Given the ever-increasing numbers of Virginia Woolfs constructed by readers of her work, it becomes essential to devise-and continually to revisemental maps of the critical landscape. Any recent map would reveal the multiplication of theoretical sites and of national and international transportation and communication networks. Woolf's work, reflecting as it does her own increasingly fluid, complex, and multiple visions of self and world, lends itself to a wide variety of readings. Most satisfying are those by people who, aware of their assumptions and, like Woolf herself, wary of their own authority, consciously join the widely reverberating, boundary-transcending conversations about her texts. Less satisfying, although often sources of valuable insights for the larger discussions, are studies that present their readings as keys to everything Woolf thought and accomplished. In this context, it is heartening to read books on Virginia Woolf's life and works that see her as more than a victim-of sexually abusive half brothers, of a domineering husband, of the entire male medical profession, among other people and institutions. In contemporary Western societies where increasingly informed and sensitive audiences encourage oppressed individuals and groups to confess and to protest (often in the law courts) their victimization, such studies are perhaps inevitable. On at least one level, they are also laudable. The cases against the variety of victimizers offered