BOOK REVIEWS Logic, Theology, and Poetry in Boethius, Abelard, andAlan ofLille: Words in the Absence ofThings. By EILEEN SWEENEY. New York: Palgrave Macmillan, 2006. Pp. 236. $65.00 (cloth). ISBN 1-4039-6972-8. This is a very timely study on an important segment of the intellectual tradition of the Middle Ages, one, moreover, that not many scholars with expertise in this field would be capable of undertaking. One reason is that it moves outside the set fields ofAugustinian, Victorine, or Chartrian studies, thus positioning itself deliberately in an open arena. Another reason is that it combines three divergent areas, that is, logic, theology, and poetry. Whereas any combination of two would have yielded interesting but slightly predictable perspectives (logic and theology, theology and poetry), the addition of a third derails any prior notions of synthesis and harmonious development one might have. The combination of authors from Boethius to Abelard and on to Alan of Lille is a responsible choice and creates an exciting span, as the Three Theological Treatises of Boethius are connected with the Theological Rules of Alan of Lille, reflecting the longue duree that is typical of medieval thought. The fact that Sweeney's analysis is under three hundred pages long speaks to her authorial skills, as her conciseness of argument makes for a clear and efficient read. The book's subtitle is "Words in the Absence of Things," which points to the similar texture of semantics found in all three authors, connecting them as part of one continuous tradition. The major achievement of the study lies in its view of the era from late antiquity to the early Scholastic in an unbroken light. Doing so requires intellectual reach and philosophical stamina, both of which are demonstrated here in exemplary fashion. Sweeney's book unfolds as follows. In the introduction she clarifies her thematic approach of "words in the absence of things" by referring to Augustine's division of reality into signs and things-the latter referring ultimately only to God-which was designed in his On Christian Doctrine and canonized in Peter Lombard's Sentences. Based on this division, all metaphysical problems are problems that regard signs, and hence pose as problems of interpretation, an interpretation that is duly complicated because its central object, that is, God, is itself the only 'thing' and as such inexpressible. This is the absence to which the book's subtitle refers, and which rather indicates a latent presence or substrate. Rather than analyzing the thought of Augustine-whose responsibility for the "semiological consciousness of the Christian West" stems 319 320 BOOK REVIEWS from his firm interest in "redeemed language" mediated through the presence of Christ as the Word-however, Sweeney focuses on the technical mastery of the language arts exhibited by Boethius, Abelard, and Alan. Her overall thesis is that even in these potentially more arid thinkers the logical and analytical were combined with the imaginative and the existential, a connection that would last until the thirteenth century. Although a similar point about the merger of analytical and imaginative discourse was made by Peter Dronke (see his Fabula: Explorations into the Uses ofMyth in Medieval Platonism [Leiden and Cologne: E. J. Brill, 1974], 1), it has rarely been turned into an epistemological program and Sweeney should be much commended for doing so. The book has three chapters, which are similar in length and closely follow the texts of the selected authors. The chapter on Boethius (7-61) is entitled "Translation, Transfer and Transport," and combines an analysis of his mediating function in the history of Western thought with the more unusual task of lending a kind of unity to his works, portraying him in the process as an original and autonomous thinker rather than a compiler. Main Boethian themes are the distinction between the order of words and things and the conventionality of language (8). Notwithstanding Boethius's aim of mediation, Sweeney rightly points out how his logical categories form an extra layer between the reader and the things described by the text (9), thereby causing many of the intellectual problems with which the Middle Ages would henceforth struggle. Sweeney discusses the Commentary on the Isagoge, the Commentary on the...