Reviews e Modernist Art of Queer Survival. By B B. (Modernist Literature and Culture Series) New York: Oxford University Press. . xii+ pp.£.. ISBN ––––. In , shortly before discussions of teleology, temporality, new unhistoricism, and (no) futurity came to dominate queer studies, David Halperin called into question the future of queer theory itself. ‘If queer theory is going to have the sort of future worth cherishing,’ wrote Halperin, ‘we will have to find ways of renewing its radical potential—and by that I mean not devising some new and more avant-garde theoretical formulation of it but, quite concretely, reinventing its capacity to startle, to surprise, to help us think what has not yet been thought’ (‘e Normalization of Queer eory’, Journal of Homosexuality, .– (), – (p. )). Fieen years later, Benjamin Bateman’s brilliant book on queer survival demonstrates why Halperin need not have worried. Drawing upon significant recent scholarship but ultimately proposing a radically new way of interpreting the precariousness of queer existence, Bateman extends a ‘queer invitation’ that not only ‘makes time for queerness both now and in the future’ (p. ) but also illustrates precisely why such work is worth cherishing. e book is founded on a paradox or ‘counterintuitive proposition’ (p. ). Bateman asks that we focus not on fragility but on ‘feelings of aliveness’ (p. ), that we recognize what is ‘both strong and weak enough to help one survive’ (p. ), that we find comfort in the ‘insecurity blanket’ (p. ) enveloping queer existence. While Bateman claims that his goal is ‘not to issue a counter-polemic’ (p. ) to Lee Edelman’s ‘epochal’ volume No Future: Queer eory and the Death Drive (Durham, NC: Duke University Press, ), it is impossible not to pit these works against one another, with Bateman’s presenting an altogether more appealing narrative of resilience and ‘queers surviving’ (p. ). Refusing to accept ‘extreme negativity’ (p. ), Bateman succeeds in drawing out the most unlikely positives from the darkest of places. e queer ‘death impulse’ is ‘a spur to interanimate collaboration and agency’ (pp. –), the suffering of Wilde and Bosie is ‘the gritty stuff of survival’ (p. ), and Chapter is alarmingly entitled ‘Cather’s Survival by Suicide’. In his reading of Wilde’s De Profundis, Bateman aims to be ‘generous to what the prose is driving at’ (p. ), which sums up his approach both as literary critic and as theorist grappling with unhappy pasts (‘ones whose frowns are not turned upside down’ (p. )) and uncertain futures. Bateman delivers on the promise of his lively Introduction with chapters on James, Wilde, Forster, and Cather. Although the work on Forster spans two chapters (‘Forster’s Queer Invitation’ and ‘e Invitation’s Success’), it is Cather who frames the narrative, shaping the Introduction and Coda as well as an attentive final chapter. e book’s key strengths lie in the ‘aliveness’ of both its prose and its close readings. Bateman’s oen complex thesis is presented in terms wholly accessible and engaging, at times bordering on conversational (‘I will get to the infamous Marabar caves soon enough’ (p. )), and the attention to detail in the interpretation of Cather’s Lucy Gayheart () reaps particularly worthwhile rewards. Modernism MLR, ., is defined loosely here, but this work will surely make a profound intervention in debates both queer and literary. Bateman’s study itself is a ‘narrative vessel’ (p. ), bringing forth a story of queer survival that demands to be heard. e confidence of series editors Kevin J. H. Dettmar and Mark Wollaeger in describing Bateman as ‘a canny reader of queer theory and a formidable theorist in his own right’ (p. vii) is well placed. e Modernist Art of Queer Survival is an invigorating book, and one that will endure. Queer theory has a future, and this is the kind of work that makes scholars want to be a part of it. U Y H R Great Plains Literature. By L P. (Discovering the Great Plains) Lincoln: University of Nebraska Press. . iv+ pp. $.; £.. ISBN – –––. In Great Plains Literature Linda Pratt offers a survey of the region’s writers that is both compact and in-depth, at least concerning the aspects and authors on which Pratt has chosen to focus. e...