The principle protagonist of In a Year of Thirteen Moons is a transsexual, someone who has crossed an absolute border, transgressed the fundamental divide of gender upon which, according to psychoanalytic theory, all society the systems which compose it, including language itselfis based. Such a thoroughgoing anomaly would seem to demand an extraordinary restructuring of the narrative form which tells it. Instead, Thirteen Moons exhibits a balanced, stubbornly rectilinear form apparently indifferent to the transgression which, by an ordinary logic, should constitute the collapse of its classical symmetry. This essay examines some of the strategies by which, like the secondary revision of the dream text, the film binds the threatening and potentially disruptive sexuality to a plot all too familiar, a scenario all too recurrent. In S/Z, Roland Barthes isolates for discussion five codes that structure the narrative text: the hermeneutic, which sets up, holds in suspense, and discloses an enigma; the proairetic, which is the code of actions and gestures; the cultural or referential, which indicates the system of science, of knowledge within which the text operates; the semic, which controls the connotative level or the character of the text; and the symbolic, which sets up a system of antitheses and thus allows for classifications and legal substitutions. The classical realist text is constructed out of a hierarchical arrangement of these codes, whereby the hermeneutic and proairetic dominate the other codes by imposing on them an irreversible logico-temporal order. To use Barthes's word, the hermeneutic and the proairetic vectorize the text. In an elaboration of the relationship among the codes of the realist text, Peter Wollen has stated that the hermeneutic and proairetic codes are correlated with the symbolic order and encode the textual body with a gender identity, while the semic and symbolic codes (he does not mention the cultural) are correlated with the semiotic and release a kind of random erotics, a promiscuous force of uncathected energy.1 The dominant, sequential codes anchor the nar-
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