Poetic World Research Articles

الوطن والغربة في ديوان "شظايا البحر، حكايا المنفى" للشاعر العراقي المعاصر جواد جميل

It is no secret to anyone who is familiar with the poetic experience of the contemporary Iraqi poet Jawad Jamil that talking about homeland and exile has a special place in it. And while the love of the homeland is instilled in the instinct of every one of us, and it is from faith, the issue becomes of a distinctive nature when we contemplate it poetically, with a sensitive poet, whose circumstances prescribe him to live in exile from his homeland (Iraq) for many years, during which he suffered great suffering, and he passed Various experiences that had a great impact on his conscience in the beginning, and then on his poetic creativity. This study is an approach to the various artistic images in which the homeland first appeared, in a specific collection of poetry, "Shadaia Al Bahr, Hakaya Al Manfa" as they are multiple images with deep connotations of the features and characteristics of the poet's experience. The study then deals with, after that, the images of alienation from the homeland in the Diwan itself, as this too, with its depth and multiple connotations, reveals complementary dimensions that help clarify the overall picture of the experience. In this endeavor, the study will depend on a descriptive and analytical reading of the aforementioned Diwan. In order for this reading to be our means of entering the poetic world of the poet through his creativity in the Diwan.

«Дымный след» лирики Н. Гумилева в поэтическом мире Б. Волкова

«Дымный след» лирики Н. Гумилева в поэтическом мире Б. Волкова

Ностальгический подтекст рассказа Ивана Бунина «Святочный вечер»

The paper is devoted to the analysis of Ivan Bunin’s translated short story “Yule Evening” (1931), which was included in the cycle “Provencal Tales Retold”. The research is undertaken in order to comprehend the role of folklore in the formation of the poetic world of the Bunin text created as a translation (more precisely, a “retelling”) of a novella by the French writer Frederic Mistral (1830-1914), Nobel laureate (1904). The authors of the paper identify the main reasons that forced Bunin to turn to foreign folklore, to the folk epic of Provence, determine the hidden intentions that influenced the writer when creating the translated text. In particular, the authors pay attention to the tendency of diffusion in Bunin’s “retelling” and identify the signs of introduction of motifs and speech-stylistic formulas of Russian folklore into the Provencal text. The study is novel in that it is the first to analyse the short story “Yule Evening”, which has not previously attracted critics’ attention, and to interpret the modal attitude of the author of the translated short story. As a result, it has been proved that the motive for Bunin’s turn to the folklore of southern France, which was foreign to him, was not the semantic layer of F. Mistral’s folk records, but the nostalgic feelings that the folklore of Provence awakened in the prose writer’s soul, conjuring up memories of the Yuletide merrymaking of the abandoned Russian homeland in the author’s mind and that of his emigrant readers. It has been shown that Bunin’s knowledge of the basics and principles of Russian folklore helped the writer, on the one hand, to preserve the identity of Mistral’s folk collection, on the other hand, to bring additional nostalgic intentions to the “foreign” translated text.

김종삼의 시적 정의(正義)

This paper aims to reveal the ‘poetic justice’ that Kim Jong-sam’s poetry embodies. The path from the emotion of sympathy implied in Kim Jong-sam's poem to public power was captured and analyzed as a 'virtuous cycle of sympathy'. We paid attention to the fact that ‘empathy’ revealed in the work becomes a pivot point for converting negative emotions such as loss and deprivation into tolerance, and as a result, the influence of empathy contributes to public judgment. The fact that sympathy forms the core of Kim Jong-sam's poetic world is that his life was aligned with the face of a painful other in the turbulent times of liberation, national division, and war. The virtuous cycle of sympathy, which is the driving force of Kim Jong-sam's poetry, is the context of poetic imagery that captures the shabby reality in the wretchedness of the times, and at the same time, his poetic pursuit through the course of the poem. This paper focuses on the path of sympathy that stands out in Kim Jong-sam's poem, and attempts to reveal the poet's vocation and poetic direction as he realizes it.

Perceiving the poetic world: A corpus-assisted transitivity analysis of poetry comics.

While modern adaptations of Chinese classics have drawn keen scholarly interests lately, the comic adaptation of Chinese traditional poetry remains under-investigated. Extending the previous research on intersemiotic translation and comics, this paper, drawing on the analytical framework of systemic functional semiotics, examines distribution of process types of language in poems in comparison with that in comic images in the exemplary case drawn by Cai Zhizhong, using UAM image as the annotation tool. The comic book formulates a multimodal corpus that consists of 1,097 clauses and 605 images. We have manually analyzed the process type of the poems and their corresponding comic panels. Our quantitative and qualitative results show that there are distinct patterns of process-type distributions between verbal poems and images. Poems have been turned into perceptions, actions, and verbal processes in comic strips, which serve various purposes such as construction of the poet's gaze, relations building, storyline development, dramatization, metaphor visualization, etc. The paper is concluded with discussion on how the intersemiotic translation of poems might produce effects on readers.

Poetic structure and structure of love : A PHONOLOGICAL APPROACH TO A SHAKESPEAREAN SONNET

This study proceeds on the hypothesis that the sound patterns of apoem contribute a great deal to build the poet's world — view .The study isan attempt to investigate the texture of sound in Shakespeare's sonnet (55), " Not marble , nor gilded monuments " . The sonnet will be approachedas a phonological unit of meaning. The study falls into three parts . Part Iintroduces the key concepts of modern phonetics and phonology . Attentionis drawn to the phonological aspect of the verse structure by showing the "stress-producing pulses " and the " syllable — producing pulses" whicheither of the processes exists in nearly all human languages . Part II dealswith the phonological mechanisms which create the poem as an aestheticform . Of these mechanisms are the widely known sound devices such as , "rhythm", " rhyme " , " alliteration " , " onomatopoeia " and so on . Theseterms will be looked at from a _ phonological perspective.Shakespeare's sonnet will be investigated in terms of Cummings andSimmons's " Systemic Description "in its phonological aspect . Theanalytic mode will show how the language operates to produce the poem asa linguistic and aesthetic form.

МОТИВИ ТІЛЕСНОСТІ У ПОЕТИЧНОМУ ДОРОБКУ МІЛАНА ДЄЖІНСЬКОГО

a number of literary prizes, Milan Děžinsky. By corporeality in the article, we understand everything that is connected with the image of the biological body, organism in one or another manifestation. The motif of corporality traditionally occupied a prominent place in Czech poetry. One way or another, this topic was touched upon by the majority of Czech poets of our time. Some interweave it with the image of the divine principle, in some we see parallels with the image of nature, the inner world of man, sometimes motifs related to the multiplicity of worlds are added. In Děžinsky's poetic world, the image of corporeality acquires new categories that are not inherent to it in everyday perception. It can be concrete, when the lyrical hero interacts with it in some way, or abstract, when its characteristics are mentioned only as a hint of it. It means that corporality in poetry is a multifaceted, ambiguous phenomenon. It can manifest itself both in concrete images, such as the human body, the body of an animal, a living or dead body, parts of the body with their manifestations, but also in a more abstract version, when we single out corporality as the law of the existence of the poetic world and its essence. The lyrical hero in this case learns this inner law, being himself a part of it.

The poetic world of Arshak Chopanyan

The poetics of the great figure of Armenian culture, cultural critic, literary critic, publisher, editor, national public figure, poet, writer, playwright, translator, propagandist of Armenian culture in the West A. Chopanyan undoubtedly bears the stamp of ideology and poetics of symbolism, in particular, French and Russian symbolism, but the subtle and deep structure of his unique imaginative thinking is based on the tradition of national poetry, also due to his temperament. In the process of researching the poetic world of Arshak Chopanyan, taking into account the available valuable meta-text, structural-semiotic, psychological, comparative-historical methods, principles of historical and cultural research, interdisciplinary approaches were combined. The main themes, motifs and symbols of Chopanyan's poetic world were highlighted and emphasized, among which the national-patriotic theme, the theme of life and death, the motif of silence, the aesthetics of white, olfactory motifs, the relationship of the moment and eternity, fairy tales and boredom of life, dreams and reality, symbols butterfly, star, shooting star, lily, sea, parallels sea-life, sea-woman, woman-life and woman-death. These symbols form a unique sign system. By studying the semantic nuances and interactions of these symbols, analyzing the historical and cultural context, comparative historical research, and some interdisciplinary observations, the overall picture of Chopanyan's poetic world was revealed. A number of Chopanyan's poems about love, about the cosmic thought, in particular, a poem with the refrain "Hate, but don't forget me", revealing one of the layers of the psychology of love, can be presented to the court of world poetry. Short and long poems, poems in prose, white, blue or,, gloomy,, sonnets, rondos, geghons and taghs with personal, national and universal significance are ultimately aimed at revealing the mystery of existence.

Bible code in Bashlachev's lyrics. Book review: Gavrikov, V.A. (2021). Eschatology of Bashlachev: Monograph. Moscow, Kaluga, Venice: Bull Terrier Records. (In Russ.)

The author discusses the specifics of the book under review, describes V.A. Gavrikov main research approaches to Bashlachev's texts, and defines the methodological platform of the monograph. The fruitfulness of considering the poetic world of Bashlachev through the “bible” prism is proved. The relevance of the monograph by V.A. Gavrikov, due to the need to study the artistic ontology of Bashlachev in a linguo-poetic perspective. The main results of the study are identified, their theoretical and historical-literary significance is stated.

Reading Anna Frajlich's Latest Volume of Poetry

Reading Anna Frajlich's Latest Volume of Poetry

Синтетическая матрица переводного рассказа И. Бунина «Юный пилигрим»

The paper is devoted to the analysis of Ivan Bunin’s translated short story “The Young Pilgrim” (1931), which was included in the book “Provençal Tales Retold”. The research is undertaken in order to comprehend the role of folklore in the formation of the poetic world of the Bunin text created as a translation (more precisely, a “retelling”) of a novella by the French writer Frédéric Mistral (1830-1914), Nobel laureate (1904). The authors of the paper identify the main dominants of the folklore world of the short story, differentiate between the translated and original components of the text, trace the trends in the embodiment of the Western European space and the features of central characters’ personality and behaviour through the lens of folklore fairy tales, parables, legends. In particular, the authors draw attention to the “mixing” of the strategies of folklore and literature, the secular and religious texts, the principles of visual and verbal art in the text of the translated short story. The research is original in that it is the first to analyse the short story “The Young Pilgrim”, which has not previously attracted critics’ attention, and to emphasise the heterogeneous, different-style components of the source and translated texts. As a result, it has been proved that the “weakness” of Bunin’s translated short story is primarily due to the dependence on the artistic world of F. Mistral’s novella, which is based on folk legends and tales. It has been shown that Bunin’s knowledge of the basics and principles of Russian folklore helped the writer to ensure the compatibility of heterogeneous stylistic strategies proposed by the primary source.

김종삼 시의 물 이미지 고찰과 교육적 의의

Objectives This study examines the orientation of the poet's world of consciousness by analyzing the transformation and implementation of the water image that penetrates Kim Jong-sam's poetry, and examines its educational significance in connection with the university's poetry education.
 Methods To this end, this paper took a phenomenological position to reveal the orientation of consciousness through poetic objects, and analyzed the transformation and implementation of the water image in Kim Jong-sam’s poetry in terms of Gaston Bachelard's conscious phenomenology. Furthermore, it aims to explore the educational significance that can be obtained when applying this to the poetry education of college students.
 Results As a result of the study, the “water” image, which is variously transformed in Kim Jong-sam’s poetry, showed three transition patterns: the transition from “rotten water” to “pure water,” the transition from “tough water” to “burning water,” and the transition from “dead water” to “maternal water.” Through this, it was possible to comprehensively grasp the consciousness orientation of poet Kim Jong-sam, who lost absolute paradise and longed for an ideal world in his thirst. In addition, it was examined that when used for college students' poetry education, it can have significant educational effects such as cultivating aesthetic sensitivity, enhancing creative imagination, cultivating flexibility in thinking, and expanding the possibility of communication and communication with the world.
 Conclusions This paper is meaningful in that it examines the transformation and implementation of water image in Kim Jong-sam's poetry to comprehensively clarify the poet's orientation, and further examines its educational significance to seek application points for college students' poetry education.

From the Rock to the Grave Plate: Image of the Stone in V. Shalamov’s Lyrics

Purpose. The article detects and examines the main directions of interpreting the image of the stone in V. Shalamov’s poetic heritage. Results. This image acquires the significance of one of the most important symbols reflecting key features of the world outlook of the “Kolyma Notebooks” author. Using the hermeneutic and comparative analysis methods, we distinguish in a wide range of ontological interpretations of the image of the stone in Shalamov’s lyrics two opposite vectors. One is connected with the paradoxical convergence of the image of stone and the image of man, when the stone turns out to be a kind of projection of personality, endowed with thoughts and feelings, and sometimes the lyrical hero perceives the stone as his double, his “second self”. Another vector is characterized by a sharp contrast between the “human nature” and “the stone” as something dead and frozen, hostile to person and to life as a whole. Conclusion. To sum up, the image of the stone belongs to the core of Shalamov’s poetic world and has a great worldview meaning. The essential features of Shalamov’s poetic thinking are revealed through the prism of this image: objectivity, certainty of images, perception of reality objects in their integrity and clarity of faces. These features connect Shalamov’s consciousness with the acmeistic tradition. The work is based on the materials stored in the Russian State Archive of Literature and Arts besides Shalamov's published texts.

Феномен русского поэта Павла Васильева: свой среди своих и чужих

The article analyzes the literary works of the outstanding Russian Soviet poet Pavel Vassilyev, the native of the Kazakhstan hinterland, who incorporated two cultures, both the Kazakh and the Russian one. The attention is paid to the so-called ‘Russian Asiatic’ P. Vassilyev’s image, the poet is appreciated as a Eurasian author, as well as a ‘borderland literature’ / transborder poet (opposite to the settings on his bilingual background). There made the attempts to draw a parallel between the Kazakh and Russian philologists’ data, the validity of the poet’s figure for the Kazakh perceiving him as their native is illuminated. P. Vassilyev’s poetic language is also under analysis: it is the existence of the dynamic literary image which appears in the frameworks of movement, both in time and space, on contradiction of movable / moving and static ones. The specific thing of P. Vassilyev’s poetic language is the counterbalance between the active and passive, the mobile and immobile, when the non-visible action turns into an action full of energy, thus, it merely intensifies the text dynamics. That is why the poet’s key concepts are wind, horse, and river which are closely connected with dynamics. The sun as a relevant element of the Universe is also marked in Pavel Vassilyev’s poetry, the authors deal with the way of this concept manifestation by the poet within his poetic world.

Русалочий мир «Руси» (сказочно-мифологические мотивы и образы рассказа И. Бунина)

The paper is devoted to analysing the figurative and motivic series of Ivan Bunin’s short story “Rusya” (1940), which was included in the cycle of short stories about love “Dark Alleys”. The research aims to comprehend the role of Russian folklore in the formation of the poetic world of Bunin’s text. The authors of the paper identify the main dominants of the literary world of Bunin’s short story, differentiate the existential spaces of the acting characters, trace the trends in the embodiment of the poetic space of a female character based on Russian folklore and ancient Slavic mythology. In particular, the authors consider the character system of the short story and evaluate the axiological coordinates of the main characters through it. The research is novel in that it is the first to focus on two endings of Bunin’s short story, which have not previously attracted the attention of critics, to represent in detail the folkloristic components of the image of the main female character. It is the first time that the researchers do not associate Rusya’s image with Russia, but correlate her “swamp” world with the mentifact of a mermaid. As a result, it has been proved that the nature of the unusual female character and the poetic world of Bunin’s short story as a whole is largely connected not with the Russian origin of the female character, but with her “mermaid” (and partly Eastern) origin.

SOME COMMENTS ON THE STUDY OF NAZAR ESHANQUL'S WORK IN LITERARY STUDIES

The article examines the study of the works of the talented writer Nazar Eshanqul in contemporary Uzbek literary studies and criticism. The author's poetic world, the skill of character creation, the use of various poetic elements - metaphorical image, symbols and symbols, and issues of creative influence are the leading issues in the published studies.

고정희 초기시에 나타난 실존의식 연구

The purpose of this paper is to look back on the ‘consciousness of existence’ that appeared in Goh Jung-hee’s early poetry and to solidify the development process of the poetic world. As is well known, the discussion of Goh Jung-hee was centered on late poetry with the evaluation that she was a 'pioneer of feminist literature'. Accordingly, early poetry is placed as a part and limit of the process to advance to the later period. However, it is important to keep in mind that early poetry is the ‘starting point’ of Goh Jung-hee’s poetic world. Therefore, this paper approached with a focus on ‘consciousness of existence’ while distanced from ‘Minjung’ and ‘Women’, who can be said to be the core of Goh Jung-hee’s poetic world. As directly mentioned by Goh Jung-hee, the early poetry deals with the problem of existence. Although there has been a mention of this, there has been relatively little discussion in earnest. This paper first examines the background of Goh Jung-hee’s formation of consciousness of existence and then examines ‘transcendental recognition’ and its practice as a concrete aspect.

Հ. Թումանյանի ուղևորությունը Պոլիս. մտավորականության արձագանքը

The article presents some details of Hov. Tumanyan’s officially sanctioned by the Armenian Aid Committee visit to Constantinople in 1921, lasting more than a month and a half, in particular, the publications of the Western Armenian criticism and of Constantinople press, which essentially systematize the approaches and assessments of the Western Armenian critical thought regarding the national identity of the poetic world of Hov. Tumanyan. The purpose and details of the visit to Constantinople, of course, are well known to us from the literary references to Tumanyan’s life. But there is one reason why these two months are of particular interest and we will consider it in the context of this study. From time to time, Western Armenian critics turned to the works of Hov. Tumanyan. But during this short period, the publications in Constantinopole Armenian press essentially generalize and systematize the approaches of the Western Armenian critical thought regarding Eastern Armenian poetry in general.

Albanian songs of frontier warriors and their antiquity

Albanian heroic songs with a range of values and peculiarities, with the thematic and poetic world, as rich as independent and ancient, and with different layers, could not be created immediately and only in one period. It took time and skill for singers and oral conductors to create, spread and carry from one individual to another, from one generation to the next. Albanian heroic songs are not only important for the many linguistic expressive values that the rich thematic and motivational world has, but they also enable the best knowledge of the oral epic of the peoples of Southeast Europe and especially of the epic of the peoples of the Balkans. What justifies the antiquity, but at the same time the great importance of our heroic songs, is the fact that they express the world of the singers who sing them, their worldview and the world they belong to. They express the honor, manliness, faith, virtues, customs and habits that our man has used over the centuries. Dealing with the comparison of Albanian songs of frontier warriors with ancient epics, I have noticed a series of similarities with some ancient epics, especially with the "Iliad" and "Odyssey", which directly testify to their antiquity.

Semantics of the Color Image in the Poetical World of Bakhyt Kenjeev

Semantics of the Color Image in the Poetical World of Bakhyt Kenjeev