Art Of People Research Articles

Law Enforcement against Copyright Infringement for Unauthorized Use/Sale of Other People's Fan Art on the Internet under Law Number 28 of 2014 Concerning Copyright

The problem of copyright infringement and law enforcement against the use/sale of fan art without permission on the internet based on Law Number 28 of 2014 is the focus of research on the Director General of IPR Kemenkumham Lampung Regional Office. Normative juridical and empirical juridical methodologies are the methods used in this research. The results showed that the factors of copyright infringement on the use/sale of fan art of others without permission on the internet are the lack of knowledge and understanding of the public to copyright protection, seeking personal gain for commercial purposes, and law enforcement in copyright is still weak. Act No. 28 Year 2014 regulates the offense of complaint against copyright in the form of verbal reprimand through the mass media without a lawsuit for compensation. The author suggests the government, together with IPR institutions, socialize with the public about the importance of copyright, infringement, and its impact and can report if there is a violation with strong evidence.

Self-perceived relations between artistic creativity and mental illness: a study into lived experiences.

To explore the self-perceived relationships between experiences of creativity and mental illness and to understand the meanings behind these relationships. The idea that mental illness and artistic creativity are somehow related dates back to ancient times. There is some evidence for an actual correlation, but many questions remain unanswered on the nature and direction of the relationship. Qualitative contributions to the debate are scarce, and mainly focus on the potential benefits of participation in the arts for people with mental illness. An explorative, interpretive study. Twenty-four professional and semi-professional artists with self-reported experience with mental illness, were recruited purposively. Unstructured in-depth interviews were conducted and transcripts were subjected to interpretive analysis, guided by a hermeneutic phenomenological frame. Participants experience a range of interactions between artistic creativity and mental illness. Three constitutive patterns describe what these interactions look like: "flow as a powerful force"; "ambiguous self-manifestation"; and "narrating experiences of suffering." The findings show that both the concept of creativity and the concept of mental illness, as well as their interrelationships, are layered and complex phenomena that can take on different meanings in people's lives. The findings provide starting points for further research that goes beyond the polarized academic debate. Understanding the experiences of artists with mental illness can help shape the role of art in public mental health and mental health care.

Health and wellbeing in the face of crises associated with climate or conflict: how can knowledge from the humanities and social sciences help us respond to disasters?

This commentary considers how SHAPE (Social-Sciences Humanities & the Arts for People and the Economy) disciplines contribute to interdisciplinarity, inclusiveness and international cooperation in work to address the challenges to health and wellbeing arising from crises and to inform strategies for crisis preparation, response and recovery. It reviews examples of strategies to address growing international concerns about the global challenges we face, given the increasing scale and frequency of crises arising due to geopolitical conflicts and climate change. In spring 2023, the British Academy, aided by funding from the Wellcome Trust, held three virtual workshops to discuss how we can protect and sustain good health during and after crises precipitated by extreme events associated with climate change or conflicts in various settings around the world. The discussion highlighted the need for Interdisciplinary perspectives, and how knowledge and experience from SHAPE disciplines can complement STEM (Science Technology Engineering and Mathematics) perspectives, helping to inform disaster response strategies and to develop more ‘systemic’ preparedness to protect health during crises. The significant roles of governmental agencies and non-governmental organisations, and the importance of international cooperation were acknowledged. The discussion also emphasised the need to acknowledge the importance of using effective means to engage with stakeholders in communities at the local scale, whose lived experience and knowledge, often embedded in cultures and traditions, can usefully inform ‘joined-up’ policy and practice. A case was also made for more inclusive strategies: for example, acknowledging the vital roles of women during and after disasters.

Still-life paintings of austere style in the work of the Ural artist E.I. Gudina (1921-1991)

The article examines the creativity of E.I.Gudin, People's Artist of Russia, a representative of the "austere style" in the Ural region art of the Soviet period. The still-life paintings of E.I.Gudin display not only originality, plastic expressiveness, and allegorical meanings of the era of the "austere style", but also the artist's personal views and his understanding and comprehension of the surrounding world. The artist's works are to be taken as an integral part of his life, his destiny and travels; all of them are autobiographical and carry deep symbolic content.

Lao She's Beijing-style Language Reflects the Changes of the Times and the Feelings of the Family and Country

Lao She is a famous novelist in modern China and has the reputation of "People's Artist". His play "Teahouse" is considered by Cao Yu to be "a treasure in the history of Chinese drama". In "Teahouse", Lao She portrays a series of citizens represented by Wang Lifa, who grew up in Beijing and have a rich "Beijing flavor" in their language. Lao She is also using these original "Beijing flavor" language, through the mouth of these citizen images, to show the changes of modern China and Lao She's strong feelings for his family and country.

The embodiment of the image of the People's Artist of the USSR Anegina Ilyina in Yakut fine arts and literature

The article is devoted to the embodiment of the image of the Yakut opera singer, People's Artist of the USSR Anegina Ilyina in the Yakuts visual arts and literature. For the first time, this article discusses issues related to the disclosure of the theme of an outstanding contemporary woman - famous figure of musical art as a carrier of creativity. The subject of the study is the image of a talented Yakut vocalist captured in the best works of fine art (L.M. Neofitoff, V.R. Vasilyeff, A.N. Ossipoff, L.D. Sleptsova) and literature (Semen Daniloff, E. Neimokhoff, I. Gogoleff, L. Popoff P. Kharitonoff). The object of the study is the work of Yakut artists and writers of the second half of the 20 - 21 centuries. For the first time, the article explores a previously unexplored aspect of their work. The descriptive, comparative, iconographic, historical-biographical methods are applied, which allow us to reveal the topic most effectively. This image presents the ideas of female beauty and natural talent inherent in the national consciousness of the people, which indicates that in the 1960-1980 in the perception of the Yakut society traditional ideas based on the mythology and folklore of Sakha were quite strong and stable. Thanks to her natural talent, studying in the class of the People's Artist of the USSR, professor of the Moscow State Tchaikovsky Conservatory N.L Dorliak A.E. Ilyina was able to take place as an outstanding master of Russian academic vocal performance and herself as a creative personality had a great influence on the creative inspiration of many writers, artists and the development of Yakut art in the Sakha Republic (Yakutia) in the second half of 20 centuries. This article is the first experience in studying of this scientific problem.

The creativity of Feodosii Humenyuk in the formation and development of the Kyiv school of historical painting

The purpose of the work is to study the main stages and stylistic characteristics of the work of the People's Artist of Ukraine F. Humenyuk as a bright representative of the Kyiv school of historical painting. The research methodology consists in the application of such scientific research methods as historical, art history, analysis, synthesis, and Semitic, which together made it possible to achieve substantiated research results. The scientific novelty of the work consists in summarising the work of the outstanding Ukrainian artist F. Humenyuk and examining it from the perspective of the formation and development of the Kyiv school of historical painting. Conclusions. As a result of the conducted research, it was established that the work of F. Humenyuk is an important component in the development of the modern Kyiv school of historical painting, within which the artist formed his own unique style, which is based on the deep traditions of folk art, icon painting, Byzantism, Baroque, and Boychukism. In his works, which are characterised by multi-component complex compositions, the historical past and modern artistic versions of his reading are combined. The author's symbolic and allegorical interpretations of historical events and persons are full of many meanings, metaphors and images, forming an original poetic background for reading the stories at a highly professional level. Heading the educational and creative workshop of historical painting for a long time, F. Humenyuk not only educated worthy students, but also significantly influenced the formation of the Kyiv school of historical painting. Keywords: historical painting, Kyiv School of Painting, Feodosii Humenyuk, Kyiv Art Institute, author's stylistics.

The embodiment of the image of the People's Artist of the USSR Anegina Ilyina in Yakut fine arts and literature

The article is devoted to the embodiment of the image of the Yakut opera singer, People's Artist of the USSR Anegina Ilyina in the Yakuts visual arts and literature. For the first time, this article discusses issues related to the disclosure of the theme of an outstanding contemporary woman - famous figure of musical art as a carrier of creativity. The subject of the study is the image of a talented Yakut vocalist captured in the best works of fine art (L.M. Neofitoff, V.R. Vasilyeff, A.N. Ossipoff, L.D. Sleptsova) and literature (Semen Daniloff, E. Neimokhoff, I. Gogoleff, L. Popoff P. Kharitonoff). The object of the study is the work of Yakut artists and writers of the second half of the 20 - 21 centuries. For the first time, the article explores a previously unexplored aspect of their work. The descriptive, comparative, iconographic, historical-biographical methods are applied, which allow us to reveal the topic most effectively. This image presents the ideas of female beauty and natural talent inherent in the national consciousness of the people, which indicates that in the 1960-1980 in the perception of the Yakut society traditional ideas based on the mythology and folklore of Sakha were quite strong and stable. Thanks to her natural talent, studying in the class of the People's Artist of the USSR, professor of the Moscow State Tchaikovsky Conservatory N.L Dorliak A.E. Ilyina was able to take place as an outstanding master of Russian academic vocal performance and herself as a creative personality had a great influence on the creative inspiration of many writers, artists and the development of Yakut art in the Sakha Republic (Yakutia) in the second half of 20 centuries. This article is the first experience in studying of this scientific problem.

Fairness of Academic Performance Prediction for the Distribution of Support Measures for Students: Differences in Perceived Fairness of Distributive Justice Norms

Artificial intelligence in higher education is becoming more prevalent as it promises improvements and acceleration of administrative processes concerning student support, aiming for increasing student success and graduation rates. For instance, Academic Performance Prediction (APP) provides individual feedback and serves as the foundation for distributing student support measures. However, the use of APP with all its challenges (e.g., inherent biases) significantly impacts the future prospects of young adults. Therefore, it is important to weigh the opportunities and risks of such systems carefully and involve affected students in the development phase. This study addresses students’ fairness perceptions of the distribution of support measures based on an APP system. First, we examine how students evaluate three different distributive justice norms, namely, equality, equity, and need. Second, we investigate whether fairness perceptions differ between APP based on human or algorithmic decision-making, and third, we address whether evaluations differ between students studying science, technology, engineering, and math (STEM) or social sciences, humanities, and the arts for people and the economy (SHAPE), respectively. To this end, we conducted a cross-sectional survey with a 2 ×\\documentclass[12pt]{minimal} \\usepackage{amsmath} \\usepackage{wasysym} \\usepackage{amsfonts} \\usepackage{amssymb} \\usepackage{amsbsy} \\usepackage{mathrsfs} \\usepackage{upgreek} \\setlength{\\oddsidemargin}{-69pt} \\begin{document}$$\ imes$$\\end{document} 3 factorial design among n = 1378 German students, in which we utilized the distinct distribution norms and decision-making agents as design factors. Our findings suggest that students prefer an equality-based distribution of support measures, and this preference is not influenced by whether APP is based on human or algorithmic decision-making. Moreover, the field of study does not influence the fairness perception, except that students of STEM subjects evaluate a distribution based on the need norm as more fair than students of SHAPE subjects. Based on these findings, higher education institutions should prioritize student-centric decisions when considering APP, weigh the actual need against potential risks, and establish continuous feedback through ongoing consultation with all stakeholders.

Conquered by the North: creative trips of the artist V.A. Igoshev of the 1950s and 1960s

The northern creative trips of the People's Artist of the USSR Vladimir Alexandrovich Igoshev (1921-2007) represent important and vivid pages in his creative biography. The object of this research is the creative heritage of the artist V.A. Igoshev. The subject of the study is the creative trips of the artist V.A. Igoshev to the North (Sverdlovsk and Tyumen regions) of the 1950s and 1960s. The purpose of this study is to reconstruct the overall picture of the northern creative trips of the artist V.A. Igoshev of the 1950s–1960s on the basis of paintings and graphic works of the early "northern cycle", archival materials, exhibition catalogues, Soviet periodicals, individual scientific articles and information from informants. The novelty of the research lies in the most complete and detailed consideration at the moment of the issue of the northern creative trips of the artist V.A. Igoshev in the 1950s and 1960s. Previously, this topic has not received special coverage. Modern researchers of the creative heritage of the artist V.A. Igoshev in their review articles practically did not touch on this problem, limiting themselves to mentioning individual episodes from the creative biography of the master. The author of the study provides historical facts related to specific dates of trips, introduces a list of paintings and graphic works, with all the circumstances of their creation and further exposure at major art exhibitions of the 1950s and 1960s.

Study of birch bark handicrafts of the Oroqen people in China

The aim of this paper is to characterise the characteristics of birch bark crafts of one of the ethnic minority groups, the Oroqen people who live in north-eastern China. The following research methods were used: description, synthesis and classification. The paper examines the characteristics of the handicrafts of the Oroqen people, namely forms, patterns and cultural connotations of ethnic birch bark art. including the cultural component, historical evolution of art and its distribution.Research objectives: to study the characteristic features of traditional fine arts of ethnic minority Oroqen people, classification of traditional art, analysis of the production technology, analysis of the general characteristics of traditional art. Scientific novelty of the study: The art of ethnic minorities in Northeast China has a long history and diversity of types, has a deep cultural connotation, while the Oroqen people have a diverse heritage of folk arts, and birch bark craftsmanship is one of the most important elements. This fact determines the scientific novelty of this study. Conclusions: The paper concludes that the ethnic birchbark art of the Oroqen people has been influenced by the following factors: lifestyle, religion and cultural heritage.The art of the people is determined by their style and standard of living, religion and cultural heritage.

Aesthetics of Non-Conformism in Design Of Stage Space by Daniel Lider (1965–1975)

The purpose of the article is to identify the specifics of the manifestation of non-conformism tendencies in the work of Danylo Lider, People's Artist of Ukraine, chief artist of the Ivan Franko National Academic Drama Theatre in Kyiv in 1965–1975. Research methodology. The article uses a typological method (to identify the peculiarities of non-conformism in accordance with the specifics of stage design); a functional and typological method, which helped to identify the specifics of non-conformism in D. Lider's plastic solutions; a method of art historical, figurative and stylistic, formal and stylistic analysis of the design of the stage space of performances developed by D. Lider in 1965-1975. Scientific novelty. Non-conformism as a method of artistic thinking in the context of the specifics of the design of theatrical art of Ukraine in the 1960s-1990s is studied. The specificity of the manifestation of non-conformist tendencies in the work of one of the leading Ukrainian theatre artists D. Lider is revealed. Based on the analysis of architectonic elements and features of the visual image of the stage space of the plays "Diary Page" by O. Korniichuk (directed by V. Lyzogub, 1965), "Yaroslav the Wise" by I. Kocherha (directed by B. Meshkis, 1970), "The Time of Yellow Leaves" by O. Kolomiiets (1973), "Hello, Pripiat!" by O. Levada (directed by S. Smiian, 1974) revealed the characteristic features of Danylo Lider's non-conformism. Conclusions. The non-conformism of national theatre artists, in particular D. Lider, has a number of specific features that distinguish it from non-conformism in literature and the visual arts. The artist expresses a huge ideological, spiritual and artistic protest by means of multidimentional metaphorisation. Using myths and the tendency of his own consciousness to deep philosophical mystification of reality, he creates amazing, fantastic worlds within a given stage space. A peculiar reaction to the limitations of positivist aesthetics and naturalistic tendencies of socialist realism in D. Lider's work was the play of metaphors and associations. Non-conformism in the design of D. Lider's stage art is manifested in a complex synthesis of the master's philosophical, ideologicall and aesthetic concepts with the actual searches for new artistic forms. Its characteristic features are: a tendency to an highly complex, symbolic portrayal of one's own ideas and impressions, to a sophisticated coding of artistic means; immersion in the spiritual world and unusual forms of expression of new psychological material obtained as a result of comprehending the literary source of the stage production; creation of a figurative and plastic structure of the performance that goes far beyond the dramatic material; destruction of the canons of traditional artistic design in the style of socialist realism in search of a new reality; emphasis on the nuances of the deep shades of human feelings. Key words: non-conformism, stage space design, D. Lider, architectonics, metaphorisation, symbolic representation.

Transformation of the image of Baba Yaga performed by George Millar in the films of Alexander Rowe

The image of Baba Yaga in the folk culture of the ancient Slavs is considered as an object of research in this work. As an important part of folk culture, Russian folk tales take upon themselves the responsibility to broadcast traditional moral qualities and form the basis of a person's evaluative and emotional attitude to the world. The subject of the study is the transformation and interpretation of the image of Baba Yaga performed by the People's Artist of the RSFSR Georgy Millar in the film tales directed by Alexander Rowe. The authors set a goal to identify specific features in the interpretations of the image of Baba Yaga by George Millar and to identify the typology of these images. The methodological basis of the article is content analysis, comparative, statistical, historical and cultural analysis of the films narrator Alexander Rowe. The authors, when considering the problem, achieve the following results: Georgy Millar starred in 16 Alexander Rowe's fairy tales, while performing 27 roles; he played Baba Yaga in 4 fairy tales; only the first is the canonical image, the other three images are the personal merit of Georgy Millar. In the process of developing the problem, the authors identify comparative criteria of Baba Yaga images: external features, behavioral characteristics, character traits. The novelty of the research consists in the unconventionality of the indicated approach, as well as in a comprehensive analysis of the palette of creative possibilities of actor Georgy Millar. As a result of the study, the authors come to the following conclusions: 1) the centuries-old image of Baba Yaga is very complex and often contradictory, so it can be transformed and interpreted; 2) Georgy Millar created 4 different images of the same character - Baba Yaga "Witch", Baba Yaga "Old Housewife", Baba Yaga "Mother" and Baba Yaga "The lady."

Musicality and functions of Mandolin Gamelans in Pupuan Tabanan Village

Gamelan Mandolin is a traditional music in Pupuan Village, Tabanan whose existence is still maintained today. Gamelan Mandolin as part of Balinese karawitan, is very rich in musical elements. The richness of his musical elements can be seen from the form and type of repertoire, composition, rhythm, melodic formula, and patterns he works on. Apart from containing elements of musicality, Gamelan Mandolin in Pupuan Village has a close correlation with the function of art in people's lives. Its existence is indispensable in community life which can be functioned in various patterns of social activities. In its development in society, Gamelan Mandolin has several functions, both primary and secondary functions. This paper discusses the musicality and function of the Mandolian Gamelan in the social life of the Pupuan people. The method used is a qualitative method by describing the musicality and function of Gamelan Mandoli in the social life of the community.

Art for People's Sake: Artists and Community in Black Chicago, 1965-1975 by Rebecca Zorach

Art for People's Sake: Artists and Community in Black Chicago, 1965-1975 by Rebecca Zorach

Urban Taxi Slogans: The People's Arts

Urban Taxi Slogans: The People's Arts

Good practice of making art and culture accessible to the deaf and hard of hearing, on the example of the Deafland exhibition at the Silesian Museum in Katowice

The issue of the accessibility of culture and art for deaf and hard of hearing people is the topic of the implementation doctoral dissertation conducted by the author of the article under the supervision of dr hab. prof. University of Lodz Aneta Pawłowska as part of the Doctoral School of Humanities at the University of Lodz and the Association Social Support "Ja-Ty-My" in Lodz entitled: The problem of accessibility of information in public institutions and social economy entities in the field of culture and art for people with hearing loss and disabilities in Poland. Recommendations and standards.
 The article is an attempt to look from the point of view of a researcher - a deaf person - insider, at the issue of the broadly understood accessibility and significance of the Deafland (Głusza) exhibition at the Silesian Museum in Katowice (a breakthrough in Poland in terms of the subject matter and the model of available technical solutions for people with special needs).

«Одаренность редкая и хрупкая»: Виктор Гвоздицкий — студент Ярославского театрального училища

Viktor Vasilyevich Gvozditsky, a People's Artist of Russia, was an outstanding actor of the national theatre from the end of the 20th to the beginning of the 21st century. He was one of the most renowned graduates of the Yaroslavl Theatre School, which he completed in 1971. This was where the young Gvozditsky's professional development and the unveiling of his acting individuality took place. The extraordinary creative personality of Viktor Vasilyevich became evident during his training in the workshop of the famous director and theatre teacher, the founder and artistic director of the Yaroslavl Theatre School, Firs Efimovich Shishigin. Shishigin had a significant influence on the formation of the young artist. The key role of Khlestakov and the clearly emerging Garin-like nature revealed the eccentric side of his talent. The relationship between the master and his young pupil, who entered the school at the age of fourteen, was complicated, as evidenced by Gvozditsky's memoirs, as well as the recollections of his classmates and teachers. Gvozditsky's acting foundation, which combined the traditions of psychological theatre and the artistic techniques of eccentricity, was made up not only of skills acquired at the Yaroslavl Theatre School, but also from independent learning experiences with talented actors and directors with whom Viktor Vasilyevich worked in theatres.

A brief analysis of the breakthrough and innovation of directing art in the 2000 version of drama Sunrise

Cao Yu's classic trilogy "Thunderstorm", "Sunrise" and "The Wilderness" have always been classic dramas rehearsed and performed by theaters in big cities and drama clubs of colleges and universities, and how to deeply interpret and interpret the classics, how to further excavate deeper cultural and philosophical connotations, and how to conform to the spirit of the times in the current society, these have become the focus and starting point of drama writing, directing and acting in the new era. In 2000, the Beijing People's Art Theater appointed director Ren Ming to rearrange the drama "Sunrise", and this article interprets this version. The modern version of "Sunrise" is a bold breakthrough and innovation in the style of the classic version of "Sunrise", through the re-direction and rearrangement of the play, it skillfully breaks through the thinking pattern of stage imagery, and innovatively integrates traditional and modern elements, giving "Sunrise" a new artistic posture, deepening the connotation interpretation of "Sunrise" in the current era, and narrowing the distance with the audience.

NON FUNGIBLE TOKEN SEBAGAI ASET DIGITAL DALAM PANDANGAN FIQH MUAMALAH

The phenomenon of buying and selling online continues to grow, especially in 2022, when Ghozali shocked the Indonesian people by selling 933 non-fungible token digital works for $1.5 billion on the OpenSea Online Market. But not all people respond, because everyone can sell other people's art, sell images that contain pornography, and commit fraud under the guise of investment. In Sharia economic law, on the other hand, the element of fraud and the sale of something that does not belong to him are prohibited. The mechanism of buying and selling non-fungible tokens on the OpenSea online market is discussed in this study, as well as how the law is based on Islamic economics.This type of research uses a qualitative approach by seeking direct data from parties involved in buying and selling non-fungible tokens on the Opensea online marketplaces, from journals, articles, books, and other sources. The theory of "al-mal" and "al-bai' is used to analyze this research using a qualitative deductive method. The results of the research show three mechanisms in the practice of buying and selling non-fungible tokens on the Opensea online marketplace, which include the creation, sale, and purchase of digital artwork, and most of them are carried out on the Ethereum and Polygon blockchain platforms. According to sharia economic law, when buying and selling non-fungible tokens on the Opensea online market is analyzed using the mall theory, the majority of Ulama argue that non-fungible tokens can be classified as malls, while some groups of followers of Imam Hanafi do not justify non-fungible tokens as malls because of their non-concrete nature. Meanwhile, if it is captured using the "bai' theory, the practice of buying and selling non-fungible tokens is not covered by sharia because, in practice, people can easily sell other people's digital artwork, sell images that contain pornographic elements, and are very vulnerable to involvement in non-fungible token sale scams such as forgery of digital artwork descriptions and investment scams. As for those who can avoid all these negative elements, then they are returned to the original law of bai', namely mubah.