American Freedom and Islamic Fascism: Ideology in the Hall of Mirrors Ellen McLarney (bio) While democratic liberalism continually reimagines fascism as its monstrous Other, fascism might be better understood as its doppelganger or double. Nikhil Singh, “Afterlife of Fascism” The terrorism being combated by Superpower, while real enough, is one whose image Superpower’s representatives have constructed. Superpower’s understanding of the requirements of its own powers has been guided by the character it has chosen to bestow upon terrorism. Sheldon Wolin, Democracy Incorporated The Bush administration’s post-9/11 diagnosis for the origins of the attacks was Islamic “hatred” for American freedoms: freedom of religion, freedom of speech, and democratically elected government. This freedom, Bush argued, is the crux of the difference between “us” and “them,” what differentiates Islamic fundamentalism from the liberal, democratic West. This characterization of the Middle East and the Islamic world draws on classic colonial imagery of oriental despotism as well as rhetoric associated with other wars of global expansion like World War II and the Cold War. In Bush’s September 20th speech to Congress and the American people, he identified the perpetrators of 9/11 as “heirs of all the murderous ideologies of the 20th century … They follow in the path of fascism, Nazism, and totalitarianism.”1 This speech apparently set the terms of the debate, establishing mirroring discourses of freedom and fascism, discourses taken up nearly verbatim by the British and American media. The media became a potent arm in a propaganda war, projecting the threat to “our freedoms” onto an alien Islam, even as the Bush administration embarked on imperialistic wars abroad, strengthened the powers of the executive branch, suspended laws of habeus corpus, violated international law, and loosened restrictions on spying on American citizens, all in an atmosphere of chauvinistic patriotism and militarism. As fears grew about an unbounded American state sowing its influence across the globe, totalitarianism was projected onto Islamic political ambitions. After 9/11, the British and American media functioned as an ideological apparatus of the state embedded in the military, the marketplace of ideas became a “war of ideas,” as the media offered their services as “laptop generals,” using rounds from “thought-murder guns.”2 “We cannot kill all these people,” Dinesh D’Souza wrote of the Muslim world, “We have to change their minds.”3 By the time British and American intellectuals began theorizing the US security state as “inverted totalitarianism” (Susan Buck-Morss, Sheldon Wolin), neoliberalism as authoritarian (David Harvey, Wendy Brown, Eva Cherniavsky), and the United States’ “empire of liberty” as fascist (Nihil Singh), the media had already bombarded public consciousness with arguments about the totalitarian nature of radical Islam.4 These intellectuals sought to invert, or somehow revert this discourse, by turning the charge of totalitarianism back on the state. “The Left,” writes Slavoj Zizek in Did Somebody Say Totalitarianism? “has accepted the basic co-ordinates of liberal democracy (‘democracy’ versus ‘totalitarianism,’) and is now trying to redefine its (op)position within this space.”5 Zizek argues that this space is a “stopgap: instead of enabling us to think, forcing us to acquire a new insight into the historical reality it describes, it … actively prevents us from thinking.”6 This basic coordinate of freedom versus fascism (or democracy versus totalitarianism, liberalism versus authoritarianism, the West versus Islam) is not just a stopgap, a closed, claustrophobic space within which thought can get caught, but a kind of hall of mirrors in which liberal ideology—whether secular or Islamic—infinitely reflects back on itself. This essay explores mirroring discourses of freedom and fascism through the figure of Sayyid Qutb, whose own theology of Islamic freedom was described in the British and American press as a “total dictatorship,” a form of “extreme despotism,” and one of the “grand totalitarian revolutionary projects of the 20th century,” like those of “the Nazis, the Fascists, and the Communists.’”7 Only days after 9/11, the British and American media made Qutb the embodiment of the origins of Islamic fascism, identifying him as “the father of modern Islamist fundamentalism.” From this intellectual legacy, a “direct line of influence” could be traced to the 9/11 hijackers, echoing...
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