This research aims to examine the role of songs as a tool of criticism against the government, focusing on "Gugatan Rakyat Semesta" which calls for scrutiny of governance. The study employs Norman Fairclough's critical discourse analysis approach with textual, discursive, and sociocultural analyses to understand how the song reflects socio-political dynamics in Indonesia. At the textual level, the research indicates that the song explicitly or implicitly urges people to challenge the government. Discursively, there is a correlation between the release of the song and student demonstrations. Sociocultural analysis reveals that the song's release is influenced by social tensions arising from economic decline, unemployment, corruption, discourse on election postponement, and others. This research is expected to contribute to understanding how musical artworks, particularly songs, can serve as tools of critique in the Indonesian socio-political context.