Stage Of Cultural Development Research Articles

PEDAGOGICAL ANALYSIS OF THE AESTHETIC FOUNDATIONS OF MUSICAL WORKS OF THE BAROQUE ERA

The article is devoted to the pedagogical analysis of the aesthetic foundations of the Baroque culture and identification of the most significant features of the musical art of this era. In the universal picture of the world created by Baroque thinkers, who tended to a comprehensive understanding of being, the main role is assigned to man, or rather, to the problem of human self-knowledge. The created hierarchy of moral values distinguishes between the “high” and “low”, “earthly” and “heavenly” in a person, directs a person to the path of conscious self-control and reasonable self-restraint. In this regard, at the present stage of cultural development, it is necessary to search for the embodiment of the immanent features of the poetics of Baroque compositions from the position of deep knowledge of all levels of their content and symbolism. In modern musical performance, the problems of interpreting Baroque music arise with renewed vigor. In professional training of modern performing musicians, mastering the works of the Baroque style and understanding its aesthetics is an important stage in the formation of their professional competencies.

Gender differentiation and its connection to linguistics

According to Wilhelm von Humboldt, the founder of the philosophy of language, the formation of objects and concepts in our minds, as well as everything we receive from the outside, is achieved through language. Our understanding of the world is possible through the use of culture and language. That is, if there were no language, there would be no intelligence. Because of the culture and intelligence, we acquire through language, each person exists as a reflection of the prevailing worldview. Each stage of cultural development is connected and comprehended through language. Language is not a tool for describing the known, but a tool for discovering the unknown. The true power of language lies in its constructiveness.

Adaptive capabilities seedless grape varieties in a sharply continental climate

The article presents the results of the study of winter hardiness, drought resistance, heat resistance of seedless grape varieties at the initial stages of culture development in a sharply continental climate. The purpose of the research was to study and identify promising highly adaptive seedless grape varieties with a complex of economically valuable traits for cultivation in arid conditions of the North-Western Caspian Sea. The objectives of the research included: determination of the degree of winter hardiness of introduced grape varieties; assessment of drought resistance and heat resistance of the studied seedless varieties. The research was carried out in 2021...2022 at the vineyard of the Precaspian agrarian federal scientific center of the Russian academy of sciences, located in the Chernoyarsk district of the Astrakhan region. The object of research was 16 seedless grape varieties planted in 2020. The Radiant variety, zoned in the Lower Volga region, was adopted as the standard. It was found that, on average, over two years of research, the maximum degree of winter hardiness was characterized by varieties Golden, Lucia, Rose and Century with the safety of eyes after overwintering from 61.4 to 70.9 %. Varieties Radiant, Azak, Attica, Aphrodite, Ballet, Veles, Zolotce, Iskander, Nakhodka, Neptune, Tangra, Himrod, Jupiter they had an average degree of winter hardiness – from 43.1 to 58.1 %. The varieties Azak, Attica, Ballet, Zolotce, Iskander, Lucia, Neptune, Himrod, Jupiter were characterized by maximum resistance to stress factors of the summer period in the third year of vegetation. The most heat-resistant varieties were Zolotce, Century, Himrod, Jupiter, which lost the least amount of water during wilting (24.2...28.6 %) and, to a greater extent, restored hydration at saturation (60.2...87.9 %).

Современное общество как среда и детерминанта развития правовой культуры (опыт теоретико-правового анализа)

Introduction. Appeal to questions concerning the state and basic directions of development of legal culture of modern society requires the establishment of factors of social development, which have an essential influence on the formation of law, determine the state, directions of modification and features of functioning of the legal sphere. Transformations of modern society and its legal culture are considered as interdependent processes and as factors of legal life of modern society. Transformations of modern society and its legal culture are considered as interdependent processes and as factors of legal life of modern society. Methods: The study uses the general scientific logical methods of analysis, synthesis, comparison and generalisation, as well as special methods of legal research: formal-legal, historical-legal and comparativelegal. Results. The tendencies of social development, which characterise modernity, determine the features of the state of modern state and the specifics of the evolution of the legal system of a modern state, have been identified. Determinants of state-legal development in the conditions of modernity are: globalization and the connected with it changes of a social device; transformation and crisis of the value bases of public life; updating of cultural sphere; prompt development of techniques and computer technologies and a number of others. The effect of these factors is the change the content and form of law, the conditions and opportunities for legal interaction. Translation by means of the law of system of social values of the corresponding stage of civilization development, legalization of a significant part of social relations, social importance of effective legal communication both at a level of the separate society and world community define a social role of legal culture and necessity of scientific comprehension of the given socially-legal phenomenon. The conclusion about the growth of urgency of such directions of scientific researches as a substantiation of national idea and national values; characteristics of the system of social regulation and management in modern society; mental bases of legal culture; informative, communicative, active aspects of the legal culture of modern society.

Local Forms of Festival Space in Drohobych

At the present stage of cultural development, the search for value and semantic guidelines leading to the realization of new forms of cultural life, including music, is underway. As one of such new forms, festivals help embrace new forms, genres, and types of musical art within a common cultural space while simultaneously motivating creative teams and becoming an impetus for new achievements. The relevance of the article is in the active spread and growing importance of music festivals as creative events and an important component of the national art process. The paper reveals various aspects of provincial city festival life during the period of Ukrainian independence. At present, festivals are an integral element of culture, a constantly evolving art phenomenon. They are in demand in various fields of culture and art, and their concert programs attract townspeople and visitors. Festivals contribute to the formation and promotion of city and regional brands, to the transformation of the urban environment, and place focus on various issues, asthey are related to the general cultural situation and the local context of a particular location. As a key element of contemporary cultural life, festivals contribute to the dissemination of creative practices aimed at developing the cultural sphere of the city and raising the level of cultural life in the region. The paper aims to present a “panorama” of festivals, their features, and their significance for the cultural life of Drohobych.

Analisis Filsafat Kebudayaan Cornelis Anthonie Van Peursen pada Tradisi Med-Medan di Banjar Kaja, Desa Adat Sesetan Kota Denpasar Bali

The Med-Medan tradition is one of the unique traditions in Denpasar City. Historically, what was conveyed orally by the people in Banjar Kaja, could not be separated from the mythological world. Thus this tradition is very dominant with religious aspects. But on the other hand, with the evolution of the Med-Medan tradition, it has undergone transformation from its implementation and arrangement, and it is most visible when the Med-Medan tradition is used as a heritage. In search of data, this research used descriptive analysis method, which is with describing and analyzing datum that had been collected, and continued with critical analysis using the stages of cultural development from C. A. van Peursen. The results of this research are 1) at the mythical stage of the Med-Medan tradition was carried out because of desire the king, and because of the mysterious appearance of pigs. 2) at the ontological stage of this tradition as a form of embodiment sense of solidarity, relationship, care for each others (asah, asih, asuh) and the application of Tri Hita Karana concept. 3) at the functional stage of this tradition has undergone commodification with the emergence of the "Sesetan Heritage Omed-Omedan Festival".

К вопросу о проблеме символизма в истории культуры

The study of symbolism as an independent productive methodological program requires the study of the internal logic of the symbolization process, the analysis of the central concept of this methodology – the symbol, comparison and comparison of it with such concepts as “concept”, “idea”, “image”, “sign”, “meaning”, “meaning”, “value” and others, the relationship of the symbol with language, the process of signification and production of meaning. In addition, we aimed to show the productivity of the symbolic approach on the material of specific cultural forms, such as myth, language, art and others. Demonstration of the productivity of this approach can stimulate further symbolist research in a wide variety of areas of culture, cultural history, and above all domestic. The process of symbolization is the deepest phenomenon of human cultural creativity, it appears at the earliest stages of the development of culture and accompanies its entire history. It would be naive to believe that this process is characteristic only of the early stages of cultural development, and then, as often stated, it is replaced by a rational and logical type of cultural creativity. Symbolization permeates the rational and irrational processes of human socio-cultural activity. This is especially clearly manifested in crisis periods by the breaking of old symbolic systems and the search for new symbols and methods of symbolization. This is as typical as, for example, for the early medieval or Renaissance culture, and for modern Kazakh and post-Soviet cultures, which have identified new social guidelines and values and are striving to find new symbols for the new reality. The study of the symbolism and logic of the symbolization process is of particular importance in the conditions of the modernization development of modern Kazakhstan.

АНАЛИЗ СОСТОЯНИЯ И ПУТИ ПОВЫШЕНИЯ КАЧЕСТВА ЛЬНОТРЕСТЫ

The results of the analysis of the state and ways to improve the quality of flax are presented. The heterogeneity of the flax ribbon and its structural parameters were chosen as the objects of research. The analysis of the causes of the formation of heterogeneity of flax and the direction of its reduction is given. It is shown that its quality indicators are complex and are formed at two stages of culture development: flax cultivation, and then in the process of its harvesting. The mechanical impact of the working bodies of flax harvesting machines leads to an increase in the heterogeneity of flax raw materials. So, at the stage of pulling, the pulled flax ribbons are characterized by the elongation of the stems in the ribbon (Rl = 1.14 times), which is 0.02% more than the tiering of the stem (1.12 times), the angle of deviation of the stems in the ribbon will be al = 9.73 °, the unevenness of the ribbon will be Hp = 23.1%. All these indicators are initial, since when performing subsequent operations for the preparation of flax, they increase in comparison with the initial ones. By passive experiment, regression models adequate to the experiment were obtained for the dependence of the elongation of stems in the tape Rl, times (1), the angle of their deviation in the tape al, deg. (2), and the unevenness of the spreading of the Hp tape, % (3) of the stage of the performed harvesting operation Eu (Eu=2; 3; 4; 5), which can be used in the express assessment of the quality of the technological operation performed and the heterogeneity of the flax. To reduce the negative impact of the working bodies of harvesting machines on the stems, it is necessary to carry out harvesting operations in agrotechnical terms and operate the units at optimal technological modes. The most effective direction of improving the quality of flax is the development of fundamentally new working bodies of contactless interaction with the processed material.

TRADISI OGOH-OGOH DI BALI DALAM TINJAUAN KRITIS FILSAFAT KEBUDAYAAN CORNELIS ANTHONIE VAN PEURSEN

This article seeks to explore the ogoh-ogoh tradition in Bali. Ogoh-ogoh which is the result of the artistic expression of the Balinese people who are always experiencing dynamics of change and development. The ogoh-ogoh tradition in Bali is developing according to the times. The ogoh-ogoh tradition in Bali when viewed critically with the cultural philosophy of Cornelis Anthonie Van Peursen by paying attention to the stages of cultural development in the mythical stage, ontological stage and functional stage. Ogoh-ogoh historically, mythology appears as a symbol and embodiment of bhuta kala which is disturbing human life, so that the energies of bhuta kala (negative energy) are always harmonized and neutralized into the powers of the gods (positive energy). Thenext development of the bhuta kala myth developed by breaking away from the shackles of myth to an ontological understanding, and finally at the functional stage as a show (parade) for cultural tourism.

Tokens of time: on anthropological periodization of the Cucuteni-Tripolye culture

The article presents an attempt to develop the periodization of the Cucuteni-Tripolye culture in terms of cultural anthropology. The scheme is based on common consideration of different manifestations of material culture and related social and historic-cultural phenomena. It is built along three separate but interrelated lines. The first line embraces the most significant material symbols of each phase. The second line exemplifies the nature of social leadership on different stages of cultural development and corresponds to material symbols. The third line reflects main phenomena, events or processes which took place in different periods.

The phenomenon of media culture in the modern world

The purpose of the Article. The urgency of the work is due to the fact that atypical digital phenomena are increasingly integrated into people's lives digital phenomena (in particular, from the Internet), which require compliance with certain standards of behavior. First of all, they are determined by the rules of the information environment and media culture. Given the fact that most of the news, information, data we receive from Internet sources, the issue of research of media culture from various aspects, is undoubtedly relevant. The aim of this paper research functions, tasks, and complex analysis of components of media culture, specifics of their functioning. The methodology involves the use of general and special techniques, in particular, analysis, synthesis, abstraction, specification, descriptive method, partial forecasting. The result of this work is to reveal the development of scientific thought about the place and role of media culture is considered. Approaches to the definition of this concept in the scientific literature are analyzed. The main issues to be solved by a media culture in the future are revealed. The ratio of general, communicative, information and media culture is demonstrated and substantiated. It is established that its architecture includes multifunctional channels, and systematicity and integrity are considered as their basic properties. Particular attention is paid to the functional purpose of media culture and the characteristics of the respective positions. Cautions have been formulated regarding the probable consequences of the digitalization of a certain part of cultural heritage. The topicality is due to the introduction of the author's proposals for the disclosure of the basic concept and components of media culture, as well as outlines a number of global issues that are designed to solve media culture. Scientific Novelty. The practical significance of the study is justified by the possibility of applying its results in lectures and seminars on journalism, philosophy, sociology, cybersecurity, and other educational areas. Conclusions. Based on the results of our work, let us summarize that contemporary media culture represents a new form of intellectual response. Each next stage of cultural development will be less bookish, tactile than the previous one. This is justified, on the one hand, by the rapid digitalization of all cultural institutions, and, on the other hand, by the desire of the very recipients to simplify data processing in such an array of information. It is established that a unified approach to the interpretation of “media culture” has the maximum to reflect the main characteristics of culture as a generalized concept. Thus, under the media culture is proposed to understand the part of the general culture, the main type of culture of the information society, on the one hand - reflects its general level of development, and on the other - forms the overall effect and intellectual influence, usually from the new media (television, online press, social networks, radio, film) on public opinion, preferences, and values. Prospects for further research we see in analyzing ways of introducing media literacy into the modern educational system.
 Keywords: digitalization, media culture, bricolage media sphere, latest media, convergent media, infographics.

Definitions Matter: Dynamic Policy Framing of the Arts in Boston’s Sustainable Cultural Development

Cultural sustainability has become a fourth pillar in sustainable development studies. Different from the research approach to embedding culture into conventional sustainable discourse, this article argues that the sustainability and resilience issues within the arts and cultural sector should be paid more attention to. Putting the arts and cultural sector in urban settings, sustainable cultural development entails dynamic policy framing and changing policy justifications in response to an evolving socioeconomic and political environment. Taking the policy framing of the arts as an analytical lens, this paper aims to investigate this dynamic change and key driving factors through an in-depth case study of Boston’s urban cultural development. This article finds that different definitions of the arts are associated with different arts-based urban development strategies across four stages of cultural development in Boston spanning a period of over 75 years. The working definition moved from art to the arts, then to the creative arts industry, and eventually to cultural assets and creative capital. The policy framing of the arts keeps evolving and layering in pursuit of more legitimacy and resources regarding groups of stakeholders, field industry components, types of industrial structure, and multiple policy goals. This dynamic policy framing has been driven by arts advocacy groups, policy learning process, urban leadership change, and cultural institutional change, allowing Boston to draw on a growing and diversifying set of cultural resources in pursuit of sustainable cultural development.

A COMPARATIVE STUDY OF PALEOLITHIC PERIOD OF SOUTH ASIA AND EAST ASIA

E.B. Tylor and L.H. Morgan postulated that man kind as a whole has passed through the stages of savagery, barbarism and civilization. Tylor did n'st place specic cultures into different stages of cultural development of human beings, but Morgan subdivided the stage of savagery and barbarism each in to three groups , namely lower, middle and upper. He was of opinion that lower savagery began with development of language and gathering of fruits and nuts assubsistence. This stage ended with development of shing subsistence and use of re. No living example can be citedto this stratum.

The Modern Literary Process in China in the Works of Russian Literary Scholars-Sinologists: Features of the Research Perspective

Contemporary Chinese literature is actively studied by Russian literary critics, whose view of a foreign cultural text inevitably differs from that of their Chinese colleagues. As a result, on the one hand, new original interpretations appear, and on the other, certain gaps, “blind spots” (Paul de Man) of perception of Chinese literature become obvious. The purpose of the article is to describe the perspective of the vision of Chinese literature,which manifested itself in the studies of Russian literary scholars. To achieve this goal, the methodological theses of non-classical hermeneutics and receptive aesthetics are used. Based on the material of studies devoted to modern Chinese literature and published in Russia, similar attitudes of Russian scientists are revealed: the attitude towards defining the problem of a person and his place in life in texts; understanding the importance for Chinese society of continuity, dialogue between tradition and modernity; orientation to identify multilingualism in the artistic understanding of the modern world, the influence of Western culture on Chinese; the view of Chinese women’s literature as evidence of a change in the social status of women. At the same time, the view of modern Chinese literature as human-centered does not fully correspond to the real literary situation in which both Confucian and Marxist ideas of collectivism continue to remain in force. Researchers of the latest Chinese literature do not always consider it in conjunction with the period of the 1950s–1970s, while for the Chinese, the 1950s – present time is a holistic stage of cultural development. The identification of traces of the influence of Western theory of literature and aesthetics is not accompanied by an awareness of the specifics of their adaptation (Sinification).

Sacred mythopetronym as a spiritual and moral value of the North Caucasian culture

Mythology is a necessary stage of cultural development in the history of any nation. When a person creates myths, he is in search of the meaning of life and tries to: 1) to fit your life into the framework of a larger whole; 2) to discover a certain structure underlying being; 3) to understand, despite everything, that life has meaning and value. The mythologeme "split stone" in the ethnoculture of the peoples of the North Caucasus, reflected in the novels of the Ingush writer I. Bazorkin, echoes the primitive ideas about the arrangement of the world among different peoples of the world. Since the ethnolinguoculture of the peoples of the Caucasus stands apart among various language classifications, we turn to the analysis of the concept-mythonym "split stone" to identify general and moments of interpretation of the meaning of this concept. Hypothesis: the concept of "split stone" is the basic ethnic idea of the Ingush about the structure of the world order, about the influence of moral qualities of a person on the properties of the surrounding world.

Biodegradable, metal-chelating compounds as alternatives to EDTA for cultivation of marine microalgae

Iron (Fe) is an essential nutrient for microalgal metabolism. The low solubility of Fe in oxic aquatic environments can be a growth-limiting factor for phytoplankton. Synthetic chelating agents, such as ethylenediaminetetraacetic acid (EDTA), are used widely to maintain Fe in solution for microalgal cultivation. The non-biodegradable nature of EDTA, combined with sub-optimal bioavailability of Fe-EDTA complexes to microalgae, indicates opportunity to improve microalgal cultivation practices that amplify production efficiency and environmental compatibility. In the present study, the effects of four organic chelating ligands known to form readily bioavailable organic complexes with Fe in natural aquatic environments were investigated in relation to growth and biochemical composition of two marine microalgae grown as live feeds in shellfish hatcheries (Chaetoceros calcitrans and Tisochrysis lutea). Three saccharides, alginic acid (ALG), glucuronic acid (GLU), and dextran (DEX), as well as the siderophore desferrioxamine B (DFB), were compared to EDTA. Organic ligands characterized by weaker binding capacity for cationic metals (i.e., ALG, GLU, DEX) significantly improved microalgal growth and yields in laboratory-scale static batch cultures or bubbled photobioreactors. Maximal microalgal growth enhancement relative to the control (e.g., EDTA) was recorded for GLU, followed by ALG, with 20–35% increase in specific growth rate in the early stages of culture development of C. calcitrans and T. lutea. Substitution of EDTA with GLU resulted in a 27% increase in cellular omega 3-polyunsaturetd fatty acid content of C. calcitrans and doubled final cell yields. Enhanced microalgal culture performance is likely associated with increased intracellular Fe uptake efficiency combined with heterotrophic growth stimulated by the organic ligands. Based upon these results, we propose that replacement of EDTA with one of these organic metal-chelating ligands is an effective and easily implementable strategy to enhance the environmental compatibility of microalgal cultivation practices while also maximizing algal growth and enhancing the nutritional quality of marine microalgal species commonly cultured for live-feed applications in aquaculture.

On the Connection between Legal Understanding and Politics and Economics

The paper is devoted to the fundamental issues of modern legal regulation, in particular, its grounds and limits. The author substantiates the position according to which the absence of certain essential imperatives of law that help direct and restrict the functioning of public authorities and other subjects, complicates the activities of the latter, concedes its inconsistency and spontaneity, creates conditions for the perception of law as a kind of "designer" of economic, political and other relations. According to the author, the lack of unified conceptual criteria in determining the essence of law leads to an imbalance in public relations, to their turbulence at all levels (national, international, etc.) and as a result has a detrimental effect on the life and security of a person, society and the state.The author notes that at the present stage of civilization development, it is the economy with its interests and principles that acts as the "nerve", as the main driving mechanism in recognizing the status of the subject state. From the author’s point of view, economic interests and relations today form the world agenda, set the tone for political and legal relations, and often directly correct the value bases of other social regulators.The author summarizes that in general, the current situation in the international legal space, associated with the lack of a generally recognized doctrine of legal understanding alongside the variability and inconsistency of views in the field of human rights and freedoms based on the natural law approach, allows some subjects to arbitrarily interpret and impose certain decisions and positions in the course of their political activities, based on their own resources and potential. This supports law usurpation, making it an instrument of manipulation and blackmail in the field of politics, economics, culture, ecology, etc. in order to create the most profitable conditions and obtaining the expected results.Thus, the natural law approach, on the one hand, needs to be rethought, transformed, on the other hand, it needs to be refined or analyzed in detail when building an original concept of legal understanding.

SHAPING ONLINE CULTURE AS THE NEW CULTURAL REALITY: PHILOSOPHICAL REFLECTIONS

The purpose of the article is to substantiate the emergence of online culture as a new phenomenon of our time, the development of which was stimulated by the comprehensive approval of the online space as a space of existence of culture in the broad sense of this concept in the context of the COVID-19 pandemic with the reference to the cultural and philosophical ideas of the 20th-century thinkers (on the example of K. Jaspers, J. Ortega y Gasset and W. Benjamin’s ideas) and the 21st-century thinkers (on the example of E. Schmidt, J. Cohen and U. Eco’s ideas). The article outlines the main prerequisites for its rise and argues favouring the concept of “online culture” in its own right. Today, a new cultural phenomenon is being actively formed, which we mean as “online culture”. The impetus for its rapid development was the challenges common to all humanity caused by the COVID-19 pandemic, which stimulated the active search for new forms and opportunities for selfrealisation and communication by the world community. Online culture is a voluminous and multi-component phenomenon, and it has every reason to become a characteristic of contemporary culture and a new cultural form. The study uses elements of methods of hermeneutical reading of texts, comparative historical and cultural analysis of texts, as well as the method of participant observation. Conclusions. The study results show that a new stage of cultural development is currently being formed, which the authors of the study called “online culture”. The emergence of such a new cultural reality is closely linked to the online environment and digital forms of representation of cultural products. It is demonstrated that predictive reasoning about its occurrence took place in cultural and philosophical studios of the 20th and the 21st centuries, overcoming pandemic challenges by humanity; its entry becomes the realities of the present. The concept of “online culture” correlates with other cultural phenomena close to it in content and forms of representation, such as “information culture”, “digital culture”, “virtual culture”, etc. Still, it exists independently and denotes a fundamentally different cultural cross-section of the present. Now online culture is in its infancy, but the pace of its formation, inspired by the exponential development of the online space, is swift.

Население булан-кобинской культуры по антропологическим данным

The article discusses the results of the study of craniological characteristics of the Altai population of the Hunno-Sarmatian period. The studied new craniological materials represent all stages of existence of the Bulan-Koba culture. The Ust-Edigan burial mound and the early burials of the Yaloman II burial mound belong to the Ust-Edigan stage (2nd century BC-1st century AD), the burials of the Kuraika burial mound date back to the Bely-Bom stage (2nd-first half of the 4th centuries AD). Materials from the late group from Yaloman II and Dyalian belong to the Verkh-Uimon stage of cultural development (2nd half of the 4th-first half of the 5th centuries AD). Analysis of new materials allows us to speak about the anthropological heterogeneity of the Bulan-Koba population. Analysis of the morphological features of skulls from new materials allows us to speak about the anthropological heterogeneity of the Bulan-Koba population. First, the appearance of a new European craniological complex in the territory of Altai. The closest parallels to this complex are found in the territory of Xinjiang, in the materials of the Shampula burial ground (the turn of the 1st millennium BC-1st millennium AD). This complex was not found in the earlier materials of the Pazyryk and Kara-Koba cultures in Altai. Another craniological complex presented in the materials of the Kuraika burial mound is similar, in its characteristics, to the synchronous group from the territory of Tyva, the Kokel burial ground. At the same time, in the anthropological composition of the Bulan-Koba population, the morphological complex, which is autochthonous for the Altai-Sayan mountainous country, is also preserved. He is well represented among the Bulan-Kobin population, but in particular, in its female part. In addition, individuals of the Central Asian morphological type appear in a series of later stages of the culture.

The Problem Of Mutual Synthesis Of Folklore And Written Literature In The Science Of Karakalpak Literature

The study of folklore in the works of Karakalpak poets and writers is especially relevant in the modern stages of cultural development, due to the growing interest of society in the study of their national and historical roots. The study of the interrelationship of written literature and folklore is of particular importance in the preservation of the common cultural heritage of mankind and each nation. It is also a powerful weapon in identifying peoples, nations, communities, and age groups and bringing them closer together. Traditional folk culture is not only a dialogue between different nations, but also a dialogue between different peoples. Without it, under the influence of popular culture, young people become addicted to stereotypes that are alien to nationalism, a feeling that often puts nationalism second to none. The spirit of the society, which has lost touch with the roots of national culture, weakens, loses its direction in the definition of moral and artistic dignity.