GROUP, Vol35, No.4,Winter 2011 Film Review The King's Speech and The Fighter: A Review of Two Academy Award Selections Reviewed by Bernard Frankel1 On thesurface, itmayseemthatthesetwofilms havelittle incommon, excepta widepublicreceptivity topaying box-office prices.One film is aboutthefuture KingGeorge VI,1930s vintage, afflicted bya stutter andperformance anxiety about anticipated broadcast speeches. Theother film isabouta washed-up professional boxerwhois attheendofhiscareer. The fighter andthekinghaveconsciously failed toliveuptotheir families expectations, while intheir performance, they have faithfully maintained their rolesas inadequate. Butpeopledontpaygoodmoney toseefailure as a repetitive theme. Moviebuffs maybe enamored ofbrilliant acting anddirection, butthepublic lovestoseethestruggle anddrama ofconquering obstacles andemerging victorious. Weallpartly haveanunderdog self, vicariously wishing vindication byresuscitatingourheroic ambitions intoactuality. Anyheroworth hisorhersaltundergoes a struggle toovercome internal andexternal demons. Briefly, hereisthestoryline ofTheKingsSpeech :World WarII isbrewing, and Edward, thefavored sonofthefather George V,hasabdicated for a divorced commoner , andourstutterer, Bertie, istobe crowned. Toprepare theCommonwealth for darkdaysahead,thekingmustmakea speechtobeworthy ofthethrone and assurethenationoffortitude andtrust. In thisemergency, thestutter isa symbol ofnationalshame.Bertie, theking, consults LionelLogueas a speechtherapist. Theirprocess ofinteraction istheheart ofthemovieandthetriumph ofhowtheir relationship becomesthecatalytic agentofgrowth through theprocessofcorrectiveattachment . 1 Correspondence should beaddressed toBernard Frankel, PhD, ABPP, BCD, LCSW, LFAGPA, P.O. Box 790, East Moriches, NY11940. E-mail: bfbc@optonline.net. ISSN 0362-4021©2011 Eastern Group Psychotherapy Society 353 354 FRANKEL TheplotofTheFighter isbasically thatofa comeback ofa professional boxer whoisneartheendofhisrope.Liketheinadequate soninTheKingsSpeech ,Irish Micky Wardlivesintheshadowofhisadoredolderbrother Dicky. Dicky, a crack addictandtrainer ofMicky, with thecollusion ofhismother, hasdeveloped a false identity as a winning warrior inhisprime. Everyone's familial needtohavea hero andlegend cripples Micky asthedestined loser. LikeBertie theking, Micky isrescued bya woman's love,thatofCharlene, whonurtures himawayfrom thedestructive aimsofmother andbrother. Mickyresumes hisboxing, nowindependent ofhis failure role, andsucceeds beyond hisbrother's fables ofhimself asa winner (whiner). Thecomeback kidtheme hasproduced Oscarsfor Rocky ;Million DollarBaby ; and as farbackas Jackie Cooperand TheChampwithWallaceBeery, circathe1930s. TheFightery however, isa truestory ofa working-class family inLowell, Massachusetts , andtheir aspirations toriseabovepoverty and"become a contender." Itwas often thedream ofa minority group toelevate thegroup bytheathletic feats ofone ofitsmembers. "Irish" Micky Ward, "Jewish" MaxBaer, "Tough" Tony Galento, and "TheBrown Bomber" Joe Lewisareonly a few ofthefighters whoseexploits elevated their ethnic group with pride. Ina similar manner, England andtheCommonwealth had Bertieand KingGeorgeVI fortherestoration ofhonorandcourage.In the shadowoftheabdication oftheDukeofWindsor andthedarkcloudsoffascism, Bertie hadtorepresent thebelief andheritage oftheBritish continuity ofculture andcustom, thatis,"there willalways be anEngland." BothBertie andMicky are tonics for restoration ofethnic andnational pride. Bothfilms affirm thestruggle to developandresist newattachments. Thisisquitevisible inBertie's initial rejection ofLionelLogueasthespeechtherapist. Breaking through thebarriers ofclassand status, anddemanding equalfooting, Lionelreaches Bertie. Assisted byloving and patient wives, bothmenengage eachother without pretense, andthey change. The relationship isthetransformative vehicle for them, whichembodies overcoming a speechdefect orrecovering physical skillsas a champion boxer. Therelationship epitomizes thebasichuman goodness andlovethat transcend power, prestige, status, andfame. Micky istorninhisloyalties bothtofamily andfailure. Charlene isthe catalyst whooffers a lovingandnurturing attachment. Shedirectly intervenes to helpeffect a separation between thetoxic elements intheDicky-Mom pairing and Micky. Theyarehardy andtough enough tosurvive these familial changes without needing theformer grandiosity andthefalsification ofreality. Although notadvertised as such,thesefilms illustrate theroleandpowerof siblings. Ineachfamily, siblings portray a top-dog, bottom-dog position that isultimately injurious toeachsibling. Theinjury limits eachtoa forced roletocontain natural emotions ofcompetition, anger, andaffection. Itprevents a trueequality and friendship basedon realelements rather thanmutually supported illusions. Bothfilmsalso illustrate theapplication ofsystems theory forchange.The symptom bornebyanindividual, Bertie's stutter andMicky's masochism, helpsto maintain family structure. Dicky's grandiosity andMom'sfavoritism hidethedrug Film Review: The Kings Speech andThe Fighter 355 addiction aswellasallthepunches Micky absorbs. Thestutter maintains Edward as thefavorite sonandthefathers rejection ofself, projected ontoBertie. Eachfamily structure isentered byanoutsider, LionelandCharlene. Thereisanambivalence aboutpermitting orprohibiting entry; however, with theslight complicity ofMicky andBertie andthetenacity oftheoutsider, thesymptom is no longer neededfor homeostatic balance. Again, though this sounds mechanistic, thedynamic ofchange rearranges oldpatterns byintroducing newattachments that become valued. Systems theory meets objectrelations during behavioral exercises. Theworking classmeets theruling classwithout a revolution. ...