ABSTRACT This exploratory study contributes to the leisure studies literature in three main ways: through foregrounding the emotionality of intellectually disabled people, an under-represented group within the context of events; through focusing on an arts festival, a form of event overlooked in comparison to other commonly studied types of events; and finally, through the testing of a new methodological framework – Brown’s emotional timescapes for events, itself adapted from Maguire and Geiger’s work on servicescapes. In this New Zealand-based study, we explore the emotions experienced by attendees, performers, volunteers, support workers and event organisers. Data from 20 interviews, participant observation and autoethnography was deductively analysed with a focus on expressions of emotion. We crafted a narrative for each individual, allowing us to identify the influence of the eventscape and map temporal patterns of emotional responses across the festival timescape. Findings show that participants experienced strong positive emotions. This was influenced by elements of the eventscape. In particular, interaction with others (including audience reaction) played a significant role in emotional timescapes. While the emotional timescape model was useful for broadly representing intensity of emotion over the duration of an event, we also identified limitations and propose a way to expand Brown’s theory.
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