The paper provides, for the first time, a comprehensive analysis of the artistic features of the Krasnodar Stadium park and historical allusions associated with the compositions of this park. The park, opened to the public in 2017, has become a novelty in the international landscape culture and a landmark of Krasnodar. The main elements of the ensemble analyzed: concept, layout, roads and routes, volumes and space, green architecture and forms of the plants, water system, boundaries and zones, materials and textures, shapes and rhythms, play of light and conditions of nature. The works of art placed in the park are considered in detail: first, the compositions “Geolocation” and «Artificial Environment» of the Recycle group (2019) and, second, subsequent installations, the presence of which could be a matter of discussion. The historical garden styles that influenced the idea of the park are Italian, French, and English types and water gardens of the Middle East, as well as postmodern “landforms» by Charles Jenks. The large Japanese Garden (2023) is a new development of the park. The shift to the stylization makes it possible to summarize the image of the main park, in which the techniques of modern landscape art and the motives of historical heritage are summarized.