. The writer’s masterful storytelling and introspective exploration of the human condition make this book a memorable read, resonating with readers long after the final page is turned.

Between the Rain and the Sun: Love and Society in “A Rainy Day”, by Eça de Queiroz

This article aims to analyze and interpret “A Rainy Day”, a posthumous short story by Eça de Queiroz, based on critical suggestions made by Antonio Candido. It is proposed that the polar images of rain and sun, whose competition was duly suggested by the critic as a structural principle of the narrative, symbolize the feelings of frustration and hope on two different levels. In this sense, these poles represent tensions relating to the theme of love, on the general level of human emotions, and relating to the process of modernization, on the particular level of the historical context of 19th century Portuguese society. And the unity between these two different levels would be provided by the worldview manifested in the author’s composition of the work, which is both romantic and progressive.

Love and Monstrosity in Racine’s Tragedy Phaedra

In Racine’s tragedy Phaedra, love is repeatedly associated with monstrosity and elicits destructive acts of hatred. From a literary studies perspective, it will be discussed how, in drawing on literary topoi from ancient Greece, erotic love is portrayed in Racine’s play as a foreign, ‹monstrous› force that affects the body in disturbing ways, manifesting itself, for instance, in hindrances to and interferences with speech. By reintroducing the undisciplined, unorganized body into the sphere of the social, thus destabilizing socio-symbolic order, love takes on a deeply troubling quality. Love is also associated with the sphere of the gods, albeit not in a positive way: it is described as a «curse» or «revenge» of the gods. It appears thus as a non-human, ‹monstrous› force intruding into and haunting the human realm. The ‹monstrosity› of love thereby becomes the site of negotiation not only of identity but also of ontological difference. The hunting and killing of the monstrous Minotaur, which is a motif central to the play, condenses the aspects of monstrous love (the Minotaur is the fruit of a transgressive passion) and destructive hatred. The hunt for the Minotaur taking place in a labyrinth points to the disorientation caused by the ontological difference that the Monster embodies – and which is at stake in love. The article aims to show how the themes of love and monstrosity also relate to a negative dialectic of the political in Racine’s tragedy.

Production Review: Sugar in Our Wounds

Bryan Schmidt reviews Penumbra Theatre of St. Paul's production of Donja L. Love's Sugar in Our Wounds. The production dates were February 23 - March 19, 2023. The director was Sarah Bellamy who is also President of Penumbra Theatre. In this review, Schmidt examines the production's emphasis on visually and aesthetically embracing the major themes of queer love, familial bonds, and racial violence. Content Warning: Please note that this review contains discussions of adult situations and racial violence as seen in the production.       

A Visually Challenged Visionary: Paul Matavire and the Love Song in Zimbabwe

Arguably, no artiste in Zimbabwe has deployed more energy, expressive eloquence, and controversy on the theme of love than the verbally pyrotechnic Paul Matavire. Self-christened Dr Love, courtesy of “his ability to intricately explore various relationship scenarios,” Matavire firmly establishes himself as the indisputable virtuoso of romantic expression. He extensively appropriates and refashions Shona metaphorical resources to vividly portray topical love issues in Zimbabwe. Matavire assumes the role of devil’s advocate to satirise postcolonial Zimbabwean society’s love dilemmas in a way that excites introspection, debate, humour, and, at times, stark outrage. Love and materialism, pleasure versus principle, abuse of authority, and the objectification of women are among the recurring singing points in Paul Matavire’s love songs. This article critically analyses a selection of Paul Matavire’s songs to get a deeper understanding of topical love issues in Zimbabwe. However, it has to be disclosed from the onset that, in this study, the metaphor is only an accessory to the full comprehension of these issues, not the primary focus of the article. This qualitative study employs textual analysis to bring to the fore referential content imbedded in Matavire’s music. Songs with love themes are purposively selected and critically analysed to tease out topical love dilemmas confronting Zimbabweans.

Wysiłek emocjonalny jako podstawowa zasada miłości (dworskiej). Romans z Anomenem w Baldur’s Gate II


 
 
 The article undertakes an analysis of the only romantic plot for a female character in Baldur’s Gate II: Shadows of Amn, namely the romance with Anomen, one of the player character’s potential companions. The analysis focuses primarily on how this romance adapts themes of courtly love to the poetics of the digital game medium. Courtly love is treated here not as a realistically depicted medieval tradition but rather as an established pop-cultural reference to the literature of the period, and as an element of contemporary depictions of the Middle Ages, often serving as a way to present contemporary themes and beliefs. The analysis therefore aims to explore how the theme can be employed to reproduce contemporary patterns of romantic relationships within a game, and in the case of Anomen, how it reproduces patterns of unequal emotional labor in heterosexual relationships. The article thus seeks to show how digital games can function as tools of cultural discourse of love by implementing certain patterns of romantic love through their specific means of expression.
 
 

Some Inferences for Educational Programs from Primary School Children's Family Drawings and Verbal Metaphors

This study, which was conducted to make inferences for educational programs by determining the family speeches and drawings of primary school students, was designed employing the understanding of the basic qualitative research. The study included 126 primary school students. The family verbal metaphors and family drawing (draw-narrate) techniques were used to gather research data. The data was analyzed using techniques for content and document analysis. It was observed that the primary school students' family linguistic metaphors could be categorized into six themes: nuclear family, extended family, fight, cooperation, enjoyable action done together, and love. The first graders produced more metaphors for the theme of enjoyable action together and fourth graders produced more metaphors for the theme of love. Following an analysis of the family drawings, it was found that the drawings revealed details about the development, emotions, sorts of families, and interactions between family members. It was also observed that children mostly drew family structures consisting of parents and children. The said family drawings contain more information than verbal metaphors. Only six of the 126 metaphors produced are negative. It was determined that the family discussions and family drawings both accurately expressed and reflected the positive values of the educational programs. Future studies should, as was advised, study both family drawings and potential family drawing-related issues.

He Creative Heritage of Boichukist Artists by Antonina Ivanova and Mykhailo Lezviev (based on materials from the collection of the Lviv National Gallery of Art named after Borys Voznytskyi).

Based on the collection of graphic works stored in the funds of the Lviv National Gallery of Art named after Borys Voznytskyi, the article examines the creative work of Mykhailo Boichuk's pupils, artists Antonina Ivanova and Mykhailo Lezviev. In addition to graphic works, photographs from the gallery's archive are used to trace Ivanova's participation in the creation of monumental murals in Odesa together with Mykhailo Boychuk and other artists, and to reveal the participation of Lezviev and Ivanova, together with Leonid Molodozhanyn (the future Leo Mol), in the creation of frescoes and sculptures of monumental buildings in Nalchik in the 1930s. Analysing the artists' graphics, the author draws parallels in the formation of the artists' creative method, focuses on the continuation of the conceptual foundations defined by Mykhailo Boichuk in their work – an appeal to folk art, archaic forms, and national traditions. The author emphasises the holistic and generalised nature of compositional solutions in the works of both artists, which are considered in the context of general socio-cultural trends of the first half of the twentieth century. The difference between the artists' creative style and the programmatic officialdom of the 1930s is pointed out, which affected the life of these artists: they suffered from political repression. Drawing a comparison between the graphic works of A. Ivanova and M. Lezviev, the author emphasises the commonality of expressive means, which are characterised by laconicism, poster-like, flat images, and a tendency to monumentality. Sacred motifs are present in the symbolism and semantics of some of the works, and elements of Christian iconography can be found in the compositional schemes. The themes of love and family harmony acquire a deep generalisation in the artists' works. The introduction of the works of Antonina Ivanova and Mykhailo Lezviyev as a creative tandem into scientific circulation allows us to present Boichukism as a phenomenon in Ukrainian fine art and the significant influence of this artistic movement outside Ukraine.

THE THEME OF THE HEART IN THE BYZANTINE TRADITION, RUSSIAN ORTHODOX CULTURE AND RUSSIAN PHILOSOPHY

The article is devoted to the problem of cardiognosia as the leading one for Russian theological-philosophical and secular religious thought. A special place in Russian (especially in religious) philosophy is occupied by the theme of love and the heart. The main question that we pose in this article is whether the domestic cardiognosy has remained in line with purely Byzantine religious philosophy, or whether our tradition has found an original approach to the study of the heart. This problem is quite relevant due to the fact that modern Russia has often been compared with the Byzantine Empire, such comparative studies have been found for the third decade in various historical, cultural and philosophical studies. The study of the topic of the heart also falls into the piggy bank of spiritual and moral values, to the preservation of which the strategic interests of modern Russian society are addressed.
 Russian Orthodox culture reveals the theme of the heart in the ascetic tradition of asceticism, and Russian religious philosophy calls the heart the key to understanding the mentality of the Russian person. Modern researchers focus on the integrative function of the heart. Russian Russian Orthodox culture acts as a bridge between Byzantine traditions and Russian philosophy, and modern Russian philosophy considers the heart to be a place of synthesis of science and art culture.
 The results of the article can be applied in the framework of the creation of the concept of spiritual and moral development and education of the personality of a citizen of Russia.

Teaching Intercultural Literary Genres in Pakistani Universities: The Undergraduate Students’ Perspective on the Poetry of Rumi and Blake

Pakistan is a multicultural country and people are divided across political and religious values. The major objective of this study is to investigate pedagogical relevance of the poetry of Rumi and Blake for culturally diverse undergraduate classes in Pakistani universities in Lahore. The study was based on survey research design. A closed ended questionnaire was developed for data collection from 100 students purposively selected from two universities in Lahore. Findings of the study indicate that intercultural poetry with the theme of Love written by poets like Rumi and Blake needs to be taught at the undergraduate level. The study has implications for students, teachers, and genre based syllabus designers associated with teaching of English Literature in Pakistani universities.

PENERAPAN MODEL PEMBELAJARAN MAKE A MATCH UNTUK MENINGKATKAN KETERAMPILAN MEMBACA PEMAHAMAN SISWA DI SEKOLAH DASAR

This research was motivated by the low reading comprehension skills of third grade students at SDN 035 Indra Puri, Tapung District, Kampar Regency. One solution to overcome this problem is to use the make a match learning model. The purpose of this study was to determine the planning, implementation and improvement of the make a match learning model in improving reading comprehension skills through third grade students at SDN 035 Indrapuri. This research method is classroom action research (PTK) which is carried out in two cycles. Each cycle consists of two meetings and four stages, namely planning, implementing, observing and reflecting. The results of data analysis showed that the average value from cycle I to cycle II increased by 17.5 from 59.23 to 76.73. This means that there was a significant increase. Similarly, student completeness also increased from 54% to 85%. Thus it can be concluded that the make a match learning model can improve the reading skills of class III students at SDN 035 Inra Puri, especially in the theme of Love the Animals and Plants Around..

Qur'anic Values in the Luberan Tradition: Strengthening Religious Moderation Based on Local Wisdom

This study examines the harmony of the "Luberan" tradition in implementing the Qur'anic moderation religious values. This study uses a qualitative method of the field research approach. This analysis shows that; 1) The Luberan tradition applies the four parameters of religious moderation compiled by the Director General of Islamic Education, Kemang, Republic of Indonesia. First, the Luberan tradition plays a role in strengthening nationalism, which is illustrated through the poem Sekar Gendhing Asmaradana as a Javanese song with the theme of love for the motherland, cultural preservation, and activities to protect the environment as a form of implementing its contents. QS. Al Qashash: 85 and QS. An-Nisa': 66. Second, tolerance education in Luberan culture can be seen through the interaction between Muslim and non-Muslim residents in organizing events, the habit of exchanging food, and giving each other. Third, a study on the theme of peaceful Islam shows the integration of QS al-mumtahinah verse 8 as an anti-radicalism and anti-violence educational model. 2) Cultural practices in strengthening the value of religious moderation are taught from generation to generation through religious rituals and mysticism in Luberan culture. This research contributes to finding the concept of strengthening the values of culture-based religious moderation. In addition, this research can also be used as a basis for the Ministry of Religion to integrate cultural practices as a vehicle for moderation in religion.

A Progressive Poetic Tradition and the Ghazal

This article explores the intersection between the Progressive poetic tradition and the ghazal. The Progressive movement, known as "Taraqi Passand" in Urdu, emerged as a literary movement in the 20th century, aiming to challenge conventional poetic norms and embrace new ideas and social realities. While the ghazal traditionally revolved around themes of love, longing, and beauty, the Progressive poets sought to expand its boundaries and infuse it with socio-political relevance. This article delves into the historical context of the Progressive poetic tradition, highlighting its goals of addressing social injustices, advocating for political reform, and amplifying the voices of marginalized communities. By incorporating these concerns into the ghazal, the Progressive poets transformed the traditional form into a powerful tool for social commentary and critique. Furthermore, this article discusses the thematic evolution of the ghazal within the Progressive tradition. It explores how the poets expanded the traditional themes to encompass issues of inequality, poverty, discrimination, and the challenges of modernization. By doing so, the Progressive poets widened the scope of the ghazal and made it a reflection of the changing times and the evolving concerns of society. Through an exploration of the blending of the ghazal's structural framework with progressive ideas, this article emphasizes the significant role played by the Progressive poets in shaping the modern Urdu literary landscape. By infusing the ghazal with socio-political perspectives, they brought depth, diversity, and relevance to the traditional form, and in turn, opened new possibilities for poetic expression. In summary, this article highlights the symbiotic relationship between the Progressive poetic tradition and the ghazal, showcasing how the poets of this movement used the form to convey their socio-political concerns and contribute to the broader discourse of their time.

У ПОШУКАХ ВЛАСНОГО ПРОСТОРУ: ОБРАЗ ДОМУ В РОМАНІ НАТАЛІЇ ГУРНИЦЬКОЇ «МЕЛОДІЯ КАВИ У ТОНАЛЬНОСТІ КАРДАМОНУ»

The article focuses on the study of the image of the house in the novel by Natalia Hurnytska “Coffee Melody in Cardamom Tone”. The central theme of taboo love acts as a catalyst for the work's spatial content, and the house's motive becomes a tool for analyzing the inner world of the main heroine. The movement of the character illustrates her worldview transformation, while the mode of housing serves as a reflection of the nature of the owners. In the novel, the heroine is constantly in motion from one residence to another, each of which has distinct socio-psychological markers. The childhood home appears in retrospect as a carefree happy world. Uncle's house in Zhovkva takes on the function of family space only nominally, so the heroine symbolically leaves in search of her own home. Uncle Adam's home takes on the semantics of transcending social and moral taboos. Adam's apartment in Krakivska Str. is depicted as a transit place. Aunt Zosia's house is a hostile world that dictates the rules and truths of others. Mrs. Beata’s home is associated with a territory of stability. The house on Kastelivka appears through an erotic code. The house of Theresa is perceived as a rigidly regulated space. The apartment at Krakivska Str. is seen as a home of your own, protected from external threats. Adam's house is the main spatial element of the novel and functions in several emotional and meaningful manifestations: unjustified expectations, danger, shame, threat, protection, family comfort, and wasteland. The constant change of places of residence reflects the woman's attempt to find her own space.

Dr. Tahir Taunsvi’s Composition of Poems

Dr. Tahir Taunsvi is a distinguished researcher, critic and poet of Urdu language and literature. The most important aspect of his literary work is based on research and criticism. He made useful contributions in the field of Urdu poetry as well. His poetry book was published by “Bazam e Elam o Fun Pakistan” in 2001 AD. This book consists of impressive poems, poetics , “Hamd”, “Naat”, “Manqabat” and “Slaam”. His poems connect the readers to the tradition of Urdu poetry. It also reflects the modern themes and style. In his poems he expresses great love for Prophet Muhammad (PBUH), his sacred family and Islamic culture. His poems also reflect the themes of love, great human values and historical consciousness. In this article, the author has presented a brief evaluation of his poetry with reference to his poems.

Gazal al-Auṭān wa al-Buldān fῑ Syi’r Māni’ Sa’ῑd al-‘Utaibah

The study examines courtly love themes in the homeland and country of the Emirati poet Manaa Saeed al-Otaiba through his two Diwan, "To Where" and "Songs and Wishes." Additionally, it intends to explore the concepts of courtly love and its origins and how to employ poetic imagery and fitting music to achieve the intended results. The poet's feelings are described in the spinning topics based on the places and countries with which he has dabbled, and it is examined how the rhetorical devices and music accompanying those poems were in line with the poet's psychological state. One of the study's conclusions is that he chose separate poetry to express what he wanted to those countries in a fluid manner replete with terms of courtly love. Hence, the titles of those poems explain the content of their verses, and the poet's courtly love extended beyond his native country to countries in the East and West. As if he intended to inform people of the lyre in his heart in many places, the poet selected the new method to be overwhelming in his lyrical poetry. The researcher believes this work has contributions that make it a new building block in the relevant studies of Emirati literature in general and al-Otaiba poetry in particular. As an outstanding poet, he deserves extensive study and research from critics to understand his poetry's substance and multiple purposes.