Art Of People Research Articles

ФИЛОСОФСКО-КУЛЬТУРОЛОГИЧЕСКИЕ АСПЕКТЫ ОСМЫСЛЕНИЯ СОВЕТСКОЙ ЖИВОПИСИ 60-80-х ГОДОВ XX ВЕКА (НА МАТЕРИАЛЕ ТВОРЧЕСТВА А. АСУХАНОВА)

The purpose of the article is a culturological analysis of the artistic creativity of Amanda Abasovich Asukhanov in the context of the development of Soviet painting in the 1960s-80s. The study involves the consideration of socio-cultural, regional, national-ethnic aspects, contemporary trends of the artist, which are manifested in the painting of the Honored Artist of Russia, People's Artist of the Chechen Republic, Honored Artist of the Republic of Dagestan, a representative of the first generation of Chechen artists who joined the Union of Artists of the USSR. From the point of view of the socio-cultural situation, the period of the artist's work of the 1960s-1980s is considered in detail, when his artistic worldview, philosophical position was formed, which was reflected in a number of paintings.

EVGENY MELNIKOV

People's Artist of Uzbekistan, master of genre painting, landscape Evgeny Pavlovich Melnikov was born in 1928 in Buzuluk. (Russia). From an early age he dreamed of becoming an artist. Back in 1948, he came to study in Samarkand and was immediately fascinated by the gray-haired monuments of this ancient city, the many-voiced cacophony of the oriental bazaar, the open, hospitable people of this generous land. But most of all I was struck by the sun, three hundred days a year warming everything around with its bright light. The artist dedicates his life and creativity to Uzbekistan! Here the individual features of his talent were fully revealed, it was here that he became a true master.

DIRECTOR-FOUNDER OF UZBEK CHILDREN'S CINEMA (Yuldash Agzamov)

This article tells about the early creative activity of the People's Artist of Uzbekistan, laureate of the State Prize Yuldash Agzamov, who left an indelible mark on Uzbek cinema with his wonderful films “Charmed by you”, “Furkat”, the Fergana Five”, “Kolokol Sayat”, “Past Days”, “Father's Will”. He began his work in 1935 with the creation of the feature film “Klich”, dedicated to children. In this article we will focus on the history of the creation of the feature film “Klich”.

A look at the theoretical analysis of "Azerbaijan rengleri" and "Rast deramedi" in the works of Ramiz Zohrabov

Teqdim olunan meqalede görkemli musiqişünas-alim, Azerbaycan Respublikasının xalq artisti, senetşünaslıq üzre elmler doktoru, professor Ramiz Zöhrabovun “Azerbaycan rengleri” haqqında elmi-tedqiqat eserinin xüsusiyyetleri tedqiq edilmişdir. Melumdur ki, professor Ramiz Zöhrabov xalq musiqi yaradıcılığının araşdırılması istiqametinde bir çox elmi eserlerin müellifidir ve musiqişünasın “Azerbaycan rengleri” adlı kitabı da şifahi eneneli Azerbaycan professional musiqisinin esas janrları ile bağlıdır. Meqalede Azerbaycan renglerinin janr, lad-meqam ve melodik xüsusiyyetlerin tedqiqi meseleleri esas götürülmüşdür. Bundan ireli gelerek meqalede esas meqsed kimi vurğulanmışdır ki, R.Zöhrabov Azerbaycan renglerini şifahi eneneli Azerbaycan professional musiqisinin bir esas janrı kimi seciyyelendirmiş ve onların xüsusiyyetlerini elmi-nezeri aspektden araşdırmışdır. Onu da qeyd edek ki, müasir Azerbaycan musiqişünaslığında reng ve onun janrlarının tedqiqi meseleleri mehdud saydadır. Meqalede R.Zöhrabovun Azerbaycan renglerinin araşdırılması ile bağlı müddeaları tedqiq edilmiş ve esas prinsipleri işıqlandırılmışdır. Xüsusile bu janrın növleri olan diringi ve deramedin quruluş xüsusiyyetlerinin etraflı tedqiqi gosterilmisdir. Meqalenin metodologiyası nezeri ve tarixi melumatlara esaslanmış ve ireli sürülen fikirler müqayiseli şekilde etraflı tedqiq edilmişdir. Eyni zamanda R.Zöhrabovun yaradıcılığına istinaden “Rast deramedi”nin nezeri esaslarının tehlili meqam, melodik xüsusiyyetler, musiqi forması ve diger cehetler baxımından tehlile celb edilmişdir. Meqalede ilk defe olaraq, R.Zöhrabovun “Azerbaycan rengleri” adlı elmi-tedqiqat eserindeki ireli sürdüyü müddealar kompleks şekilde araşdırılmışdır. Bu zaman “Rast deramedi”nin nezeri cehetden tehlili xüsusile vurğulanmış ve lad-meqam esası ile melodik xüsusiyyetleri nezere çatdırılmışdır. Bele neticeye gelinmişdir ki, professor R.Zöhrabovun bu kitabı Azerbaycan renglerinin seciyyevi janr xüsusiyyetlerinin araşdırılması istiqametinde mühüm ehemiyyet kesb edir.

Antique dialogue and dialectics in english language

The article traces an organic connection between ancient dialogue, which is the art of people’s verbal relationships (exchange of opinions, dispute, discussion), and ancient dialectics, which arose in the depths of dialogue as a method of conceptual and categorical thinking, as something that presupposes it, “its own other”. On the basis of rich empirical material, it is proved that dialectics, as the highest form of human mental activity, is rooted in ancient dialogue and rhetoric as a theory of dialogue, oratorical discursive thinking. After getting acquainted with the subject parallels between dialogue, rhetoric (including sophistic) and dialectics, the reader understands Aristotle’s position on rhetoric as an "art corresponding to dialectics", as a certain part and similarity of dialectics.

Activities of the Department of Folk Singing and Ethnomusicology of the Saratov State Conservatory Named after L.V. Sobinov: History and Modernity (to the 55th Anniversary of its Foundation)

The article is dedicated to the history of the Department of Folk Singing and Ethnomusicology of the Saratov State Conservatory named after L.V. Sobinov. The role of the pedagogical, methodological and scientific activities of L.L. Christiansen as the founder of folk singing education at the Saratov Conservatory is described. The article also draws attention to the founder of the department of solo folk singing, People's Artist of Russia E.A. Sapogova and the basic principles of teaching folk vocals in her class. A special section is dedicated to the multifaceted activities of A.S. Yareshko as head of the Department until 2018. His name is associated with the modern period of the Department’s development, which included many practical and scientific publishing projects. The article reveals the role of the Department of Folk Singing and Ethnomusicology of the Saratov Conservatory in the establishing of folk singing education in Russia, as well as the preservation of folk heritage through the professional learning process. The main creative and educational achievements, the uniqueness of the structure of the department are described, the multi-vector orientation in teaching students (folk singing and ethnomusicology) is emphasized, which makes it possible to determine of a complex concept - the Saratov school of musical folkloristics.

Chris Dingwall. Review of "Art for People's Sake: Artists and Community in Black Chicago, 1965–1975" by Rebecca Zorach.

Chris Dingwall. Review of "Art for People's Sake: Artists and Community in Black Chicago, 1965–1975" by Rebecca Zorach.

THE IMAGE OF GREAT HISTORICAL FIGURES (ON THE EXAMPLE OF PAINTINGS OF KARAKALPAK FOLK ARTIST B. AYTMURATOV WHICH KEPT IN THE STATE MUSEUM OF HISTORY AND CULTURE OF THE REPUBLIC OF KARAKALPAKSTAN)

In this article, the concept of a historical portrait in the genre of fine art, the creation of images. At the same time, information was provided on the work of the Karakalpak People's Artist B.Aytmuratov. The content and meaning of the genre historical and portrait paintings created by the artist are revealed.

INTERPRETATION OF THE WORK OF RAKHIM AKHMEDOV IN THE ART OF PAINTING OF UZBEKISTAN

Currently, a lot of attention is paid to the wide use of samples of our culture, values, National Art, samples of fine art created by our ancestors and famous all over the world in the education of young people. The reflection of the image of our great compatriots and great scientists living in the past in the works of Fine Art also imposes responsible duties on the people of creativity. Famous artist Rahim Akhmedov is a people's artist who left a bright mark in the fine art of Uzbekistan. His works are distinguished by their own fertility, compositional solution. In this article, opinions and comments will be made about the scientific interpretation of the creativity of Rakhim Akhmedov in the art of painting of Uzbekistan.

GRAPHICS OF AN OUTSTANDING MASTER RAKHIM AHMEDOV

The article discusses the creative and stylistic features of the painter, academician of Art Academy of Uzbekistan, People's Artist of Uzbekistan R. Akhmedov. There are given examples of the development of his genre, coloristic and compositional methods of work with a brief description of techniques and ideas in different periods of his life.

Sex differences and adverse events of antiretrovirals in people living with HIV/AIDS: a systematic review and meta-analysis protocol

IntroductionAntiretroviral therapy (ART) for HIV/AIDS is associated with adverse events (AEs). However, little is known about the differences in the risk of AEs between women and men living with HIV/AIDS....

ИЗ ВОКАЛЬНОГО НАСЛЕДИЯ СЕРГЕЯ ЯКОВЕНКО: МОНООПЕРА Ф. ЯНОВ-ЯНОВСКОГО «АККОМПАНИАТОР»

The article examines one of the forgotten works of the XXth century — mono-opera "The Accompanist" (1997) by Felix Markovich Yanov-Yanovsky (born 1934) interpreted by the People's Artist of the USSR Sergei Borisovich Yakovenko (1937–2020). Throughout his creative life, the singer actively promoted the modern vocal repertoire, constantly continuing his creative search. He turned to voluminous, complex compositions, which he interpreted as a one-man show. Using the example of mono-opera "The Accompanist", the principles of Yakovenko's work on the score, his special vocal direction, contributing to the disclosure of the inner content of the text, are revealed. The composer's words about Lucien Luc, the main character of the mono-opera, are presented. A wide range of issues concerning the playwright Marcel Mithois and his play "The Accompanist" in the context of French dramaturgy of the XXth century, is considered. The musical and dramatic properties of the composition are revealed, the inclusion of quotations from concerts by Ravel and Rachmaninov is noted. Special attention is paid to certain pages of the mono-opera clavier from Yakovenko's home archive with many notes of the singer, which enable to reveal most fully the principles of his interpretation. Yakovenko's remarks concerning the movement and emotional state of the performer are considered. The list of attributes that the singer used to create a visual mise-en-scene is presented. The article gives an approximate general plan of scenography, developed by Yakovenko, according to which a musical drama is played out on stage.

PECULIARITIES OF ENSEMBLE WRITING IN THE WORKS OF VALERIY TITARENKO (ON THE EXAMPLE OF PIANO ENSEMBLES)

The creative work of Ukrainian composers is actively promoted not only by performers, but also by research-scientific circles. The subject matter of the publications covers various aspects of the study of this issue, however, everything falls within the circle of scientific discourse. A multitude of figures, their works and individual authorial methods, which also represent contemporary academic music, are left aside. Our attention was drawn to the creative heritage of Ukrainian composer, People's Artist of Ukraine, composer, teacher, editor-in-chief of Jazz magazine – Valery Titarenko (1940 – 2018).Our attention is focused on V. Titarenko's piano ensembles such as "Paraphrase" on the theme of S. Sabadash's song «Song From the Valley», waltz-fantasy «Over the Dnipro», "Fantasia on the Themes of Ukrainian Folk Songs" and fantasy on the themes of Valery Titarenko’s songs «Song to Save», which demonstrate different compositional techniques of ensemble technique. The Ukrainian composer's piano music has not yet been introduced to the scientific community and needs research attention. Therefore, the relevance is conditioned by unexplored heritage of V. Titarenko, his creative method and lack of special works devoted to the composer's piano ensemble music. The aim of this article is to reveal particular qualities of Titarenko's ensemble music on the example of pieces for two pianos. The novelty lies in the analytical revealance of the principles of ensemble music for two pianos in the works by Titarenko. The methodology is based on functional, genre and analytical methods. The conclusion is made about the composer's use of different stylistic principles, namely combination of academic, jazz and folk art. Each of the parts stands out for its individuality, both in terms of melodic and rhythmical pattern, dominated by a homophonic and harmonic type of texture. The juxtaposition and contraposition of the metrhythmic units in the piano ensembles is a means of contrast in the development of the work's dramaturgy.

Creative and pedagogical path of people's artist of the Russian Federation, professor V. A. Malchenko

Creative and pedagogical path of people's artist of the Russian Federation, professor V. A. Malchenko

CONTINUITY OF MUSICAL AND PEDAGOGICAL TRADITIONS: K. S. SARAJEV - Y. H. DAVTYAN

The article draws parallels between the activities of K. Sarajev, a teacher, and Y. Davtyan, a student, demonstrating the connection between times and traditions. A brief overview of Konstantin Solomon Sarajev's work, as well as some aspects of his pedagogical activity, is provided. Sarajev has an extensive repertoire and has conducted numerous symphony concerts. Konstantin Solomon's conducting activities were based on the artistic principles and technical methods of his teacher, Arthur Nikish, as well as his own conducting and teaching methods. Along with conducting, he began teaching at the Moscow Conservatory, and then at the Yerevan Conservatory. B. Khaykin, M. Paverman, L. Ginzburg, S. Sakharov, A. Katanyan, G. Budaghyan, H. Voskanyan, Y. Davtyan and many others studied in Sarajev's class. Citing the work of the People's Artist of Armenia, conductor, Professor Yuri Davtyan, the author demonstrates the continuity of music and teaching traditions, that have survived to the present day. Yuri Davtyan led the most reputable orchestras of the Soviet Union: the orchestras of the Bolshoi and Mariinsky Theaters, the orchestra of the Saratov Opera and Ballet Theater. He was the chief conductor of the A. Spendiaryan National Academic Opera and Ballet Theatre from 1953 to 2000, as well as the conductor of the Symphonic Orchestra of State Television and Radio of Armenia (1966-1994) and the orchestra of the Hakob Paronyan State Theatre of Musical Comedy (2007-2020). Yuri Davtyan has performed in Romania, Hungary, France, the United States, and Spain. The concert programs and repertoire of musical performances conducted by the musician are extensive. Davtyan is the bearer of the musical and teaching traditions of the Sarajev school. As a teacher, Yuri Hayk Yuri Davtyan developed his own performing principles and teaching methods, teaching the art of conducting, instilling culture and skills in his students of the XX and XXI centuries, students of the Technological Era, and a different approach to the classical phenomena of life in the broadest sense.

Ivan Prykhodko — the last of the truly folk village artists

The article examines the individual style, artistic language and work of People's Artist Ivan Prykhodko. This is done on the basis of a detailed analysis of the artist's work and exhibitions, a series of interviews with him and the study of difficult life conflicts of the folk master. Ivan Prykhodko's work is considered in the context of political and social changes in society during his life, as well as in the light of folk traditions in folklore and art.

A LOOK AT THE LIFE PATH OF FATTOKHON MAMADALIEV

The article tells about the life and work of Fattokhon Mamadaliev, an Uzbek People's Artist, known for his fruitful works and performances. Folk art is a huge and enormous world . It is constantly enriched with the products of the creative people and is constantly expanding. After all, every specimen in this ocean is explained by its own mysteries, national traditions, national psyche and national values. This is the main basis for the formation and development of Uzbek national music and literature. When we look at our past, we can see that it occupies a light-scattering place, how ancient the art of music is, it is a golden treasure in the lives of our ancestors, in the lives of world-renowned scientists, thinkers and scientists, in the lives of the most advanced people of their time, in their immortal creativity, research and vision.

Inheritance of traditions in the training of artistic embroidery

The purpose of the study light the problem related to the tracking of the historical evolution of embroidery, creative activity of the people's masters (on the example of the popular master P. Vlasenko), and determine the development of educational and teaching activities in the direction of embroidery art. The problem of restoring real events of the historical and pedagogical process occurring in schools-workshops on Ukrainian lands is updated. The leading task arose the question of drawing attention to the names of the patients of the late XIX century of the twentieth century, which contributed to the development of professional pedagogy, but whose activities through prohibitions and persecution did not receive appropriate lighting and was comprehensively studied. To develop an urgent problem of historical Ukrainian self-identification, it is important to establish deliberately forgotten figures, restoring the stupid pages of history Methodology is based on the principles of historical and art historical analysis, methods of systematization of factual material, and typological analysis. To identify the personal contribution of masters in the development of art embroidery, a biographical method of historical, psychological, historical, and pedagogical knowledge was used. Scientific novelty. It is the disclosure of new facts and a solid analysis of the pictorial activities of patients, which were engaged in the development of decorative and applied arts. For the first time, a biographical study of the vital activity of the Master of People's Art of the Ukrainian SSR P. Vlasenko, clarified its contribution to the Ukrainian culture. Reflecting a picture of a person's life as a whole, the relationship between individual histories with the history of society is covered. Conclusions. Based on the results of the study and art historical generalization, we can draw conclusions that traditions and modernity are closely intertwined. Paying attention to the treasures of folk art, telling about the unique experience of the masters of the past, the ways of development of educational and teaching activities in the direction of embroidery art are determined. The transfer of art historical experience when teaching students the basics of composite constructions, recognizing the technological and technical execution of traditional ornamental embroidery, makes it possible to apply the surveyed skills in the future. By offering the current generation to receive knowledge in educational institutions and, accordingly, motivating them, pedagogical groups provide the opportunity to self-consciously revive and distribute the traditions of past generations, promoting Ukrainian art.

Benjamin Jones. Review of "Art for People's Sake: Artists and Community in Black Chicago, 1965–1975" by Rebecca Zorach.

Benjamin Jones. Review of "Art for People's Sake: Artists and Community in Black Chicago, 1965–1975" by Rebecca Zorach.

Springs of the folk soul: from the history of the formation of Kazan culture of the XX century

The article attempts to systematize the historical stages of the formation of the Orchestra of Folk Instruments of the Republic of Tatarstan, which is led by the People's Artist of Russia, Professor A.I. Shutikov. Creative connections of the collective are revealed, the foundations of the creative orientation of the leader and musicians are formulated. The activities of the orchestra are regarded as an important segment of the Republic of Tatarstan culture.