From Early Anthropology to the Literature of the Savage: The Naturalization of the Primitive CHRISTIAN MAROUBY Why this sudden interest in various forms of "Otherness"? Beyond the obvious exotic or even escapist appeal of such explorations—per haps itself a sign of the times—it seems to me that several assump tions of a more theoretical nature, ev^n if not always explicitly for mulated, have recently contributed to making the Other a particular focus of attention. One critical factor, perhaps the most evident, is the importance attributed by various disciplines to what can be de fined as the specular mode: the Other functions as a locus of projec tions; it reflects, if only indirectly, the imaginary perceptions of a given culture. The discourse on the Other has thus become, for us, a priv ileged source of information on its elusive subject, be that subject a historical one. Another of those productive assumptions, more di rectly Foucaldian this time, is the idea that a culture defines itself as much by what it excludes from its dominant discourse, or rejects from its consciousness, as by what it admits into it; hence our interest in the marginal, the repressed, in those cultural objects which at a given time seem to elicit a kind of denegation. The Other, in this very dif ferent sense, is that which cannot be represented. There would of course be other ways of accounting for our present interest in Oth erness. The reason I have chosen to emphasize these two particular and complementary modes of operation is that in our period of con 289 290 / MAROUBY cern they can be seen to illuminate in an exemplary manner the fate of what is undoubtedly the most significant Other: the savage. In the long history of our relation to the primitive, the eighteenth century, and perhaps most strikingly the second half of that period, stands out as an exceptional time. In a strangely belated aftershock of the discovery, the mass of documentation and missionary relations which had for over two centuries been accumulated by explorers of the New World, and so largely ignored, seems finally to break through the defenses of Europe and elicit the kind of large-scale reaction one might have expected much earlier. The disquieting and even slightly threatening presence of an Other on the new Western horizons, which had for so long failed to have a significant impact on European con sciousness, suddenly captures its imagination and provokes, at least indirectly, an unprecedented wave of speculations on the origin and the nature of man. In a spectacular apres-coup that I am tempted to interpret as a return of the repressed, Europe is discovering America. Of that phenomenon, the most visible and celebrated manifesta tion, at once symptom and primary vehicle of a profound displace ment of representations, is the coming of the savage into literature. More precisely, it is a process of translation, or to pursue a certain analogy, a secondary elaboration, which allows the observations of early anthropology to pass into the mainstream of literature, and thereby to become accessible and acceptable to European conscious ness. From Lahontan's "sauvage philosophique" to Diderot's Supple ment au voyage de Bougainville and the melancholy waning of the tra dition in Chateaubriand's Chactas and Atala, the triumph of the savage is a literary promotion. What I would like to suggest, and as much as possible to exemplify in some detail, is that in this process of translation something essen tial—something which in original relations takes the form of an un resolved and immensely productive interrogation—is lost, or per haps more accurately, erased. While ensuring, and even celebrating, the admission of the primitive into the dominant discourse, the lit erary promotion of the savage is also the very operation by which the trauma of a true recognition is averted. Or to put it somewhat more explicitly, the literary representation of the primitive, and most per versely that particular version we have come to know as the "good" savage, can be seen to function as a strategy, however unconscious, through which Europe succeeds in protecting itself from the most radical implications of the discovery. What...