Landscape images in the movies directed by Bong, Junho are illustrated as places retaining themes, narration and inter-relationships, functioning to emphasize and extend the depth of emotions and meanings. The landscape images are reproduced through the presentation of the Mise-en-Scene, and are connected to narrative structure via cause and effect processes.
 This study aims to explore where and how the landscape images are applied in Bong, Junho’s representative movies to find implications in landscape architecture. We examined theoretical backgrounds to draw methods. We selected Mr. Bong’s three famous movies: The Host, Snow Piercer, and Prasite to examine a variety of meanings embedded in the landscape images. We also analyzed the narrative structures containing the various images to draw implications for spatial design and landscape architecture.