Dreamscapes of Belonging

Abstract

Jungian Art-Based Research (JABR) is a distinctive methodological framework that explores the intersection of analytical psychology and the arts. It primarily utilizes Jung's theories of the psyche, integrating these with artistic processes to investigate and express unconscious dynamics. Susan Rowland, a pivotal figure in this field, has significantly advanced the understanding of how Jungian theories can be applied within art-based research (Rowland, 2023). Her contributions elucidate how artistic expressions act as mediums through which the unconscious can be explored and articulated, thereby offering profound insights into both individual and collective unconscious processes. The objectives of Jungian Art-Based Research are manifold. Firstly, JABR aims to provide a methodological approach that allows researchers and practitioners to delve deeper into the symbolic and transformative potential of art. This is achieved through the engagement of the unconscious in the creation and interpretation of art, thereby fostering a holistic understanding of the psyche. Secondly, JABR seeks to expand the scope of psychological inquiry by incorporating artistic expressions as legitimate sources of psychological data. Lastly, it aspires to foster a dialogue between psychology and art, encouraging interdisciplinary collaboration that can enrich both fields. By integrating analytical psychology with artistic creativity, JABR contributes to a more nuanced understanding of the human experience, offering valuable perspectives that challenge conventional research paradigms. This paper presents a personal journey through the application of Jungian Art-Based Research (JABR), initiated by attending a course by Susan Rowlands. It delves into the transformative experience of exploring the multiverse of dreams and their impact on the author's professional and personal development. The exploration began with the author’s repetitive dreams, characterized by detailed urban landscapes, serving as the primary material for research. By physically mapping these dreamscapes and integrating various symbolic materials, the author engaged in a deep, introspective process, highlighting the non-linear and spiraling nature of JABR. This journey further intertwined with reflections on identity, homelessness, and the longing for a sense of belonging, amplified by historical and cultural dislocations. Through spontaneous dance and subsequent reflections, the author confronts the disillusionment with idealized spaces and faces the reality of changing perspectives and attachments. The paper concludes by pondering the broader implications of our attachment to the Earth, suggesting that our efforts to save it might be hindered by our need to name and possess, rather than embrace its intrinsic, unnamed existence. Through a Jungian lens, the author proposes a reevaluation of our relationship with the planet, advocating for a detachment from specific names to foster a more universal and sustainable connection.