Cultural Production Research Articles

Digital Inclusion Strategy in Modern Cultural Industries through the Prism of Digital Divide

The purpose of the article is to reveal the features of digital inclusion in modern cultural industries of Ukraine and to outline promising strategies for overcoming the digital divide. Research methodology. The analytical method, the method of analysis and synthesis, the dialogical method, the typological method, the systematic method, the method of comparative analysis and the method of scientific generalisation are applied. Scientific novelty. The problem of digital inclusion in the cultural industry has been studied; the theory of digital inclusion in foreign scientific works is considered; the peculiarities of digital inclusion in modern cultural industries of Ukraine were revealed; promising measures on which the strategy for overcoming the digital divide should be based are outlined. Conclusions. The strategy of digital inclusion of cultural industries in Ukraine should be based on a set of measures aimed at overcoming the digital divide, which includes, first of all: providing high-speed Internet to as large a part of the population as possible; all kinds of assistance in the process of improving the digital literacy of potential consumers of a cultural product / service; provision of high-quality technical support; creation of specialised applications and online content, according to the specifics of the activities covered by each cultural industry. Potential forward-looking steps include providing ongoing support to users, reducing professional jargon and offering interpretive resources, and ensuring that technology and training are offered to all users on an equal basis, not just those confident enough to seek help. The study revealed that at the current stage in Ukraine, only libraries not only offer the Internet, but also provide a range of training services from basic digital literacy to the skills needed to use certain services (audio/video streaming service, file sharing services, online platforms), devices and applications that are currently actively used in the system of cultural industries (for example, applications of augmented reality in museum, exhibition activities, performing arts).

Representation of Cultures in Local Italian Language Textbooks for Chinese Universities: A Diachronic Content Analysis

ABSTRACT This study explores the evolving landscape of cultural representations within locally produced Italian as a foreign language (IFL) textbooks in the Chinese educational context. Employing a diachronic content analysis, three distinct textbooks spanning different chronological periods (1972, 1991, 2022) were scrutinised to discern the nuanced evolution of cultural representations. Findings reveal a notable transformation in emphasis, shifting from an initial spotlight on source culture towards an increasing prominence of target culture across successive textbooks. What is more, a consistent emphasis on cultural products, cultural practices, and cultural persons (this latter following Moran, 2009), with an emergence of cultural perspectives in the latest textbook, aligns with an evolving understanding of culture in the domain of foreign language teaching. The observed dynamics, evident through both explicit and implicit representations, underscore the multifaceted relationship between educational priorities, socio-historical contexts, and cultural representations in language textbooks.

Censorship and Creative Communities: Fragility and Change of Fanfiction Writing in China

AbstractResearch on cultural production has recognized that artistic creation, especially fandom subcultures, depends on social interaction within artworlds. Yet less research has examined how creative production functions when exogenous social forces disrupt key forms of interaction. This study leverages the case of Chinese fanfiction writers’ response when state censorship interrupts and threatens fanfiction writing to better understand the vulnerability of creative communities. Based on interviews with Chinese fanfiction writers who experienced an unexpected intensification of online censorship in 2020, and following fandom studies in understanding fanfiction as rooted in a gift economy, I show how censorship discouraged writing by destabilizing interaction and interfering with gift exchanges. I find that censorship transformed cultural production by (1) reorganizing and fragmenting networks, (2) reshaping the meaning of visibility, and (3) opening up new opportunities in a disintegrated community. As this study argues, we need to go beyond asking whether censorship is effectively destructive or not. While creative communities are vulnerable to outside disruption, especially in online space, the pressure of censorship leads to new conventions, networks, and fields for artistic creation as censorship does not simply strangle creativity.

Grotto as Neo-Victorian Heterotopia: Sonia Overall’s The Realm of Shells (2006) and Essie Fox’s Elijah’s Mermaid (2012)

News of the discoveries of natural grottos filled the pages of newspapers and journals throughout the nineteenth century. Additionally, artificial grottos opened regularly for the entertainment of the public and were commonplace in the cultural and literary products of the period. In this article, I analyse neo-Victorian appropriations of nineteenth-century grottos as Foucauldian heterotopias through two case studies: Sonia Overall’s The Realm of Shells (2006) and Essie Fox’s Elijah’s Mermaid (2012). Overall’s and Fox’s novels illustrate how the heterotopic features of the Victorian grotto are expanded in neo-Victorian fiction as counter-spaces of emplacement that enable heterochronic forms of resistance.

IMPLEMENTATION OF RELIGIOUS MODERATION IN THE QUR’AN

The case of radicalism in Indonesia is considered unknown until now. The existence of cases of radicalism in Indonesia is very worrying and deserves our collective attention. A way to prevent radicalism can be done through the concept of religious moderation. Religious moderation is a concept for preventing acts of radicalism in Indonesia. Religious moderation is a straight attitude that puts forward proportional values as a role of thinking. The distinction between this research and previous studies is the position of the concept of religious moderation associated with the interpretation of the Qur’an as an implication for the prevention of radicalism in Indonesia meanwhile previous studies only focused on researching the concept of religious moderation about social attitudes of the community and not associated with the interpretation of the Qur’an. This research becomes urgent on how the concept of religious moderation in the Qur’an and its implications for the prevention of radicalism in Indonesia. This research uses a library research method, with relevant sources such as books, journals, theses, and dissertations. The results of this research include intergroup disputes that can be used by certain groups to incite violence, this appears as a cultural product of radicalism in Indonesia. An analysis of the concept of religious moderation in the Qur’an has been identified as a solution to deal with radicalism in Indonesia. This explanation directs each individual to develop an attitude of tolerance, and acceptance of traditions fairly, as well as increasing national commitment, which does not require extremism.

Design Factors Influencing Consumer Acceptance in Cultural and Creative Products: An Integrated Review

Design Factors Influencing Consumer Acceptance in Cultural and Creative Products: An Integrated Review

The Influence of 'Ugly Cute' Intellectual Property Anthropomorphism on the Purchase Intention of Cultural and Creative Products Based on the Mediating Role of Intellectual Property Identity

Under the background of "museum fever" starting from intellectual property anthropomorphism (IP anthropomorphism), this paper introduces the variable of intellectual property identity (IP identity), constructs the functional path model of consumers' purchase of "ugly cute" cultural and creative products, and analyzes the data by using questionnaires and mathematical models to explore how IP anthropomorphism affects consumers' purchase intention and analyze the mediating function that IP identity carries out between IP anthropomorphism and consumers' purchase intention in the process. This study shows that both IP anthropomorphism and IP identity have a direct positive influence on consumers' purchase intention, and IP identity does play a mediating role in the influence of IP anthropomorphism on consumers' purchase intention. Based on the results of the study, this paper proposes creative suggestions about IP design to the design department in the museum in order to help the museum increase sales of cultural and creative products and make its products meet the different needs of consumers at the same time.

Shaping New Identities in the First Intermediate Period (2160–2050 BC): Archers and Warriors in the Iconography of Upper Egypt

The First Intermediate Period was a time of cultural innovation and social competition. The collapse of the monarchy and the cultural productions it sponsored paved the way for the emergence of new artistic and cultural expressions, better adapted to a context of fragile authorities and competing local powers. Warfare between rival regional polities became frequent, so tomb scenes and funerary stelae from Middle and Upper Egypt began depicting military actions and men posing as archers. Moreover, local authorities sought the support of local levies and fellow citizens to strengthen and legitimate their fragile rule. Therefore, many monuments and inscriptions celebrate successful command, effective leadership, and caring about one’s city and its inhabitants. These conditions favoured the emergence of cultural innovations and social values aiming to express new identities. Depicting weapons, mainly bows, was crucial in this respect in some areas of Southern Egypt and echoed comparable phenomena occurring in neighbour regions like Nubia and the Levant.

Deciphering Hyperammonia-Producing Bacteria (HAB) in the Rumen of Water Buffaloes (Bubalus bubalis) and Their Inhibition through Plant Extracts and Essential Oils

Hyperammonia-producing bacteria (HAB) are a class of microbes present in the stomach of ruminants, responsible for the rapid rate of ammonia production from protein degradation beyond the capacity of these animals for their utilization. Thus, ruminant nutritionists are interested in decreasing ruminal protein degradation and ammonia genesis by focusing on controlling the activity of HAB. The investigations of the present study were carried out to determine predominant hyperammonia-producing bacteria in the rumen of buffaloes, their isolation and characterization, as well as the inhibition of these isolates with various sources of plant secondary compounds (tannins, saponins, and essential oils). Studies employing high-throughput sequencing of amplicons of the 16S rRNA gene from genomic DNA recovered from enrichment culture of HAB of buffalo rumina indicated that, at the phylum level, Proteobacteria (61.1 to 68.2%) was the most predominant HAB. Acidaminococcus was most predominant among the identified genera. In vitro experiments were conducted with enrichment culture of buffalo rumen contents incubated with different types of feed additives such as essential oils (eucalyptus oil, lemon grass oil, and clove oil) and extracts of plants (Sapindus mukorossi fruits and Ficus bengalensis leaves), each at graded dose levels. The reduction in ammonia production by clove and lemon grass oils was evident due to the presence of major bioactive compounds, especially eugenol and limonene, which have strong antimicrobial activity. However, clove oil and Indian soapberry/reetha (Sapindus mukorossi) fruit were found to be promising and effective in reducing the growth, protease production, and ammonia production of HAB culture.

The Emergence of Modern Prose Narrative in Iraq: Maḥmūd Aḥmad al-Sayyid and the Search for Form

Abstract This paper examines the efforts of the early twentieth century writer Mahmud Ahmad al-Sayyid (1903–1937) to remake literary culture in Iraq. Al-Sayyid’s essays advocated abandoning what he characterized as socially disinterested and decorative prose, urging Arab writers to embrace a literature of social commitment. Al-Sayyid charted a path that sought to distance Arabic cultural production from European influence, envisioning literary rebirth through the politics of anti-colonialism and by establishing solidarity with other colonized peoples. Yet these efforts were itinerant and often contradictory. Al-Sayyid’s circuitous path toward an embrace of the realist short story embodies the complexities of cultural formation during a dramatic historical shift. Aesthetically, these complexities manifest in the syncretism of al-Sayyid’s fiction, which engaged with and reproduced extant Arabic literary forms and themes. This article historicizes the emergence of a modern prose tradition in Iraq through critical assessments of the early modern Iraqi maqāmah and the short prose form of the ruʾyā, arguing that the circulations of these local forms were critical to the making of the reformist prose of al-Sayyid. It then examines the novella Jalāl Khālid, arguing that the text’s formal indeterminacy and narration of romantic and revolutionary failure inscribes an ironic stance toward the project of the nation and its aesthetic corollary, the novel. Finally, the article analyzes al-Sayyid’s short story “Sakrān” (1929), which is emblematic of a decades-long realist trend in Iraqi prose fiction that reoriented Iraqi prose toward a global trend of literary realism in the global south.

The Riḥlahs and Road Trips of Modern Iraqi Literature: Ṣafāʾ Khulūṣī’s Abū Nuwās fī Amrīkā

Abstract This article situates the 1955 novel Abū Nuwās fī Amrīkā by Ṣafāʾ Khulūṣī as an exemplar of and commentary on the dynamics of twentieth-century Iraqi cultural production. Drawing on Margaret Litvin’s application of “travel literature readings” to modern diasporic and expatriate literatures, it analyzes the novel’s protagonist—in the form of a reincarnated, radically reformed version of the Abbasid-era poet Abū Nuwās—as engaging in a “riḥlah-road-trip,” traversing the United States alongside an anonymous narrator. Rather than fashioning a conservative extension of the pre- and early modern riḥlah genre, in view of the author’s historical moment and works, this article argues that Khulūṣī parodies this genre by constructing critical distance and building intertextuality simultaneously. Khulūṣī draws on riḥlahs of the past, in which Iraq is represented as an advanced cosmopolitan destination, to speak to Iraq’s future as a differently globalized, modernizing state that grapples with its perceived temporal and cultural regress, much like the novel’s time-traveling protagonist.

Eksplorasi Minat Warga Korea Selatan terhadap Batik Indonesia

Globalization is a world development phenomenon where everything can be achieved instantly and makes things easier for humans in everything, whether in the use of technology or information obtained in gaining knowledge with just one click. However, in the 20th century, the development of this phenomenon became increasingly rapid and global. This is due to advances in technology and the ease with which information can be obtained via the internet which is used by almost all people in the world. Indonesian people take advantage of this phenomenon in distributing and introducing traditional Indonesian culture to foreign countries, especially South Korea. One of the Indonesian cultural products that can be exported is Indonesian batik which has been recognized by UNESCO as a world cultural heritage.This research aims to analyze the impact of globalization on Indonesian batik export opportunities to South Korea. This research uses a qualitative method with a phenomenological approach. The object of research is Indonesian batik which has successfully attracted the attention of the people in South Korea. This data was collected through interviews with local South Korean residents, observations, and literature studies.The research results show that globalization has had a positive impact on batik export opportunities in Indonesia. This can be seen from the increasing consumption of Indonesian products in South Korea and the interest of the South Korean people in learning Indonesian and its culture. Apart from that, through this research, other factors were found that influence the export opportunities of Indonesian batik to South Korea, including the quality of Indonesian batik, Indonesian and South Korean government policies, as well as the promotion of Indonesian batik in South Korea. Therefore, Indonesian business people need to take advantage of this opportunity to increase Indonesian batik exports to South Korea.

Global language geography and language history: challenges and opportunities

As the several thousand languages spoken by people all around the world became more and more systematically assessed and catalogued in the 20th century, it became clear that linguistic diversity is unevently distributed across the globe. Up to the present day, the reasons for that are poorly understood. Linguists are thus in the embarassing situation that they do not understand significant regularities in the way the objects of their study –languages– pattern; human sciences at large are faced with the fact that the way humans produce that key cultural product which is often seen as defining the essence of what makes them humans –language–remains in the dark. In this essay, I explore three interrelated strands of thought associated with the problem of explaining patterns in global language diversity to create a perspective that is different from those explored so far. First, I suggest that instead of looking at present-day levels of diversity and find parameters of variation between the regions in which they are spoken, we should take a process-based approach that looks into how these distributions were generated. Related to this point and in contradistinction to extant work, second, I advocate an inductive approach that departs from qualitative case studies which inform theory-building. Third, I ponder that, in contrast to the traditional focus of historical linguistics on language diversification and expansion, understanding how the ranges of languages are reduced might be the key missing piece of evidence in a global theory of language diversity and its genesis.

Analysis and Creation of the Lingnan Cultural Identity Handbook for Product Design

The primary languages used in this region are Cantonese, Hokkienese, and Hakka Dialec, each with distinct dialects and local vocabulary, reflecting the local lifestyle and culture. This study had three main objectives: 1) To Scope on important characteristic of Lingnan identity, 2) To create Identity of Lingnan to products and 3) To complete the design Handbook and product design. The study involved a sample group consisting of experts in Lingnan cultural identity, product designers, and entrepreneurs, and the overall research population included 400 individuals interested in these products. Based on insights from the Handbook for Designing Cultural Products, the study developed the Lingnan cultural identity Handbook for Product Design (e-book). The study utilized an experimental research design and employed interviews and a satisfaction questionnaire as research instruments. This study synthesized, analyzed, and translated the collected data into Lingnan symbols, then compiled descriptive interpretations. The statistical methods used. The research findings revealed prominent elements of Lingnan cultural identity, including Chen Clan Temple, Wo'er House, Manchuria Window, Dragon Boat, Suixi Lion Dance, and Guangdong Opera. The region's geography and history deeply ingrain these cultural elements, showcasing the adaptability and wisdom of the local population. The product design concept focused on the creative process, emphasizing the development of products that meet market demands while considering utility, beauty, and value for product users. The evaluation of the Handbook indicated a high level of overall satisfaction (x̄=3.53). Among the three forms of cultural products, the first had the highest level of overall satisfaction (x̄=4.06), followed by the second with a high level of overall satisfaction (x̄=3.83), and the last with a high level of overall satisfaction (x̄=3.73).

Anokha emerging: The Asian Underground, new ethnicities, and diversity conservatism

This article tracks the relationship between Britain’s ‘Asian Underground’ music scene and reconfigurations of Britishness in the mid- to late-1990s, through to the more contemporary tightening of border regimes and draconian policies around immigration in the United Kingdom. It examines the role that a small, British-Asian weekly London club night, Anokha, played in the precipitation of an ‘emergent structure of feeling’ that would ultimately shift national conversations about what Britishness signified at the turn of the last millennium. The article places British-Asian club and music aesthetics in a broader terrain of avant-garde cultural production and representational politics that helped to incorporate Britain’s second generation of South Asians inside the national narrative and polity. The article goes on to speculate on the role this proliferation has played in facilitating forms of political closure with respect to migration, race and bordering that have emerged from a generation of conservative British South Asian (and second-generation immigrant) politicians enabled by these forms of incorporation.

‘Re-coupling site’ of social media and the workplace in digital nomadism: Chinese female workers’ self-produced vlogs with class and gender connotations

ABSTRACT We observe that a new, minor genre of resistance has emerged among female worker vloggers. Whether working in manufacturing plants or on construction sites, these female worker vloggers actively produce videos about the laughter and tears of their work lives. Their workplaces constitute the central source of their daily vlog production. We develop a concept of ‘re-coupling site’ to explore how these female vloggers transform conventional workplaces into novel digital sites, simultaneously turning themselves into digital laborers, to articulate their voices, perform their work identities, and enact their daily resistance. This concept helps induce a new interpretation of place and placed experience to fashion our understanding of working-class digital nomadism in the Global South context, where digital and cultural production can happen at work. Perhaps more importantly, the class and gender experiences articulated in their vlogs have been translated into collective practices that potentially foreground the formation of class-based online communities.

Masculine Violence in Turkish Folk Dances

As a social issue, violence continues to manifest and remains a current topic of academic research. Scientific studies mostly focus on the individual and societal dimensions of violence; however, studies that address violence in the context of everyday life practices remain limited. This study argues that violence has a masculine character as a result of gender inequality and within the framework of the masculinity-power relationality. On the other hand, this study considers folk dances as a product of social culture and views them as an effective form of non-verbal communication within society. The study is based on the claim that, in folk dances observed in formal or informal ceremonial events, which are part of everyday life and contain elements of violence, violence is legitimized as a spectacle. In this context, local folk dances from different regions of Turkey, performed exclusively by male dancers and portraying themes of heroism, victory, bravery, and courage, have been selected as examples. These include Trabzon Bıçak Horonu, Bursa Kılıç-Kalkan, Manisa Seğmen Sekmesi, Balıkesir Bengi, Erzurum Köroğlu Barı, Giresun Tüfekli Çandır Karşılaması, and Diyarbakır Şur-u Mertal. The violent content of these dances has been analyzed through the method of semiotic analysis. Weapons used in these dances, fast and rhythmic tunes, and rigid movements have been considered as indicators of violence. It has been concluded that these dances, admired and enthusiastically applauded, normalize violence. This study makes a significant contribution by addressing folk dances within the context of violence and aims to fill the gap in the literature in this field.

Conservation of Hindu Religious Lontar Manuscripts Through Lontar Digitization Website Information System in Tabanan Regency

Lontar as a cultural product is rich in meaning and raised the image of balinese traditions in the world civilization. The existence of lontar tradition nowadays in Tabanan Regency has a long and old history complemented by historical, religious, philosophical, medicinal, literary, and other great scientific values. This research aims to 1) conserve and digitize lontar in Tabanan Regency, and 2) create a website information system for digitizing lontar in Tabanan Regency. The research methods employed are palm conservation, system analysis, system planning, system design and system testing. The results of the research showed that 1) the conservation and digitalization of lontar was carried out in Tabanan can save the lontar, to keep it in a good condition, not damaged by termites or rodents, so it can continue to be passed on to the next generation as a reflection of the past about the medicine, ceremonies, religion, arts, and culture. 2) The lontar digitization website information system can be used as a guide for the public regarding lontar information and contents. In conclusion, the saving of Hindu religious lontar manuscripts through the lontar digitalization website information system in Tabanan Regency is carried out in the form of conservation and the creation of a lontar digitalization website information system, to make it accessible for the entire community online. In terms of culture, it can be passed down to the next generation as a form of cultural and religious preservation including medicine, ceremony, religion, art, and culture. The development of information system for the lontar digitization website is very good and important to save Hindu religious lontar manuscripts.

The impact of museum creative products involvement on purchase intention: The mediating role of perceived value

In recent years, against the backdrop of the flourishing cultural industry, innovation and promotion of museum cultural and creative products have gradually attracted widespread attention. We investigated the influence of product involvement on purchase intention among 566 consumers of museum creative products, assessing the mediating role of perceived value in this relationship. The results indicate a significant positive correlation between product involvement and purchase intention. Additionally, perceived value plays a mediating role in the relationship between product involvement and purchase intention. Our research contributes to understanding the relationships among consumer product involvement, willingness to consume, and perceived value regarding museum creative products. These findings also offer practical insights for museums and related institutions to enhance purchase intention. Future research directions are suggested.

Research on the Development Strategy of Cultural and Creative Products of Libraries from the Perspective of Consumer Behavior

ABSTRACTIn recent years, there has been a notable trend and exemplary practice among libraries in effectively developing cultural and creative products. This endeavor not only foster the creative transformation and innovative development of culture, but also meets the escalating demand for high‐quality cultural consumption. Focusing on the consumption behavior of library culture and creative products in China, underscores the critical consideration for libraries, including the evolution of the consumption themes, addressing the symbolic consumption demands, creating new consumption scenarios, enhancing product quality, and augmenting consumer service awareness. Our findings highlight the importance of product diversity and aesthetic appeal, the fulfillment of commemorative value and social value, and the balancing of emotional and cognitive satisfaction in consumer demand. Moreover, the effective integration of both online and offline channels and leveraging the influence of Key Opinion Leader (KOL) are recommended marketing strategies. Regarding pricing, consumers are sensitive to price, preferring products of high quality and originality within reasonable price ranges. Finally, the study highlights the significance of enhancing the overall purchase experience and service quality, which significantly influence subsequent consumption behavior.