SUBLIME IMAGES FROM HUBBLE Picturing the Cosmos: Hubble Space Telescope Images and the Astronomical Sublime. Elizabeth A. Kessler (University of Minnesota Press, Minneapolis, 2012). Pp. viii + 279. $30 (paperback). ISBN 978-0-8166-7957-7.In 1998, the Hubble Heritage Team was preparing to release a new image of the planetary nebula NGC 3132. Hubble Heritage images appear not just in research papers but on calendars, coffee mugs, and the walls of art galleries. They literally shape how many citizens and scientists around the world see the universe. When describing how a balance between aesthetic inclinations and scientific veracity was found for the NGC 3132 picture, one team member explained, We tend to look for things that 'look right.' And what exactly looks right is maybe a little hard to quantify (p. 162).This quote, found toward the end of Elizabeth A. Kessler's excellent and thought-provoking new book, captures a great deal of the tension inherent in making and viewing contemporary images. Such scientific images have an inherent aesthetic and artistic quality. As Kessler's book reveals, they do all sorts of work besides merely conveying scientific information.As the book's title suggests, the astronomical is central to Kessler's analysis of Hubble images. Primarily focusing on the work of the Hubble Heritage Project, she expands on the sublime's characteristic features (astonishment, the infinite, and even terror) and extends it beyond its origins with eighteenth-century scholars like Immanuel Kant and Edmund Burke. Kessler convincingly shows how contemporary Hubble images not only reflect qualities of the sublime but also resemble earlier traditions in Western art. In particular, she compares Hubble images to famous nineteenth-century landscape paintings by artists such as Thomas Moran and Albert Bierstadt. The famous 1995 Pillars of Creation image - a view of the Eagle Nebula has parallels to, for example, the towering cloud and rock formations found in Romantic scenes of the American West.Nineteenth-century scenes of the American frontier once conveyed natural splendour to parlour-bound citizens, and tempted scientists with their geological mysteries. They also communicated the ideology of Manifest Destiny and the transformative power of the frontier as Frederick Jackson Turner famously noted. In similar fashion, images from Hubble reflect their own historical moment by stimulating public interest and continued funding for NASA's exploration of the cosmic frontier. In the early 1990s, when the telescope's initial spherical aberration threatened to undermine public and political support altogether, images from Hubble proved especially critical. They convinced scientists, politicians and taxpayers that a hobbled Hubble could still produce good science and a repaired telescope even more so.The strength of Kessler's argument lies in her skilful blending of the histories of art and astronomy with oral history interviews and observations from contemporary astronomers at work. She also engages with the work of other scholars who have considered the nature and use of images. This book, for example, finds common ground with Samuel Edgerton and Michael Lynch's earlier work on digital image processing while critiquing the sceptical view of the art historian James Elkins. …