Ornamental Patterns Research Articles

조선 후기 당의(唐衣)의 금장식 문양에 관한 연구

This study examined 24 pieces of gold ornament patterns on dang-ui(唐衣) relics worn by the royal women of the Joseon period in ceremonies from the late 18th to early 20th centuries. Observation of the relics shows that most of the gold ornaments on the dang-ui were based on the ‘subokhwamun(壽福花紋)’, which has ‘subok(壽福)’ characters with treasure patterns and flower patterns placed in a check pattern. Four types of subokhwamun were produced based on form and method. First, the ‘geumsubokja jig-geum’ dang-ui, which added silk with supplementary gold wefts only on the subok characters while weaving the base fabric used for dang-ui into the subokhwamun. There is also a ‘jig-geum’ dang-ui that renders the tongsu-seuran pattern by imprinting the pattern used on the subokhwamun base fabric to the shoulders and arms as well as the end of the front and rear hem. Even though the clothes can be in the same form, gold imprints can be used to express different patterns. The dang-ui recorded as ‘geumsubokja’ refers to the dang-ui with gold-imprinted subok characters, and ‘bu-geum’ dang-ui refers to dang-ui with gold-imprinted tongsu-seuran pattern. Another dang-ui, distinguished by the silk with supplementary gold wefts, works in tandem with the base weave to depict a pattern, the composition or shape of the pattern was made to follow the trends of the time while the arrangement method remained relatively conservative. On the other hand, the gold-imprinted dang-ui has seen more diverse and free changes to its patterns due to its technical trait of completing the pattern after the completion of the clothes.

Since the Development of New Pattern of Minangkabau until the Motif Batik is Patented

The Minangkabau ethnic group is centred in the central highlands of the island of Sumatra. Minangkabau societies are matrilineal in descent and conceive of two customary (adat) philosophies. They are expressed as the ever-expanding world as an educator (Alam terkembang jadikan guru) and adat based on sharia, sharia-based on the Qur'an (adat basandi syarak, syarak basandi Kitabullah). These adat philosophies have produced hundreds of traditional decorative patterns. This study discusses on Minangkabau ornamental patterns. Their motifs and philosophical bases. This article addresses seven new ornate designs and seven batik motifs, which have been designed, patented and analyses their foundations in Minangkabau philosophy. Keywords: Batik, Designs, Minangkabau, Motifs eISSN: 2398-4287© 2020. The Authors. Published for AMER ABRA cE-Bsby e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI3.2574

First and most northern occurrence of a thalattosuchian crocodylomorph from the Jurassic of the Isle of Skye, Scotland

The Jurassic was a key interval for the evolution of dinosaurs, crocodylomorphs and many other vertebrate groups. In recent years, new vertebrate fossils have emerged from the Early–Middle Jurassic of the Isle of Skye, Scotland; however, much more is known about Skye's dinosaur fauna than its crocodylomorphs. Here we report new crocodylomorph material collected from Jurassic marine deposits at Prince Charlie's Cave on the NE coast of Skye. The specimen is a small cobble containing postcranial elements from an individual that is considerably larger in size than previous crocodylomorphs described from Skye. Based on features of the vertebrae and osteoderms, the specimen is assigned to Thalattosuchia, an extinct clade of semi-aquatic/pelagic crocodylomorphs. Specifically, the sub-circular and bean-shaped pit ornamentation on the dorsal surface of the osteoderms in alternating rows suggests affinities with the semi-aquatic lineage Teleosauroidea. Although the ornamentation pattern on the osteoderms is most similar to Macrospondylus (‘ Steneosaurus ’) bollensis , we conservatively assign the specimen to Teleosauroidea indeterminate. Regardless of its precise affinities and fragmentary nature, the specimen is the first thalattosuchian discovered in Scotland and is the most northerly reported Jurassic thalattosuchian globally, adding to our understanding of the palaeobiogeography and evolution of this group. Thematic collection: This article is part of the Early Career Research collection available at: https://www.lyellcollection.org/cc/SJG-early-career-research

Performative Design Optimization for Shading Screens

Building façade plays a significant role in architecture; it is not only a mean to express the design concepts but it is the main moderator between exterior environment and internal spaces. Ecological facades are defined as the ability to response and adapt to the changes of the environmental conditions. The geometry of the proposed screen is not a focal point of this paper, as the aim is to find a method for designing and evaluating non-conventional solar screens that improve indoor daylight quality, while the specified shading screen is installed in front of a transparent full floor to ceiling glass facade. It is assumed that by using the shading screen, the required lighting levels are being maintained, while the heat gain is being reduced. In addition, the designed patterns play a role as an architectural feature of the building. Ultimately, the presented shading screens are based on geometric ornamental patterns and arranged according to the lighting requirements. Results are indicating a multi-disciplinary approach in the design of the shading screens, which can be employed in creating similar prototypes with different climatic and loading requirements.

The significance of a new umbellate ornamentation in Isoetes (Isoetaceae: Lycopodiopsida) megaspores

A new umbellate ornamentation pattern is described in Isoetes megaspores based on scanning electron microscopy and thorough comparisons with sculptural patterns documented in lycophytes and ferns. The umbellate ornamentation is quite distinct from other vertically projected megaspore sculptural patterns (baculate, clavate, gemmulate, pustulate, tuberculate, saccate and verrucate). In addition, megaspore ornamentations described previously for I. dixitei as tuberculate or pustulate have now been corrected as umbellate. This species also possesses a rudimentary velum and internal pigmentation in sporangial wall which has not been reported in other Indian species of the genus. Further, this taxa has a range restricted to the Western Ghats and is confined to a higher elevational range than Indian species characterised by vertically projected megaspore surface ornamentation patterns.

Absorbing the gaze, scattering looks: Klimt's distinctive style and its two-fold effect on the eye of the beholder.

Among the most renowned painters of the early twentieth century, Gustav Klimt is often associated – by experts and laymen alike - with a distinctive style of representation: the visual juxtaposition of realistic features and flattened ornamental patterns. Art historical writing suggests that this juxtaposition allows a two-fold experience; the perception of both the realm of art and the realm of life. While Klimt adopted a variety of stylistic choices in his career, this one popularised his work and was hardly ever used by other artists. The following study was designed to observe whether Klimt’s distinctive style causes a specific behaviour of the viewer, at the level of eye-movements. Twenty-one portraits were shown to thirty viewers while their eye-movements were recorded. The pictures included artworks by Klimt in both his distinctive and non-distinctive styles, as well as other artists of the same historical period. The recorded data show that only Klimt’s distinctive paintings induce a specific eyemovement pattern with alternating longer (“absorbed”) and shorter (“scattered”) fixations. We therefore claim that there is a behavioural correspondence to what art historical interpretations have so far asserted: The perception of “Klimt’s style” can be described as two-fold also at a physiological level.

Large Scaphitid Ammonites (Hoploscaphites) from the Upper Cretaceous (Upper Campanian–Lower Maastrichtian) of North America: Endless Variation on a Single Theme

We describe three species of large scaphitid ammonites (Ammonoidea: Ancyloceratina) from the Upper Cretaceous (upper Campanian–lower Maastrichtian) of the Western Interior of North America. Each species occurs as two dimorphs, referred to as macroconch and microconch. All three species share a similar pattern of ornamentation consisting of long, thin, nonbifurcating ribs on the adoral part of the phragmocone, suggesting that they constitute a single monophyletic clade. Macroconchs of Hoploscaphites crassus (Coryell and Salmon, 1934) are characterized by a globose whorl section, with closely spaced ventrolateral tubercles on the body chamber, usually persisting to the aperture. Macroconchs of Hoploscaphites plenus (Meek and Hayden, 1860) differ from those of H. crassus in having a more subquadrate whorl section with flatter flanks, and fewer, larger, and more widely spaced ventrolateral tubercles. Macroconchs of Hoploscaphites peterseni, n. sp., closely resemble those of H. crassus, but differ in being nearly circular in side view with a more compressed whorl section. All three species lived at approximately the same time in the same general area and depositional environment. They are abundant in the Baculites baculus Zone but also occasionally occur in the B. eliasi Zone and possibly lower part of the B. grandis Zone. They are present in the Pierre Shale of east-central Montana and east-central Wyoming, the Lewis Shale of south-central Wyoming, and the Bearpaw Shale of northeast Montana. It is possible that these three species represent subspecies within a single species or a “flock” of very closely related species, similar to the “species flocks” observed in modern cichlid fishes.

Morphology of genitalia and non-genitalic contact structures inTrouessartiafeather mites (Astigmata: Analgoidea: Trouessartiidae): is there evidence of correlated evolution between the sexes?

Positive correlations between the shapes of male and female sexual structures can be interpreted as cooperative or as combative. In the feather mite genus Trouessartia Canestrini, 1899, the spermaducts of females range from entirely internal to extending externally for varying lengths, whereas male primary genitalia range from gracile to massive. Males also possess a pair of adanal suckers used to hold onto the dorsal surface of the female during copulation. In the area of this attachment, females exhibit ornamentation and have strongly developed dorsal setae (setae h1), which we hypothesized serve to weaken the male’s hold during copulation. In male and female Trouessartia from 51 bird species, we compared female external spermaduct length and male genitalic “massiveness” and explored whether patterns of female dorsal ornamentation and (or) h1 seta size correlate with male adanal sucker size. Our results indicate that females with longer external spermaducts are associated with males with relatively massive genitalia. However, we found no significant relationship between male adanal sucker size and female ornamentation or h1 seta size. Further information regarding how the genitalia interact during sperm transfer is necessary to interpret correlations in genitalia size and strong intersexual differences in dorsal ornamentation and seta size in Trouessartia.

Revision of Two Spinicaudatan Species from the Cañadón Asfalto Formation (Jurassic), Patagonia Argentina.

Re-examination under a scanning electron microscope (SEM) of the type material of the species described by Tasch and Volkheimer (1970) and Vallati (1986) was applied, as well as, new materials collected from different localities of the Las Chacritas Member from Cañadón Asfalto Formation (Argentina). Morphological description and new SEM images of the ornamentation pattern revealed features on carapaces that had not been recognized previously. These species are now referred to the family Eosestheriidae as Carapacestheria taschi (Vallati, 1986) and to the family Fushunograptidae as Wolfestheria patagoniensis (Tasch, in Tasch and Volkheimer, 1970). These records increase our knowledge about the Jurassic faunas from Argentina.

New Spinicaudatan Species of Late Jurassic Linglongta Phase of Yanliao Biota from Western Liaoning, China.

Abundant and diverse spinicaudatans are important components of the well-known Linglongta phase of the Yanliao Biota from the lower Upper Jurassic Tiaojishan Formation at the village Daxishan of Linglongta, Jianchang County, western Liaoning, north-eastern China. Herein a new spinicaudatan species Linglongtaestheria daxishanensis gen. and sp. nov. is described. It shows distinct carapace ornamentation patterns: (1) growth bands near the umbo ornamented with polygonal small-diameter reticulation; (2) growth bands in the middle part of the carapace ornamented with evenly distributed puncta; (3) growth bands in the ventral part of the carapace ornamented with punctate reticulation and radial lirae.

Caryopses Morphology of <i>Sporobolus</i> (Poaceae: Eragrostidiae: Sporobolinae) in India and its Taxonomic Significance

The caryopses morphology of 16 taxa out of 18 taxa of Sporobolus (Poaceae) found in India is examined under Optical and Scanning Electron Microscopes. The macro- and micro-morphological characters such as shape, size, thickness (in cross section), embryo percentage, colour and surface testa ornamentation pattern were critically analysed to evaluate their taxonomic significance in the delimitation and identification of each taxon. Further, a bracketed dichotomous taxonomic key is provided here based on caryopses morphology to facilitate precise identification.

<i>The will to baroque</i> and the dynamics of fine pottery ornamentation of ISPC of carpathian-dniester region

Starting from some ideas of H. Wolflin, O. Spengler pointed out an interesting problem of correlation between the evolution of art and social evolution. Regardless of the realness of their observations and conclusions, the idea of searching and analyzing such correlations seems to be very fruitful, and especially in the context of preliterate culture surviving due to archeology. This paper, drawing on the empirical archaeological data related to so called Incised and Stamped Pottery Cultures (ISPC) of Early Hallstatt period (XII-IX centuries BC) of Carpathian-Dniester region, aims to consider and verify the ideas of H. Wolflin and O. Spengler. For this purpose, and basing on the previously established by the author fivephase evolution scheme of ISPC of Carpathian-Dniester region (including such a key component of ISPC as Sakharna-Soloncheni culture), the dynamic of fine pottery ornamentation of these societies is analyzed. The analysis demonstrates that the evolution of pottery ornamentation of ISPC started from a minimal number of ornamental patterns and moved towards increasing their number. The parallel tendency was the increasing of the ornamented square of pots. These processes, as well as the innovativeness and openness to external influences, peaked in the fourth phase of Sakharna-Soloncheni culture; this phase was also the time of its greatest prosperity.

Seed Morphometry of Native Indonesian Orchids in the Genus Dendrobium.

In this study, seeds of 10 species of epiphytic orchids were examined using light and scanning electron microscope. Quantitative and qualitative characters were analyzed. All the presently investigated seeds showed are transparent with visible embryo and remarkable embryo color variations (such as pale yellow, light yellow, shiny yellow to yellow, orange, and white). The species showed two groups in seed shape (fusiform and filiform), prolate and oval-shaped embryo, positioned at the center of the long axis and near apical pole. Embryo in prolate shaped and near apical pole position was only in D. antennatum. Based on our investigation, there are variations in seed and embryo volume as well as percentage air space in different taxa of orchids. The highest air space percentages were found in D. leporinum. According to the ornamentation of testa cells, 3 types of seeds were discovered in this genus. Additionally, the clear variation in the testa ornamentation pattern includes the species of D. leporinum, where the testa cells were in the medial regular rectangles, but in the apical and basal pole they are polygonal and irregularly oriented; the testa cells of D. antennatum are polygonal and irregularly oriented and those of D. purpureum are longitudinally oriented with regular rectangles.

Pottery from the Vak-Kur cemetery of the Yudina Culture (based on materials from excavations 3–6)

Researchers associate the medieval archeological artifacts of the Middle Trans-Urals, whose pottery bears cord impressions, with the Chiyalik, Molchanvo and Yudina Cultures. Despite the large number of artifacts that have been studied, many questions remain open. These include the status, chronology, and interaction of the Molchanovo and Yudina antiquities, as well as the evolution and specifics of their pottery complexes. Publication and analysis of the ceramic collections from Vak-Kur, the largest burial ground of the Yudina Culture, contribute to addressing some problems related to «the Corded Ware cultures». The Vak-Kur burial ground is dated to the 10th–11th centuries based on the assemblage of the associated goods. It is located in the south-eastern part of the Yudina Culture areal, on the right shore of the Tobol River. For all the time of excavations in the area of the ne-cropolis, 220 burials have been studied. The dead were buried in shallow pits according to the ritual of inhuma-tion, on their backs. A specific feature of the funeral ritual is breaking of a part of the accompanying equipment and use of funerary masks. Decorative and morphological features of 143 Yudina vessels have been examined. The tableware has been categorized according to four topographic groups after excavations 3 to 6. It has been noted that, despite the similar shapes of pots, and ornamental proportions and patterns, the pottery from excava-tions 3 to 6 demonstrates a different frequency in use of such elements in the décor as the cord and figured stamps. The biggest differences were detected between the ceramic artifacts found in excavations 4 and 6. It was suggested that the differences in décor between pottery from different excavations are determined not by their asynchronous nature, but by the existence of several tribal sites in the area of the Yudina necropolis. The com-parison of ceramic collections from the Vak-Kur burial ground with those from the medieval burial and settlement sites of the Yudina Culture showed that the pottery from the necropolis is most closely related to collections from the Plamya Sibiri 6 and 7, and Antonovo 1 settlements located in the Tura River basin. These sites were dated by their investigator to the earlier period (6th to 9th centuries) and attributed to the Molchanovo Culture. Based on the significant similarity between the pottery of the named sites and the dishware of the 10th to 11th centuries from excavation 4 of the Vak-Kur burial ground, a revision of the chronology and cultural attribution of these sites has been proposed.

New finding of Rhadinoloricaria macromystax (Siluriformes: Loricariidae): redescription of the genus and description of a new species from Ecuador.

The fish collection from the Museum of Escuela Politécnica Nacional, Quito, Ecuador, has nine lots with 12 specimens assigned to genus Rhadinoloricaria. Specimens come from the Napo and Pastaza rivers, Amazon River basin, eastern Ecuador. One specimen matches accurately with figures and original description of Loricaria macromystax Günther, 1869, type species of Rhadinoloricaria. After 150 years, this is the first secure identification of the species, which allowed an accurate description of the genus Rhadinoloricaria, and the discovery of a new species from Ecuador, described herein. In addition, using available specimens, figures and literature, a comparative analysis on external morphology was performed among the eight species included in Rhadinoloricaria. The analysis documented significant differences between them, in some morphological external characters and in buccal ornamentation. The results suggest that the eight species can be grouped into three or four genera. Rhadinoloricaria, in strict sense, has two species. Apistoloricaria is considered a valid genus, and include the four species previously assigned to it. Rhadinoloricaria bahuaja and R. rhami do not belong to the known genera in the Pseudohemiodon group. At this time, available data suggests that both species could continue included in 'Rhadinoloricaria', waiting further analyses to solve their generic status. Results support the use of buccal ornamentation patterns alone or combined with some morphological characters as valuable tool for generic identification within Loricariini.

Morphology and molecular phylogeny of a new PST-producing dinoflagellate species: Alexandrium fragae sp. nov. (Gonyaulacales, dinophyceae)

The genus Alexandrium comprises some of the most potentially toxic marine algae. A new toxic species of Alexandrium, A. fragae sp. nov., was found in Guanabara Bay, Rio de Janeiro, southern Brazil. The new species produces GTX2&3 and STX. The cell morphology of A. fragae resembles A. minutum in many characters, including the small size; the rounded-elliptical shape; and the shapes of the apical pore complex (APC), first apical plate (1′), sixth precingular plate (6″), and anterior and posterior sulcal plates (s.a. and s.p.). The main diagnostic characters of A. fragae are the ornamentation pattern, smooth epitheca and reticulated hypotheca, all of which were present in both natural populations and cultures. Phylogenies inferred from the ITS, LSU, and SSU rDNA of A. fragae showed that A. fragae clustered in a well-supported clade, distinct from other Alexandrium species. Morphology and molecular analyses based on ITS and LSU rDNA indicated that A. fragae strains and Alexandrium sp. from Japan (D163C5, D164C6) are a single species. Our findings suggest that the Alexandrium morphotype with a smooth epitheca and reticulated hypotheca, previously identified as A. minutum in different geographic regions, may corresponds to A. fragae.

Eco-geographical determinants of the evolution of ornamentation in vipers

AbstractMultiple hypotheses have been proposed to explain the variation of dorsal patterns observed in snakes, but no studies yet have tested them over broad taxonomic and geographical scales. The Viperidae offer a powerful model group to test eco-evolutionary processes that lead to disruptive and cryptic ornaments. We developed a database reporting dorsal ornamentation, ecological habitus, habitat features and climatic parameters for 257 out of 341 recognized species. Three patterns of dorsal ornamentation were considered: “zig-zag”, “blotchy” and “uniform” patterns. Phylogenetic comparative analyses were based on 11 mitochondrial and nuclear genes. Forty-eight species presented a zig-zag pattern type, 224 a blotchy pattern type and 32 a uniform pattern type. All the patterns showed a strong phylogenetic signal. Character phylogenetic reconstruction analyses suggested an ancestral state for blotchy ornamentation, with multiple independent evolutions of the other patterns. The blotchy pattern was more frequent in terrestrial species living in warm climates and sandy habitats, supporting the hypothesis of a disruptive function. The zig-zag pattern evolved independently in several isolated taxa, particularly in species living in cold climates and in dense vegetation or water-related habitats, supporting the hypothesis of disruptive and aposematic functions. Uniform coloration was particularly frequent in arboreal species, supporting the hypothesis of a cryptic function.

A new pygmy armadillo (Cingulata, Euphractinae) from the late Miocene of Andean Argentina reveals an unexpected evolutionary history of the singular Prozaedyus lineage

The extinct euphractine Prozaedyus was recognized remarking the evident morphological resemblance of the dorsal carapace with the extant piche or pygmy armadillo Zaedyus pichiy. From a phylogenetic viewpoint, Prozaedyus has been interpreted as an early diverging Euphractinae restricted, at the moment, to the late Oligocene and early mid Miocene levels (Deseadan to Laventan SALMAs) of southern South America (Argentina, Chile, and Bolivia). We report here a specimen (MSJ-317) coming from the late Miocene (Loma de Las Tapias Formation; ~9 Ma, Chasicoan Stage/Age) of western Argentina (San Juan Province), which represents a new species of Prozaedyus. The specimen includes an almost complete skull with complete dental series, some articulated fragments of the dorsal carapace and several isolated fixed and mobile osteoderms. Absence of teeth in the premaxillae, ornamentation pattern of fixed osteoderms, and presence of small foramina in the posterior and lateral margins of both mobile and fixed osteoderms, are characters that allow its inclusion within the genus Prozaedyus. Differences with the other known species of this genus include smaller size (~35–40%), cranial characters (e.g. position of the infraorbital foramen, palatine suture, morphology of the occipital condyles), and ornamentation pattern of mobile osteoderms. The phylogenetic analysis carried out support its relation as a sister group of the other Prozaedyus species, revealing an ancient divergence for the new taxon, occurred before that of the late Oligocene-early mid Miocene forms, and a distant phylogenetic position from Zaedyus pichiy. This new finding represents the youngest record of the genus, extending its biochron several millions of years, and provides novel information on the poorly know post-Santacrucian forms. Additionally, the cranial anatomy of the new species suggests a carnivore/omnivore habit, similar to extant euphractine armadillos but contrary to the insectivore habit proposed for the other Prozaedyus species.

Diseño de patrones inspirados en la trajeria de la Mama Negra aplicando los movimientos, escuelas y técnicas de la historia del diseño.

En la provincia de Cotopaxi, en la ciudad de Latacunga específicamente en la Universidad Técnica de Cotopaxi, en los estudiantes de primer semestre de la carrera de Diseño Gráfico existe un desconocimiento sobre la historia del diseño, sus teorías y fundamentos y al igual de una de las festividades populares y tradicionales de la ciudad que es la Mama Negra. Para fomentar el interés en las costumbres y tradiciones de la ciudad, lugar donde residen los estudiantes, se estableció realizar un estudio y análisis del personaje principal de la festividad, la Mama Negra y de su trajería que posee decoraciones y ornamentos distintivos cargados de simbolismo a los cuales se aplicó los movimientos, escuelas y técnicas propias de la historia del diseño para reinterpretar estructuras compositivas. Para el desarrollo de la parte grafica se usó una metodológica planteada de tres fases, con un tipo de investigación descriptiva transversal, con un diseño de investigación bibliográfico y de campo, basándose en la técnica de la observación y como instrumento fichas de observación trabajando con una muestra conformada por 37 estudiantes. Se obtiene como resultado estructuras compositivas basadas en la trajería del personaje Mama Negra, patrones ornamentales con acabados estilísticos que ayudan a recuperar nuestros valores e identidad cultural.

Ретрансляция исторических кружевных орнаментов при помощи метода 3D-проектирования

In this article, it is shown the solution of a range of important issues that are necessary for working out of the modern digital stages of a lace costume and lace–like structures. The most complete study of the historical–cultural heritage of lace is a prerequisite for the construction of a classification matrix that highlights the dominant types of lace in certain time intervals in different countries. Understanding the conditions of traditional design of a lace element with an ornamental pattern, historically natural to its time, allows recreating a certain prototype of a lace element, lace costume, lace style image. The classification matrix provides the possibility of authentic adaptation of historical lace ornaments using the 3D printing method and 3D modelling programs. On the basis of selected historical prototype sketching of the interested area of a costume is carried out from the historical art canvas according to the actual measurements of the elements and the mathematical law of similarity, with a subsequent 1:1 scaling. The copy of maximum possible similarity of the historical prototype with the use of special 3D-programs is transleted from the flat intangible artifact of the great artist into a real stylized 3D-object. Through such modular elements, it is possible to assemble a full-value historical costume or a futuristic style image. In this research is carried out retransmission of the rapport elements of women’s and men’s costume collars. The table shows the key steps in the development of historical prototypes of 3D modules in Adobe Photoshop and Autodesk 3ds Max programs. From the designed modules according to the author’s principle, models of women’s and men’s costume in the style of futurism have been developed. The final models in the costume design chain show a complete difference in costume style and purpose from direct historical prototypes, which proves the absolute adaptive ability of lace to the changing conditions of the existence of the costume.