The seismic events which have hit the central part of Italy from 24 august 2016 and the consequent strong earthquakes in October and November 2016 and January 2017, have created extended losses in four regions: Lazio, Marche, Umbria and Abruzzo. These losses have been in terms of life and property. The elevated level of material destruction has also interested a large part of Italian Cultural Heritage, both as regards the monumental building and the movable goods. In fact, Italy is reach of many artistic goods which are not only allocated into Museums.The extended damage on older buildings such a Churches, which are not designed to resist earthquakes, is caused by different factors due overall to the construction techniques dissimilarity and the large variation of their construction typology. Still today Churches are the place where some of the most important artistical works are kept: paintings, frescos, statues, altars and other many sacred objects.During the emergency phase, a big recognition work has been carried out by the Civil Protection Department, as well as by all the Institutions which have been part of the recognition phase after earthquakes, collecting a database through the “Schede AeDES” which has been successively digitalized by the “Ministero per i beni e le attività culturali e per il Turismo ” (MiBACT), able to gives for each building, the level of damage and the related real situation of intervention. The churches affected by the earthquake have been almost 3000 in the four regions. After the previous assessment on the field of their level of damage and of the related reconstruction’s costs estimation carried out by expert volunteers technicians, on September 2017 the Italian Government have issued a funding plan for the reconstruction of the first 100 churches, chosen on the basis of the intervention’s relevance.Moreover, many interventions of artistic goods rescue are made place thanks to the Fire Fighters, and successively by the MiBACT technicians. In fact, from the 2009 earthquake management experience, it was possible to face the scenario that struck Italy in the latest serious event in 2016. Thanks to the activation of a series of operations, it was possible to recover the huge historical and artistic Italian heritage constituted by many damaged movable goods.After the last seismic events, the technicians of special Units of the Ministry of cultural Heritage and Activities and Tourism (MiBACT), has carried out a survey to map the damage of both historical buildings and movable artistic goods. From this survey, a damage scenario has emerged involving about 20.000 historical artistic assets and movable archaeologists, over 4500 linear meters of archival assets and 10000 volumes of books assets.When possible, the artistic goods are moved from the Churches, catalogued and hospitalized into specific warehouses. The recovery of movable goods, promptly activated by the MiBACT, has involved their removal from the damaged buildings and their subsequent placement in warehouses, even temporary, specially equipped and set up. These storages, managed by MiBACT, are able to guarantee the first activities of intervention for the stabilization of the artworks. In other cases, when was not possible to move the artistic works, a temporary structure has been built for the protection of the goods (such as frescos).