Media Representations Research Articles

Liars, scammers and cheats: con(fident) women and post-authentic femininities on television

ABSTRACT In this paper, we analyze the conjuncture framing the recent rise of media representations of female con artists, looking at two recent examples of the trope on television: Inventing Anna (a fictionalized account of con artist Anna Delvey) and The Dropout (a fictionalized account of Theranos founder Elizabeth Holmes). We situate the new visibility of women who lie, scam and cheat on television within a set of distinct yet interlocking cultural anxieties: about the “believability” of women’s speech in the aftermath of the #MeToo movement; about the capacities for inauthenticity, artifice, and deception inherent to digital media culture; about the con logics of contemporary global capitalism; and about the pernicious role that white women’s believability plays within everyday operations of white supremacy in the United States. Read through this lens, the “post-authentic” con woman becomes legible as an ambivalent backlash text: a parable that warns about what happens when (white) women are taken at face value and allocated the benefit of the doubt. In a contemporary popular feminist context where women have been implored to be confident, self-assured, and self-possessed “girlbosses”, shows like Inventing Anna and The Dropout reposition the con(fident) woman as a figure of necessary cultural suspicion.

Behind the Scenes: Unmasking the Misrepresentation of Obsessive-compulsive Disorder in Film and Television

Mental illness can often be seen being portrayed inaccurately in the media. These representations have the power to influence impressionable minds and shape how the general masses consume content about psychological disorders. Media provides both a positive and a negative outlet for these portrayals. Inarguably, the misrepresentation often weighs out the good that can come from such representations. Obsessive-compulsive disorder (OCD), a disorder identified by recurring and distressing thoughts or obsessions and consequent compulsive rituals, is one of the most commonly misrepresented disorders in film and television. This research paper investigates the accuracy of Obsessive-Compulsive Disorder (OCD) portrayals in film and television, exploring how these depictions align with or distort the clinical reality of the disorder. This psychiatric condition has been reduced to being only related to cleanliness and organization and a set of quirky habits that can be ‘cured’ easily. Moreover, the disorder is often portrayed as either untreatable or treated through inaccurate methods. These depictions create a harmful effect on the consumers and their understanding of the disorder. This paper also explores both the advantageous and disadvantageous impacts of such portrayals on viewers and patients of OCD and recommendations of future directions for media representation with a hope for better depictions in the time ahead.

Rehistoricizing Black Masculinity in The Wonder Years Reboot

Popular entertainment remains one of the last places where Black history lives on despite the recent political erasure of U.S. Black struggles. The 2021 reboot of The Wonder Years, reframing Black masculinity through the young eyes of main character Dean Williams, rehistoricizes modern notions of Black families in the post-Civil Rights Movement. The purpose of this study is to explore Black masculinity media representations within reboot culture as a means to rehistoricize Black struggle and civil rights. Based on discourse analysis, the authors found the following three discourses: Reimagining Black Excellence, Recontextualizing Black Masculinity, and Revisiting Respectability Politics.

Multi-hazard risk assessment analysis in La Palma: an approach for risk mitigation

BackgroundLa Palma, like many regions of the world, may be affected by various hazards, with different levels of susceptibility, which have a greater or lesser impact on society. In this context, a multi-risk approached model capable of estimating the total risk faced by the territory is required, considering the different hazards to which it is exposed (floods, earthquakes, volcanic eruptions and landslides) and the different conditions of vulnerability of both the population and the exposed assets.MethodsThe methodology employed in this study has been referred to as "multilayer single hazard", which consists of the aggregation or superposition of hazards located in the same space. As usual, the identification of the individual hazard of each one of them was carried out using heterogeneous methods, which is why an index is proposed to homogenize the hazards and make them comparable with each other. On the other hand, the model also integrates a prototype to evaluate vulnerability from a multiple perspective (vulnerability by hazard) and shows the aggregated information in maps at a medium representation scale (definition of 250 m).ResultsThe risk integration results show that 5% of the island is at high risk levels. Simultaneously, the south of the island is presented as the area that shows the highest risk by combining a high hazard, especially related to volcanic hazards, and a high exposure, as it is home to a significant volume of population.ConclusionsThe proposed methodology is also interesting because it can be replicated in other areas of study.

Book Review: Gender and Age/Aging in Popular Culture: Representations in Film, Music, Literature, and Social Media

Book Review: Gender and Age/Aging in Popular Culture: Representations in Film, Music, Literature, and Social Media

“(Un)Being a Mother” Media Representation of Motherhood and Female Identity

This research examines the portrayal of (non)motherhood in television series from 2016 to 2022. The title, “(Un)being a Mother”, was deliberately chosen for its polysemic nature, facilitating an exploration of the complexities of motherhood, its absence, and the implications for womanhood. The study thematically analyzes 15 television series from Hispanic, Italian, and Anglo-American cultures to reveal the diverse perspectives on motherhood. Utilizing the frameworks of Intensive Mothering, Good Mothering, Good Enough Mothering, and Non-Mothering (including both childless and childfree women), the research aims to illuminate representations of motherhood, variations in mothering paradigms, and the influence of cultural and geographical contexts. This study introduces an innovative methodological approach by investigating recurring themes of (non)motherhood across different cultural productions, incorporating insights from media sociology, gender media studies, anthropology, and ethnographic media research for a comprehensive understanding of the subject.

Capraia Island and Its Representation in Audiovisual Media: Recounting a carceral, agro-pastoral and eco-touristic landscape

This article explores the shifting representations of the landscape of Capraia island in popular audiovisual media. Through analyses based on a framework delineated by popular geopolitics we explore three different media categories which have portrayed the island over the last decades: naturalistic and historical documentaries, tourism centred TV programs and vernacular audiovisual representations. The aim was to reveal intertwined discourses within broader socio-political factors and histories. The carceral landscape of the former penal colony declined and was replaced by ecotourism and agro-pastoral activities. These top-down narratives obscured the complexity of islanders’ reality, focusing on possible sustainable tourist scenarios as well as romanticising the appearance of a Mediterranean island as near pristine. Nonetheless, if vernacular representations, such as home movies and grassroots interviews, are taken into consideration, local voices and tourist perspectives emerge. We no longer have a one-sided story and polysemy, criticality, and friction become inherent characteristics of recent representations.

Public debate about the model change in Hungarian higher education: The representation of radical changes in university governance in Hungary in politically opposing online newspapers between 2019 and 2021

The Hungarian higher education (HE) system went through a transformation, the so-called “model change” in the last years. During this process, the majority of public HE institutions were transformed into institutions maintained by private foundations. This paper focuses on the media representation of this transformation by analysing all relevant articles about the transformation (169 in total), published between 2019 and 2021 from two of the most active online journals on the topic representing the main opposite political sides (mno.hu and hvg.hu). Our analysis reveals the main actors as well as the arguments for and against the model change. The media representation in the Hungarian context is particularly important because there was not any governmental White Paper about the process. Therefore, Hungarian media served as the primary source of information to the public about the goals (and later the critiques) of the model change. However, the inner structures of the pros and cons expose how the two sides talk at cross-purposes, with minimal reactions to the arguments of the ‘other side’. This resulted in „monologizing” instead of any real dialogue.

The Impact of IQ on Marriage Likelihood: Gender Differences in the UK

This paper explores the relationship between intelligence (IQ) and marriage likelihood, with a focus on gender disparities, particularly in the UK and China. Previous studies have shown that higher intelligence increases the likelihood of marriage for men, while it decreases for women. Through an interdisciplinary analysis of evolutionary, sociological, and biological factors, this paper seeks to explain why such disparities exist. The research highlights that evolutionary pressures traditionally associate intelligence in men with resource acquisition, making them desirable partners, whereas highly intelligent women often face societal resistance due to gender norms that devalue their career achievements in favor of caregiving roles. In the context of China, Confucianism and traditional gender roles further accentuate these disparities, particularly through the persistent practice of hypergamy. The paper concludes with a discussion of how evolving gender roles, media representation, and policy changes can influence future marriage patterns for intelligent women in both the UK and China.

The Making of Arab Stereotypes: Racist Portrayals in Political Cartoons during the 1970s Oil Crisis

The 1973 oil crisis, a period marked by tensions following the Yom Kippur War and the subsequent Arab oil embargo, was a pivotal, global event with far-reaching economic and political consequences. Political cartoons played a significant role in influencing public opinion and shaping Western perspectives about Arabs and the Muslim world during this time. Many of these depictions resorted to negative stereotyping and vilifying Arabs. This research examines these portrayals by analyzing sixty-eight political cartoons from twenty-nine Western newspapers and magazines. These depictions, conceptualized here, characterized Arabs as violent, arrogant, rich, and indifferent to humanity, contributing to the propagation of long-standing stereotypes. The cartoons also depicted oil as a weapon wielded by Arabs, reinforcing biased perspectives that contrast starkly with the complex reality of Arab societies. This study highlights the influential role of media in shaping public perspectives and underscoring the need for balanced, nuanced portrayals in media representations.

What Are Sporty Sisters Talking About? A Textual Analysis of an All-Female Athlete Reality Show

This study explores the representation of female athletes cast in a South Korean reality show titled Sporty Sisters (Korean title: Nonun Unni). Though there have been attempts to understand the media representation of female athletes from diverse media landscapes, the analysis of Asian female athletes is limited. Such interpretations have been discussed through geopolitical relations or nationalistic representations, which lack in-depth understanding and exploration of Asian athletes. Therefore, this paper expands the narrative by analyzing the first season (54 episodes) of Sporty Sisters. It is observed that professional athletes who transition to the entertainment industry are identified as “spor-tainers” and implicitly follow norms and rules applied to public figures. In this reality show, female athletes express their opinions on marriage, menstruation, pregnancy, and domestic roles while displaying characteristics of a girl crush, manifesting a variety of the female attributes of sportswomen. Despite the social expectations to fulfill their roles as sports celebrities and Korean women, Sporty Sisters is an outlet for female athletes to an extent to freely expose and describe their experiences as athletes and individuals.

Alignment, negation, and androcentricity: representation of bride price by Chinese state media

ABSTRACT Bride price in China, the groom-to-bride monetary transfer, generally falls into realms of sociology and cultural studies, with the media perspective less explored, particularly when it concerns the state media which steers China's media system. In light of this, this study collected state media Weibo posts and made a content analysis of the representation of bride price with Wodak's discourse-historical approach. The social underpinnings and implications of such representation are also examined. Results reveal a general negation of the practice. It is linked to crimes and categorized as an outmoded custom that burdens men, and low/no bride price is advocated. These representations, although in alignment with Beijing's anti-high-bride-price agenda, remain androcentric. The study helps unravel the interplay among state power, gender ideology, and media representation in contemporary China, and offers insights on how patriarchy is perpetuated in official discourse. It also illuminates how government agendas are legitimized and strengthened in everyday texts on social media in the Chinese sociopolitical matrix.

Impacto de los videojuegos narrativos en la percepción del patrimonio cultural: un análisis cualitativo de Assassin's Creed en estudiantes universitarios

Research on the interaction of students with educational video games that integrate elements of cultural heritage remains limited. Generally, studies focus on the mediation of educators in this interaction or on the direct analysis of the games. This has created a gap in our understanding of the meanings that students develop on their own while playing these video games. This study, based on qualitative interviews, examines the video game franchise Assassin's Creed, which recreates various historical periods and cultures through detailed narratives and settings. Participants indicated that the game offered them an immersive perspective on cultural heritage, different from the traditional educational experience in classrooms. They expressed a personal connection with non-playable characters (NPCs) and gained a more detailed and realistic understanding of the diverse perspectives in these natural, cultural, and social environments. Furthermore, they were willing to let their perceptions of cultural heritage be shaped by the game and reflected on the ethical and social implications of heritage representation in digital media. However, they showed a tendency to overlook opportunities for a more critical and in-depth analysis of these digital experiences. This highlights the need to explore strategies to foster a critical approach in the study of gaming experiences and underscores the importance of strengthening the human connection with heritage in heritage education.

What Journalists Worry and Write About: Comparing Journalists’ Frames of Climate Futures with Respective News Frames

ABSTRACT Projections of climate futures are vital for understanding the consequences of present actions. While research in climate change communication intensely focused on media representations (e.g., the framing of climate futures), it overlooked the processes that affect the production of news frames by journalists, such as individual future visions, newsroom policies, and professional routines. To address this research gap, the present study conducted reconstruction interviews with journalists covering climate futures in four countries (i.e., India, Germany, South Africa, and the United States). It identified five journalists’ frames, ranging from “Technology for future” to “Towards apocalypse”. The paper then compared the findings with a content analysis of articles written by the journalists interviewed in this study. It finds that the journalists’ frames are more varied than those identified in news content. Journalists’ frames shaping coverage seem to be the exception rather than the rule.

Variations in media framing of movements in China, France, and the U.S.: An intersectional approach.

Current literature often links contentious protests with media hostility, showing that news outlets typically portray protests involving disruption or violence in a negative light. Contesting this literature, this work introduces an intersectional approach-focusing on geopolitics, protest goals and actions-to theorize divergences in the media framing of protests that entail violence. To illustrate these divergences, we use mixed methods-network analysis and content analysis-to examine an original dataset on U.S. media coverage of three large movements in different countries. These movements share similarities in their anti-status quo goals and contentious actions but differ in geopolitical locations: one taking place in the U.S., the second in a U.S. ally country, and the third in a non-ally country. As the first to apply network analysis in movement-media studies, this comparative study contributes to a systematic examination of media framing variations both within and across social movements. This work also complicates our understanding of violence and media representation by introducing a theoretically-informed approach that considers multiple factors simultaneously.

Gender Dynamics Across Cultures: A Comprehensive Exploration

Abstract: A Comprehensive exploration delves into the intricate dynamics of gender across different cultures, highlighting how gender roles and identities are influenced by historical, social, economic, and religious factors. The article examines traditional and evolving gender roles, the impact of feminist movements, the role of language in perpetuating gender norms, and the cultural variations in attitudes toward sexuality and LGBTQ+ identities. It also addresses the intersectionality of gender with other identities, media representation, the effects of globalization on gender dynamics, gender-based violence, and the unique constructions of masculinity across cultures. By understanding these multifaceted influences, the article aims to provide a nuanced perspective on the ongoing efforts to create more inclusive and equitable societies.

Exploring the Discursive Representation of Pakistani Female Politicians in Print and Electronic Media: A Qualitative Study of Narrative and Framing

This study uses a qualitative discourse analysis approach to investigate Pakistani female politicians' discursive representation in print and electronic media. Specifically, the research focuses on the narratives and framing strategies employed by the media to construct and portray the public image of these political figures. By employing Corpus-Assisted Diachronic Discourse Analysis (CADDA), the study traces the changes in media discourse over time, uncovering how gender biases, societal norms, and power dynamics shape the representation of women in Pakistani politics. The findings reveal significant trends in gendered framing, highlighting how media portrayal fluctuates between marginalization and recognition of female politicians' contributions, though gender stereotypes remain deeply embedded in these narratives. The findings of this study have important implications for future media reform initiatives, advocating for a more equitable and balanced representation of women in politics. The insights gained can also inform gender advocacy strategies and policy efforts to enhance women's visibility and leadership roles in traditional and digital media.

Media Representation of the Russia-Ukraine War: A Comparative Discourse Analysis of Reuters and TASS

This study has examined the linguistic differences in news reports published by Reuters and TASS on four distinct incidents during the 2022 Russia-Ukraine war. Employing discourse analysis as the methodological approach and discourse theory as the theoretical framework, the study has revealed significant linguistic and rhetorical disparities between the two media outlets, highlighting divergent ideological stances and power dynamics. The study has found that Reuters and TASS have employed distinct linguistic strategies that shape public ideologies and perceptions. TASS has portrayed the war from a Russian perspective, referring to it as a "special military operation" while excluding Ukrainian viewpoints. In contrast, Reuters has depicted the war as a full-scale invasion and emphasized allegations of war crimes while also excluding Russian viewpoints. Discrepancies have also emerged in reporting casualties and territorial control, with TASS and Reuters presenting conflicting figures and narratives. Neither outlet has cross-checked information, undermining their objectivity and contributing to biased reporting. The study underscores how the language used by TASS and Reuters serves to legitimize their respective positions and influence public perception, reflecting broader geopolitical power dynamics. Both media agencies have produced misleading narratives by relying solely on official statements from both nations without independent verification.

The Difference Queer Aesthetics Make

Queer Aesthetics will be a new section for GLQ, and this essay explains its focus and rationale as it replaces the Moving Image Review. This essay outlines the need for queer aesthetics as an analytic as it relates to changes in liberal governance and media representation, subjectless critique, and academic discourse. In addition, it outlines a genealogy of queer aesthetics and form and questions the centrality of representation as a discourse for queer theory and studies.

Pragmatic Strategies In The Representation Of Plus-Size Women In Nollywood Films: A Case Study Of Skinny Girl In Transit.

This study investigates the pragmatic strategies employed in Skinny Girl in Transit, a popular Nollywood web series, to examine how language reflects and challenges societal norms about body image. Focusing on conversational implicature, speech acts, and politeness theory, the analysis explores how the protagonist, Tiwa, a plus-size woman, navigates societal pressures concerning her weight and identity. The case study approach is utilized, selecting key scenes from the series where body image is discussed, either implicitly or explicitly. Through the application of pragmatic theories, the research reveals that while language in the series often reinforces societal expectations about slimness, it also provides a platform for resisting stereotypes. Characters use humor, indirect remarks, and polite strategies to address sensitive issues, creating a nuanced portrayal of plus-size women in Nollywood. The findings highlight how Skinny Girl in Transit both mirrors and critiques cultural attitudes toward body size, offering a more complex representation of plus-size women in Nigerian media. This study contributes to the fields of pragmatics, media representation, and African cinema by demonstrating the power of language in shaping cultural perceptions.