Art Of Sculpture Research Articles

Digital Interactive Design of Art Sculpture Decoration Based on Augmented Reality Technology

Digital Interactive Design of Art Sculpture Decoration Based on Augmented Reality Technology

The Combination of Chinese and Western Sculpture Art and the Future Direction

Sculpture art is the physical form of human emotion overflow. Sculpture is an important part of Chinese and Western culture. Whether ancient or modern, the creation of sculpture reflects the cultural spirit of the times. Due to the different cultural backgrounds, the themes of Chinese and Western sculpture art show great differences. The different cultures of China and the West determine that there are great differences between Chinese and Western sculpture art. With the development of economic globalisation, the collision and fusion of Chinese and Western cultures have prompted Chinese contemporary sculpture to present a combination of traditional and Western cultures. The performance of traditional and western culture in modern sculpture is analysed, and an effective way of combining Chinese and western culture is proposed from three aspects: theory and practice, connotation and function, and realism and realism. Sculpture art, as one of the important forms of artistic expression, is able to show the great differences between Chinese and Western cultures. The development of contemporary sculpture art, to recognize the significance of cultural integration and development, and to seek ways to effectively combine traditional Chinese culture with Western culture, so as to better promote the development of modern sculpture art.

ANALYSING THE BRONZE CASTING DEVELOPMENT OF CONTEMPORARY AND TRADITIONAL SCULPTURE IN TAMILNADU

The art of sculpture in Tamil Nadu, India, pulsates with the rhythm of a vibrant history. For millennia, bronze casting has been a cornerstone of this artistic tradition, breathing life into deities, heroes, and narratives. However, contemporary expressions rise within this landscape, challenging and complementing the established forms. This article delves into this dynamic interplay, analysing the development of traditional and contemporary sculpture in Tamil Nadu, specifically focusing on the enduring and evolving art of bronze casting. The article aims to illuminate the state's rich tapestry of sculptural practices by examining case studies, exploring thematic concerns, and investigating socio-economic factors. Tamil Nadu boasts a vibrant tradition of sculpture, stretching back millennia and encompassing diverse materials, styles, and themes. This article delves into the fascinating dynamics between contemporary and traditional sculptural practices in the state. It examines how contemporary sculptors engage with, adapt, or challenge established forms, materials, and narratives, exploring the cross-pollination and tensions in this dynamic artistic landscape. The article analyses key trends and innovations within contemporary sculpture, highlighting the influence of globalisation, technological advancements, and social shifts. It also considers traditional sculptors' challenges in preserving their heritage while adapting to changing tastes and market forces. Through this comparative analysis, the article aims to shed light on the evolving nature of sculpture in Tamil Nadu and its potential future directions.

STUDY ON SCULPTURAL ART OF TEN JAINA IMAGES FROM THE ODISHA STATE MUSEUM OF BHUBANESWAR

The aim of present article is to focus on the sculptural features as well as religious significance of the ten Jaina images of the Odisha State Museum, Bhubaneswar. Iconography of ten Jaina Tirthankara images of the Odisha State Museum is a major aspect of the Odishan sculptural art in India. Jainism is one of the oldest religions in the state of Odisha. The earliest Jaina sculptures in Odisha date back to the period before Mauryan/Asokan. From the 6th century B.C. Jainism remained one of the major religions of Kalinga (ancient Odisha) until the first century B.C., when the Kharavela was ruling in the state. It is believed that Jainism continued to be a major religion in the state even after the war of Kalinga (261 B.C.). Jainism co-existed with other religions in the state of Odisha. In fact, Jaina Tirthankara images were made all over Odisha during the early medieval era. Some Jain images are noticed at different places of Odisha. After Kharavela, the artists of Odisha continued to create Jain images until the 11th century C.E. Out of the extant Jaina Tirthankara images of Odisha, some of the Jaina sculptures are found to be kept in Odisha State Museum, Bhubaneswar. Among these preserved Jaina Tirthankara images, ten Jaina Tirthankara images are discussed in this piece of work. The names and discovered sites of the ten Jaina images of the State Museum, Bhubaneswar are viz; 1. Risabhanath of Keonjhar, 2. Risabhanatha of Khajuriapada, 3. Mahavir image of Charampa, 4. Parsvanatha of Sisupalgarh, 5. Shantinatha of Charampa, 6. Risabhanath of Charampa, 7. Risabhanatha of Podasingidi, 8. Ajitanatha of Charampa, 9. Risabhanath of Bhubaneswar and 10. Parsvanatha of Baidyakhia. Sculptural features of the above Jaina Tirthankara images of the Odisha State Museum suggest that these images were made during the time period from the 8th century to 11th century C.E. The presence of these Jaina Tirthankara images gives an idea that Jainism was prevalent in eastern and northern Odisha during the medieval period. Artistic point of view, these Tirthankara images are very important and interesting for study. Hence, the present author has made a modest attempt to highlight the sculptural art as well as religious connotation of the ten Jaina images of the Odisha State Museum, Bhubaneswar. Methodologically, the author has written this article by using both primary and secondary sources.

“Loki Ki Kehen Ge?”: Gurbani, Liberation, and Subverting Cyclicalities

This short piece, comprising of a poem, reflection, and sculptural art, is a love letter to wanting more out of life. While “loki ki kehen ge?” (“what will people say?”) is a fear felt by all who have ever been encumbered by this violent sentiment—either as the oppressor or the oppressed, this piece offers a peek into all that is possible beyond fear. Inspired and informed by Gurbani, the wordplay poem, personal reflection, and metalwork sculpture collectively demonstrate how perspectival shifts in our perception make the difference between surviving and thriving, and between fearing “what will people say?” to imagining “what could people say?”.

The Issue of Malaysian Art Culture Inspired for Fashion Design Course

Malaysia is a multi-ethnic and multi-religious society country with a rich artistic and cultural background. This diversity contributes to significant inspiration in creating cultural heritage such as clothing, dancing, art sculptures, weapons architecture and diets for the civilization. Therefore, the study on the influence of Malaysian art culture towards Fashion Design students’ inspiration was conducted on Malaysian Polytechnic second to fifth-semester diploma students majoring in Fashion Design and Clothing. The objective is to facilitate the student by measuring the tendency to be inspired by suitable Malaysian art culture characteristics elements and principles while maintaining its authenticity during producing and developing the research for their fashion design portfolio. The study is quantitative and implemented a set of questionnaires as its research instrument that was distributed to 92 respondents as its data collection techniques. It was found that 96% of them agreed with the design framework proposed during the design development process to achieve the purpose of the syllabus. The overall result will be used to upgrade the guidelines and improvements in the syllabus to achieve the conditions of sustainability in Quality Education Practices (SDG4) and Decent Work and Economic Growth (SDG8) as recommended in the SDG17 plan.

Telling Chinese Stories through the Art of Sculpture

Telling Chinese Stories through the Art of Sculpture

Visualization Design and Implementation of Teaching Content in Dalian Shellfish Sculpture Art Colleges and Universities Based on Computer Vision Technology

Abstract As a traditional culture, Dalian shell carving art is facing a huge survival crisis. The problem of non-heritage culture and art protection can be effectively solved by teaching based on computer visualization technology in such a situation. This paper examines the characteristics of shell carving art as an entry point, determines the basic direction of teaching shell carving art, and develops a visualization scheme for teaching the content. Based on the WEB platform, an online teaching platform for shell carving art design based on computer vision technology has been built. Using the perspective method under computer vision technology to automate the imaging of shell carving art, complete the data visualization mapping of shell carving art, and evaluate the teaching results and feedback. The mean intervals of importance and satisfaction of the teaching effect of shellfish sculpture art are [2.2953, 4.2652] and [3.9485, 4.5636], respectively, and the satisfaction score is higher than the importance, and the students are more satisfied with the design of the course. The S-T curve of Teacher 1 demonstrates the teacher-student interaction. Teacher 1 has more interaction with students in 500s with good classroom scope, but after the 9th minute, the teacher’s lecture dominates it, and there is a lack of communication between teachers and students.

Innovative design of digital sculpture art under 3D modeling technology

Abstract 3D modeling technology is one of the most important research directions in computer vision, which is increasingly linked with digital sculpture art. Combined with the point cloud, a new type of image data, this paper innovatively proposes a multi-view 3D digital sculpture reconstruction model to realize the 3D digital sculpture reconstruction of point cloud data.3D digital sculpture reconstruction is mainly divided into two parts: point cloud data processing and 3D reconstruction. The former uses radius, statistical filtering, and bilateral filtering algorithms for point cloud data denoising and proposes an NDT alignment algorithm to integrate point cloud data. The latter triangulates the unreconstructed observation points introduced by the new image, uses beam method leveling to globally optimize the point cloud structure, and proposes incremental recovery and global recovery reconstruction methods, respectively. In the point cloud data alignment performance test, the reconstruction plotting time of the reconstruction model in this paper possesses a large improvement, and the proposed NDT algorithm outperforms the traditional algorithm in terms of accuracy and execution efficiency. In the reconstruction of architectural digital sculpture, the average error of the parts of the digital sculpture is 0.00775, and the maximum residual difference is at about 4.5 pixels. Hence, the sculpture’s accuracy and precision performance are better.

Sculpture skills – exploring the combination of traditional craftsmanship and modern technology

This paper explores the combination of traditional sculpture techniques and modern technology. As a cultural heritage, traditional sculpture techniques have profound historical and artistic value, while modern technology has brought new creative tools and expressions to sculpture. Through a comparative analysis of the application of traditional sculpture techniques and modern technology in the field of sculpture, this paper aims to reveal the complementary relationship between the two and explore their future development trends. It also explores the possibility and practical application of the combination of traditional sculpture techniques and modern technology and analyzes the impact of the combination of different materials, processes, and technologies on sculpture creation. Through the analysis of specific cases, the innovation path and development prospects of traditional techniques and modern technology in the field of sculpture are revealed. As an art form with a long history, sculpture has rich forms and techniques in different cultures. With the advancement of science and technology, modern technology has played an increasingly important role in sculpture creation. How to combine traditional crafts with modern technology has become an important topic for the innovation of contemporary sculpture art.

浅谈中国肖像雕塑意境的体现

Portrait sculpture is an important part of sculpture classification.Portrait sculptures have a long history, but their origins are relatively late in China.In the process of studying abroad, Chinese elders introduced Western portrait sculptures to China.The combination of Chinese native art culture and western sculpture creates portrait sculptures that conform to Chinese aesthetics.especially in the context of consciousness.The artistic conception of sculpture art is to extend the limited time space to the infinite time space, which is to break through the small space and explore the infinite large space.From the aesthetic sense of art and trigger a fascinating sense of life, history.This kind of artistic conception is often the most impressive and moving place in the works.In a sense, the artistic conception is to go beyond the concrete objects and seek infinite time and space to sum up the philosophical feeling and understanding.This philosophical understanding is the meaning of “artistic conception”.The artistic conception is characterized by the coexistence of virtuality and reality.The artistic conception consists of two parts: the stronger part we can see directly with our naked eyes, called the “real” and the part we can't see with our naked eyes, but the imaginary part we can imagine, called the “virtual”.The virtual image is the sublimation of the actual object. The virtual image can embody the objective of the actual object, and the aesthetic effect of the work can be improved.However, the virtual world must be carried out with the actual object image as the carrier, in order to better convey the image of the virtual world.In short, reality and virtual reality are mutually reinforcing and mutually reinforcing relationships.This paper expounds the origin and expression of portrait sculpture, explores the artistic conception of famous Chinese sculptors, and explains the relationship between virtual and reality.This paper discusses the compatibility of traditional Chinese “artistic conception” aesthetics and Chinese portrait sculpture art, and explores a national development path for Chinese portrait sculpture art.

Psychological atmosphere and art therapy at sculpture classes

The article is devoted to the theoretical substantiation and practical approbation of the need to create a positive psychological atmosphere at classes of Artistic and Creative Activity (Sculpture), as well as the possibility of overcoming psychological stress through art therapy exercises. It is important to identify those means and methods of organizing students’ educational process at Sculpture classes which are most effective in creating such a psychological atmosphere that might promote artistic and creative activities and activate students’ artistic potential. In particular, the phenomena of a psychological atmosphere and art therapy, their features in the context of artistic and creative activities alongside the possibility of including these issues in the educational process of the Art and Graphic Faculty of the State institution “South Ukrainian National Pedagogical University named after K. D. Ushynsky” (Ushynsky University) are considered. That is, it is about creating such a situation in the educational process at Sculpture classes in which students will feel their psychological security, motivation to study and creative effort. The adaptation of the educational environment in accordance with modern criteria for preserving psychological health, which helps to overcome the problems of mental imbalance of future teachers of art specialties. The article presents the development of art therapy exercises with sculpturing which help in overcoming stress, students’ internal tension and emotional burnout. The experience of implementing this development in the educational process intended for future teachers of art disciplines is highlighted. The importance of forming psychologically healthy graduates majoring in pedagogy is emphasized. The proposed methods and techniques were tested on the students of the Faculty of Art and Graphics of Ushynsky University. The practice of applying the methods mentioned in the article and observing the results have been carried out for several years. The analysis of the primary observation results of the students’ psychological state after classes using the proposed methods and conducting art therapy exercises demonstrates an increase in the inclusion of students in the educational process, as well as their activation of artistic and creative abilities. The authors identified the main ways of forming a psychologically healthy atmosphere during the study of sculptural art, which can be adapted to other educational subjects of the art cycle. The presented article does not cover all aspects of the specified topic; it does not pretend to be complete in the matter either. In particular, further research is needed to determine the level of effectiveness of the proposed methods and exercises through questionnaires, testing and mathematical analysis of the obtained results in order to consolidate the primary conclusions made during the students’ field observation. This demonstrates the potential of the chosen topic and the need for further work in this direction. However, those decisions and conclusions on the specified issues which were made in the research process allow us to form a number of methodological principles for creating a positive psychological atmosphere and overcoming a psychological stress at classes of Artistic and Creative Activities (Sculpture), which is an important step in the formation of the future psychologically healthy society.

The Influence of Chinese Clay Sculpture on Chinese Animation Modeling

The art of clay sculpture has a long history and rich cultural connotations in China. As a part of traditional Chinese culture, clay sculpture brings infinite imagination and creativity to people with its unique form and vivid vitality. With the rapid development of China's animation industry, clay sculpture art has also begun to have a profound impact on Chinese animation modeling. This article will explore the origin and development of clay sculpture, the current situation of Chinese animation modeling, the influence of clay sculpture art on Chinese animation modeling, and case analysis.

Study on the Artistic Characteristics of Ma's Sugar Blowing Art in Hua County of Henan Province

Ma s sugar blowing art in Huaxian County, Henan Province is a typical representative of sugar sculpture art in the Central Plains. It is an important part of intangible cultural heritage and an indispensable part of local folk activities. In the long process of historical development, such art truly expresses local folk customs and living habits and uses simple blowing, pulling, kneading, and sculpture to create various themes. The creative content of the sugar blowing art is the animals and plants that can be seen everywhere in life, which is closely related to the life of the working people.

THE NOTIONS OF XIE-SHI («WRITING REALITY»), XIE-YI («WRITING IDEA») AND THEIR RELATIONSHIP TO REALISM

This article discusses terminological problems in the context of contemporary art practice and theory in China. Contemporary Chinese sculpture criticism has evolved in the context of certain influence of Western theories of art. Against the background of the integration of Western theories and terminology system of sculpture in the present stage, the Chinese sculpture community has perceived and internalized terms such as realism, depiction, figurative, abstract, and so on. This has greatly enriched the theory and practice of Chinese sculpture. At the same time, there are sculptural terms rooted in the Chinese national art practice, such as “xie-shi” and “xie-yi”. Unfortunately, limited by the cultural and linguistic contexts of China and the West, and by the fact that most Chinese sculptors still preserve the creative habit of relying on traditional experience and personal judgment, these terms lead to vagueness and speculation in defining the type of sculptural artwork. This situation can very easily lead to ambiguity and misinterpretation in interlingual translation, which becomes an obstacle to the understanding of Chinese sculptural art in other countries and limits the development of Chinese sculptural criticism. This is an important academic problem that requires long-term research. The author would like to express his gratitude to Prof. Maria Burganova for drawing his attention to this problem. According to the results of the author's search in the Chinese full-text database of periodicals, master's theses and doctoral dissertations CNKI, there are still no papers on Chinese art history specifically dealing with this relevant topic, which remains to be explored.

Wall Painting of Pujari Math of Bhaktapur: An Exploration

Historical evidences prove that painting is considered as the mother of all other forms of art and crafts. While artists start to sculpture the icon and any art objects, very first, they sketch the drawing of concerning deities and specimens, therefore, a painting is said to be the mother of all other sculpture arts. Therefore, the history of creation of painting is older than other forms of arts. On the basis of creating materials, mediums, instruments, technologies, and nature, painting can be classified into three different forms such as fresco, miniature and painted scroll. This article has analyzed the fresco painting of Pujari Math of Bhaktapur. This is an example of polychrome painting which displays an excellent craftsmanship of the artist. Through the perspectives of religion, culture, social values, art skill and technology this art object is known as the representative fresco paintings of Nepal which reveals the fine handiworks of the artists of the medieval period. In painting where people can observe several secular and religious figures of deities and social events associated with the myths of religious scriptures especially Ramayan and Mahabharata the great epics of Hindu. Despite all its amusing qualities, unfortunately, this painting is still not properly considering as the subject of research and study. It is its academic problem and research gaps as well. Thus, raising the research questions such as what types of paintings are painted on the walls and beams of Pujari Math? Why the painting of Pujari Math is considered wonderful work of art? And what are the major features of the painting of Pujari Math? Likewise, this paper fulfills the certain specific objectives such as to examine the paintings of Pujari Math; to explore the significance of the work of art and to analyze the major features of the fresco paintings. It is qualitative research based on primary data and secondary information. Primary data have been obtained from the field using observation and interview method whereas the required secondary information has been collected from different reliable literatures such as journals, documents, books, published and unpublished relevant reports. Thus, for fulfilling the research gaps and problems this paper has been prepared.

Virtual Sculpture for Art Education Under Artificial Intelligence Wireless Network Environment

With the popularization of AI and wireless network technology, sculptures with “wisdom” will appear in the form of virtual sculptures. Therefore, through the research and objective analysis of the development trend of virtual sculpture, this paper considers the role of wireless network environment in promoting virtual sculpture in art education. And how to make art teaching more fun and how to make art teaching more efficient. It can better establish contact with students and allow teachers to display different works of art in different media. At the same time, the authors also integrated AI into the quality evaluation of virtual sculpture art to detect and promote the virtual sculpture art in art teaching under the wireless network environment, and then completed the following work: 1) introduced the virtual sculpture for art education at home and abroad development status, 2) introduced the basic principles of DBN and related methods to solve overfitting, 3) selected the optimal parameters of the DBN model through experiments.

The aesthetic and plastic dimensions of using the technique of combining the art of painting and the art of relief sculpture.

The aesthetic and plastic dimensions of using the technique of combining the art of painting and the art of relief sculpture.

Fashion Aesthetics in Contemporary Arab Sculpture

The art of sculpture in the Arab world formed a solid foundation in the field of art through the various sculptural products presented by Arab sculptors in employing art through which they contributed to the reflection of the cultural heritage due to the forms, symbols, images, forms of clothing and their external formal influences that were included in their works, which reflected the aesthetics of fashion in Arab sculpture. Contemporary, which necessitated highlighting the knowledge of its aspects from the cognitive, social, artistic and cultural aspects, and the connotations expressed by the Arab sculptor in dress, and to know the cultural value and employ it in the sculptural work, through which it is possible to differentiate between one country and another in terms of culture, traditions, and knowledge of the segments of society that were the basis for the variation in people's daily lives. The current research includes four chapters, the first chapter of which includes the research problem, which becomes clear through the following question: What are the aesthetic values ​​achieved by fashion in contemporary Arab sculptural work, as well as the importance of research and the need for it, which lies in the fact that it represents a reflection of the aspects of traditional Arab life. The current research aims to identify the aesthetics of fashion in contemporary Arab sculpture. The research is limited spatially to sculptural works in the Arab world, temporally from 1950 to 2020, and objectively by studying sculptural works that reflect the aesthetics of contemporary Arab fashion.

Retracted: Application of Calcium-Based Nanomaterials in Art Sculpture Reinforcement Technology

Retracted: Application of Calcium-Based Nanomaterials in Art Sculpture Reinforcement Technology