Stylistic Meaning Research Articles

SYMBOLIC CONNOTATIONS AS AN INPUT TO THE DESIGN OF THE ADVERTISING POSTER

The research dealt with the background of the research, the research problem, the importance of the research, the research objectives, the research hypotheses, the research limits, the research methodology, and the research terms. The first chapter dealt with the visual perception of shapes, the symbolic semantic formulation of the shape, the formulation of visually created shapes, the visual perception of shapes, the physiology of shape perception, the visual formulation, and the structural composition of the visual message, including the representative level, the abstract level, and the symbolic level, the semantic properties of images. The second chapter included the semantic meaning of shapes, the stages of the emergence of semantics, and the types of semantic meanings, which represent the basic cognitive meaning, the additional or secondary meaning, the stylistic meaning, the psychological meaning, and the suggestive meaning. Forms of meaning change include the specialization of meaning, generalization, and transfer of meaning. The third chapter dealt with the research experience, the intellectual aspect of the experience, the technical aspect of the experience, and the technical analysis of the results of the experience. The fourth chapter dealt with the results, recommendations, and references.

FALSE FRIENDS OF TRANSLATORS. UNDERSTANDING ENGLISH-GERMAN TRANSLATIONS

The translation of false friends between English and German languages presents a significant challenge due to semantic disparities and lexical ambiguities of these languages. In this article the analysis of the different types of false friends is given, and the semantic and stylistic meanings of them is examined in depth. It also provides the list of different types of English-German false friends.

TRANSLATION STRATEGIES RELATED TO THE OMISSION OF VERBS WHEN TRANSLATING FROM RUSSIAN INTO FRENCH

While there is a vast literature on translation transformations and techniques, little attention among Russian researchers is paid to the omission. The article attempts to contribute to the debate by analyzing the omission as a translation technique, as well as verb omission examples when translating a literary text from Russian into French. The omission means elimination of a source text (ST) element while translating into target text. The omission can occur at the semantic or structural-semantic levels. The latter implies not only semantic but also syntactic changes. The omission can be due to the redundancy of an element in the ST. Redundancy in ST can be caused by the structural features of the source language, repetition of information in the text or by the opportunity to extract information from the situational context. The analysis of examples of verb omission taken from the translations into French of the novel Oblomov written by Ivan Goncharov showed that the use of this technique in relation to Russian verbs obeys the general patterns of the use of omission listed above: a French translator can omit a verb and use a more economical construction allowed by the norms of the French language; can translate one verb from two ST verbs with the same meaning; can eliminate the original verb if it’s meaning can be derived from the situational context. However, the original verb can convey stylistic meanings that are important in the work; if this verb is omitted, stylistic meanings disappear.

Role of onomasticon in English stylistics

In appearance of expressive and emotional lexicon onomasticon is of great importance, Under the influence a number of extra-linguistic factors numerous toponyms, etnonyms and other onomastic units in the English language have got emotional stylistic meanings thereby enriching English idiomatic lexicon. Onomastic metaphors are also significant linguistic units in training emotionally coloured English words. Stylistically coloured English onomasticon covers toponyms, anthroponyms and ethnonyms, with extra-linguistic factors have got various emotional and expressive meanings that have become a rich source of English stylistics.

The Domestication of Meaning

This work deals with the domestication of meaning. First, the meaning of ‘meaning’ is explained and the seven types of meaning are critically examined. These are; conceptual meaning, connotative meaning, social or stylistic meaning, effective meaning, reflected meaning, collocative meaning and thematic meaning. Meaning is domesticated through these means. After careful examination of these types of meaning, it is observed that meaning is elusive in nature. The research methods include the library and research questions. The library is where books and other information are kept. Research questions are further used as a guide to the work.

Idioms Analysis In The Coldplay Songs Entitled Hymn For The Weekend, Amazing Day, A Head Full Of Dreams, and Birds

<p>This research aims to analyze the types of idioms and the meaning of idioms in Coldplay's song, entitled <em>Hymn For The Weekend, Amazing Day, A Head Full Of Dreams, </em><em>And </em><em>Birds </em>by using F R Palmers theory of idiom types and Geoffrey Leech's theory of idiom meanings. This research is a qualitative descriptive research. The data of this research are Coldplay song lyrics. Data analysis was carried out by categorizing all lyrics into types of idioms and idiom meanings. These types are analyzed to find out what meanings are in the song lyrics. Research used document analysis to obtain data. In analyzing the data, the research used New Criticism. In validating the data, the research used triangulation theory.The research found that the researchers found 176 of the four song lyrics. The data are classified into idiom meanings which consist of Conceptual Meaning (1 data), Connotative Meaning (22 data), Stylistic Meaning (24 data), Affective Meaning (84 data), Reflective Meaning (15 data), Collocative Meaning (1 data) , Thematic Meaning (28 data). Then the researchers also clarifies into idiom types which consist of phrasal verb (11 data), preposition verb (10 data), partial idiom (8 data) of the data, Affective and Phrasal verb meanings are more dominant than other types. This describes the speaker expressing more personal feelings or emotions and using verbs with adverbs.</p>

AN ANALYSIS OF ASSOCIATIVE MEANING FROM “ALADDIN” (2019) SOUNDTRACKS LYRICS

This paper reviews An Analysis of Associative Meaning From "Aladdin" (2019) Soundtracks Lyrics. This research aims to find meaning in each Aladdin soundtrack as well as the meaning of the lyrics using associative meaning theory. This kind of research is qualitative. The source of this research data is the result of the search for meaning in each existing song, then the result is loaded in the form of tables or data. The result that has been obtained; it can be concluded that the data has associative meaning based on Leech's theory of associative meaning. The results showed that there are 89 data and 4 types of associative meanings found in the 6 soundtracks in the Aladdin movie, 4 of them are; Connotative meaning contains 25 data, Social or Stylistic Meaning contains 24 data, Affective meaning has 23 data, while Collective and Reflective Meaning has 17 data. This study used a qualitative descriptive method in analyzing the data. Leech's theory is used in this study to analyze associative meaning. Implications on Leech's theory are, by observing the collocation of words in lyrics and analysing how these combinations of words form specific associations in the listener's mind. Leech emphasizes the importance of relationships between words in a particular context and how such relationships can form broader meaning, and also by studying lyrics and analysing them by using the Leech Theory framework, readers can develop skills in understanding and analyzing English contextually, not just literally.

SLANG WORDS USED IN NOVEL “HARRY POTTER AND THE CHAMBER OF SECRETS” BY J.K. ROWLING

The purpose of this research was to identify the different types of slang words and their meanings. Slang is an informal word that is often used by a certain group of people and usually differs in each region, so it is necessary to be researched to enjoy reading novel from a foreign country. The data was analyzed by reading the whole novel and looking for phrases that reflected slang words. The method used in this research was qualitative textual analysis and theories from experts. The theories used in this research were based on (Leech, 1974) seven types of slang word meaning: conceptual, connotative meaning, stylistic meaning, affective meaning, reflected meaning, collocative meaning, and thematic meaning, as well as (Connie C. Elbe, 1996) examines that slang is an ever-changing set of colloquial words and phrases that speaker use to establish or reinforce a social identity of cohesiveness within a group or with a trend or fashion in society at large. The result of the research showed that there are sixty eights slang expressions were examined, and the slang words meanings discovered in this research were mostly expressed by their denotative meanings.

ON STYLISTIC AND SEMANTIC-STYLISTIC SYNONYMS IN THE EVEN LANGUAGE

The lexicon of the Even language is extremely understudied. The choice of the topic of this paper is conditioned by the necessity to cover the undeveloped issues on synonyms of Even language with regard to their sources; semantic and typological features. The present work is devoted to the study of stylistic synonymy in the Even language.
 Purpose. To identify the resources of stylistic synonymy, highlight stylistic and semantic-stylistic synonyms, as well as define their features.
 Materials and methods. The research is based on the descriptive method, the techniques of linguistic observation, generalisation and interpretation are used. The source of the study is the "Even-Russian dictionary" by V.A. Robbek, M.E.
 Robbek.
 Results. The paper is the first to define and distribute words with stylistic meaning as well as to single out the type of semantic-stylistic synonyms and to give a description of stylistic synonyms in the Even language. The sources of these types of synonyms are words of dialect, folklore, ritual and colloquial lexicon.
 Practical implications. The results of the work can be applied in researches on the languages of the Manchu-Tungus peoples.

STILISTIKOS DIDAKTIKOS AKTUALIJOS MOKANT(IS) LIETUVIŲ KALBOS KAIP NEGIMTOSIOS

The article focuses on issues of teaching/learning types of style in Lithuanian as a non-native language. The aim of the study is to analyse the provisions of the ‘Common Framework of Reference for the Teaching and Assessment of Foreign Languages’ and the content of the Aukštuma descriptor of teaching/learning Lithuanian as a foreign language through the use of qualitative methods, and to compare them with the published teaching material for adults. The study proved that, in accordance with these provisions, stylistic differentiations of language should be taught from Level B2 onwards, but very little attention is paid to this area in teaching material. Only one of the teaching resources examined provides a slightly higher number of words with stylistic differences; however, the tasks are not always formulated paying attention to the stylistic meaning of words and collocations.

Gender Semantics of Nominations <i>родитель – родительница – родители</i> in Modern Media Discourse

Purpose. The purpose of the article is to identify manifestation patterns of gender semantics of Russian nouns родитель – родительница – родители (pluralia tantum) in different referent and context conditions. The research is based on newspaper subcorpora of Russian National Corpus. Results. The vocabulary values are marked by gender semes: родитель (father), родительница (mother), родители (father and mother – the separate lexeme). The first two nouns are characterized by a reduced stylistic meaning. They are also evaluated as outdated, but it does not confirm in modern Russian speech. The feminitive родительница retains a gender meaning in all types of usage, it is often used as a neutral synonym for мать (mother). It shows a clear tendency towards stylistic neutrality. At the same time it has a negative connotative background and can be used for reducing the social and personal status of the referent. The word родитель is a male nomination if denotes a particular person. For a generalized referent or if as a logical predicate, the gender seme is not preserved. Colloquial coloration is preserved only when the word referents a particular person. The meaning of the noun родители with semes of the bigender couple is fully realized only if it denotes a particular family or nominates a social role attributed to a particular family. In other cases it has non-gendered semantics, and becomes the plural form of родитель as ‘person with offspring’. Conclusion. We suppose changes in the semantic structure of the noun родитель can affect the lexical and morphological status of the word родители.

Linguopragmatic Scopes of Modern Media Texts

The study is devoted to the description of the linguopragmatic potential of media texts in the context of the informational and psychological impact on the individual and collective addressee of mass information broadcasting. As the key modern form of text existence in the information space, a media text contains not only verbal elements that influence the audience through either spoken or written words, but also non-verbal ones, introduced through video, picture and various sound means other than speech. The combined combination of communicative means of linguistic and non-linguistic nature enhances the information-psychological impact on the audience by achieving a synergistic effect. Due to the fact that with the complex use of verbal and non-verbal means, the media text acquires such essential characteristics as polycode and multimodality, its analysis should take into account not only the linguistic proper, but also the extralinguistic aspects of communication. Modern media text has a complex communicative structure that combines a text, hypertext, dynamic (static) image and sound, and provides a non-linear, multi-channel, multi-layered and multidimensional perception of the embedded conceptual and stylistic meanings. The aim of the study is to analyze linguopragmatic characteristics of a media text as the primary form of the informational and psychological impact realization in the modern mass media discourse. Descriptive, synchronic, diachronic and functional methods of research, as well as methods of contextual and communicative-pragmatic analysis have been employed. As to the material, the study is based on the analysis of theoretical works by Russian and foreign linguists for the past 30 years. The authors concluded that the information-psychological impact is enhanced by the use of PR and advertising techniques in the media text and is largely based on their application.

ASSOCIATIVE MEANING IN THE FILM "PAINTING THE SKYLINE" BY GIRI PRASETYO BASED ON GEOFFREY LEECH'S PERSPECTIVE

This study analyzes the dialogues in the film Painting the Skyline by Giri Prasetyo which contain associative meanings. This article aims to know and identify the types of associative meanings in the film Painting Feet in the Sky based on the perspective of Geoffrey Leech. This research is a type of descriptive qualitative and library research with a semantic approach. This study used the listen-and-record technique. Data analysis techniques by reduction, presentation, and drawing conclusions of data. From this study, there are 4 out of 7 types of associative meanings, namely connotative meaning, stylistic meaning, affective meaning, and colloquial meaning. The connotative meaning contained in this film is 7 words, namely children who have grown up, live together, drift away, do not know the direction of the destination, nature, put hope, stop school. The stylistic meaning is 3 words, namely slumped, free, and remote—affective meaning of 3 words, namely obedient, saturated, and expressions of command. The colloquial meaning contained in the film Painting the Skyline by Giri Prasetyo is 3 words, namely family members, planets, and plants..

FIGURATIVE LANGUAGE IN SONG LYRICS OF ELOISE’S SELECTED SONGS

Figurative Language in Song Lyrics of Eloise’s Selected Songs aims at identifying the kinds of figurative language and explaining the meaning of figurative language implied in song lyrics of each song. Some selected songs from Eloise are the data of this undergraduate thesis, especially from the album This Thing Called Living and Somewhere In-Between. There are five songs selected as the data to identify, they are Subside, TTCL, Intertwined, Wanderlust, and Hungover. In order to collect the data, documentation and note-taking technique were applied in this study. Also, descriptive qualitative was used to analyse the song. Hence, informal method was presented to be a method of presenting the whole data. A theory of figurative language proposed by Knicerbocker & Reninger (1963) to identify the first problem and a theory of meanings proposed by Leech (1983) to explain the second problem in this study. As the result, this undergraduate thesis identified that there are seven kinds of figurative language found in the song lyrics namely simile, metaphor, personification, synecdoche, metonymy, hyperbole, and irony. Moreover, there are four types of meaning found, they are conceptual meaning, connotative meaning, stylistic meaning, and affective meaning.

AN ANALYSIS OF SLANG IN NICKI MINAJ’S RAP SONGS “SEEING GREEN” AND “FRACTIONS”: A SOCIOLINGUISTIC STUDY

This research analyzes the slang word types used by Nicki Minaj in her songs “Seeing Green” and "Fractions". Thus, it covers two objectives: the types and meanings of the slang words in the song lyrics. This research study uses a descriptive qualitative method. Therefore, the unit of analysis is words or phrases containing slang. The main instrument of the research is the researcher herself by applying the theory slang types by Allan and Burridge (2006) and the theory kinds of meaning by Leech (1974). The findings of this research show that there are 69 data slang words in Nicki Minaj’s songs "Seeing Green" and "Fractions". The analysis findings of the types of slang words show that it can be concluded that the highest data is Imitative with 28 data (40.57%), followed by Fresh and Creative with 18 data (26.08%), and also Flippant with 18 data (26.08%). Besides Flippant, there is Clipping with 4 data (5.79%) and Acronym with 1 data (1.44%). Furthermore, the analysis findings of the meaning types of slang words show that it can be concluded that the highest meaning is Stylistic Meaning with 32 data (46.47%), followed by Reflective Meaning with 19 data 27.53%, Affective Meaning with 14 Data 27.53%, Connotative Meaning with 2 data (2.89%), and followed by Collocative Meaning with 2 data (2.89%). Conceptual meaning and thematic meanings are not found in the songs. Thus, only 5 kinds of meaning are found in Minaj’s songs “Seeing Green” and “Fractions”.

Comparative Stylistic Analysis on Soundtrack Anastasia Selected Songs Lyrics

Problem of the research is What Comparative Stylistic Elements are found on selected songs of soundtrack Anastasia movie and What iss Comparative Stylistic meanings used on selected songs of soundtrack Anastasia movie lyrics. The objectives of the research are to find out the existence of Comparative Stylistic Elements that are found on soundtrack Anastasia movie songs. To analyze the comparative stylistic meanings that are used on soundtrack Anastasia movie songs. The researcher found out the data from At the beginning song, there are 3 metaphors, 3 personifications, 2 prelopsis., In the dark of the night song, the researcher found out 2 depersonifications, 4 allegory, 4 prelopsis, 3 epanorthosis. So, the total from the two songs are 21 data

Semantic Analysis of Daud Kamal’s ‘A Street Revisited’, ‘Transition’ and ‘The Rebel’

The study of meaning plays an important role in analyzing and examining the text. The study aims to interpret and analyze Daud Kamal’s three selected poems. By using Leech’s theoretical framework (1981) the study analyzes how the study of meanings at different levels helps readers to understand the contextual background of the selected poems. The findings reveal that the contextual background of the poems is well understood through conceptual, contextual, reflected, and thematic meaning. Moreover, collocative and stylistic meaning in the poems clearly show the cultural identity of Daud Kamal as a Pakistani poet. The frequency of different meanings in the poems reflects that all the poems have one conceptual meaning, but the predominant meanings include connotative and collocative meaning. Through these meanings, readers can understand poet’s approach to the ultimate truth of social and cultural change.

Analysis Of Language In Its Use With Peers

This study aims to determine the language style of peer speech sarcasm and to find out the meaning of peer speech sarcasm language style. In re-search, of course, there are research methods used, and the methods used by researchers in analyzing the sarcasm language style of peer speech are descriptive methods and the data analyzed is in the form of qualitative data. And the end of a study is the results of research, the results of research from this study are the meaning of sarcasm language style that is most often used to sarcasm language style which is rarely used by Students of Semester VII A Afternoon Indonesian Language and Literature Learning Year 2017-2018. There are several stylistic meanings of sarcasm that are most often used, namely the meaning of sarcasm that contains elements that are not pleasing to the ear, the meaning of sarcasm that contains elements of hurting the heart and the meaning of sarcasm that contains elements of banter/ spicy satire. Meanwhile, the language style of sarcasm that is rarely used, namely the meaning of sarcasm which contains elements of bitter reproach, the meaning of sarcasm which contains the element of speaking with bitterness and the meaning of sarcasm which contains elements of biting lips in anger.

Analysis Of Language In Its Use With Peers

This study aims to determine the language style of peer speech sarcasm and to find out the meaning of peer speech sarcasm language style. In re-search, of course, there are research methods used, and the methods used by researchers in analyzing the sarcasm language style of peer speech are descriptive methods and the data analyzed is in the form of qualitative data. And the end of a study is the results of research, the results of research from this study are the meaning of sarcasm language style that is most often used to sarcasm language style which is rarely used by Students of Semester VII A Afternoon Indonesian Language and Literature Learning Year 2017-2018. There are several stylistic meanings of sarcasm that are most often used, namely the meaning of sarcasm that contains elements that are not pleasing to the ear, the meaning of sarcasm that contains elements of hurting the heart and the meaning of sarcasm that contains elements of banter/ spicy satire. Meanwhile, the language style of sarcasm that is rarely used, namely the meaning of sarcasm which contains elements of bitter reproach, the meaning of sarcasm which contains the element of speaking with bitterness and the meaning of sarcasm which contains elements of biting lips in anger.

Analysis of Figurative Language Used in The Song Lyrics of Adele's Album “30”

This study analyzes the figurative language used in the song lyrics of Adele’s album “30”. The song writer plays words and language to create attraction and distinctiveness towards the lyric of the song. Figurative language has the ability to be more impactful for the readers. This study is aimed to answer two problems of the study, they are: (1) To identify the types of figurative language used in the song lyrics of Adele's album "30". (2) To analyze the meaning of figurative language found in the song lyrics of Adele's album “30”. The data was analyzed based on the theory of figurative language proposed by Knickerbocker and Reninger (1974) and theory of Meaning proposed by Geoffrey Leech (1974).The result of this study showed there are 7 types of figurative language found in Adele’s album “30”. They are simile, personification, metaphor, synecdoche, hyperbole, irony and paradox. This study found 3 simile, 2 personification, 4 metaphor, 2 synecdoche, 13 hyperbole, 1 irony and 3 paradox. And otherwise in analyzing the contextual meaning this study found some types of meaning used in lyrics of song, those are connotative meaning, thematic meaning, affective meaning, reflected meaning, and stylistic meaning. The data were presented descriptively and formally by using some tables.