In a developing country like Bangladesh, garment related profession is very promising. The study focuses on costume planning in theater and its importance and potential in the context of Bangladesh. Basically, the current study focuses on the importance and potential of traditional costume planning in theater, based on the social reality of the whole world, developed under the shelter of moral responsibility. In the context of Bangladesh, what was meant by costume planning in theater in the past has changed drastically with the evolution of time and the expansion of academic education. Clothing is a type of clothing that clearly conveys people's class, gender, profession, morality, nationality, activities, etc. It is the medium of the non-verbal language of the human body. Theatrical costumes are objects designed based on the concept of actual costumes, which actors wear on stage. Through this, space-time, geographical condition, weather, gender, profession, morality etc. are reflected in the character. In today's changing society theater is not only changing but theater has to keep up with the world. And to face the challenges of this global world, if the theatrical costumes of Bangladesh can be connected with the traditions, the country's potential industrial entertainment sector will be exposed and at the same time efforts will be made to protect the native traditions which are also challenging. Memory, culture and heritage will be juxtaposed in the present essay on justification. Because both tradition and culture are creations of human mind. By both forms, actions, processes become more evident in society. In a less developed country like Bangladesh, the issue of theater clothing is so complex that navigating it is another goal of research. The essay's scholarly exploration of tradition and theater is determined to resist cultural hegemony and epistemological hegemony through opposition to authority and mastery, relying not on romanticism but on qualitative methods. The article will proceed through a structured abstract thinking process focusing on the knowledge of the subliminal or subliminal thoughts of the human mind by adopting semi-analytical methods, descriptive methods, historical methods, comparative methods, observational methods and case studies. As a result, there will be an attempt to prove that the human mind, accustomed to abstract thinking, moves towards the opposite binarism, by connecting the tradition of clothing, it can become one among many in a non-verbal process, and Bengali theater will be able to wander in the building of aesthetic art for a long time, freed from the burden of subjugation. And Bengali nation will get strong fear in the building of industry.
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