The family, they say, is dying. The family has been blended, extended, enmeshed, disengaged, and torn apart. The nuclear family has had a meltdown. The average person’s sentient feelings are increasingly attached to images of products, processes, and news from their work setting or the mass media. The ongoing sagas of “Dallas” or “Thirtysomething” may have more immediacy to us than our own families, whose members often live far apart. We return to family gatherings fueled by warm hopes, only to find tension, worn out traditions, and disappointment. Perhaps we are experiencing the transition to a new form of human communion, and the family should cautiously be let go. Or perhaps we are witnessing the breakup of human bonding that will lead to an even larger increase in crime, drug abuse, perversion, alienation, and suicide. In response to these threats to its integrity, some families have retreated into rigidified systems with overlycontrolled interactions with the environment. The delicate balance between integrity and integration appears to be difficult to achieve. The death of the intergenerational transmission of family stories, myths, and images contributes to the death of the family as a powerful source of meaning in our lives. The interest recently in discovering our “roots,” in terms of genealogy, is a symptom of this alienation from our family. However, we also need to find our roots in the present, to find nourishment from our membership in our family now. The creative arts therapies may be an effective method for accomplishing this task. What do families do together? Most eat, share chores, drive each other to events, argue, talk about problems, worry about each other, and go to movies. Some families take walks, some do sports together. Creating art, role-playing, singing, or dancing are less likely activities. Playing together may be the rare, if often most remembered, moments a family life can treasure. Creative arts therapists should be able to help the family to play: bring greater intimacy to a disengaged family, more freedom and spontaneity to the rigid or enmeshed family. Increasing the integrity and flexibility of the family is essential in maintaining it as a supportive environment for individuals’ growth, instead of as an incubator of psychopathology. Family therapists have discovered that to impact on the complex family system, powerful and often intrusive techniques are required. Given the fact that the creative arts therapies are successful at overcoming and circumventing strong defenses, bringing unconscious or covert ideas to the surface, their application to family therapy should hold a great deal of promise. Despite the fact that many family therapy practitioners utilize action-oriented techniques such as rituals, tasks, or sculpting, the creative arts therapies have not to date had a significant impact on the practice of family therapy. It is not clear if this is due to creative arts therapists’ lack of access to families or to inherent resistances of families to the arts media. The articles in this Special Issue describe the various ways in which the creative arts therapies have been applied to family treatment, and through them one can glean a vision of what we have to offer the families of the future: a re-assertion of family identity through creative and collective acts. The Special Issue begins with Helen Landgar-