In this paper I demonstrate the ways that the everyday state is produced in and through Lusaka's rubbish, although the state is largely absent from the day‐to‐day management of the solid waste in the city. This analysis draws insight from over 90 semi‐structured interviews with a range of respondents in Lusaka, primarily focussed on the cities’ lower income settlements. I build on the overlapping conversation in political geography on the state as assemblage and the prosaic on the one hand, and the everyday state in the Global South on the other to focus on three key aspects of the production of the state: materialities, performance and temporalities. I argue that in order to understand the state in present day Lusaka, one must account for the history of state performance and imaginaries of the state that was. And secondly, that even in the absence of the state, the state may continue to perform and be known.
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