This study considers how Urdu Indian writer, Qurratulain Hyder historicizes the role of Buddhism in her magnum opus, River of Fire. Previous studies have approached the question of religion in River of Fire in relation to the radical nationalisms of Hinduism and Islam. Meanwhile, Buddhism—a religious philosophy often perceived as innocuous in the polemics of Partition—has received only a passing nod. This study demonstrates that Hyder’s imagination of Buddhism from the perspective of female domesticity, unravels a more complicated religious and literary legacy than what was generally understood among her contemporary intelligentsia. In the opening chapters of the novel, Hyder draws on classical Buddhist literatures such as the Therīgāthā, to challenge romanticized imaginations of Buddhism. This article teases out this intertextuality between the novel and the Buddhist canon as a moment that foregrounds the implications of liberation for generations of women silenced by hegemonic religious and national histories. Drawing on Saba Mahmood’s Politics of Piety, I argue that Hyder explores alternative conceptions of feminine self-realization and liberation which interrogate not only traditional monastic notions of freedom and liberation but also feminist and Buddhist discourses of equality in the nation.