ABSTRACT This urban ethnography examines the “place(s)” of working-class Latine immigrants who participate in the production of cultural spaces in the creative city. In order to better understand their power to shape the space and the city itself, “place” is framed using theories of habitus and the production of space. Moving beyond professional elite artists and complicating the established categories of artist and worker, the analysis focuses on 37 in-depth interviews with first- and second-generation Latine immigrant artists and cultural workers. Based in the City of Santa Ana’s historic and gentrifying downtown, the research examines different locations from which working-class mostly Mexican immigrants help produce the creative city while also accepting and dissenting their various political, economic, and social positions. Latine immigrants in the creative city inhabit multiple physical and social locations with shifting levels of visibility and mobility shaping both minimal and maximal forms of difference. Although mostly temporary, expressions of alternative subjectivities and dispositions can exhibit distinctions associated with cultures of solidarity for working-class immigrant communities facing both exploitation and displacement.
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