Abstract

This paper presents a personal journey through the application of Jungian Art-Based Research (JABR), initiated by attending a course by Susan Rowlands. It delves into the transformative experience of exploring the multiverse of dreams and their impact on the author's professional and personal development. The exploration began with the author’s repetitive dreams, characterized by detailed urban landscapes, serving as the primary material for research. By physically mapping these dreamscapes and integrating various symbolic materials, the author engaged in a deep, introspective process, highlighting the non-linear and spiraling nature of JABR. This journey further intertwined with reflections on identity, homelessness, and the longing for a sense of belonging, amplified by historical and cultural dislocations. Through spontaneous dance and subsequent reflections, the author confronts the disillusionment with idealized spaces and faces the reality of changing perspectives and attachments. The paper concludes by pondering the broader implications of our attachment to the Earth, suggesting that our efforts to save it might be hindered by our need to name and possess, rather than embrace its intrinsic, unnamed existence. Through a Jungian lens, the author proposes a reevaluation of our relationship with the planet, advocating for a detachment from specific names to foster a more universal and sustainable connection.

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