Theme Of Love Research Articles

Survey of Emotional Themes Used in Marketing of Commercial Baby Foods in the UK-Implications for Nutrition Promotion in Early Childhood.

Claims used in the marketing of commercial baby foods are often misleading, and there are concerns that they exploit parental anxieties. We adapted a hierarchical consumer emotions model to explore the emotional themes used in the marketing of commercial baby foods sold in the UK market. A survey administered in three large UK supermarkets collected in-store data on commercial baby food characteristics and the marketing claims used on commercial baby food packaging. The keywords found in these claims were entered in N-Vivo and allocated to four preexisting emotional themes: contentment, happiness, love, and pride. The prevalence of each theme was compared by age suitability (4+, 6+, 9+, and 12+ months) and taste (sweet/savoury) profile. A total of 1666 marketing claims (median 5, IQR 3) and 1003 emotional keywords (median 3, IQR 3) were identified on the packaging of 341 commercial baby foods. Foods suitable for infants aged 6+ months displayed more claims (50%, p < 0.05) and emotional keywords (56%, p = 0.07). Savoury foods displayed more emotional keywords (63%, p < 0.001). The keywords "little", "encourage", "love(ly)", and "tiny" were the most frequently used words under the theme of love (36% total contribution). The emotional connotations of the keywords under the theme "love" are extensively used in the marketing claims on commercial baby food packaging. These might exploit parental vulnerabilities and influence their purchasing of commercial baby foods.

Love Rising: The Transformation of Emotions in Contemporary Art

This essay surveys the shifting emotional regimes in Western art from the eighteenth century into the twenty-first, concentrating on the place accorded social affections. In particular, it calls attention to a significant change underway in recent decades as the suppression of the full range of emotions instigated by modernism has been challenged and the tender emotions re-embraced. Important contemporary artists, such as Hank Willis Thomas and Emily Hass, are invoking and exploring themes of love, care, empathy, and concern and, in many cases, making creative use of them to advance social, political, and environmental justice.

The Comedies of Alessandro Piccolomini: Searching for the Perfect Woman between Loving Initiative and Virtue

In theoretical works such as Orazione, Della institutione, and Raffaella, the Italian writer, scientist, and philogynist Alessandro Piccolomini (1508–78) outlines the characteristics that should make up the perfect woman. In his comedies—Alessandro and L’Amor costante—focusing mainly on the theme of love, Piccolomini presents some of the same ideas, articulating them through his noble and cultured female characters. This article examines Piccolomini’s dramatic productions in light of his treatises and other writings on women in order to underline his originality in the creation of these female characters. On the one hand, they are models of virtue and decorum; on the other, they demonstrate an unusual degree of initiative in love. They are conscious of their desires, and they defend their right to choose their lovers. In this way, Piccolomini describes new traits of the perfect woman.

Genre Features of G.D. Grebenshchikov Journalism (based on Minutes of Silence correspondence)

The article is devoted to the identification of genre-forming features of G.D. Grebenshchikov's journalistic creativity on the material of his work Minutes of Silence. The genre analysis of the text based on the description of its themes, composition and style allows one to assume that the genre nature of the writer’s journalistic work can be defined as multi-genre, with a clear inclination to the genres of fiction. Thus, the themes identified in the process of analysis (war, parting and loneliness) are relevant to the historical period of the creation of the work and, in general, to the journalism of the early twentieth century, but the theme of love (devotion, fidelity) as one of the key themes of Russian literature, is traditionally revealed through the genres of the story, novella, novel. In terms of composition, G.D. Grebenshchikov's text is closest to the genres of portrait sketch and reportage, but the author present in the text is interested not so much in the external background of the event, as in the dynamics of internal states and experience of the characters. In non-fiction works of the writer there is a peculiar author's style, which allows one to actualize the author's understanding of the observed event through a variety of stylistic means.&#x0D;

LGBTQ+ identities in the Indian audiovisual advertisements: A content analysis.

In the late 2000s, LGBTQ+ (lesbian, gay, bisexual, transgender, queer, and others) identities began to surface in Indian audiovisual marketing campaigns. By 2021, brands had produced at least 105 advertisements featuring LGBTQ+ identities. This research conducts an analysis of these campaigns, examining aspects such as their release date, featured characters, gender identity, sexual orientation, character age, narrative usage, genre, theme, and setting. The study reveals a substantial surge in advertising campaigns since 2018, with brands strategically launching them during Pride Month, Valentine's Day, and Women's Day. Characters embodying gay, lesbian, and transgender identities were most prevalent. Advertisements spotlighting gay, lesbian, or both gay and lesbian characters predominantly emphasised themes of love, featuring youthful characters and urban settings. In contrast, advertisements featuring transgender characters centred on human rights, with older characters and non-urban settings. Based on these findings, it is recommended that the number of LGBTQ+ marketing campaigns should continue to rise, diversifying character identities, ages, and settings while being released throughout the year.

Literasi Sains: Cinta Lingkungan Untuk Peserta Didik SD I Watujara

The purpose of this activity is to improving environmental literacy in elementary schools. Environmental science literacy is a combination of science concepts and the development of positive attitudes towards nature. This activity was carried out at SDI Watujara, involving students in grades IV, V, V. The method used in this service activity is in the form of situation analysis, socialization approach, problem identification, determining work objectives, implementing activities and evaluating the results of activities. The results of the activity showed an increase in the understanding of SDI Watujara students regarding the conceptions related to the theme of environmental love. The results of this service provide a basis for implementing similar programs in other schools and show the potential of PKM programs in facilitating the development of science literacy and environmental awareness among students. The conclusion of this research is expected to motivate relevant parties to integrate science literacy programs on environmental love at the elementary level to achieve a broader positive impact.

THE IMPOSSIBLE LOVE IN VERCORS’S LE SILENCE DE LA MER AND IN PIERRE BOUTRON’S HOMONYMOUS FILM

Over the years, numerous studies have explored the interesting film adaptation of Vercors’s short story "Le Silence de la Mer" by Melville (1949), but few articles have taken into consideration the new, intriguing adaptation of this famous writing by Pierre Boutron (2004). This article aims to explore the theme of love between enemies in the visions of Vercors and Boutron, starting from the theories of impossible love articulated by Albert Farchadi.

The Theme of War and Love in Ernest Hemingway’s A Farewell to Arms

A Farewell to Arms, in the first place, deals with Hemingway’s personal experiences of the First World War. The theme of war enters in the novel, A Farewell to Arms, through Frederic Henry. Frederic Henry is the hero of this novel. He is an American who has enrolled himself in the Italian army that is fighting against the combined armies of Austria and Germany during the First World War. Henry is posted on the Italian-Austrian border, and is a Lieutenant in the Italian Ambulance Corps. As we find him in the beginning of the novel, he is a person who is fond of food and fun, music and sex, who wants to visit brothels rather frequently, who has absolutely no faith in religion or in the other final values of life, and who doesn’t seem to be taking life at all seriously. The theme of love enters in the novel, A Farewell to Arms, through Catherine Barkley who is the heroine or principal female character in the novel. Although we meet her somewhat late in the novel, she leaves a deep impression upon us by virtue of the strength of her character. In the company of Catherine, Frederic is a changed man at the end of the novel whose attitude towards life has undergone a complete metamorphosis.

All in the Family

Is romantic love ever wrong? What if the person you love is your brother/sister? In this work of philosophical short story fiction, Violet and Isidore, cousins who fall deeply in love, navigate the complexities of their relationship within a large, unconventional family. Their bond is tested when they face societal expectations and the potential consequences of their love, which is considered taboo. The story delves into themes of love, family, societal norms, and the courage to defy expectations.

И. С. Тургенев – читатель поэмы Овидия «Метаморфозы»

This paper is the first attempt to address the problem of the perception of the Ovid’s creative work by Ivan Turgenev. The analysis and interpretation covers the reader’s notes left by the Russian writer on the pages of the original edition of the poem Metamorphoses from his personal library. The largest number of notes is found in the first book, which is the starting point of the entire poem presenting the formation of the world. In the epic picture of overcoming the chaos and the emergence of the cosmos, it is man who is of exclusive interest to Turgenev. Ovid explores man and his existence in constant movement and transition. This issue becomes more tangible when intertwined with the themes of love and nature. Turgenev directs his attention to the portrayals of Daphne being chased by Phoebus and Syringa burdened by Pan’s affection. It is the problem of the defining greatness of the gods and the metamorphosis of man taken as punishment that Turgenev emphasizes in the sixth book. He dwells on the episode of the contest between Pallas and Arachne. The theme of man’s punishment for a crime specifically captured Turgenev’s interest through the example of individual stories in the second and eighth books. Of particular interest to Turgenev was nature. He considered its intricate relationship with the realm of emotions and personal experiences rather than focused only on its landscape form. The subject of nature, as depicted in Orpheus’ singing, is also of interest to Turgenev.

KODIRANJE LJUBAVI U DJEČJOJ POEZIJI

Children’s poetry is oriented towards the child’s experience of the world, encompassing themes of play, nature, homeland, emotions, and others. It follows the emotional, interest, and cognitive development of the child, and themes and motifs in children’s poetry are incorporated differently depending on the age of the implicit readers, as observed in poetry with themes of love. Children’s love poetry includes various manifestations of love, from so-called partner love, through thematizing family emotions to love for friends, animals, homeland, etc. In the study, Luhmann’s communication concepts of love coding were applied to the selected corpus of Croatian children’s and adolescent love poetry that thematizes so-called partner love, and the models of love coding were observed as idealization, paradox, incommunicability, and romantic coding of love. The idealization model recognizes beauty and virtue as what attracts lovers, but it also extends to accepting imperfect aesthetic characteristics and flaws. The paradox as a communication model implies communication models that provoke contradiction by displaying emotions in unexpected and inappropriate ways or by diminishing the lover’s abilities and comparing love to illness. Lyrical subjects demonstrate the inability or avoidance of expressing emotions, which can lead to communication breakdown or its absence, and such a communication model is observed as a model of incommunicability. Codes of romantic love tend towards the privacy of lovers and encompass gestures and occasional verbalization. Different codes can intertwine and complement each other in individual poems.

Любовь, богатство, власть и греховность в «текстах желаний»: особенности бурятских заговоров

This article delves into the examination of “wish texts,” specifically Buryat conspiracies centered around the topics of love, wealth, and power. One of the earliest forms of oral poetry, conspiracies hold great significance within the traditional ritual folklore of the Buryats and were widely utilized in their magical practices. There are special Buryat conspiracies aiming to possess magical abilities, achieve material advantage, or possess a beloved person. These conspiracies are of particular interest since they reflect the ideas of the Buryats about sin, the traditional values of Buryat society. The sinful nature of conspiracies was not so much determined by their goals but rather by the methods employed to achieve them. The depiction of sinfulness is particularly evident in the text of the love plot origins, which explicitly portrays the fundamental spiritual values of the Buryats that the petitioner is willing to forsake in pursuit of their desires. The analysis indicates the existence of a unique category of social conspiracies within the Buryat, Yakut, and Tuvinian texts, primarily involving male individuals as perpetrators. The majority of these individuals were considered outsiders, who, for unclear reasons, were willing to defy societal norms and regulations, including both the impoverished and solitary individuals, as well as the wealthy and those who had fallen out of favor with authorities.

Christian Natural Law and a Foundation for Religious Freedom: Love, the True, and the Good

This article is a summary version of my book Christian Natural Law and Religious Freedom: A Foundation Based on Love, the True and the Good (Routledge, forthcoming 2026). It aims to begin a conversation with respect to articulating a theological foundation for religious freedom. For this purpose, I consider natural law in the Christian tradition. In Part I, I briefly survey the diversity of Christian natural law and argue that Radical Orthodoxy enables the identification of common themes across the breadth of Christian natural law. These themes include the Good (a set of basic goods and the common good), the True (divine revelation as specially revealed in Scripture and generally revealed in nature), and Love (the law of love as ultimately displayed through Christ). In Part II, I draw on these themes of Good, True, and Love to sketch a theological framework for religious freedom. Fundamentally, religious freedom is an expression of the Good because it allows people to pursue the good of religion, which contributes to a flourishing community; it is an expression of the True because it aims towards receiving the revelation of God; it is an expression of Love because it brings people to the ultimate Good and Truth — God Himself — which is only possible through the loving sacrifice of Christ on the cross.

Jayadeva’s Gita Govinda: a poem about the agony and separation of Lord Krishna and his beloved Radha

Love is not merely an emotion but a potent feeling everyone desires to experience. When someone falls in love, they lose control over their feelings. Some individuals love selflessly, even without any hope for reciprocation. We all wait for someone who makes us feel unique and adds extraordinary value to our lives. However, love also demands sacrifices; sometimes, our love becomes the reason for someone's pain. In love, one should not be selfish and should not expect reciprocation from the other person. Love is unconditional and knows no bounds. "If someone does not love you, you do not have to convince them to love you back. True love comes naturally when you truly care for someone. Only when someone who loves you disappears from your life do you realise their importance? In contemporary times, everyone desires to be loved and to love in return. We are all lonely people who crave love and care. No one can love someone like Radha loved Lord Krishna. “Their love is everlasting and serves as an example of true love for future generations. Their love, respect, and care for each other cannot be matched. This paper will analyse the theme of love by examining the story of Lord Krishna and his beloved Radha and their love and sacrifice for each other."

Francisco Brines y la tradición clásica: El otoño de las rosas

Francisco Brines (1932-2021), who was awarded the Cervantes Prize in 2020, published his collection of poems El otoño de las rosas in 1986, in which, having moved away from the social poetry of the poetic group of the 1950s, he explores the theme of love. In this paper we analyse how the poet, at the onset of vital decadence (autumn), faces love and passion (roses) with pessimism, as he clearly establishes the equivalence youth = life and decadence = death; and how, from a position of magister amoris, he resorts to the (re)writing of wellknown classical clichés such as carpe diem; collige, virgo, rosas; foedus amoris; tempus fugit and proelium amoris, among others, to express this pessimism.

Patriotic principles in the work of M.A. Sholokhov

The article is devoted to the understanding of patriotism according to M.A. Sholokhov. The theme of love for the Motherland is consistently considered in the works of various periods of the famous Soviet writer's work. Being a direct participant in the fateful events for the USSR, Sholokhov managed to reflect patriotism as a multilevel and, at times, contradictory concept. The analysis of the patriotic model of behavior on the example of the main characters and supporting characters of the writer's works is considered in the context of such plot and compositional elements as binary oppositions (good - evil, truth – lies, honor – inhumanity, mercy – cruelty, personal – collective). The description of this concept is accompanied by an appeal to the categories of space and time, an understanding of the ideological, moral and spiritual dominants that guide the literary heroes of the works. Patriotism, presented in the historical context of M.A. Sholokhov's literary heritage, should be considered as a constant that contributes to the reflection of the character and registers the internal logical connections of this constant, its meaningful content throughout the plot. The patriotic paradigm of the worldview of the writer's artistic works is characterized not only by the ability to motivate sacrificial acts, but also by the prerequisite to form the basis for a conflict of personalized positions and views. Using the example of the heroes of his works, M.A. Sholokhov shows us, the readers, what a true patriot should be. It is stated that the artistic heritage of the Master in modern socio-political realities can successfully contribute to the patriotic education of Russian youth, since fiction has a serious impact on the upbringing of a personality, on its inner potential and the choice of moral and ethical guidelines, and contribute to the formation of high moral qualities of a person.

Development of love themes in the stories of Natig Rasul-zade

Development of love themes in the stories of Natig Rasul-zade

مشاكل القواعد في ترجمة مجموعة قصة قصيرة "أرنى الله" لتوفيق الحكيم في موضوع الحب

The problem in this research is the grammatical problem found in the translation of the short story collection of Arinillah by Taufik Hakim. This study aims to determine (1) the number of grammatical problems, (2) the types of grammatical problems, and to describe (3) the relationship between the translated text and the theory of grammatical problems found in Arinillah's short stories with the theme of love. Based on the data sources studied, the researcher found grammatical problems in the level of phrases and sentences found in four short story titles with the theme of love. The results of this study are tarkib washfi, tarkib idhafi, atahf mathuf, taukid, simple sentences, complete sentences, and complex sentences in a collection of short stories titled Taufik Hakim Arinillah. The short stories contain Taufik Hakim's philosophical thoughts which are good for the development of today's mindset

Ambivalence in Female Characters in Reply from Tibet and Letter from a Lhasa Merchant to His Wife

This article analyses the themes of love, longing and fear of abandonment felt by the female characters Hisila in Reply from Tibet and unnamed wife of unnamed narrator in Letter From A Lhasa Merchant to His Wife. Torn between love and fear of abandonment/social ostracization or of non-fulfi llment of love, both Hisila and the wife exhibit conflicting feelings of deep love alongside strong indifference or even scorn towards their lover Yami and husband respectively. This article studies these contrasting emotions under the critical framework of psychoanalytic concept of ambivalence which denotes prevalence of two polar emotions or attitudes towards a person, object or situation. The article concludes that Hisila’s rejection of Yami’s marriage proposal alongside urging him to become her brother, and the wife’s converting into nun but saving her husband’s letter until her death testifies the ambivalence in these characters.

АШЫКТЫК ЫРЛАРЫНДАГЫ ПОРТРЕТТИК СҮРӨТТӨӨЛӨРДҮН ПОЭТИКАЛЫК МҮНӨЗҮ

There is no doubt that another large group of traditional Kyrgyz songs are songs about love. In different eras, the works of the masters of the word reflect the spirit of their time. The historical path traveled by the people has always had a lively response in the work of akyns, manaschi storytellers, critics and thinkers, reflecting their inner world.Love songs are also a genre that has spread to the masses and gained a lot of popularity. It can also be noted that over the years, the folk language has been formed as a classic example of both creativity. Love songs are created from the fullness of the inner experiences of the human soul, and it should be considered in conjunction with the historical, political and social life of the people. In their love poems, akyns (improvisers) skillfully employed a variety of 7-8 syllable models and paired phrases. Especially on their love poems, they often used portrait descriptions to express the beaty and character of women and successfully fulfilled poetic and artistic functions. Each of Barpy’s poems are dedicated to the theme of love, portrait images were aesthetically utilized within their limits.