The existence of Tarawangsa Cangkungan, which is still alive and 
 continues to grow, cannot be separated from its existence which is 
 still functioned in many contexts, such as hajat overtime, ngaruat, 
 and treating the sick. In the context of the ecosystem, the study in 
 this paper takes focus and limits. 
 The times have become one of the factors contributing to the loss of 
 traditional culture and arts. Therefore, the continuity of an art 
 cannot be separated from how the artists maintain and continue the 
 tradition. The art of tarawangsa Banjaran is an example of a case 
 where this art was once alive and well known in the community, 
 but due to the lack of regeneration efforts and the decreasing 
 number of artists who continue it, this art has finally experienced 
 a period of vacuum and is now almost extinct. So far, one of the 
 main problems has been the strict restrictions on the regeneration 
 process of Banjaran's tarawangsa art. This policy requires 
 prospective heirs to have blood ties to the previous presenting artist 
 as the main requirement. This condition has become a barrier for 
 the younger generation who are interested in learning this art.