Poetic Talent Research Articles

Vaidyakulguru Mahakavi Shri Krishnaram Bhatta (1849–1898): A great versifier of Ayurveda therapeutics

Abstract Much of the traditional knowledge related to Ayurveda remains with ancient physicians. Born into a distinguished lineage of royal physicians in Jaipur, Rajasthan, Vaidyakulguru Mahakavi Shri Krishnaram Bhatt was an eminent figure of nineteenth-century India, who excelled in both Ayurveda and literature. His lineage boasted of a rich tradition of Ayurvedic practice, which he carried forward with his intellectual expertise and poetic talent. The information related to his personality and his biography has been compiled with the help of the books written by him, texts written by other authors, and by conducting direct interviews with his family members for this article. Apart from being a prominent scholar of Ayurveda, its medicinal preparations, and its uses, he was also an expert in Sanskrit literature, poetry, and prosody. His educational journey under the guidance of eminent scholars earned him recognition as a polymath. His seminal work, “Siddha-Bheshajamanimala,” is a comprehensive guide to Ayurvedic formulations, reflecting his clinical acumen and poetic prowess. Apart from this, Kachchvansh Mahakavya, Sara-Shatakam, Jaipur-Vilas, Aryalankar-Shatakam, and other works are also among his important works. Despite his untimely demise, the legacy of Shri Krishnaram Bhatt continues to enrich the tradition of Ayurveda through his descendants. His life embodies a harmonious blend of Ayurvedic knowledge and literary excellence, leaving an indelible mark on India’s cultural and intellectual landscape and inspiring future generations of Ayurvedic practitioners.

ARTISTIC ORIGINALITY AND POETIC MASTERY OF SHERNIYAZ’S HERITAGE

The article examines the poetic skill of Sherniyaz Zharylgasuly, the use of language, originality of expression. In addition to Sherniyaz being a famous poet, information is given about Sherniyaz’s literacy, his position as a mullah in the country and his rule. It analyzes Issatai’s participation in the uprising led by Makhambet, his feelings about the era in which he lived. Through the work of Sherniyaz, the image of the era is comprehensively analyzed. The article makes a comprehensive analysis of the work of Sherniyaz Zharylgasuly. In the scientific work Sherniyaz zhyrau’s contribution to Kazakh folklore was analyzed on the basis of linguistic image and explicit author's word usage in the creative laboratory. At the same time, the notion of oratory was considered broadly. Analyzing the concept of “Orator Sherniyaz” in the knowledge of the Kazakh people, the national common features of the worldview of the people, cognition of nature and environment were determined. The article analyzes Sherniyaz zhyrau in the national folklore of Kazakh people, linguistic image and explicit speech turns in his creative laboratory. On the basis of the genres of rhetoric and speech the creativity of the talented poet Sherniyaz, who made colonialism, tyranny and various problems of life the main theme of his works, was defined. Considering the work of Sherniyaz Zharylgasuly as the basis of the history of the development of literature as a literary tradition in the period of transition from oral to written literature in the XIX century, the integration of the results of the study of the poet's work into a unified system will be the scientific basis of the artistic sphere of the creative owner.

Poetry writing can enhance character formation in school students through the application of rational emotive behavior theory

ABSTRACT This study explores the role of poetry writing and the ABC model of Rational Emotive Behavior Therapy (REBT) in promoting character development and moral behavior among students. The study used DAS SF1 and SF2 and assessed poetic talent using a poetry attitude and knowledge test. Forty-eight students were selected using the purposive method from five Convent schools, along with five teachers. Following a two-month intervention of 30 sessions, the researcher conducted interviews to evaluate the method’s efficacy. Content analysis of the integrated poetry writing and REBT program was performed using NVivo, while both quantitative and qualitative data were analyzed using SPSS. The study found significant positive correlations between the integration of REBT and improved behavior, suggesting that incorporating poetry writing into the curriculum can enhance students’ behavior and attitudes.

ARTISTIC INTERPRETATION OF BABUR’S GREAT BABURNAMA AND LYRIC WORKS IN UZBEK LITERATURE

The article provides a comprehensive overview of the life, accomplishments, and cultural impact of Zahiriddin Muhammad Babur, a prominent Central Asian figure known for his roles as a poet, king, and conqueror. Babur's early life, rise to power, and establishment of the Mughal Dynasty in India are detailed, highlighting his military prowess and diplomatic strategies. His literary contributions, including the renowned "Baburnama" and "Kabul Devonu," are explored, showcasing his poetic talent and scholarly pursuits. The article also discusses Babur's influence on literature and culture, with translations of his works into various languages and adaptations into novels by Western and Indian authors.

ТҮМӨНБАЙ БАЙЗАКОВДУН КОТОРМОЧУЛУК ӨНӨРДӨГҮ ОРДУ, КОТОРМОЛОРУ АРКЫЛУУ ДҮЙНӨЛҮК АДАБИЯТ МЕНЕН БОЛГОН БАЙЛАНЫШЫ

This work deals with the translations of Tumenbay Bayzakov as a subject of research. The purpose of the research is to prove that the poet translated the works of each language not through Russian, but through his mother tongue, as a result of his knowledge of Russian, Tatar, Ukrainian, Tajik, and Uzbek languages, to reveal his connection with world literature, to establish the position of the poet in the art of translation, and what translations he has. is a study. Empirical method is used as a research method. As a result of the scientific research, T. Bayzakov's translation of the works of related peoples from the original is noted as a special feature, and his connection with world literature and his place in translation art are determined through his translations. The scientific value of the obtained results is that it is difficult to find a fault in terms of the development of the plot, the presentation of life details, the construction of the poem, whether it is a translation or his own works, and the translation activity of the poet, the Kyrgyzization of mostly Eastern poetry. talk about. He is a talented and professional poet who can meet the requirements of translation, who has mastered the secrets and edges of translation, and his translated works prove that he is a talented poet.

Behind a cold wall. Evgenia Jen Baranova. Where There Is Golden, There Is White [Gde zolotoe, tam i beloe

Batalov reviews a new collection of poems by the contemporary author and editor of the Formaslov publisher Evgenia Jen Baranova. The critic traces the principal motifs of Baranova’s lyrical poetry and considers the evolution of her work through the prism of Tsvetaeva’s concepts of ‘poets with history’ and ‘poets without history.’ He believes that, from the very outset, Baranova has sided with the latter, being mostly interested in low-key lyrical poetry with its emphasis on experiences and anxieties of the inner self rather than the outside world. In contrast to her previous collections also briefly discussed in the review, her new book Where There Is Golden, There Is White [Gde zolotoe, tam i beloe] includes poems that contemplate the poet’s attitude to reality. According to Batalov, Baranova seems to have developed a better understanding of the current period with its chronological and geographical circumstances and has the power to engage in a dialogue with time on virtually equal terms, all of which makes her new book a showcase for her impressive poetic talent and versatility.

木齋 洪汝河의 和次韻詩 연구

Mokjae(木齋) Hong, Yeo-ha(洪汝河) was a writer who led the Toegye School(退溪學派) in the Yeongnam(嶺南) region amid the chaotic situation after the Imbyeong-yangnan(壬丙兩亂) in the middle of the Joseon Dynasty(朝鮮). His literary collection 『Mokjaejib(木齋集)』 contains quite a few Chinese poems on 258題 and 391首. Among them, the origin of his thoughts and values can be confirmed in his the Echoing and Rhyme- borrowing poems(和次韻詩). This is because the Echoing and Rhyme- borrowing poems(和次韻詩) is a form of giving affection to others in a deep and intimate relationship, and it is possible to confirm how a character had a close relationship with a character and how the consciousness was reflected and created in the work when communicating. In addition, in the Echoing and Rhyme-borrowing poems(和次韻詩), we can look not only at the values, emotions, and thoughts that a character was influenced by a person who communicated and exchanged during the contemporary(당대), but also at the influence of a previous generation(선대) person.
 Therefore, this paper examined the aspects of the Echoing and Rhyme- borrowing poems(和次韻詩) contained in the 『Mokjaejib(木齋集)』 as one of the processes of studying the world of Mokjae(木齋) poetry, and then reviewed the adjournment and consciousness orientation in the teaching of the Echoing and Rhyme-borrowing poems(和次韻詩) with writers from the previous generation(선대) and contemporary(당대). The most important consciousness orientation seen in the Echoing and Rhyme-borrowing poems(和次韻詩) of Mokjae(木齋) first, it was to express one's admiration for ancient sages(先賢), second, emotional communication was achieved through the Echoing and Rhyme-borrowing poems(和次韻詩), and third, it was possible to confirm and inspire the mission of the Taoist man of virtue(君子)'s life, and fourth, it was characterized by trying to show off one's poetic talent and relieve the desire to achieve a Make a poem(詩作).

“I collect the rosary from words...”: Poetic features of Razil Valeev’s verses

The article describes the life and creative path of Razil Valeev, analyzes his poetic works and determines the poet’s place in Tatar poetry of the second half of the 20th–early 21st centuries. Although the writer worked fruitfully in all three forms of verbal art, it was in the poetic field that he became famous as a talented poet. This article proves that many poet’s works have become “programmatic” for Tatar poetry and identifies the main trends in his literary career. The central motifs and innovations, introduced by R. Valeev into the concept of the lyrical hero and the verse poetics, are presented in the context of the literary process of the second half of the 20th–early 21st centuries. As a result of our analysis, we trace a revival of rebellious traditions in R. Valeev’s works; against this background, we reveal the concept of his lyrical hero, as well as his system of motifs. The poet revived avant-garde traditions in the spirit of Taktash, successfully used Aesopian language through symbolic images and referred to the folk style in spiritual lyrical poetry.

Analysis on the Space-Time Vision of “The Garden of Forking Paths” and “The Aleph”—From the Function of the Metaphor of Labyrinth and Mirror

In daily life, people tend to recognize and think about intangible and difficult-to-define concepts with reference to known, tangible, and concrete concepts, creating a way to understand different concepts in relation to each other. In Borges’ s short story “The Garden of Forking Paths” a labyrinthine manuscript of a novel constantly avoids the concept of time, while at the same time illustrating the infinite possibilities of time. The time and labyrinth in the story can be considered a pair of “structural metaphors.” The manuscript written by Hsi P’êng is a symbol of the labyrinth of time, which is like an ever-entwined network, a collection of contingencies, nonlinearities, and multidimensionality. Another story, “The Aleph” tells the tale of the protagonist who is drowned in depression due to the death of his lover, Bejatric when by chance, he discovers a secret hidden in his lover’s cousin’s basement, an Aleph, two or three centimeters in diameter, which concentrates all the images and scenes of the universe. The Aleph is the source of his poetic talent, his hope of finding his deceased lover, and a special “space” constructed by Borges through the metaphor of a “mirror”. The objective of this dissertation is to briefly analyze how Borges constructs a “labyrinth”to objectify his vision of time in the story, and how he uses “mirrors” to express his vision of space.

A Young Carmelite on Ice Skates. The Early Occasional Poetry of St. Titus Brandsma as a Literary Testimony of His Love of God, Life, and the Family

The recently canonised Dutch Carmelite Titus Brandsma (1881–1942), World War II martyr, mystic, Catholic journalist and historian of spirituality, was also – what is less known – a talented poet. The article recalls his early occasional poetry, written in Dutch and Frisian between 1898 and 1906 for members of his immediate family. Its literary characteristics are presented, demonstrating that this poetry is a valuable testimony to the saint’s views on human life from an eschatological perspective, including topics on the family, marriage, and the relationship between children and parents. This justifies recognising St. Titus Brandsma’s occasional poetry as an expression of his unique poetic theology of the family. The article also includes an English translation of a hitherto untranslated poem by St. Titus Brandsma.

АКАДЕМИК ВЛАДИМИР ЕВГЕНЬЕВИЧ ЗАХАРОВ (1939–2023) И ИНСТИТУТ ОКЕАНОЛОГИИ

In the early morning of August 20, 2023, at the age of 85, the outstanding Soviet and Russian scientist, poet and public figure, Academician, Doctor of Physical and Mathematical sciences Vladimir Evgenievich Zakharov passed away. On August 1, he celebrated his 84th birthday. For many years, Academician Zakharov headed the Laboratory of Nonlinear Wave Processes at the Shirshov Institute of Oceanology of RAS and actively participated in the development of the Institute as a center of advanced fundamental research. Based on the memories of colleagues, the author examines the role of Vladimir Evgenievich in the life of the Institute and the place of the Institute in the life of Vladimir Evgenievich himself. A brief summary of the main stages of his eventful life as a world-famous scientist, talented poet and concerned citizen is given at the end of the article. A large selection of materials about the life of Vladimir Evgenievich can be found on the memorial page (http://kao.itp.ac.ru/Zakharov/).

A Contrarian Muʿtazilite Theologian/Poet’s Guide to Fine Poetry: Al-Nāshiʾ al-Akbar (d. 293/906) and How to Write Inimitable Poems

Abstract Boasting of one’s poetic talents was hardly an uncommon feature in Arabic poetry. Poets sang praises for their craft and exalted themselves over their rivals. They sometimes moved beyond braggadocio, however, explaining the particular attributes that made their poetry of unmatched quality. Al-Nāshiʾ al-Akbar (d. 293/906) was one such poet who declared his poetry to be an inimitable product defined by standards that he outlined in his didactic poems. He also penned at least one book on the criticism of poetry which only survives now as excerpts in a number of fourth/eleventh century works of adab. Fine poetry, according to al-Nāshiʾ, is the harmonious articulation of sounds and meanings presented in an accessible way to its audience but is impossible to reproduce. In this respect, I propose that, in expounding the standards of excellent poetry, al-Nāshiʾ alluded to theories of inimitability (iʿjāz) based on composition (naẓm) and divine prevention (ṣarfah). He was a Muʿtazilite theologian who was both celebrated and vilified by his contemporaries, and later scholars. His theological writings have been examined; however, his literary persona is still little-known. In contrast to most considerations of him, this study examines al-Nāshiʾ as a poet and critic foremost.

المحاسن الأدبیۃ فی شعر محمد سعید السندی

The sub-continent is one of Allah’s blessed lands, it is the Land of preachers, Scholars, Religion people, Traders, writers and poets. Arabs were aware of the importance of Sub-continent, because they used to travel to Subcontinent for trade before Islam. When Muhammad bin Qasim came for the purpose of conquering India, many scholars, writers, and poets came with him, and they exerted their efforts to spread Islam and the Arabic language, most of whom were religious scholars and Sufis, and among the most famous Arabic poets in the Indian subcontinent, Like Abu Atta Al-Sindi, Al-Biruni, Ata bin Yaqoub Al-Ghaznawi, and Sheikh Fakhr Al-Din Al-Iraqi. Sheikh Rukn al-Din al-Multani, Judge Abd al-Muqtadir al-Sharihi al-Kindi, Sheikh Ahmad al-Thansiri, Shah Wali Allah Mohaddith al-Dahlawi, Sayyed Ghulam Ali Azad al-Bilgrami, Sheikh Muhammad Saeed al-Sindi, and others. Sheikh Muhammad Saeed Al-Sindhi was a popular religious scholar, a famous Sufi, and a great and talented poet. He demonstrated his poetic talent in the three languages: Arabic, Persian, and Sindhi. He wrote his poems in Arabic and Persian. Indian and Arab scholars have praised his Broad expertise in the Arabic language and literature. He writes many poems in these two languages, which became famous in the Indian subcontinent because of his expertise. We find many literary virtues in his poems, such as the diverse words, structures, and styles. Beautiful pictures, deep imagination, music, etc.

Способы передачи культурологической и эстетической ценности при переводе «Баллады морской воды» Ф. Г. Лорки на русский язык

The translation of a poetic text always causes disputes among translators, because, in addition to proficiency in language and professional translation competencies, a translator of poetry must have a poetic gift. It is important for a translator to choose the proper translation strategies in order to keep not only the content and sense of the poetic text, but also its rhythm, intonation, melody and cultural and aesthetic component. The aim of the study is to identify the ways of conveying cultural and aesthetic value in “The Ballad of the Salt-Water” by F. G. Lorca from Spanish into Russian. The novelty of this study lies in the fact that the translation techniques used in the translation of the work “La ballada del agua del mar” by F. G. Lorca from Spanish into Russian, which contribute to the most complete portrayal of the national peculiarities of the poetic text, have been analyzed for the first time. The analysis has shown that the lexical and grammatical transformations used by the translator allowed preserving the conceptual and aesthetic content of the original. As a result, it has been proved that the correctly chosen translation strategies combined with a poetic talent make it possible to convey the aesthetic value and national and cultural specificity of the ballad.

Poet, Editor, Anarchist: Lola Ridge’s New York Networks

ABSTRACT Irish-born poet, Lola Ridge (1873–1941), was a dynamic figure in New York literary and anarchist circles of the early twentieth century. A talented poet, she invested time and energy in her creative work, from poems depicting life in the Lower East Side, published as The Ghetto and Other Poems (1918) to the late, ambitious Dance of Fire (1935). Ridge was for a time involved in the New York Ferrer Center and associated Modern School and, from this experience, developed a reputation as a committed, if sometimes controversial, arts organiser and magazine editor. The networks she established when working at the Ferrer Center and during her time with the magazines Others (1918–19) and Broom (1922–23) were indicative of the experimental energies of the New York literary scene and of Ridge's place within it. This article explores these connections and their role in Ridge's evolving artistic life.

Interpretation and Connotation in the Poems "Daddy" and "Tulips" by Slyvia Plath

Poetry is a form of literary work that is very well known and appreciated throughout the world. Famous poetry works are often able to describe the emotions, experiences, and lives of the poets in a very beautiful and poetic way. One of the famous poets whose works are highly adored is Sylvia Plath. Sylvia Plath is known as one of the most talented poets of the 20th century, who managed to capture strong emotional nuances and life experiences in her poems. This research aims to analyze and interpret the meaning of connotation in two of Sylvia Plath's poems, namely "Daddy" and "Tulips". These poems were chosen because they both have different themes and styles, but they both describe the poet's personal feelings and experiences. In this study, qualitative methods were used to collect data from text analysis and interpretation of the connotative meanings contained in the poems. The results of the study show that "Daddy" and "Tulips" have complex meanings and contain many symbols that describe the poet's experiences and emotions. The poem "Daddy" describes Sylvia Plath's feelings of hatred and anger towards her deceased father, while "Tulips" describes the poet's desire to escape feelings of depression and loneliness. Keywords: Interpretation, Connotation, Poetry

Przełożyć czy przetłumaczyć tekst literacki?

Tone Pretnar, in the translation of Jan Nepomucen Kamiński’s sonnets, created the illusion of the original by using his own poetic talent and a foreign word. Just as Kamiński used the word of Mickiewicz, so he used the word of Prešeren. However, he changed the communication purpose of the original text. Apart from the pastiche aspect, he gave the original a high poetic value, while revealing the aporia of the original’s autonomy.

The Shadow-Texts of National History: Poetic Participation in Iran and Afghanistan

Abstract This article analyzes a little-known practice called iqtirāḥ—“test of poetic talent” or “poetic competition”—that proliferated in twentieth-century Persian-language periodicals. It examines two case studies: one in Tehran in 1928, which mythologized Nādir Shah (r. 1736–1747), a Turko-Persian monarch, as a national hero, and one in Kabul in 1932, which eulogized Muḥammad Nādir Shah (r. 1920–1933), a ruling monarch at the time, for restoring an Afghan homeland imagined as unified. The article frames iqtirāḥ as an afterlife of Persianate modes of sociability that were reconfigured by modern periodicals to serve the demands of romantic nationalism in the twentieth century. By critically examining the ways in which poetic composition interacts with the formation of a national historiography, this article also shows that any clear-cut distinction between the two is arbitrary.

Thematic Classification of Eshqabil Shukur's Poetry

This article reveals the thematic classification of the poetry of the talented poet Eshqabil Shukur. In the course of the article, the unique and colorful themes of the poet's poems are analyzed. At the end of the article there is a conclusion and a comment.

“Tarje’bandi Xomisa” – Alisher Navoiyga izdoshlik mahsuli

Following the creative heritage of Alisher Navai is one of the traditions that was widely extended in later periods of Uzbek literature.In particular, the literary environment in Khorezm is influenced by all the poet’s poems in lyrical genres. The role of this region is also important in the creative processing and promotion of the epic “Khamsa”. The poets of Khorezm wrote ghazels under the influence of Alisher Navai, and because of the literary influence they went along the path of Tatabbu', Tahmis and Tazmin.The work of the talented poet Awaz Otar “Tarjebandi Khomisa” was written under the influence of the epic of Alisher Navai’s “Khamsa”. Although in this work the author relied on the content of the epic “Khamsa”, the idea and formal aspects of the novel correspond to the novel by Alisher Navai. Therefore, in this article “Tarjebandi khomisa” compared with the epics and Tarjebandi of Alisher Navai “Khamsa”.