The Emergence of Modern Prose Narrative in Iraq: Maḥmūd Aḥmad al-Sayyid and the Search for Form

Abstract

Abstract This paper examines the efforts of the early twentieth century writer Mahmud Ahmad al-Sayyid (1903–1937) to remake literary culture in Iraq. Al-Sayyid’s essays advocated abandoning what he characterized as socially disinterested and decorative prose, urging Arab writers to embrace a literature of social commitment. Al-Sayyid charted a path that sought to distance Arabic cultural production from European influence, envisioning literary rebirth through the politics of anti-colonialism and by establishing solidarity with other colonized peoples. Yet these efforts were itinerant and often contradictory. Al-Sayyid’s circuitous path toward an embrace of the realist short story embodies the complexities of cultural formation during a dramatic historical shift. Aesthetically, these complexities manifest in the syncretism of al-Sayyid’s fiction, which engaged with and reproduced extant Arabic literary forms and themes. This article historicizes the emergence of a modern prose tradition in Iraq through critical assessments of the early modern Iraqi maqāmah and the short prose form of the ruʾyā, arguing that the circulations of these local forms were critical to the making of the reformist prose of al-Sayyid. It then examines the novella Jalāl Khālid, arguing that the text’s formal indeterminacy and narration of romantic and revolutionary failure inscribes an ironic stance toward the project of the nation and its aesthetic corollary, the novel. Finally, the article analyzes al-Sayyid’s short story “Sakrān” (1929), which is emblematic of a decades-long realist trend in Iraqi prose fiction that reoriented Iraqi prose toward a global trend of literary realism in the global south.