Abstract
Sylvia Plaths Ariel, characterized by dark themes, idiosyncratic imagery, and raw emotional intensity, holds an enduring fascination for readers and critics alike. While much scholarship has examined this collection through a psychoanalytic or biographical lens, this research seeks to uncover an underexplored dimension of Ariel its ecofeminist undertones. The abundant nature imagery provides a particularly rich source for the investigation of her pre-ecofeminist consciousness. This research adopts a mixed-methods design that combines a corpus-based approach with an in-depth analysis of representative imagery. Excel-based calculation results show that the relatively large presence of nature imagery infuses Ariel with a riveting, dreamy atmosphere. The textual analysis further reveals that Plaths subtle interweaving of the female experience and the natural world resonates with ecofeminist notions of patriarchal oppression and mutual liberation. By unearthing the ecofeminist dimensions of Ariel, this research aims to provide fresh insights into this masterpiece while shedding light on the richness and complexity of Plaths thematic concerns and poetic expression.
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