Peace through Suffering: Human Resilience and Viet Nam War Literature Erin R. McCoy (bio) The Viet Nam1 War (1955–1975) marked a turbulent time in American culture. The othering of the enemy coupled with America’s status as a victor in World War II colored lenses of political, cultural, and social views in post-war America. But a perpetual victor America was not, and the Viet Nam War brought undue division and despair to the nation’s identity and psyche that lasted decades. In a 1980 address to the Veterans of Foreign Wars, President Ronald Reagan referred to the United States’ aversion to war as a product of “Vietnam Syndrome,” where a “noble cause” was marred by the propaganda-fueled aggression of the North Vietnamese (Reagan). According to Reagan and others, the nation’s trepidation regarding entering into conflict stemmed from a guilt-like hangover from the Viet Nam War experience. Though a common thread in war literature is individual and collective suffering, how these are expressed in literature about the Viet Nam War is simultaneously unique to its situation and common in its commentary on the continuity of war as a part of the human experience. What unites literature of the experience of the Viet Nam War are shared themes of human suffering and the quest for individual peace. In his survey of the Viet Nam War legacy, Nothing Ever Dies, Viet Than Nguyen’s opens with the observation, “All wars are fought twice; the first time on the battlefield, the second time in memory” (4). American Literature About the Viet Nam War The bulk of early United States literature about Viet Nam either analyzed the failures of the French or criticized American involvement in the war. Prior to the Viet Nam War, Graham Greene’s 1955 novel, The Quiet American (published on the eve of American involvement in Viet Nam), made pointed references to early American involvement in France’s Indochina Wars. The book’s primary tension is between a British journalist and American CIA operative over the affections of a girl named Phuong; however, that tension acts as an extended metaphor of the incoming American experience in the country, an experience characterized by frustration, cruelty, and suffering. Books about Viet Nam published during the war, like Bernard B. Fall’s Street Without Joy: The French Debacle in Indochina (1961) and Hell is a Very [End Page 155] Small Place: The Siege of Dien Bien Phu (1966), focused on the many failings of French colonialism. They did little in regard to representing Vietnamese people or culture. Norman Mailer’s The Armies of the Night (1968) detailed the October 1967 March on the Pentagon. He had already penned his treatise Why Are We in Vietnam? (1967), stoking anti-war fires in the United States. Noam Chomsky added fuel to the anti-war fire with American Power and the New Mandarins(1969), as did John Rowe with Count Your Dead (1968). At the same time, more traditionally patriotic and battle-centered works, like Robin Moore’s The Green Berets (1965), also sold well during the early years of the war. A notable exception to the 1960s-era literature about the war is Michael Herr’s Dispatches (1968). Herr’s book is one of the first journalistic accounts of the war, and it is a chaotic, hazy read. The journalist’s memories and renderings of the war are bleak--he makes clear that in its earliest stages, the war made little sense to those reporting on it. Herr also offers a window into Vietnamese culture. More urgently, his unique inside/outside perspective on the war warns readers about the emotional suffering that would become the Viet Nam War’s legacy. Because the Viet Nam War continued into the 1970s, as did conflicts at home regarding the United States’ involvement in it, individuals who had been part of the war began to write about it while it continued. As a result of the emergence of empirical storytelling, Viet Nam became less of a war and more of a country to American readers. Increasingly, there appeared more “front line,” or first-person accounts from Viet Nam written by those who had directly...
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