To say that the Niger Delta literature or the poetics of extraction in the Delta has attracted numerous scholarly engagements is an understatement. However, most of the critical works written about the Niger Delta have been by male writers such as Gabriel Okara, Ken Saro-Wiwa, Tanure Ojaide, Ogaga Ifowodo, Nnimmo Bassey and others who are known for drawing attention to the environmental despoilment and the suffering of the various Indigenous communities of the Delta. In this article, I am interested in the framing of the Delta by female poets from the region. Building on Gayatri Spivak’s concept of the subaltern, I ask, are Niger Delta women writing? And if so, how do they contextualise women and nature in their poetic imagination? Mindful of the complexities in the region, what literary devices do they employ to aid their navigation of the murky confluence of state power, multinational corporations, and environmental degradation that abounds in the region unabated? This work applies the theoretical positions of ecofeminist scholars to the close reading of select poems from Sophia Obi’s Tears in a Basket (2005), Ekaete George’s Saints and Scoundrels (2018), and Iquo DianaAbasi’s Coming Undone as Stitches Tighten (2021).