Symbolic Material Research Articles

Decreased inter-hemispheric connectivity predicts a coherent retrieval of auditory symbolic material

Investigating the transmission of information between individuals is essential to better understand how humans communicate. Coherent information transmission (i.e., transmission without significant modifications or loss of fidelity) helps preserving cultural traits and traditions over time, while innovation may lead to new cultural variants. Although much research has focused on the cognitive mechanisms underlying cultural transmission, little is known on the brain features which correlates with coherent transmission of information. To address this gap, we combined structural (from high-resolution diffusion imaging) and functional connectivity (from resting-state functional magnetic resonance imaging [fMRI]) with a laboratory model of cultural transmission, the signalling games, implemented outside the MRI scanner. We found that individuals who exhibited more coherence in the transmission of auditory symbolic information were characterized by lower levels of both structural and functional inter-hemispheric connectivity. Specifically, higher coherence negatively correlated with the strength of bilateral structural connections between frontal and subcortical, insular and temporal brain regions. Similarly, we observed increased inter-hemispheric functional connectivity between inferior frontal brain regions derived from structural connectivity analysis in individuals who exhibited lower transmission coherence. Our results suggest that lateralization of cognitive processes involved in semantic mappings in the brain may be related to the stability over time of auditory symbolic systems.

The ‘personal museum’: Letters as Relic Collection in Charlotte Brontë’s Villette

This paper contributes to the existing scholarship on letters as material culture and relic culture in the nineteenth century and in Charlotte Brontë’s Villette (1853). In the novel, Lucy collects and preserves letters from absent loved ones to maintain a sense of connection to others in a life that she seems destined to live alone. In this article, I argue that her letters serve as relics of her past relationships and dead love as she desperately clings to tangible objects that bind her to other people. While scholars have concentrated on letters in Villette as material symbols of the corporeal body and romantic love, I argue that Lucy’s letters form a collection that acts as a substitute for personal relationships. To borrow a term from Deborah Lutz (2017), I assert that Lucy’s collection of letters function as a ‘personal museum’ of relics of dead love, which she carefully collects to preserve past relationships.

International and legal regulation of the application of satisfaction as a form of political responsibility of states

The paper attempts to determine the principles of international legal regulation of the application of satisfaction as a form of political responsibility in international law. Theoretical provisions regarding the international legal regulation of the application of satisfaction as one of the forms of political responsibility according to international law are analyzed. Four forms of satisfaction were analyzed, which were derived by the famous researcher Patrick Dumberry from the University of Ottawa: The first - the responsible state simply apologized or officially expressed regret for committing an illegal act; The second - the state punished the representative or person responsible for the act; The third is when a judicial body makes a statement about the illegality of an action taken by the state. The fourth is monetary satisfaction. Satisfaction may be accompanied by symbolic material compensation for moral damage. The draft articles on the responsibility of states for internationally wrongful acts developed by the UN International Law Commission (adopted by UN General Assembly resolution A/RES/56/83) were analysed. Thus, it is determined that the forms of compensation (reparation) are restitution, compensation and satisfaction: both separately and in combination (Article 34). Article 37 of the Articles on the Responsibility of States for Internationally Wrongful Acts of 2001 deals with satisfaction as a form of compensation for damages, which refers to the first type of satisfaction mentioned above. The practice of the International Court of Justice of the United Nations regarding ordinary satisfaction was considered - the case "Bosnia and Herzegovina v. Serbia and Montenegro" (2007), the case "Rainbow Warrior", the case "Corfu Channel", the case "Armed activities on the territory of the Congo (Democratic Republic of Congo v. Uganda)" . An example of the implementation of extraordinary satisfaction in international law is considered - the Declaration on the Defeat of Germany and the Decision of the Berlin (Potsdam) Conference. Based on the presented material, it was concluded that the application of satisfaction is confirmed by international judicial practice, in particular, by examples of declarative statements. The decisions of the International Court of Justice of the United Nations on the award of satisfaction are widely accepted, to some extent because the condemnation of an internationally wrongful act by an authoritative third party aims to achieve a balance between the interests of the parties in a particular case, on the one hand, and the fundamental interests of the international community, on the other.

Formation of Ukrainian National Identity: Means and Value Orientations

The article emphasizes that the youth of Ukraine is a key factor in the future of society, requiring support and encouragement for the formation of national consciousness and patriotism. Currently, Ukrainians realize that during times of war, the formation of national identity is of special significance, as the country faces complex challenges threatening its territorial integrity, sovereignty, and distinctiveness. The scientific article reveals contemporary aspects of the formation of Ukrainian national identity and indicates that such a movement is a complex process involving various means and value orientations. Among the means of forming Ukrainian national identity are language policy, education, media, cultural events, political reforms, monuments, and memorial sites. Language policy aims to protect the status of the Ukrainian language as the state language and ensure its use in all spheres of public life. Education is one of the key means of forming Ukrainian national identity as it transmits values, traditions, and cultural customs, promotes the development of civic consciousness, and supports identification with one’s own country. Cultural events play a significant role in shaping national identity as they contribute to the awareness and appreciation of the uniqueness of the cultural heritage, language, traditions, and values of the nation. Monuments and memorial sites play a significant role in shaping national identity as they are material symbols of history, culture, and important events for the nation. In the conclusions of the scientific article, it is emphasized that Ukrainian national identity is an important factor in the formation of civil society based on the principles of democracy, human rights, and equality. Ukrainian national identity is an important element of self-identification and self-awareness of the Ukrainian people, which contributes to its preservation, development, and prosperity.

Dreamscapes of Belonging : Draft, based on the presentation at the IAJS Conference 2023, work in progress

Jungian Art-Based Research (JABR) is a distinctive methodological framework that explores the intersection of analytical psychology and the arts. It primarily utilizes Jung's theories of the psyche, integrating these with artistic processes to investigate and express unconscious dynamics. Susan Rowland, a pivotal figure in this field, has significantly advanced the understanding of how Jungian theories can be applied within art-based research (Rowland, 2023). Her contributions elucidate how artistic expressions act as mediums through which the unconscious can be explored and articulated, thereby offering profound insights into both individual and collective unconscious processes. The objectives of Jungian Art-Based Research are manifold. Firstly, JABR aims to provide a methodological approach that allows researchers and practitioners to delve deeper into the symbolic and transformative potential of art. This is achieved through the engagement of the unconscious in the creation and interpretation of art, thereby fostering a holistic understanding of the psyche. Secondly, JABR seeks to expand the scope of psychological inquiry by incorporating artistic expressions as legitimate sources of psychological data. Lastly, it aspires to foster a dialogue between psychology and art, encouraging interdisciplinary collaboration that can enrich both fields. By integrating analytical psychology with artistic creativity, JABR contributes to a more nuanced understanding of the human experience, offering valuable perspectives that challenge conventional research paradigms. This paper presents a personal journey through the application of Jungian Art-Based Research (JABR), initiated by attending a course by Susan Rowlands. It delves into the transformative experience of exploring the multiverse of dreams and their impact on the author's professional and personal development. The exploration began with the author’s repetitive dreams, characterized by detailed urban landscapes, serving as the primary material for research. By physically mapping these dreamscapes and integrating various symbolic materials, the author engaged in a deep, introspective process, highlighting the non-linear and spiraling nature of JABR. This journey further intertwined with reflections on identity, homelessness, and the longing for a sense of belonging, amplified by historical and cultural dislocations. Through spontaneous dance and subsequent reflections, the author confronts the disillusionment with idealized spaces and faces the reality of changing perspectives and attachments. The paper concludes by pondering the broader implications of our attachment to the Earth, suggesting that our efforts to save it might be hindered by our need to name and possess, rather than embrace its intrinsic, unnamed existence. Through a Jungian lens, the author proposes a reevaluation of our relationship with the planet, advocating for a detachment from specific names to foster a more universal and sustainable connection.

Dreamscapes of Belonging

Jungian Art-Based Research (JABR) is a distinctive methodological framework that explores the intersection of analytical psychology and the arts. It primarily utilizes Jung's theories of the psyche, integrating these with artistic processes to investigate and express unconscious dynamics. Susan Rowland, a pivotal figure in this field, has significantly advanced the understanding of how Jungian theories can be applied within art-based research (Rowland, 2023). Her contributions elucidate how artistic expressions act as mediums through which the unconscious can be explored and articulated, thereby offering profound insights into both individual and collective unconscious processes. The objectives of Jungian Art-Based Research are manifold. Firstly, JABR aims to provide a methodological approach that allows researchers and practitioners to delve deeper into the symbolic and transformative potential of art. This is achieved through the engagement of the unconscious in the creation and interpretation of art, thereby fostering a holistic understanding of the psyche. Secondly, JABR seeks to expand the scope of psychological inquiry by incorporating artistic expressions as legitimate sources of psychological data. Lastly, it aspires to foster a dialogue between psychology and art, encouraging interdisciplinary collaboration that can enrich both fields. By integrating analytical psychology with artistic creativity, JABR contributes to a more nuanced understanding of the human experience, offering valuable perspectives that challenge conventional research paradigms. This paper presents a personal journey through the application of Jungian Art-Based Research (JABR), initiated by attending a course by Susan Rowlands. It delves into the transformative experience of exploring the multiverse of dreams and their impact on the author's professional and personal development. The exploration began with the author’s repetitive dreams, characterized by detailed urban landscapes, serving as the primary material for research. By physically mapping these dreamscapes and integrating various symbolic materials, the author engaged in a deep, introspective process, highlighting the non-linear and spiraling nature of JABR. This journey further intertwined with reflections on identity, homelessness, and the longing for a sense of belonging, amplified by historical and cultural dislocations. Through spontaneous dance and subsequent reflections, the author confronts the disillusionment with idealized spaces and faces the reality of changing perspectives and attachments. The paper concludes by pondering the broader implications of our attachment to the Earth, suggesting that our efforts to save it might be hindered by our need to name and possess, rather than embrace its intrinsic, unnamed existence. Through a Jungian lens, the author proposes a reevaluation of our relationship with the planet, advocating for a detachment from specific names to foster a more universal and sustainable connection.

Dreamscapes of Belonging

This paper presents a personal journey through the application of Jungian Art-Based Research (JABR), initiated by attending a course by Susan Rowlands. It delves into the transformative experience of exploring the multiverse of dreams and their impact on the author's professional and personal development. The exploration began with the author’s repetitive dreams, characterized by detailed urban landscapes, serving as the primary material for research. By physically mapping these dreamscapes and integrating various symbolic materials, the author engaged in a deep, introspective process, highlighting the non-linear and spiraling nature of JABR. This journey further intertwined with reflections on identity, homelessness, and the longing for a sense of belonging, amplified by historical and cultural dislocations. Through spontaneous dance and subsequent reflections, the author confronts the disillusionment with idealized spaces and faces the reality of changing perspectives and attachments. The paper concludes by pondering the broader implications of our attachment to the Earth, suggesting that our efforts to save it might be hindered by our need to name and possess, rather than embrace its intrinsic, unnamed existence. Through a Jungian lens, the author proposes a reevaluation of our relationship with the planet, advocating for a detachment from specific names to foster a more universal and sustainable connection.

Reconsidering the link between past material culture and cognition in light of contemporary hunter-gatherer material use.

Many have interpreted symbolic material culture in the deep past as evidencing the origins sophisticated, modern cognition. Scholars from across the behavioural and cognitive sciences, including linguists, psychologists, philosophers, neuroscientists, primatologists, archaeologists and paleoanthropologists have used such artefacts to assess the capacities of extinct human species, and to set benchmarks, milestones or otherwise chart the course of human cognitive evolution. To better calibrate our expectations, the present paper instead explores the material culture of three contemporary African forager groups. Results show that, while these groups are unequivocally behaviourally modern, they would leave scant long-lasting evidence of symbolic behaviour. Artefact-sets are typically small, perhaps as consequence of residential mobility. When excluding traded materials, few artefacts have components with moderate-strong taphonomic signatures. Present analyses show that artefact function influences preservation probability, such that utilitarian tools for the processing of materials and the preparation of food are disproportionately likely to contain archaeologically traceable components. There are substantial differences in material-use between populations, which create important population-level variation preservation probability independent of cognitive differences. I discuss the factors - cultural, ecological and practical - that influence material choice. In so doing, I highlight the difficulties of using past material culture as an evolutionary or cognitive yardstick.

“A Right to the Square”: Practices of Urban Space Appropriation by the Religious Community of the Strastnoy Monastery in Moscow

In post-secular cities, many representatives of different religions claim places that, for one reason or another, they consider theirs. Researchers call such places mixed. Pushkin Square in Moscow, one of them, is used simultaneously by different groups. The first group is the community of the Strastnoy monastery, whose members have been striving for eighteen years to make their religious presence a familiar feature of this square, through collective practices and material symbols. However, they constantly face the presence of other groups that force them to adapt and explain their presence. This article explores the case of the Strastnoy monastery community, which sheds light on the situation of religious initiatives in contemporary Russia. They are aware of their marginal position in public space: however, pursuing their goal of restoring Orthodox order in the country, they are looking, unlike many other Orthodox groups, for non-conflictual ways of interacting with citizens and government institutions, by appealing to historical memory and cultural heritage.

Expressions Language of Saro Eating Ritual Ternate Ethnic

Food as a cultural identity of an ethnic. Cultural identity is a distinguishing feature between one society and another. The ritual of eating saro is a traditional food ritual at the traditional wedding ceremony of Ternate, North Maluku. This article examines the ritual language of eating saro in the context of a traditional Ternate wedding from a literary and ethnographic perspective. This article describes the form and style of using the ritual language of eating saro, which is encoded in certain cultural messages. The method used in this research is descriptive qualitative with ethnolinguistic approach. The results of this study reveal that the expression of the ritual language of eating saro is in the form of a welcome expression in which there are proverbs, proverbs and metaphors. In addition, material symbols were found in the ritual of eating saro. The form of language expression is generally solemn, poetic, and conveyed using figurative language.

Politics in the street: the materiality of urban public spaces in Renaissance Italy

Abstract In Renaissance Italy, the political power of authorities found one of its expressions in material symbols of sovereignty. The placing of inscriptions, sculptures and columns and the commissioning of frescoes in streets, piazzas and public spaces, for example, were essential ways of communicating political or spiritual authority to the populace. Sometimes perceived as representations of a top-down form of communication, in the urban context these same material emblems of power became political objects through which to express dissent, as in the case of public loggias, speaking statues or graffiti on walls and civic palaces. Presenting case-studies from various cities in northern Italy, this article investigates the dialectics between the people and the authorities in the urban fabric, especially in everyday life. Combining a spatial and a material approach to politics, this article reveals the dynamic and relational nature of political public spaces.

Organizational Culture Management Challenges

Abstract Healthy organizational culture is an important condition for the long-term stable successful functioning of the organization. It is important for the organization to share the understanding and interpretation of culture, forming healthy attitudes, complex of values, developing strategies for combining personality and organizational cultures, ensuring compatibility with universal humanitarian values of organizational culture. Our research carried out by the Human Potential Management Laboratory is linked to the identification of the main characteristics of organizational culture at Ivane Javakhishvili Tbilisi State University (TSU), revealing of challenges and elaboration of appropriate recommendations. TSU is the oldest higher educational institution in Georgia and also in the Caucasus region. It is the largest university in Georgia, where the best students are enrolled from all regions of Georgia. The established norms of culture, the forms of relations, the system of recognized values here extend not only to the personnel but also to the younger generations that represent the country’s significant intellectual potential. The culture they have accepted affects the cultural value system of the country in general. For analysing organizational culture we have used the analysis of its expressive components, such as history, traditions, material symbols, language; Beliefs - understanding how the goals and ideas are related to each other; Routine behaviors established in the organization; Norms shared by groups). The dominant values - the firm, long-term belief of what is important; Expectations - Understanding how events will develop in the organization; The philosophy of organizational policy that determines the attitudes towards the employees, customers (the students); Rules of the game existing in the organization; Climate of the organization; Innovation and the ability to risk; Artifacts - aspects of organizational culture that you can see, hear and feel. The work was based on the qualitative and quantitative research. We studied not only the normative grounds for determining the organizational culture, but also developed hypotheses, we made a questionnaire. 34 closed and 2 open questions were answered by survey respondents. The survey covered 458 representatives of the Faculty of Economics and Business: Bachelor’s, Master’s and PhD students, academic and administrative staff. The study has shown that a strong culture is established in the organization, it was found that the influence of the socialist system on it is very high. It needs a great effort to change if needed. It has been revealed that the culture is not managed by open methods, it is less visible that it is an immediate objective of managing management, and its primary expressions are formed as a result of the interaction of normative regulators and individual interpretations of the activity. As a result of the research it has been revealed that the attitudes of different focus groups towards the same event differ, as well as the perceptions of respondents from different categories about cultural trends in the organization. It is interesting that radically different positions have been revealed among the respondents of one category towards certain issues, which gives the basis for making important conclusions. The conducted survey is a kind of supplement to the results of the earlier research carried out by us, which deals with the issue of improving management at higher education institutions in Georgia and in the post-Soviet space in general.

Metal like a hermit: Situating the ‘subcultural’ of Chinese metal music in the Chinese context

This article presents a discussion on how Chinese metal musicians situate the ‘subcultural’ of Chinese metal music in the ‘hermit’ concept in the Chinese context. Since it first appeared in mainland China in 1990, Chinese metal has been a subculture with a double marginality in relation to both Chinese society and the global metal scene. Accordingly, Chinese metal musicians have been trying to negotiate their marginal and subcultural identities through localized strategies, embodied notably as the appropriation of the concept of ‘hermit’. By examining recent symbolic material produced by Chinese metal musicians, this article provides a brief overview of how they translate the ‘subcultural’ of their metal music participation in relation to elitism, covert and passive resistance, and authentic national and individual identities through the ‘hermit’ concept.

Settling down in Southwest Asia: the Epipalaeolithic-Neolithic transformation

Permanent settlement began in southwest Asia across the end of the Pleistocene (the Epipalaeolithic) and the beginning of the Holocene (the Neolithic). Aggregation represents a transformation of the cultural niche, involving major social and cultural innovations and profound developments of the strategies of subsistence. At first, the scalar stress of living in large, permanent communities was diffused through corporate effort in the construction and maintenance of monumental communal buildings, a complex material symbolism, and increasing intensity of communal rituals; participation demonstrated commitment and conformity to community norms. As cultivated crops and managed herds of sheep and goat gradually became the predominant source of subsistence, the old sharing ethos was overtaken by the household as the central socio-economic unit; the household became the focus for ritual and symbolism. As population aggregations grew larger, their supra-regional networks of socio-economic sharing and exchange also became more complex, extensive and intensive. The new cultural niche based on networked aggregations produced a marked acceleration in both the rate of cultural accumulation and the rate of demographic growth. At the end of the Neolithic, plow-agriculture began in place of horticulture; there are the first signs of mixed agro-pastoral economies, the marking of private property, new technologies (ceramics and copper metallurgy), and, in southern Iraq, irrigation agriculture. At this time, too, the accelerating expansion of the population of farmers is marked by the appearance of their new settlements in all directions.

A 36,200-year-old carving from Grotte des Gorges, Amange, Jura, France

The earliest European carvings, made of mammoth ivory, depict animals, humans, and anthropomorphs. They are found at Early Aurignacian sites of the Swabian Jura in Germany. Despite the wide geographical spread of the Aurignacian across Europe, these carvings have no contemporaneous counterparts. Here, we document a small, intriguing object, that sheds light on this uniqueness. Found at the Grotte des Gorges (Jura, France), in a layer sandwiched between Aurignacian contexts and dated to c. 36.2 ka, the object bears traces of anthropogenic modifications indicating intentional carving. Microtomographic, microscopic, three-dimensional roughness and residues analyses reveal the carving is a fragment of a large ammonite, which was modified to represent a caniformia head decorated with notches and probably transported for long time in a container stained with ochre. While achieving Swabian Jura-like miniaturization, the Grotte des Gorges specimen displays original features, indicating the craftsman emulated ivory carvings while introducing significant technical, thematic, and stylistic innovations. This finding suggests a low degree of cultural connectivity between Early Aurignacian hunter-gatherer groups in the production of their symbolic material culture. The pattern conforms to the existence of cultural boundaries limiting the transmission of symbolic practices while leaving space for the emergence of original regional expressions.

The nation in bronze and granite: Creating national monuments in post‐Soviet Bishkek

AbstractScholars of nationalism have long looked to material forms of symbolic power to understand the politics and cultures of nations, and national monuments specifically have been studied as reflections of ideological programmes of political regimes. However, these approaches have paid insufficient attention to processes of creation. Given the importance of material symbols as sites through which the nation is understood, I argue that analysing the dynamics of creation expands our understanding of symbolic nation making. Using the case of Bishkek, Kyrgyzstan, and focusing on moments of creation and the actors involved in them, I build a conceptual framework for understanding the construction of national symbols on the ground based on three interconnected and co‐constituting dynamics: spatial, temporal and aesthetic/semiotic. Using this framework, I demonstrate how meaning and materiality are related to one another both as component and consequent in the creation of national monuments and how it is their very imperfection as material representations that provides the context for the nation to emerge as a category of discourse.

High-fidelity transmission of auditory symbolic material is associated with reduced right-left neuroanatomical asymmetry between primary auditory regions.

The intergenerational stability of auditory symbolic systems, such as music, is thought to rely on brain processes that allow the faithful transmission of complex sounds. Little is known about the functional and structural aspects of the human brain which support this ability, with a few studies pointing to the bilateral organization of auditory networks as a putative neural substrate. Here, we further tested this hypothesis by examining the role of left-right neuroanatomical asymmetries between auditory cortices. We collected neuroanatomical images from a large sample of participants (nonmusicians) and analyzed them with Freesurfer's surface-based morphometry method. Weeks after scanning, the same individuals participated in a laboratory experiment that simulated music transmission: the signaling games. We found that high accuracy in the intergenerational transmission of an artificial tone system was associated with reduced rightward asymmetry of cortical thickness in Heschl's sulcus. Our study suggests that the high-fidelity copying of melodic material may rely on the extent to which computational neuronal resources are distributed across hemispheres. Our data further support the role of interhemispheric brain organization in the cultural transmission and evolution of auditory symbolic systems.

Graves, trees, and spray-paint: land tenure formalisation and five normative repertoires in post-conflict South Sudan

In the aftermath of war, local government in Western Equatoria, South Sudan, set out to formalize urban land to make it more legible, less conflictual, and ready for the state’s vision of tomorrow. But the process proved problematic, and it caused and rekindled countless land disputes. Based on qualitative research at courts, county offices, and contested plots, this paper finds that these disputes were at their root about five competing normative repertoires about land distribution: legal, economic, identity, spiritual, and military desert. These repertoires were evidenced with powerful material symbols: old teak and mango trees reminding the elders of who planted them; spray-painted red crosses by the Ministry of Physical Infrastructure for structures that existed in conflict with its Masterplan; and the graves of deceased relatives buried on contested ground. This paper suggests that unless post-conflict land formalisation policies are preceded by a political reckoning with incompatible normative repertoires, they risk contributing to the re-eruption of violent conflict.

AN OUTSIDER’S GLANCE ON TODAY’s ESTONIAN CHRISTMAS

For the Estonian, Christmas is a most beloved holiday, not only by children, but by the whole population. Christmas, which coincides with the winter solstice, has been so important, that the Estonian have been able to preserve it throughout the Soviet era, despite the hostility of the authorities, which tried to uproot this tradition and to replace it with the laic acknowledgement of the New Year. Today, the celebration of Christmas is a mixture of old traditions, of Soviet times adaptations and of international influences. This article aims at presenting the modern way of celebrating Christmas and insists on the centrality of family and kin, with eating of traditional dishes, a fair amount of material symbols, the exchange of presents, the performance of ritual songs and the visiting of the kin’s graves. The attendance at church remains from the past. The author discovered Estonia and started living in this country as an adult and has been observing the Estonian’s customs for circa 30 years. This article relies mostly on these observations and in addition, on literature written about old customs.

Seyma-Turbino Metalworking and Microtechnics: A Game of Scale

Along with ordinary utilitarian things, Seymа-Turbinо casters made technically advanced products devoid of pragmatic functions. Miniature copies of full-size prestigious products were found in graves and shrines. Probably, communities of metalworkers treated these miniature tools as material symbols of their group identification. Numerous finds made in Petrovka, Sintashta, and Seymа-Turbino archeological sites mean that these metal miniatures were in high demand. Low-rank metal workers might have been buried with miniature samples of less technologically advanced tools. Full-size sophisticated tools, as well as their miniature copies in children's graves, could symbolize individual status. Miniature artistic castings that served as pommels on massive curved knives marked the prestigious status of this type of weapon and symbolically equated it with the Tools of the Creation. The figurines that adorned the Seyma-Turbino weapon not only emphasized its impressive size, but also gave the owners of these perfect products a higher social status. The miniature sculpture, which adorned only some of the Seyma-Turbino metal products, individualized serial samples. Thus, the microtechnics reflected not only the new possibilities of Seyma-Turbino metalworking, but also the regulatory requirements for the design of prestigious metal products. The renewal of the material ambiance was caused by the spread of serial products, the so-called quick things. It reflected the need to strengthen the connection between the owner and the possession, which was inherent to individual single-piece production